| edited |
|---|
| Masques, op. 34: I. Shéhérazade | | | Easley Blackwood | 10:08 |
| Masques, op. 34: II. Tantris le bouffon | | | Easley Blackwood | 5:50 |
| Masques, op. 34: III. Sérénade de Don Juan | | | Easley Blackwood | 5:51 |
| Nove Pezzi, op. 24: 1. In Modo Funebre | | | Easley Blackwood | 3:22 |
| Nove Pezzi, op. 24: 2. In Modo Barbaro | | | Easley Blackwood | 1:46 |
| Nove Pezzi, op. 24: 3. In Modo Elegiaco | | | Easley Blackwood | 4:05 |
| Nove Pezzi, op. 24: 4. In Modo Burlesco | | | Easley Blackwood | 1:02 |
| Nove Pezzi, op. 24: 5. In Modo Esotico | | | Easley Blackwood | 3:46 |
| Nove Pezzi, op. 24: 6. In Modo di Nenia | | | Easley Blackwood | 2:08 |
| Nove Pezzi, op. 24: 7. In Modo di Minuetto | | | Easley Blackwood | 2:53 |
| Nove Pezzi, op. 24: 8. In Modo di Tango | | | Easley Blackwood | 5:03 |
| Nove Pezzi, op. 24: 9. In Modo Rustico | | | Easley Blackwood | 3:36 |
| Pelleas und Melisande, op. 5 | | | Chicago Symphony Orchestra, Pierre Boulez | 40:20 |
| Piano Trio in E-flat major: I. Allegro | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 8:51 |
| Piano Trio in E-flat major: II. Scherzo | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:47 |
| Piano Trio in E-flat major: III. Andante | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 5:08 |
| Piano Trio in E-flat major: IV. Finale. Allegro con fuoco | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 7:32 |
| Sonata no. 3 in C minor, op. 45: I. Allegro molto ed appassionato | | | Frank Almond, Adam Neiman | 9:09 |
| Sonata no. 3 in C minor, op. 45: II. Allegretto espressivo alla Romanza | | | Frank Almond, Adam Neiman | 6:30 |
| Sonata no. 3 in C minor, op. 45: III. Allegro animato | | | Frank Almond, Adam Neiman | 7:58 |
| Sonatina, op. 28: I. Allegro con spirito | | | Easley Blackwood | 3:33 |
| Sonatina, op. 28: II. Minuetto | | | Easley Blackwood | 1:59 |
| Sonatina, op. 28: III. Finale | | | Easley Blackwood | 4:55 |
| Variations for Orchestra, op. 31: I. Introduction | | | Chicago Symphony Orchestra, Pierre Boulez | 1:36 |
| Variations for Orchestra, op. 31: II. Theme | | | Chicago Symphony Orchestra, Pierre Boulez | 1:04 |
| Variations for Orchestra, op. 31: III. Variation I | | | Chicago Symphony Orchestra, Pierre Boulez | 1:13 |
| Variations for Orchestra, op. 31: IV. Variation II | | | Chicago Symphony Orchestra, Pierre Boulez | 1:31 |
| Variations for Orchestra, op. 31: IX. Variation VII | | | Chicago Symphony Orchestra, Pierre Boulez | 2:09 |
| Variations for Orchestra, op. 31: V. Variation III | | | Chicago Symphony Orchestra, Pierre Boulez | 0:42 |
| Variations for Orchestra, op. 31: VI. Variation IV | | | Chicago Symphony Orchestra, Pierre Boulez | 1:28 |
| Variations for Orchestra, op. 31: VII. Variation V | | | Chicago Symphony Orchestra, Pierre Boulez | 1:47 |
| Variations for Orchestra, op. 31: VIII. Variation VI | | | Chicago Symphony Orchestra, Pierre Boulez | 1:28 |
| Variations for Orchestra, op. 31: X. Variation VIII | | | Chicago Symphony Orchestra, Pierre Boulez | 0:35 |
| Variations for Orchestra, op. 31: XI. Variation IX | | | Chicago Symphony Orchestra, Pierre Boulez | 1:02 |
| Variations for Orchestra, op. 31: XII. Finale | | | Chicago Symphony Orchestra, Pierre Boulez | 5:27 |
| Violin Sonata in D major, B. D13: I. Andante cantabile | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:30 |
| Violin Sonata in D major, B. D13: II. Allegro | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:14 |
| Violin Sonata in D major, B. D13: III. Affettuoso | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 2:47 |
| Violin Sonata in D major, B. D13: IV. Allegro assai | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:14 |
| engineered |
|---|
| 1990-09 | Ein Heldenleben, op. 40: I. Der Held | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 4:20 |
| 1990-09 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 3:47 |
| 1990-09 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 13:13 |
| 1990-09 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 6:56 |
| 1990-09 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 6:43 |
| 1990-09 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 12:04 |
| 1990-09 | Ein Heldenleben: VI. Des Helden Weltflucht und Vollendung (excerpt) | Chris Willis | assistant | Samuel Magad, Chicago Symphony Orchestra, Daniel Barenboim | 3:57 |
