Come Live With Me and Be My Love | | | | | | | |
Come, Thou Monarch of the Star | | | | | | | |
Consort Lessons, Book 1: Can She Excuse | | | | | | | |
Consort Lessons, Book 1: Go From My Window | | | | Étude | | | |
Consort Lessons, Book 1: La coranto | | | | | | | |
Consort Lessons, Book 1: Lavolto | | | | | | | |
Consort Lessons, Book 1: O Mistress Mine | | | | Song | | | |
Consort Lessons, Book 1: The Frog Galliard | | | | | | | |
Coranto (or Jig) in C, MB 28/45 | | | | | | | |
Dear Pretty Youth | | | | Aria | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies | | | | | | | |
First Book of Ayres: It Was a Lover and His Lass | | | | Song | | | |
Flower of This Purple Dye | | | | | | | |
Full Fathom Five Thy Father Lies | | | | | | | |
Get you hence | | | | | | | |
Hark, Hark, Each Spartan Hound | | | | | | | |
Hark, Hark! the Lark | | | | Song | | | |
Hollis Berrie | | | | | | | |
If Music Be the Food of Love | | | | Song | | | |
It Was a Lover and His Lass | | | | | | | |
Kemp's Jig | | | | | | | |
La Volta No. 2 in G minor, MB 91 | | | | | | | |
Lo! Here the Gentle Lark | | | | | | | |
Now the Hungry Lions Roar | | | | | | | |
O mistress mine, MB 28/83 | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: Minuetto | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 1 Chorus: "O guardian of that sacred land" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 2 Recitative: "'Tis thine alone" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 3 Air: "Come then, o Fancy" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 4 Recitative: "At Shakespeare's happy birth" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 5 Air: "And now is come" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 6 Chorus: "Be Shakespeare born" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 7 Recitative: "So spake the God" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 8 Air: "There in old Arden's inmost shade" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 9 Recitative: "And as before his purged eyes" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 10 Air: "Thy hand his youthful footsteps led" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 11 Air: "Some drive the clam'rous owl away" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 12 Solo & Chorus: "Some drive the clam'rous owl away" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 13 Recitative: "But oh! what sudden gloom" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 14 Quartet: "By the pale light" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 15 Recitative: See through the glimmering darkness" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 16 Chorus: "What howling whirlwinds" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 17 Recitative: "For whom, at yonder livid flame" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 18 Air: "Whither ye beldames" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 19 Quartet & Chorus: "The tempests cease" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 20 Recitative: "No more the elves" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 21 Air: "Ariel, who sees thee now" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 22 Recitative: "No more shalt thou" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 23 Duet: "For who can wield" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: No. 24 Chorus: "Yet, Fancy, one again" | | | | | | | |
Ode on the Witches and Fairies of Shakespeare: Overture | | | | | | | |
Oh! Never Say That I Was False of Heart | | | | | | | |
Orpheus With His Lute | | | | | | | |
Robin is to the greenwood gone [The Schoole of Musicke, no. 21] | | | | | | | |
Should He Upbraid | | | | Song | | | |
Sing Willow | | | | | | | |
Spirits Advance | | | | | | | |
Take, Oh Take Those Lipps Away | | | | Madrigal | | | |
Take, Oh! Take Those Lips Away | | | | | | | |
Tarleton's Riserrectione, P. 59 | | | | | | | |
That Time of Year | | | | | | | |
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" | | - English Chamber Orchestra, Benjamin Britten
- Henry Purcell
- Alfred Deller, Deller Consort
- Carolyn Sampson, Laurence Cummings, Elizabeth Kenny, Anne-Marie Lasla
