A German Requiem (extract) | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 3:23 | |
Andante o piu tosto allegretto | The London Classical Players, Sir Roger Norrington | | | 6:21 | |
Ave verum corpus in D Major, K618 | Sir Roger Norrington & London Classical Players | | | 2:42 | |
Ave verum corpus, K. 618 | The London Classical Players | | | 2:42 | |
Ave verum Corpus, K. 618 | Schütz Consort, The London Classical Players, Sir Roger Norrington | | | 2:44 | |
Ave verum corpus, Motet K.618 | Coppola e Il Suo Sestetto, The London Classical Players, Sir Roger Norrington | | | 2:36 | |
Beethoven Piano Concerto #1 In C, Op. 15 Allegro Con Brio | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 16:26 | |
Beethoven Piano Concerto #1 In C, Op. 15 Largo | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 8:18 | |
Beethoven Piano Concerto #1 In C, Op. 15 Rondo Allegro Scherzando | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 8:28 | |
Beethoven Piano Concerto #2 In B Flat, Op. 19 Adagio | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 6:50 | |
Beethoven Piano Concerto #2 In B Flat, Op. 19 Allegro Con Brio | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 13:49 | |
Beethoven Piano Concerto #2 In B Flat, Op. 19 Rondo Molto Allegro | Melvyn Tan, London Classical Players & Sir Roger Norrington | | | 5:55 | |
Beethoven: Symphony #5 In C Minor, Op. 67 - 4. Allegro | Sir Roger Norrington: London Classical Players | | | 10:39 | |
Beethoven: Symphony No. 3 in E‐Flat Major, Op. 55 “Eroica”: II. Marcia funebre. Adagio assai | London Classical Players | | | 12:38 | |
Begräbnisgesang, op. 13 | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 5:54 | |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 16:26 | |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 8:18 | |
Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 8:28 | |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 13:49 | |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 6:50 | |
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 5:54 | |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 15:52 | |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 7:55 | |
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 9:14 | |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 17:19 | |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 4:07 | |
Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 9:53 | |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 18:44 | |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 5:47 | |
Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 9:30 | |
Coriolan : Ouverture | The London Classical Players, Sir Roger Norrington | | | 7:17 | |
Coriolan Overture, op. 62 | The London Classical Players, Roger Norrington | | | 7:28 | |
Der fliegende Holländer (The Flying Dutchman), opera, WWV 63 Allegro con brio - Andante - Tempo primo - Più vivace | The London Classical Players, Roger Norrington | | | 9:40 | |
Der fliegende Holländer: Overture (extract) | The London Classical Players, Sir Roger Norrington | | | 4:18 | |
Die Meistersinger von Nürnberg: Vorspiel | The London Classical Players, Sir Roger Norrington | | | 8:28 | |
Die Zauberflöte: Akt II. Nr. 1 Dialog „Was hör’ ich? Der Vogelfänger bin ich ja“ (Tamino) | Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | | | 2:19 | |
Die Zauberflöte: Akt II. Nr. 1 Introduktion „Ich sollte fort!“ (Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, London Classical Players, Sir Roger Norrington | | | 2:32 | |
Die Zauberflöte: Akt II. Nr. 1 Introduktion „Zu Hilfe! Zu Hilfe!“ (Tamino, Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | | | 3:15 | |
Die Zauberflöte: Akt II. Nr. 2 Aria „Papageno!“ (Die drei Damen, Papageno, Tamino) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 1:43 | |
Die Zauberflöte: Akt II. Nr. 3 Aria „Dies Bildnis ist bezaubernd schön“ (Tamino) | Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | | | 3:23 | |
Die Zauberflöte: Akt II. Nr. 4 Rezitativ and Aria „O zitt’re nicht, mein lieber Sohn!“ (Königin der Nacht) | Beverly Hoch, London Classical Players, Sir Roger Norrington | | | 4:11 | |
Die Zauberflöte: Akt II. Nr. 5 Quintett „Hm! Hm! Hm!“ (Papageno, Tamino, Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 5:44 | |
Die Zauberflöte: Akt II. Nr. 6 Terzetto „Du feines Täubchen, nur herein“ (Monostatos, Pamina, Papageno) | Guy de Mey, Andreas Schmidt, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 1:40 | |
