| 26 Welsh Songs WoO 155, No. 1, "Sion, the Son of Evan" | | - David Mulvenna Hamilton, Haakon Schaub, Cornelius Boensch, Michael Clark, Zsuzsa Zsizsmann
- Catrin Wyn Davies, Christopher Maltman, Marieke Blankestijn, Malcolm Martineau, Ursula Smith
- John Noble, Nigel Rogers, Elisabeth Perry, Peter Pettinger, Felix Schmidt
- Ludwig van Beethoven
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| 26 Welsh Songs WoO 155, No. 4, "Love Without Hope" | | - David Mulvenna Hamilton, Cornelius Boensch, Michael Clark, Zsuzsa Zsizsmann
- John Mark Ainsley, Marieke Blankestijn, Malcolm Martineau, Ursula Smith
- Ludwig van Beethoven
- Nigel Rogers, Elisabeth Perry, Peter Pettinger, Felix Schmidt
- Jamie MacDougall, TrioVanBeethoven
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| A Pilgrimes Solace: No. 2. Sweete stay a while, why will you rise? | | | | Song | | | |
| A Pilgrimes Solace: No. 3. To aske for all thy love, and thy whole heart t'were madnesse | | | | | | | |
| A Pilgrimes Solace: No. 4. Love those beames that breede | | | | | | | |
| A Pilgrimes Solace: No. 5. Shall I strive with wordes to move | | | | | | | |
| A Pilgrimes Solace: No. 6. Were every thought an eye | | | | | | | |
| A Pilgrimes Solace: No. 8. Tell me true Love where shall I seeke thy being | | - Anthony Rooley, The Consort of Musicke
- James Bowman, Richard Boothby, Mark Caudle, Wendy Gillespie, William Hunt, David Miller
- Paul Hillier, The Hilliard Ensemble
- Grayston Burgess, Karl-Heinz Klein, Andrea von Ramm, Nigel Rogers, Thomas Binkley
- (show 3 more)
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| Ahi! Amors, Com Dure Departie | | | | Song | - French, Old (842-ca.1400)
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| Air à boire for voice and lute: “Qui veut chasser une migraine” | | | | | | | |
| Bellissima regina | | | | | | | |
| Billy Budd: Act I, Scene I. "Guard boat! Indomitable!" | | | | | | | |
| Billy Budd: Act I, Scene I. "Pull, my bantams!" | | - Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten
- Benjamin Britten
- London Symphony Orchestra, Daniel Harding
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| Billy Budd: Act II, Scene I. "Deck ahoy!" | | | | | | | |
| C'est un Amant, ouvrez la porte | | | | Song | | | |
| Cessez, mortels, de soupirer | | | | | | | |
| Change Thy Mind Since She Doth Change | | | | | | | |
| Cruda amarilli | | | | | | | |
| Da te parto, cor mio | | | | | | | |
| Damigella tutta bella | | | | Song | | | |
| Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 23 more)
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| Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) | | | | Aria | | | |
| Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) | | - Henry Purcell
- Academy of Ancient Music Chorus, Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood
- The English Concert Choir, Elisabeth Priday, Nigel Rogers, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
- (show 21 more)
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| Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 27 more)
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| Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Academy of Ancient Music Chorus, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- Henry Purcell
- (show 22 more)
| | Aria | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 25 more)
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| Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
- Taverner Choir, Andrew Parrott, Taverner Players
- Les Arts Florissants, William Christie
- (show 11 more)
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| Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) | | | | Aria | | | |
| Eau vive, source d'amour | | | | Madrigal | | | |
| Enfin La Beauté Que J’adore | | | | Madrigal | | | |
| Ennuits, Désespoirs Et Douleurs | | | | | | | |
