| conducted |
|---|
| Lamento a la muerte de Thomas Tallis: "Ye sacred muses" | | Fretwork, Michael Chance | 4:05 |
| performed |
|---|
| 1986-03 | St. John Passion, BWV 245: Aria 'Von den Stricken meiner Sünden' | | English Baroque Soloists, Sir John Eliot Gardiner | 4:46 |
| 1990-03 | Herz und Mund und Tat und Leben, Cantata BWV 147: 3. "Schäme dich, o Seele nicht" | | Johann Sebastian Bach | 3:14 |
| 1990-03 | Herz und Mund und Tat und Leben, Cantata BWV 147: 8. "Der höchsten Allmacht Wunderhand" | | Johann Sebastian Bach | 2:16 |
| vocals |
|---|
| 1984-01 | Missa Di dadi: Agnus Dei | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 7:44 |
| 1984-01 | Missa Di dadi: Credo | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 8:11 |
| 1984-01 | Missa Di dadi: Gloria | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 6:34 |
| 1984-01 | Missa Di dadi: Kyrie | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 2:20 |
| 1984-01 | Missa Di dadi: Sanctus – Benedictus | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 5:28 |
| 1984-01 | Missa Faisant regretz: Agnus Dei | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 4:15 |
| 1984-01 | Missa Faisant regretz: Credo | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 5:30 |
| 1984-01 | Missa Faisant regretz: Gloria | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 3:50 |
| 1984-01 | Missa Faisant regretz: Kyrie | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 2:26 |
| 1984-01 | Missa Faisant regretz: Sanctus – Benedictus | countertenor vocals | The Medieval Ensemble of London, Peter Davies, Timothy Davies | 6:00 |
| 1984-09-17 – 1984-09-19 | Missa ‘Mi—Mi’ (Missa quarti toni): I. Kyrie | countertenor vocals | The Hilliard Ensemble | 2:21 |
| 1984-09-17 – 1984-09-19 | Missa ‘Mi—Mi’ (Missa quarti toni): II. Gloria | countertenor vocals | The Hilliard Ensemble | 5:06 |
| 1984-09-17 – 1984-09-19 | Missa ‘Mi—Mi’ (Missa quarti toni): III. Credo | countertenor vocals | The Hilliard Ensemble | 7:45 |
| 1984-09-17 – 1984-09-19 | Missa ‘Mi—Mi’ (Missa quarti toni): IV. Sanctus & Benedictus | countertenor vocals | The Hilliard Ensemble | 5:45 |
| 1984-09-17 – 1984-09-19 | Missa ‘Mi—Mi’ (Missa quarti toni): V. Agnus Dei | countertenor vocals | The Hilliard Ensemble | 5:17 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis) a 2—4: I. Introitus | countertenor vocals | The Hilliard Ensemble | 5:37 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis) a 2—4: II. Kyrie | countertenor vocals | The Hilliard Ensemble | 4:38 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis) a 2—4: III. Graduale | countertenor vocals | The Hilliard Ensemble | 5:23 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis) a 2—4: IV. Tractus | countertenor vocals | The Hilliard Ensemble | 8:15 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis) a 2—4: V. Offertorium | countertenor vocals | The Hilliard Ensemble | 9:51 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis): Agnus Dei | countertenor vocals | The Hilliard Ensemble | 0:48 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis): Communio | countertenor vocals | The Hilliard Ensemble | 0:50 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis): Postcommunio | countertenor vocals | The Hilliard Ensemble | 0:26 |
| 1984-09-17 – 1984-09-19 | Requiem (Missa pro defunctis): Sanctus & Benedictus | countertenor vocals | The Hilliard Ensemble | 0:43 |
| 1984 | Ave verum corpus | alto vocals | The Tallis Scholars, Peter Phillips | 4:16 |
| 1984 | Mass for 3 voices: I. Kyrie & Gloria | alto vocals | The Tallis Scholars, Peter Phillips | 5:12 |
| 1984 | Mass for 3 voices: II. Credo | alto vocals | The Tallis Scholars, Peter Phillips | 6:37 |
| 1984 | Mass for 3 voices: III. Sanctus & Benedictus | alto vocals | The Tallis Scholars, Peter Phillips | 2:46 |
| 1984 | Mass for 3 voices: IV. Agnus Dei | alto vocals | The Tallis Scholars, Peter Phillips | 3:25 |
| 1984 | Mass for 4 voices: I. Kyrie | alto vocals | The Tallis Scholars, Peter Phillips | 2:03 |
| 1984 | Mass for 4 voices: II. Gloria | alto vocals | The Tallis Scholars, Peter Phillips | 5:30 |
| 1984 | Mass for 4 voices: III. Credo | alto vocals | The Tallis Scholars, Peter Phillips | 7:32 |
| 1984 | Mass for 4 voices: IV. Sanctus & Benedictus | alto vocals | The Tallis Scholars, Peter Phillips | 3:40 |
