Le Sacre du printemps : II. Le Sacrifice : I. Introduction | | | | | | | |
Le Sacre du printemps : II. Le Sacrifice : II. Cercles mystérieux des adolescentes | | | | | | | |
Le Sacre du printemps : II. Le Sacrifice : III. Glorification de l’élue | | | | | | | |
Le Sacre du printemps : II. Le Sacrifice : IV. Evocation des ancêtres | | | | | | | |
Le Sacre du printemps : II. Le Sacrifice : V. Action rituelle des ancêtres | | | | | | | |
Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) | | | | | | | |
Le Sacre du printemps: I. L’Adoration de la terre | | | | | | | |
Le Sacre du printemps: II. Le Sacrifice | | | | | | | |
Leichte Kavallerie: Ouvertüre | | | | Overture | | | 5 |
Les Contes d’Hoffmann: Barcarolle | | | | | | | |
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) | | | | | | | |
Lohengrin, WWV 75: Akt III. Vorspiel | | | | | | | |
Lohengrin, WWV 75: Vorspiel | | | | | | | |
Lyric Suite, op. 54: III. Notturno. Andante | | | | | | | |
Lyric Suite, op. 54: IV. March of the Dwarfs. Allegro marcato | | | | | | | |
Martha: Akt I | | | | | | | |
Mazeppa, S. 100 | | | | Symphonic poem | | | |
Metamorphosen, study for 23 solo strings | | | | | | | |
Moulinet, op. 57 | | | | | | | |
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) | | | | | | | |
Oberon, J. 306: Overture | | | | Overture | | | |
Orpheus, S. 98 | | | | Symphonic poem | | | |
Ouvertüre Coriolan, op. 62 | | | | Overture | | | |
Overture “Leonore” no. 3 in C major, op. 72b | | | | Overture | | | |
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning | | - [unknown]
- Amsterdam Symphony Orchestra, London Festival Orchestra, Slowakische Staatsphilharmonie, Bratislava Radio Symphony Orchestra, Orchestre Philharmonique de la Slovaquie, Sven Bengtson, Alberto Lizzio, Libor Pesek, Róbert Stankovský, Peter Stern
- Berliner Philharmoniker, Herbert von Karajan
- Gothenburg Symphony Orchestra, Neeme Järvi
- (show 141 more)
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Peer Gynt Suite no. 1, op. 46: II. Åses død | | - Berliner Philharmoniker, Herbert von Karajan
- Amsterdam Symphony Orchestra, London Festival Orchestra, Slowakisches Philharmonisches Orchester, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Libor Pešek, Peter Stern
- Göteborgs Symfoniker, Neeme Järvi
- [unknown]
- (show 88 more)
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Peer Gynt Suite no. 1, op. 46: III. Anitras dans | | | | | | | |
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | | | | | | | |
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage | | - Berliner Philharmoniker, Herbert von Karajan
- London Festival Orchestra, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Libor Pesek
- London Festival Orchestra, Slowakische Staatsphilharmonie, Sven Bengtson, Libor Pesek
- Göteborgs Symfoniker, Neeme Järvi
- (show 54 more)
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Peer Gynt Suite no. 2, op. 55: II. Arabisk dans | | | | | | | |
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) | | - Berliner Philharmoniker, Herbert von Karajan
- International Concert Orchestra, London Festival Orchestra, Philharmonic Ensemble Pro Musica, Slowakische Staatsphilharmonie, Sven Bengtson, Herbert Fleischmann, Alfred Gehardt, Libor Pesek, Viktor Zimmerman
- Göteborgs Symfoniker, Neeme Järvi
- Amsterdam Symphony Orchestra, Peter Stern
- (show 51 more)
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Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang | | | | | | | |
Penthesilea: I. Departure of the Amazon for Troy | | | | | | | |
Penthesilea: II. Penthesilea's Dream of the Feats of Roses | | | | | | | |
Penthesilea: III. Fights, Passions, Madness, Extinction Combats, Passions, Folie, Destruction | | | | | | | |
Peter Schmoll und seine Nachbarn, J 8, op. 8: Overtüre | | | | Overture | | | |
Pique Dame: Ouvertüre | | | | Overture | | | |
Pizzicato-Polka | | | | | | | |
Plappermäulchen, op. 245 | | | | | | | |
Preciosa, J 279, op. 78: Overture | | | | Overture | | | |
Prélude à l’après‐midi d’un faune, L. 86, CD 87 | | | | Symphonic poem | | | |