Die Zauberflöte: Akt II. Nr. 7 Duetto „Bei Männern, welche Liebe fühlen“ (Pamina, Papageno) | Andreas Schmidt, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:39 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Die Weisheitslehre dieser Knaben“ (Tamino, Zwei Stimmen, Sprecher, Priester) | Simon Birchall, Tessa Bonner, Olaf Bär, Rufus Müller, Wolfgang Riedelbauch, Anthony Rolfe Johnson, Caroline Trevor, Evelyn Tubb, Richard Wistreich, London Classical Players, Sir Roger Norrington | | | 7:14 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Es lebe Sarastro!“ (Gefolge, Papageno, Pamina) | Cornelius Hauptmann, Andreas Schmidt, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 1:30 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Herr, ich bin zwar Verbrecherin!“ (Pamina, Sarastro) | Cornelius Hauptmann, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:16 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Na, stolzer Jüngling“ (Monostatos, Pamina, Tamino, Gefolge, Sarastro) | Cornelius Hauptmann, Guy de Mey, Anthony Rolfe Johnson, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 1:53 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Schnelle Füße, rascher Mut“ (Pamina, Papageno, Monostatos, Sklaven) | Konrad Hünteler, Guy de Mey, Sir Roger Norrington, Wolfgang Riedelbauch, Andreas Schmidt, Dawn Upshaw, London Classical Players | | | 2:52 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Wenn Tugend und Gerechtigkeit“ (Gefolge) | The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:29 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Wie stark ist nicht dein Zauberton“ (Tamino) | Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | | | 2:40 | |
Die Zauberflöte: Akt II. Nr. 8 Finale „Zum Ziele führt dich diese Bahn“ (Drei Knaben, Tamino) | Tessa Bonner, Anthony Rolfe Johnson, Caroline Trevor, Evelyn Tubb, London Classical Players, Sir Roger Norrington | | | 1:24 | |
Die Zauberflöte: Akt II. Nr. 9 Marsch der Priester | London Classical Players, Sir Roger Norrington | | | 2:37 | |
Die Zauberflöte: Akt II. Nr. 10 Aria con coro „O Isis und Osiris“ (Sarastro, Priester) | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 2:32 | |
Die Zauberflöte: Akt II. Nr. 11 Duetto „Bewahret euch vor Weibertücken“ (Zweiter Priester, Sprecher) | Olaf Bär, Rufus Müller, London Classical Players, Sir Roger Norrington | | | 0:44 | |
Die Zauberflöte: Akt II. Nr. 12 Quintetto „Wie? Wie? Wie? Ihr an diesem Schreckensort?“ (Die drei Damen, Papageno, Tamino, Eingeweihte) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 2:54 | |
Die Zauberflöte: Akt II. Nr. 13 Aria „Alles fühlt der Liebe Freuden“ (Monostatos) | Guy de Mey, London Classical Players, Sir Roger Norrington | | | 1:18 | |
Die Zauberflöte: Akt II. Nr. 14 Aria „Der Hölle Rache kocht in meinem Herzen“ (Königin der Nacht) | Beverly Hoch, London Classical Players, Sir Roger Norrington | | | 2:46 | |
Die Zauberflöte: Akt II. Nr. 15 Aria „In diesen heil’gen Hallen kennt“ (Sarastro) | Cornelius Hauptmann, London Classical Players, Sir Roger Norrington | | | 2:46 | |
Die Zauberflöte: Akt II. Nr. 16 Terzetto „Seid uns zum zweiten Mal willkommen“ (Drei Knaben) | Tessa Bonner, Caroline Trevor, Evelyn Tubb, London Classical Players, Sir Roger Norrington | | | 1:25 | |
Die Zauberflöte: Akt II. Nr. 17 Aria „Ach, ich fühl’s, es ist verschwunden“ (Pamina) | Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:56 | |
Die Zauberflöte: Akt II. Nr. 18 Coro „O Isis und Osiris, welche Wonne!“ (Priester) | The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:54 | |
Die Zauberflöte: Akt II. Nr. 19 Terzetto „Soll ich dich, Teurer, nicht mehr sehn?“ (Sarastro, Pamina, Tamino) | Cornelius Hauptmann, Anthony Rolfe Johnson, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:48 | |
Die Zauberflöte: Akt II. Nr. 20 Aria „Ein Mädchen oder Weibchen wünscht Papageno sich!“ (Papageno) | Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 3:26 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Bald prangt, den Morgen zu verkünden“ (Drei Knaben, Pamina) | Tessa Bonner, Caroline Trevor, Evelyn Tubb, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:11 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Der, welcher wandelt diese Straße voll Beschwerden“ (Zweiter Geharnischter Mann, Tamino, Pamina) | Anthony Rolfe Johnson, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 3:23 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Die Strahlen der Sonne vertreiben die Nacht“ (Sarastro, Gefolge, Priester) | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:18 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Es siegte die Stärke“ (Gefolge, Priester) | Simon Birchall, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | | | 1:27 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Holdes Mädchen, sieh uns an!