| 1984 | Mass for 5 voices: II. Gloria | alto vocals | The Tallis Scholars, Peter Phillips | 4:55 |
| 1984 | Mass for 5 voices: III. Credo | alto vocals | The Tallis Scholars, Peter Phillips | 8:41 |
| 1984 | Mass for 5 voices: IV. Sanctus & Benedictus | alto vocals | The Tallis Scholars, Peter Phillips | 3:48 |
| 1984 | Mass for Five Voices: 01. Kyrie | alto vocals | The Tallis Scholars, Michael Chance, Charles Daniels, Sally Dunkley, Alison Gough, Robert Harre-Jones, Rufus Müller, Mark Padmore, Nicolas Robertson, Francis Steele, Jeremy White, Peter Phillips | 1:29 |
| 1984 | Mass for Five Voices: Agnus Dei | alto vocals | The Tallis Scholars, Peter Phillips | 3:29 |
| 1984 | Mass for Four Voices: Agnus Dei | alto vocals | The Tallis Scholars, Peter Phillips | 3:15 |
| 1985-02 | Mass in B minor BWV 232: XVII. Credo: Crucifixus | countertenor vocals | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 3:09 |
| 1985-02 | Mass in B Minor, BWV 232: Aria 'Agnus Dei' | countertenor vocals | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 5:47 |
| 1985-02 | Mass in B Minor, BWV 232: Aria 'Qui sedes ad dextram Patris' | countertenor vocals | Michael Chance, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner | 4:24 |
| 1985-07 | Psalmi Davidis poenitentiales: I. Domine ne in furore tuo… Miserere (ensemble, consort) | countertenor vocals | The Hilliard Ensemble & Kees Boeke Consort | 13:13 |
| 1985-07 | Psalmi Davidis poenitentiales: II. Beati quorum remissae sunt (ensemble) | countertenor vocals | The Hilliard Ensemble | 19:19 |
| 1985-07 | Psalmi Davidis poenitentiales: III. Domine ne in furore tuo… Quoniam (ensemble, consort) | countertenor vocals | The Hilliard Ensemble & Kees Boeke Consort | 24:46 |
| 1985-07 | Psalmi Davidis poenitentiales: IV. Miserere mei Deus (ensemble, consort) | countertenor vocals | The Hilliard Ensemble & Kees Boeke Consort | 22:39 |
| 1985-07 | Psalmi Davidis poenitentiales: V. Domine exaudi orationem meam: et clamor meus (ensemble, consort) | countertenor vocals | The Hilliard Ensemble & Kees Boeke Consort | 23:06 |
| 1985-07 | Psalmi Davidis poenitentiales: VI. De profundis clamavi ad te Domine (ensemble) | countertenor vocals | The Hilliard Ensemble | 9:08 |
| 1985-07 | Psalmi Davidis poenitentiales: VII. Domine exaudi orationem meam: auribus percipe (ensemble, consort) | countertenor vocals | The Hilliard Ensemble & Kees Boeke Consort | 15:25 |
| 1985-12 | L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | countertenor vocals [Pastore III] | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | 5:09 |
| 1985-12 | L'Orfeo: Atto primo. Balletto. "Lasciate i monti" / "Ma tu, gentil cantor" | countertenor vocals [Pastore III] | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Michael Chance | 2:34 |
| 1985-12 | L'Orfeo: Atto secondo. "Ahi, caso acerbo" / "In un fiorito prato" | countertenor vocals [Pastore III] | Michael Chance, Anne Sofie von Otter, Nigel Robson, Anthony Rolfe Johnson, Mark Tucker, English Baroque Soloists, Sir John Eliot Gardiner | 9:28 |
| 1986-01-12 | Dixit Dominus: II. Virgam virtutis | countertenor vocals | Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 3:15 |
| 1986-03 | St. John Passion, BWV 245: Aria 'Es ist vollbracht' | countertenor vocals [alto] | English Baroque Soloists, Sir John Eliot Gardiner | 5:19 |
| 1986-03 | St. John Passion, BWV 245: Aria 'Von den Stricken meiner Sünden' | countertenor vocals [alto] | English Baroque Soloists, Sir John Eliot Gardiner | 4:46 |
| 1986-12-17 – 1986-12-18 | Dixit Dominus: I. Dixit Dominus | alto vocals | Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 6:20 |
| 1986-12-17 – 1986-12-18 | Dixit Dominus: II. Virgam virtutis | alto vocals | Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 3:15 |
| 1987-04 | Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 | countertenor vocals [countertenor II] | Michael Chance, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 5:36 |
| 1987-04 | Saul, Saul, was verfolgst du mich?, SWV 415 | countertenor vocals | Simon Birchall, Michael Chance, Carol Hall, Ruth Holton, The Monteverdi Choir, Lawrence Wallington, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner | 3:22 |