Prodaná nevěsta: Overture | | | | Overture | | | |
Radetzky‐Marsch, op. 228 | | | | | | | |
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416: I. "Mia speranza adorata" | | | | | | | |
Recitative and Aria for Soprano & Orchestra in B-flat major, K. 416: II. "Ah, non sai qual pena" | | | | Aria | | | |
Recitative and Aria for Soprano and Orchestra in F major, K. 368: I. "Ma che vi fece" | | | | | | | |
Recitative and Aria for Soprano and Orchestra in F major, K. 368: II. "Sperai vicino il lido" | | | | Aria | | | |
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70: I. "A Berenice" | | | | | | | |
Recitative and Aria for Soprano and Orchestra in G major, K. 61c/70: II. "Sol nascente" | | | | Aria | | | |
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina | | | | | | | |
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | | | | | | | |
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco | | | | | | | |
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo | | | | | | | |
Serenade no. 2 for Orchestra, K. 250a/101: I. Contredanse in F major | | | | | | | |
Serenade no. 2 for Orchestra, K. 250a/101: II. Contredanse in G major | | | | | | | |
Serenade no. 2 for Orchestra, K. 250a/101: III. Contredanse in D major | | | | | | | |
Serenade no. 2 for Orchestra, K. 250a/101: IV. Contredanse in F major | | | | | | | |
Serenade no. 2 in F major, op. 63: I. Allegro moderato | | | | | | | |
Serenade no. 2 in F major, op. 63: II. Molto vivace | | | | | | | |
Serenade no. 2 in F major, op. 63: III. Waltz. Allegretto moderato | | | | | | | |
Serenade no. 2 in F major, op. 63: IV. March | | | | | | | |
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso | | | | | | | |
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto | | - Academy of St Martin in the Fields, Neville Marriner
- Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan
- Berliner Philharmoniker, Herbert von Karajan
- Leon Spierer, Emil Maas, Heinz Kirchner, Rainer Zepperitz, Berliner Philharmoniker, Karl Böhm
- (show 52 more)
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Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto | | - Academy of St Martin in the Fields, Neville Marriner
- Thomas Brandis, Emil Maas, Neithard Resa, Rainer Zepperitz, Berliner Philharmoniker, Herbert von Karajan
- Berliner Philharmoniker, Herbert von Karajan
- Leon Spierer, Emil Maas, Heinz Kirchner, Rainer Zepperitz, Berliner Philharmoniker, Karl Böhm
- (show 53 more)
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Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": I. Andante | | | | | | | |
Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": II. Allegretto | | | | | | | |
Serenade no. 8 in D major, K. 269a/286 "Notturno for Four Orchestras": III. Minuetto | | | | | | | |
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro | | - [unknown]
- Camerata Academica Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academica, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, The Northstar Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
- Berliner Philharmoniker, Herbert von Karajan
- Academy of St Martin in the Fields, Sir Neville Marriner
- (show 238 more)
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante | | - [unknown]
- Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academia Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
- Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Philharmonic Orchestra London, Mainz Chamber Orchestra, Philharmonia Slavonica, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Libor Pešek, Alexander von Pitamic, Alfred Scholz
- Berliner Philharmoniker, Herbert von Karajan
- (show 197 more)
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio | | - Camerata Academica of Salzburg, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academia Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
- [unknown]
- Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Karl Böhm
- (show 159 more)