“ (Drei Knaben, Pamina) | Tessa Bonner, Caroline Trevor, Evelyn Tubb, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 3:05 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Klinget, Glöckchen, klinget“ (Papageno, Drei Knaben) | Tessa Bonner, Andreas Schmidt, Caroline Trevor, Evelyn Tubb, London Classical Players, Sir Roger Norrington | | | 0:40 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Nur stille! Stille! Die Strahlen der Sonne“ (Monostatos, Königin der Nacht, Die drei Damen) | Nancy Argenta, Catherine Denley, Beverly Hoch, Eirian James, Guy de Mey, London Classical Players, Sir Roger Norrington | | | 2:09 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Pa‐pa‐ge‐na!“ (Papageno, Papagena) | Catherine Pierard, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 2:23 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Papagena! Papagena!“ (Papageno, Drei Knaben) | Tessa Bonner, Catherine Pierard, Andreas Schmidt, Caroline Trevor, Evelyn Tubb, London Classical Players, Sir Roger Norrington | | | 4:04 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Tamino mein!“ (Erster, Zweiter Geharnischter Mann, Tamino, Pamina) | Anthony Rolfe Johnson, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:59 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Wir wandelten durch Feuersgluten“ (Pamina, Tamino, Gefolge, Priester) | Simon Birchall, Rufus Müller, Wolfgang Riedelbauch, Anthony Rolfe Johnson, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | | | 2:46 | |
Die Zauberflöte: Ouvertüre | London Classical Players, Sir Roger Norrington | | | 5:58 | |
Die Zauberharfe, melodrama, D. 644 Andante - Allegro vivace | The London Classical Players, Roger Norrington | | | 9:49 | |
Don Giovanni, K. 527: Atto I. “Là ci darem la mano” | London Classical Players, Roger Norrington | | | 2:40 | |
Don Giovanni: Act I "Come Mai" - "Batti, Batti" (Prague Version) | London Classical Players, Sir Roger Norrington | | | 8:32 | |
Don Giovanni: Act I "Come Mai" - "Batti, Batti" (Vienna Version) | London Classical Players, Sir Roger Norrington | | | 12:25 | |
Don Giovanni: Act I "Guarda Un Po'" - End Of Act I (Prague & Vienna Versions) | London Classical Players, Sir Roger Norrington | | | 17:30 | |
Don Giovanni: Act II "Calmatevi, Idol Mio" - "Ah, Si Segua" (Prague & Vienna Versions) | London Classical Players, Sir Roger Norrington | | | 7:03 | |
Don Giovanni: Act II "Dunque Quello" - "O Statua Gentilissima" (Prague Version) | London Classical Players, Sir Roger Norrington | | | 13:46 | |
Don Giovanni: Act II "Dunque Quello" - "O Statua Gentilissima" (Vienna Version) | London Classical Players, Sir Roger Norrington | | | 21:27 | |
Don Giovanni: Act II "Eh Via Buffone" - "Sola, Sola In Buio Loco" (Prague & Vienna Versions) | London Classical Players, Sir Roger Norrington | | | 26:18 | |
Don Giovanni: Act II Finale (Prague Version) | London Classical Players, Sir Roger Norrington | | | 19:59 | |
Don Giovanni: Act II Finale (Vienna Version) | London Classical Players, Sir Roger Norrington | | | 17:37 | |
Don Giovanni: Overture - Act I "Or Sai Chi L'Onore (Prague & Vienna Versions) | London Classical Players, Sir Roger Norrington | | | 50:37 | |
Egmont Overture, op. 84 | The London Classical Players, Roger Norrington | | | 6:49 | |
Ein deutsches Requiem, op. 45: Denn alles Fleisch, es ist wie Gras | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 12:56 | |
Ein deutsches Requiem, op. 45: Denn wir haben hie keine bleibende Statt | Olaf Bär, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 10:18 | |
Ein deutsches Requiem, op. 45: Herr, lehre doch mich | Olaf Bär, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 8:35 | |
Ein deutsches Requiem, op. 45: Ihr habt nun Traurigkeit | Lynne Dawson, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 6:30 | |
Ein Deutsches Requiem, Op. 45: IV. Wie Lieblich Sind Deine Wohnungen | The London Classical Players, Sir Roger Norrington | | | 5:43 | |
Ein deutsches Requiem, op. 45: Selig sind die Toten | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 9:15 | |
Ein deutsches Requiem, op. 45: Selig sind, die da Leid tragen | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 8:49 | |
Ein deutsches Requiem, op. 45: Wie lieblich sind deine Wohnungen | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | | | 5:40 | |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": Adagio - Finale. Allegro - Meno allegro - Allegro molto | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 9:48 | |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": Adagio ma non troppo - Marcia assai vivace | Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 3:37 | |
Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": Allegro - Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" - Presto | The Schütz Choir of London, Melvyn Tan, The London Classical Players, Sir Roger Norrington | | | 4:23 | |