| 1987-05-14 – 1987-05-15 | Ah, heav'n! What is't I hear? | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 3:22 |
| 1987-05-14 – 1987-05-15 | Bonduca, or The British Heroine, Z574 (Duet: Sing, sing ye druids) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 2:43 |
| 1987-05-14 – 1987-05-15 | Come ye sons of Art, away Z323 (Movement 3: Sound the trumpet, 'til around) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 2:27 |
| 1987-05-14 – 1987-05-15 | Hail! bright Cecilia Z328 (Movement 10: In vain the Am'rous Flute and soft Guitar ) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 6:07 |
| 1987-05-14 – 1987-05-15 | Incassum Lesbia, incassum rogas 'The Queen's Epicedium' Z383 | countertenor vocals | Michael Chance, Alison Crum, Robert King | 7:50 |
| 1987-05-14 – 1987-05-15 | O dive custos Auriacae domus 'An elegy upon the death of Queen Mary' Z514 | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King | 7:04 |
| 1987-05-14 – 1987-05-15 | Ode on the death of Mr Henry Purcell (Mark how the Lark and Linnet Sing) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 22:06 |
| 1987-05-14 – 1987-05-15 | The maid's Last Prayer, or Any rather than Fail, Z601 (Duet: No, resistance is but vain) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, David Miller | 4:40 |
| 1987-05-14 – 1987-05-15 | Timon of Athens Z632 (Duet: Hark how the songsters) | countertenor vocals | James Bowman, Michael Chance, Alison Crum, Robert King, Catherine Latham, David Miller, Marion Scott | 3:06 |
| 1987-07-07 | Dixit Dominus: I. Dixit Dominus | alto vocals | Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 6:20 |
| 1987-07-07 | Dixit Dominus: II. Virgam virtutis | alto vocals | Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury | 3:15 |
| 1987-12-02 – 1987-12-04 | In caelestibus regnis | countertenor vocals | Michael Chance, The King’s Consort, Robert King | 2:32 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Eia Mater, fons amoris | countertenor vocals | Michael Chance, The King’s Consort, Robert King | 2:41 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Fac, ut ardeat cor meum | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:20 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Fac, ut portem Christi mortem | countertenor vocals | Michael Chance, The King’s Consort, Robert King | 4:06 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Inflammatus et accensus | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:25 |
| 1987-12-02 – 1987-12-04 | Stabat mater: O quam tristis et afflicta | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 2:35 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Quae morebat et dolebat | countertenor vocals | Michael Chance, The King’s Consort, Robert King | 2:22 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Quando corpus morietur | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 4:09 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Quis est homo, qui non fleret | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 3:21 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Sancta mater, istud agas | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 6:09 |
| 1987-12-02 – 1987-12-04 | Stabat mater: Stabat mater dolorosa | countertenor vocals | Michael Chance, Gillian Fisher, The King’s Consort, Robert King | 4:02 |
| 1988-01 | Messiah, HWV 56: L. Duet (Alto & Tenor) "O Death, Where Is Thy Sting?" | alto vocals | Michael Chance, Howard Crook, The English Concert, Trevor Pinnock | 1:03 |
| 1988-01 | Messiah, HWV 56: VI. Air (Alto) "But Who May Abide the Day of His Coming" | alto vocals | Michael Chance, The English Concert, Trevor Pinnock | 4:45 |
| 1988-01 | Messiah, HWV 56: XLIX. Recitative (Alto) "Then Shall Be Brought to Pass" | alto vocals | Michael Chance, The English Concert, Trevor Pinnock | 0:16 |
| 1988-01 | Messiah, HWV 56: XXXVI. Air (Alto) "Thou Art Gone Up on High" | alto vocals | Michael Chance, The English Concert, Trevor Pinnock | 3:11 |
| 1988-04 | St. Matthew Passion, BWV 244: Aria 'Erbarme dich, mein Gott' | countertenor vocals | English Baroque Soloists, Sir John Eliot Gardiner | 6:43 |