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Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro | | - [unknown]
- Camerata Academica, Camerata Accademica Hamburg, Camerata Labacensis, Camerata Academica of Salzburg, Philharmonic Orchestra London, Mainz Chamber Orchestra, Mozart Festival Orchestra, Ljubljana Symphony Orchestra, Günter Kehr, Francesco Macci, Alexander von Pitamic, Alfred Scholz
- Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Karl Böhm
- (show 180 more)
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Siegfried Idyll, WWV 103 | | | | Symphonic poem | | | |
Siegfried, WWV 86C: Akt III, Scene III "Selige Öde auf sonniger Höh’!" | | | | | | | |
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: I. Allegro | | - Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner
- Fritz Faltl, Günter Högner, Walter Lehmayer, Alfred Prinz, Wiener Philharmoniker, Karl Böhm
- Lucas Macías Navarro, Alessandro Carbonare, Alessio Allegrini, Guilhaume Santana, Orchestra Mozart, Claudio Abbado
- The Philadelphia Orchestra, Eugene Ormandy
- (show 30 more)
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Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: II. Adagio | | - Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner
- Fritz Faltl, Günter Högner, Walter Lehmayer, Alfred Prinz, Wiener Philharmoniker, Karl Böhm
- Lucas Macías Navarro, Alessandro Carbonare, Alessio Allegrini, Guilhaume Santana, Orchestra Mozart, Claudio Abbado
- The Philadelphia Orchestra, Eugene Ormandy
- (show 32 more)
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Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. 297b / K. Anh.C 14.01: III. Andantino con variazioni | | - Les Vents Français, Münchener Kammerorchester, Daniel Giglberger
- Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner
- Lucas Macías Navarro, Alessandro Carbonare, Alessio Allegrini, Guilhaume Santana, Orchestra Mozart, Claudio Abbado
- Fritz Faltl, Günter Högner, Walter Lehmayer, Alfred Prinz, Wiener Philharmoniker, Karl Böhm
- (show 37 more)
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Steyrische Tänze, op. 165 | | | | | | | |
Suite im alten Stil, op. 93: I. Präludium: Allegro comodo | | | | | | | |
Suite im alten Stil, op. 93: II. Largo: Largo | | | | | | | |
Suite im alten Stil, op. 93: III. Fuge: Allegro con spirito, ma non troppo vivace - Meno mosso - Andante sostenuto - Quasi largo | | | | | | | |
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: I. Maestoso - Allegro | | | | | | | |
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: II. Adagio molto | | | | | | | |
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: III. Allegretto | | | | | | | |
Symfonie č. 1 c moll, B. 9 „Zlonické zvony“: IV. Finale (Allegro animato) | | | | | | | |
Symfonie č. 2 B dur, op. 4: I. Allegro con moto | | | | | | | |
Symfonie č. 2 B dur, op. 4: II. Poco adagio | | | | | | | |
Symfonie č. 2 B dur, op. 4: III. Scherzo. Allegro con brio | | | | | | | |
Symfonie č. 2 B dur, op. 4: IV. Finale. Allegro con fuoco | | | | | | | |
Symfonie č. 3 Es dur, op. 10: I. Allegro moderato | | | | | | | |
Symfonie č. 3 Es dur, op. 10: II. Adagio molto, tempo di marcia | | | | | | | |
Symfonie č. 3 Es dur, op. 10: III. Finale. Allegro vivace | | | | | | | |
Symfonie č. 4 d moll, op. 13: I. Allegro | | | | | | | |
Symfonie č. 4 d moll, op. 13: II. Andante sostenuto e molto cantabile | | | | | | | |
Symfonie č. 4 d moll, op. 13: III. Scherzo (Allegro feroce) | | | | | | | |
Symfonie č. 4 d moll, op. 13: IV. Finale: Allegro con brio | | | | | | | |
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto | | | | | | | |
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo | | | | | | - C-sharp minor (Key)
- D-flat major (Key)
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Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto | | | | | | | |
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco | | | | | | - E major (Key)
- E minor (Key)
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Symphonic Metamorphosis after Themes by Carl Maria von Weber: I. Allegro | | | | | | | |