- Benjamin Bevan, Sally Bruce-Payne, Libby Crabtree, Simon Davies, Helen Groves, Meredith Hall, Helen Parker, William Purefoy, Christopher Robson, Mark Rowlinson, Angus Smith, Nicholas Hurndall Smith, Rosalind Waters, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" | | - Tafelmusik, Jeanne Lamon
- English Chamber Orchestra, Benjamin Britten
- Les Arts Florissants, William Christie
- The Leningrad Orchestra for Ancient and Modern Music, Eduard Serov
- Benjamin Bevan, Sally Bruce-Payne, Libby Crabtree, Simon Davies, Helen Groves, Meredith Hall, Helen Parker, William Purefoy, Christopher Robson, Mark Rowlinson, Angus Smith, Nicholas Hurndall Smith, Rosalind Waters, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" | | | | | | | |
The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" | | - English Chamber Orchestra, Benjamin Britten
- Les Arts Florissants, William Christie
- Alfred Deller, Deller Consort
- Benjamin Bevan, Sally Bruce-Payne, Libby Crabtree, Simon Davies, Helen Groves, Meredith Hall, Helen Parker, William Purefoy, Christopher Robson, Mark Rowlinson, Angus Smith, Nicholas Hurndall Smith, Rosalind Waters, Roderick Williams, Musicians of The Globe, Philip Pickett
- Miriam Allan, Ironwood
| | | | | |
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" | | | | | | | |
The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" | | | | | | | |
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony | | - Benjamin Bevan, Sally Bruce-Payne, Libby Crabtree, Simon Davies, Helen Groves, Meredith Hall, Helen Parker, William Purefoy, Christopher Robson, Mark Rowlinson, Angus Smith, Nicholas Hurndall Smith, Rosalind Waters, Roderick Williams, Musicians of The Globe, Philip Pickett
- Henry Purcell
- English Chamber Orchestra, Benjamin Britten
- Les Arts Florissants, William Christie
- (show 2 more)
| | | | | |
The First Booke of Songes or Ayres: XII. Farwell, Dear Love | | | | Madrigal | | | |
The Willow Song | | | | Song | | | |
Tickle My Toe | | | | | | | |
Timon of Athens, Z. 632: 1. Overture | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | Overture | | | |
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" | | - Henry Purcell
- James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott
- Raquel Andueza, Philippe Jaroussky, Christina Pluhar, L’Arpeggiata
- Iestyn Davies, Christopher de la Hoyde, Collegium Musicum 90, Richard Hickox
- (show 4 more)
| | | | | |
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" | | | | Aria | | | |
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- Iestyn Davies, Michael George, Christopher de la Hoyde, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- Michael George, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 6. Chorus "But over us no griefs prevail" | | - John Mark Ainsley, James Bowman, Michael George, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- Iestyn Davies, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms" | | - English Baroque Soloists, John Eliot Gardiner
- Collegium Musicum 90, Richard Hickox
- Henry Purcell
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- Max van Egmond, Leonhardt‐Consort, Gustav Leonhardt
- Michael George, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" | | | | | | | |
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" | | - Henry Purcell
- English Baroque Soloists, John Eliot Gardiner
- James Bowman, Collegium Musicum 90, Richard Hickox
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Timon of Athens, Z. 632: 12. Duet "Come, let us agree" | | - Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner
- Collegium Musicum 90, Iestyn Davies, Michael George, Richard Hickox
- Henry Purcell
- Libby Crabtree, Julia Gooding, Simon Grant, Andrew King, Helen Parker, William Purefoy, Christopher Robson, Nicholas Hurndall Smith, Roderick Williams, Musicians of The Globe, Philip Pickett
| | | | | |
Under the Greenwood Tree | | | | | | | |
Welcome to This Place | | | | | | | |
When That I Was a Little Tiny Boy | | | | | | | |
Where the Bee Sucks | | | | Song | | | |
Who Is Sylvia? What Is She? | | - Joseph Cornwell, Simon Grant, Andrew Murgatroyd, Philip Pickett, Musicians of The Globe
- Julia Gooding, Simon Grant, Susan Gritton, Andrew King, William Purefoy, Roderick Williams, Philip Pickett, Musicians of The Globe
| | | | | |