| Ernani: Atto III. (no. 13c) Settimino “O sommo Carlo, più del tuo nome” (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) | | - Carlo Bergonzi, Coro della RCA Italiana, Ezio Flagello, Julia Hamari, Hartje Mueller, Leontyne Price, Mario Sereni, Orchestra della RCA Italiana, Thomas Schippers
- Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge
- Renato Bruson, Coro del Teatro alla Scala di Milano, Plácido Domingo, Mirella Freni, Nicolaï Ghiaurov, Alfredo Giacomotti, Gianfranco Manganotti, Jolanda Michieli, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- Luciano Pavarotti, Dame Joan Sutherland, Leo Nucci, Paata Burchuladze, Linda McLeod, Richard Morton, Alastair Miles
- (show 6 more)
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| Exulta filia Sion, SV 303 | | | | | | | |
| Giovinetta vezzosetta | | | | | | | |
| Il combattimento di Tancredi e Clorinda, SV 153 | | | | Madrigal | | | |
| In Darkness Let Me Dwell | | | | | | | |
| Indarno Febo il suo bell'oro eterno | | | | | | | |
| Intenerite voi, lagrime mie | | | | | | | |
| Je suis ravi de mon Uranie | | | | | | | |
| L'Orfeo: Atto secondo. Mira, deh mira, Orfeo (Pastore) | | | | | | | |
| L'Orfeo: Atto secondo. Tu se' morta, mia vita (Orfeo) | | | | | | | |
| L'Orfeo: Atto secondo. Vi ricorda, o bosch'ombrosi (Orfeo) | | | | | | | |
| Le nuove musiche: 6. Perfidissimo volto | | | | Madrigal | | | |
| Le nuove musiche: 8. Amarilli, mia bella | | | | Madrigal | | | |
| Le nuove musiche: 19. Aria sesta. Udite, udite amanti | | | | | | | |
| Le nuove musiche: 22. Aria nona. Belle rose porporine | | | | | | | |
| Lors Que Tes Beaux Yeux Mignonne | | | | Madrigal | | | |
| Ma bergère non légère | | | | Aria | | | |
| Madrigals, Book 7: Vaga su spina ascosa, SV 134 | | | | Madrigal | | | |
| Mentre vaga angioletta, SV 157 | | | | | | | |
| Musiche, Livre 1: Deh, come invan chiedete | | | | | | | |
| Musiche, Livre 1: lo moro, ecco ch'io moro | | | | | | | |
| My Heavy Sprite | | | | | | | |
| N'espérez plus mes yeux | | | | | | | |
| Ninfa che, scalza il piede e sciolto il crine, SV 160 | | | | | | | |
| Non voglio amare, SV 172 | | | | Madrigal | | | |
| O durezza di ferro e di diamante | | | | | | | |
| O mio bene, o mia vita, SV 178 | | | | | | | |
| Occhi belli e sia ver che in lungo pianto | | | | | | | |
| Paisible et ténébreuse nuit | | | | | | | |
| Petit sein où l’Amour | | | | Song | | | |
| Plaignez la rigueur de mon sort | | | | Madrigal | | | |
| Primo libro d’arie musicali: Con dolcezza e pietate, F 7.23 | | | | | | | |
| Primo libro d’arie musicali: Corilla danzando, F 7.22 | | | | | | | |
| Primo libro d’arie musicali: Così mi disprezzate, F 7.16 | | | | | | | |
| Primo libro d’arie musicali: Donna, siam rei di morte, F 7.09 | | | | | | | |
| Primo libro d’arie musicali: Dunque dovrò del puro servir mio, F 7.07 | | | | | | | |
| Primo libro d’arie musicali: Era già tutta mia, F 7.21 | | | | | | | |
| Primo libro d’arie musicali: Se l'aura spira tutta vezzosa, F 7.15 | | | | | | | |
| Primo libro d’arie musicali: Se l'onde, ohimé, F 7.08 | | | | | | | |
| Primo libro d’arie musicali: Se m'amate io v'adoro, F 7.17 | | | | | | | |
| Primo libro d’arie musicali: Troppo sotto due stelle, F 7.11 | | | | | | | |
| Quel Espoir De Guarir | | | | Madrigal | | | |
| Quelque Merveilleuse Chose | | | | Madrigal | | | |
| Quest'amore, quest'arsura | | | | Aria | | | |
| Resvelons nous | | | | | | | |
| Salve Regina | | | | | | | |
| Scherzi Musicali (1632): Zefire torna e di soavi accenti (Ciaccona), SV 251 | | | | Madrigal | | | |
| Se vittorie sì belle | | | | | | | |
| Secondo libro d’arie musicali: Doloroso mio core, F 7.42 | | | | | | | |
| Secondo libro d’arie musicali: O dolore, O ferita, F 7.43 | | | | | | | |
| Secondo libro d’arie musicali: O mio cor, dolce mia vita, F 7.33 | | | | | | | |
| Secondo libro d’arie musicali: Ohimè, che fur, che sono, F 7.27 | | | | | | | |
| Secondo libro d’arie musicali: Oscure selve, F 7.26 | | | | | | | |
| Secondo libro d’arie musicali: Ti lascio anima mia, F 7.29 | | | | | | | |
