3 Gesänge, op. 42: Nr. 1. Abendständchen | | | | Song | | | |
5 Gesänge, op. 104: Nr. 1. Nachtwache I | | | | Song | | | |
5 Gesänge, op. 104: Nr. 2. Nachtwache II | | | | Song | | | |
7 Lieder, op. 62: Nr. 3. Waldesnacht | | | | Song | | | |
7 Lieder, op. 62: Nr. 5. All meine Herzgedanken | | | | Song | | | |
A quest olmo, a quest ombre et a quest onde, SV. 119 | | | | | | | |
Abendlied, op. 69 nr. 3 | | | | | | | |
Abschied vom Walde, op. 59 no. 3 | | | | Song | | | |
Amor vittorioso | | | | | | | |
An die Sterne, op. 141 nr. 1 | | | | Song | | | |
Canto d'Amore | | | | | | | |
Ciaccona, Op.12 No.20 | | | | | | | |
Credo in F major: Credo | | | | | | | |
Credo in F major: Crucifixus | | | | | | | |
Credo in F major: Et Resurexit (Presto) | | | | | | | |
Credo in F major: Et Vitam | | | | | | | |
Credo in F major: Sanctus (Allegro) | | | | | | | |
Crucifixus a 8 | | | | | | | |
Crucifixus a 16 | | | | | | | |
Damigella tutta bella, SV 235 | | | | Song | | | |
Der Mond ist aufgegangen | | | | Song | | | |
Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle | | | | | | | |
Die Schöpfung, Hob XXI:2: Part I: V. Solo mit Chor: Mit staunen sieht das Wunderwerk | | | | | | | |
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten | | | | | | | |
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes | | - Gundula Janowitz, Christa Ludwig, Wiener Singverein, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan
- Choir of King’s College, Cambridge, Heather Harper, John Shirley‐Quirk, Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner, Sir David Willcocks
- Wiener Philharmoniker, Herbert von Karajan
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- (show 58 more)
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Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn | | | | | | | |
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen | | | | | | | |
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf | | | | | | | |
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott | | | | | | | |
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen | | | | Cantata | | | |
Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus" | | | | | | | |
Dixit Dominus in G minor, HWV 232: II. Aria "Virgam virtutus tuae" | | | | Aria | | | |
Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium" | | | | Aria | | | |
Dixit Dominus in G minor, HWV 232: IV. Chorus "Juravit Dominus" | | - Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
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Dixit Dominus in G minor, HWV 232: IX. Chorus "Gloria Patri, et Filio" | | - Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
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Dixit Dominus in G minor, HWV 232: V. Chorus "Tu es sacerdos in aeternum" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
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Dixit Dominus in G minor, HWV 232: VI. "Dominus a dextris tuis" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Margaret Marshall, Monteverdi Choir, Richard Morton, Felicity Palmer, Alastair Thompson, David Wilson‐Johnson, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
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Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- (show 22 more)
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Festa Riso | | | | | | | |
Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" | | - Christ Church Cathedral Choir, Oxford, The English Concert, Simon Preston
- Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- Henry Purcell
- (show 16 more)
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Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- The Taverner Choir, Consort & Players, Andrew Parrott
- Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- (show 13 more)
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Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" | | - Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford, Oxford
- Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
- The Cambridge Singers, John Rutter
- (show 21 more)
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Gondoliera | | | | Song | | | |
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax | | | | | | | |
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor | | | | Mass | | | |
h-Moll-Messe, BWV 232: III. Sanctus | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem | | | | Mass | | | |
Hear My Prayer, O Lord, Z. 15 | | | | | | | |
Ich suchte des Nachts in meinem Bette | | | | | | | |
Il bell'humore | | | | | | | |
Indica mihi à 6 | | | | | | | |
Jagdlied, op. 59 no. 6 | | | | Song | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" | | | | | | | |
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" | | | | | | | |
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" | | - Netherlands Bach Collegium, Pieter Jan Leusink
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Gerhard Schmidt‐Gaden, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 14 more)
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Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen" | | | | | | | |
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" | | | | | | | |
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" | | | | | | | |
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" | | | | | | | |
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" | | | | | | | |
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" | | | | | | | |
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" | | | | | | | |
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" | | | | | | | |
L’innamorato | | | | Madrigal | | | |
La divisione del mondo: Lumi, potete piangere | | | | | | | |
Magnificat B-Dur: VII. Coro "Gloria Patri" | | | | | | | |
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" | | | | | | | |
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" | | | | | | | |
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" | | | | | | | |
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" | | | | | | | |
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" | | | | | | | |
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" | | | | | | | |
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" | | | | | | | |
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" | | | | | | | |
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" | | | | | | | |
Magnificat per omnes versus super ut re mi fa sol la | | | | | | | |
Magnificat quarti toni | | | | | | | |
Mascherata della malinconia & allegrezza | | | | | | | |
Miserere (Ps. 51) en ut mineur, ZWV 57: I. Miserere 1. Adagio | | | | | | | |
Miserere (Ps. 51) en ut mineur, ZWV 57: II. Miserere 2. Andante ma non troppo | | | | | | | |
Miserere (Ps. 51) en ut mineur, ZWV 57: III. Gloria Patri 1. Larghetto ma non troppo | | | | | | | |