| 1988-04 | St. Matthew Passion, BWV 244: Aria 'Sehet, Jesus hat die Hand' / Chorus: 'Wohin?' | countertenor vocals | English Baroque Soloists, Sir John Eliot Gardiner | 3:18 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil I. Aria (Duett: Sopran, Alt) "So ist mein Jesus nun gefangen" - Chorus "Lasst ihn, haltet, bindet nicht" - Chori "Sind Blitze, sind Donner in Wolken verschwunden?" | countertenor vocals | English Baroque Soloists, Sir John Eliot Gardiner | 5:28 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | countertenor vocals [First Witness] | English Baroque Soloists, Sir John Eliot Gardiner | 1:02 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. Recitativo (Alt) "Ach Golgotha" | countertenor vocals | English Baroque Soloists, Sir John Eliot Gardiner | 1:25 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 3. "Happy this embassy, my charming Iphis" / "Dull delay, in piercing anguish" | countertenor vocals [Hamor] | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 3:50 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act I, Scene 3. "I go, My soul, inspir'd by thy command" / "These labours past, how happy we!" | countertenor vocals [Hamor] | Michael Chance, Lynne Dawson, English Baroque Soloists, Sir John Eliot Gardiner | 7:28 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 1. "Glad tidings of great joy to thee, dear Iphis" | countertenor vocals [Hamor] | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 1:14 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 1. "Up the dreadful steep ascending" | countertenor vocals [Hamor] | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 4:15 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 3. "If such thy cruel purpose" / "On me let blind mistaken zeal" | countertenor vocals [Hamor] | Michael Chance, English Baroque Soloists, Sir John Eliot Gardiner | 1:48 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act II, Scene 3. "O spare your daughter" | countertenor vocals [Hamor] | Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | 3:13 |
| 1988-06-13 – 1988-06-16 | Jephtha: Act III, Scene 2. "My faithful Hamor, may that Providence" / "All that is in Hamor mine" | countertenor vocals [Hamor] | Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | 3:37 |
| 1988-07 | Come, ye sons of art, away, Z. 323: “Sound the trumpet, sound” (countertenors I-II) | countertenor vocals [countertenor I] | Michael Chance, Timothy Wilson, The English Concert, Trevor Pinnock | 2:27 |
| 1988-07 | Come, ye sons of art, away, Z. 323: “Strike the viol, touch the lute” (countertenor) | countertenor vocals | The English Concert, Trevor Pinnock | 4:44 |
| 1988-10-31 | Of old, when heroes thought it base (The Yorkshire Feast Song): 'Sound, trumpets, sound!' | countertenor vocals | Michael Chance, The English Concert, Trevor Pinnock | 2:19 |
| See all 650 relationships |
| vocals |
|---|
| 1988-05-14 – 1988-05-16 | Royal and Ceremonial Odes | countertenor vocals | Henry Purcell; The King’s Consort, Robert King | |
| 1990-02-27 – 1990-03-01 | Gradualia: The Marian Masses | countertenor vocals | William Byrd; The William Byrd Choir, Gavin Turner | |
| Ascanio in Alba | countertenor vocals | Mozart; Michael Chance, Jill Feldman, Lorna Windsor, Rosa Mannion, Howard Milner, Chœur de l’Université Paris-Sorbonne, Concerto Armonico, Jacques Grimbert | |
| Bach Edition, Volume 10: Passions/Passionen | alto vocals | Johann Sebastian Bach | |
| Giasone | countertenor vocals [Giasone] | Francesco Cavalli; Michael Chance, Gloria Banditelli, Catherine Dubosc, Concerto Vocale, René Jacobs | |
| Giasone | countertenor vocals | Francesco Cavalli; Michael Chance, Gloria Banditelli, Catherine Dubosc, Concerto Vocale, René Jacobs | |
| Matthäus Passion | alto vocals | Johann Sebastian Bach; King's College Choir Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah: The 250th Anniversary Performance | alto vocals | Handel; Academy of St Martin in the Fields, Academy of St. Martin in the Fields Chorus, Sir Neville Marriner | |
| Music for Viols | countertenor vocals | Fretwork | |
| Sacred Cantatas, Volume 2 | countertenor vocals | Buxtehude; Emma Kirkby, Michael Chance, Charles Daniels, Peter Harvey, The Purcell Quartet | |
| Semele | countertenor vocals | George Frideric Handel; Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, John Nelson | |
| Taverner | countertenor vocals | Peter Maxwell Davies; BBC Symphony Orchestra, Oliver Knussen, Martyn Hill, David Wilson-Johnson | |
