| Fest- und Gedenksprüche, op. 109: Nr. 3. Wo ist ein so herrlich Volk | | | | | | | |
| Figure humaine: I. De tous les printemps du monde | | | | | | | |
| Figure humaine: II. En chantant les servantes s'élancent | | | | | | | |
| Figure humaine: III. Aussi bas que le silence | | | | | | | |
| Figure humaine: IV. Patience | | | | | | | |
| Figure humaine: V. Riant du ciel et des planètes | | | | | | | |
| Figure humaine: VI. Le jour m'étonne et la nuit me fait peur | | | | | | | |
| Figure humaine: VII. La menace sous le ciel rouge | | | | | | | |
| Figure humaine: VIII. Liberté | | | | | | | |
| Five Flower Songs, op. 47: No. 1. To Daffodils | | | | Song | | | |
| Five Flower Songs, op. 47: No. 2. The Succession of the Four Sweet Months | | | | Song | | | |
| Five Flower Songs, op. 47: No. 3. Marsh Flowers | | | | Song | | | |
| Five Flower Songs, op. 47: No. 4. The Evening Primrose | | | | Song | | | |
| Five Flower Songs, op. 47: No. 5. Ballad of Green Broom | | | | Song | | | |
| Five Prayers, op. 97: Amen | | | | | | | |
| Five Prayers, op. 97: I. Pater noster | | | | | | | |
| Five Prayers, op. 97: II. From needing danger | | | | | | | |
| Five Prayers, op. 97: III. Through thy submitting all | | | | | | | |
| Five Prayers, op. 97: IV. Et dimitte nobis | | | | | | | |
| Five Prayers, op. 97: Pater noster, qui es in caelis | | | | | | | |
| Five Prayers, op. 97: V. Et ne nos inducas | | | | | | | |
| Flammen | | | | Opera | | | |
| Frühlingslied, op. 100 no. 3 | | | | Song | | | |
| Frühzeitiger Frühling, op. 59 no. 2 | | | | Song | | | |
| Fürchte dich nicht, ich bin bei dir, BWV 228 | | | | Motet | | | |
| Gesang der Geister über dem Wassern, D. 714 | | | | Song | | | 5 |
| Go, Song of Mine, op. 57 | | | | | | | |
| Gondelfahrer, D. 809 | | | | Song | | | |
| Gott im Ungewitter, op. 112 no. 1, D. 985 | | | | | | | |
| Grab und Mond, D. 893 | | | | Song | | | |
| h-Moll-Messe, BWV 232 | | | | Mass | | | 5 |
| h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax | | | | | | | |
| h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor | | | | Mass | | | |
| h-Moll-Messe, BWV 232: III. Sanctus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem | | | | Mass | | | |
| Herbei, o ihr Gläub'gen | | | | Song | | | |
| Hirtenlied, op. 88 no. 3 | | | | Song | | | |
| Hoffmanns Erzählungen: Akt I. Lied “Phöbus stolz im Sonnenwagen” (Olympia) | | | | Aria | | | |
| Hoffmanns Erzählungen: Akt I. No. 12 Finale “Die Tänzer sind da!” (Alle, Chor) | | - Chor des Bayerischen Rundfunks, Dietrich Fischer‐Dieskau, Ilse Gramatzki, Klaus Hirte, Siegfried Jerusalem, Friedrich Lenz, Münchner Rundfunkorchester, Heinz Wallberg
- Münchner Rundfunkorchester, Heinz Wallberg
- Günther Arndt, Mattiwilda Dobbs, Ulfried Günther, Sándor Kónya, RIAS Kammerchor, Orchester der Deutschen Oper Berlin, Richard Kraus
| | | | | |
| Hoffmanns Erzählungen: Akt II. No. 13 Entr'acte Barkarole “Schöne Nacht, du Liebesnacht” (Niklaus, Giulietta, Chor) | | | | | | | |
| Hoffmanns Erzählungen: Nachspiel. No. 26 Szene “Meine drei Lieblingsgeschichten habt ihr nun gehört!” (Hoffmann, Niklaus, Lindorf, Luther, Chor) | | - Chor des Bayerischen Rundfunks, Dietrich Fischer‐Dieskau, Ilse Gramatzki, Siegfried Jerusalem, Günter Wewel, Münchner Rundfunkorchester, Heinz Wallberg
- Rudolf Schock, Orchester der Deutschen Staatsoper Berlin, Artur Rother
- Günther Arndt, Cvetka Ahlin, Mattiwilda Dobbs, Ulfried Günther, Sándor Kónya, RIAS Kammerchor, Ruth Siewert, Thomas Stewart, Orchester der Deutschen Oper Berlin, Richard Kraus
| | | | | |
| Hoffmanns Erzählungen: Vorspiel. No. 1 Chor “Aus dem Keller kommt hervor” (Chor) | | | | | | | |
| Hoffmanns Erzählungen: Vorspiel. No. 4 Chor der Studenten “Juvallera! Herr Luther, wir sind da!” (Chor) | | | | | | | |
| Hoffmanns Erzählungen: Vorspiel. No. 5 Lied & Szene “Es war einmal am Hofe von Eisenack” (Hoffmann, Chor) | | | | | | | |
| Hymn to St. Cecilia, op. 27 | | | | | | | |
| Im Advent, op. 79 no. 5 | | | | Song | | | |
| Im Gegenwärtigen Vergangenes, D. 710 | | | | Song | | | |
| Im Grünen, op. 59 no. 1 | | | | Song | | | |
| Im Wald, op. 100 no. 4 | | | | Song | | | |
| Im Walde, op. 41 no. 1 | | | | Song | | | |
| In dulci jubilo | | | | Song | | | |
| Innsbruck, ich muss dich lassen | | | | Song | | | |
| Israel in Egypt, HWV 54: Part II, no. 8: Chorus "He sent a thick darkness" | | | | | | | |
| Israel in Egypt, HWV 54: Part II, no. 9: Chorus "He smote all the first-born of Egypt" | | | | | | | |
| Israel in Egypt, HWV 54: Part II, no. 10: Chorus "But as for his people" | | | | | | | |
| Jagdlied, op. 59 no. 6 | | | | Song | | | |
| Jephtha, HWV 70: Act I, no. 3. Chorus "No more to Ammon's god and King" | | | | | | | |
| Jephtha, HWV 70: Act I, no. 10. Chorus "O God, behold our sore distress" | | | | | | | |
| Jephtha, HWV 70: Act I, no. 13. Chorus "When His loud voice in thunder spoke" | | | | | | | |
| Jephtha, HWV 70: Act II, no. 14. Chorus "Cherub and Seraphim, unbodied forms" | | | | | | | |
| Jephtha, HWV 70: Act II, no. 19. Chorus: "In glory high, in might serene" | | | | | | | |
| Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis) | | - Christiane Oelze, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed
- Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
- Margaret Marshall, Southend Boys’ Choir, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | Aria | | | |
| Jephtha, HWV 70: Act II, no. 29. Chorus "How dark, o Lord, are thy decrees!" | | | | Song | | | |
| Jephtha, HWV 70: Act III, no. 35. Chorus "Doubtful fear and reverend awe" (Preists) | | | | | | | |
| Jephtha, HWV 70: Act III, no. 39. Chorus "Theme sublime of endless praise" | | | | | | | |
| Jephtha, HWV 70: Act III, no. 44. Chorus "Ye house of Gilead, with one voice" | | | | | | | |
| Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ | | | | | | | |
| Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" | | | | | | | |
| Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" | | | | | | | |
| Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" | | | | | | | |
| Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" | | | | | | | |
| Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" | | | | | | | |
| Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" | | | | | | | |
| Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" | | | | | | | |
| Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" | | | | | | | |
| Jesu, meine Freude, BWV 227: X. "So nun der Geist" | | | | | | | |
| Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 1 Choral "O Mensch, bewein dein Sünde groß" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" | | | | | | | |