| 1990-09 | Till Eulenspiegels lustige Streiche, op. 28 | | assistant | Chicago Symphony Orchestra, Daniel Barenboim | 15:31 |
| Andromache’s Farewell, op. 39 | | | Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar | 13:10 |
| Concertpiece for Organ and Orchestra, H. 307 | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 18:17 |
| Daphnis et Chloé: Deuxiéme partie. Danse guerrière | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 4:50 |
| Daphnis et Chloé: Deuxiéme partie. Introduction | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 2:52 |
| Daphnis et Chloé: Deuxiéme partie. Scène — Danse suppliante de Chloé | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 5:05 |
| Daphnis et Chloé: Première partie. Danse grotesque de Dorcon — Scène | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 2:03 |
| Daphnis et Chloé: Première partie. Danse légère et gracieuse de Daphnis | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 3:39 |
| Daphnis et Chloé: Première partie. Danse religieuse | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 4:35 |
| Daphnis et Chloé: Première partie. Introduction | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 2:38 |
| Daphnis et Chloé: Première partie. Scène — Danse de Lycéion — Scène (les pirates) | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 4:01 |
| Daphnis et Chloé: Première partie. Scène — Danse générale | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 3:18 |
| Daphnis et Chloé: Première partie. Scène — Danse lente et mystérieuse | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 4:37 |
| Daphnis et Chloé: Troisiéme partie. Danse générale | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 3:41 |
| Daphnis et Chloé: Troisiéme partie. Daphnis et Chloé miment l'aventure de Pan et de Syrinx | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 6:18 |
| Daphnis et Chloé: Troisiéme partie. Lever du jour — Scène | | | Duain Wolfe, Chicago Symphony Chorus, Chicago Symphony Orchestra, Bernard Haitink | 5:49 |
| Gloria: Domine Deus, Agnus Dei | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 6:08 |
| Gloria: Domine Deus, Rex caelestis | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 3:55 |
| Gloria: Domine Fili unigenite | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 1:22 |
| Gloria: Gloria in excelsis Deo | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 3:05 |
| Gloria: Laudamus te | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 3:10 |
| Gloria: Qui sedes ad dexteram Patris | | | Duain Wolfe, Chicago Symphony Chorus, Jessica Rivera, Chicago Symphony Orchestra, Bernard Haitink | 6:12 |
| La mort de Cléopâtre: Allegro assai agitato: "Non!" | | | Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar | 6:39 |
| La mort de Cléopâtre: Canto: "Ah! Qu’ils sont loin ces jours" | | | Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar | 6:52 |
| La mort de Cléopâtre: Méditation: "Grands Phararons" | | | Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar | 4:49 |
| La mort de Cléopâtre: Recitativo: "C'en est donc fait!" | | | Jennifer Larmore, Grant Park Orchestra, Carlos Kalmar | 3:11 |
| Prelude and Allegro for Organ and Strings: Allegro | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 4:48 |
| Prelude and Allegro for Organ and Strings: Prelude | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 5:15 |
| Requiem: Agnus Dei | | | Chicago Symphony Orchestra, Riccardo Muti | 5:43 |
| Requiem: Confutatis | | | Chicago Symphony Orchestra, Riccardo Muti | 5:27 |
| Requiem: Dies Irae | | | Chicago Symphony Orchestra, Riccardo Muti | 2:27 |
| Requiem: Ingemisco | | | Chicago Symphony Orchestra, Riccardo Muti | 3:38 |
| Requiem: Lacrimosa | | | Chicago Symphony Orchestra, Riccardo Muti | 6:28 |
| Requiem: Liber Scriptus | | | Chicago Symphony Orchestra, Riccardo Muti | 5:07 |
| Requiem: Libera Me | | | Chicago Symphony Orchestra, Riccardo Muti | 15:06 |
| Requiem: Lux Aeterna | | | Chicago Symphony Orchestra, Riccardo Muti | 7:00 |
| Requiem: Mors Stupebit | | | Chicago Symphony Orchestra, Riccardo Muti | 1:25 |
| Requiem: Offertorio | | | Chicago Symphony Orchestra, Riccardo Muti | 10:47 |
| Requiem: Quid Sum Miser | | | Chicago Symphony Orchestra, Riccardo Muti | 3:55 |
| Requiem: Recordare | | | Chicago Symphony Orchestra, Riccardo Muti | 4:20 |
| Requiem: Requiem and Kyrie | | | Chicago Symphony Orchestra, Riccardo Muti | 9:51 |
| Requiem: Rex Tremendae | | | Chicago Symphony Orchestra, Riccardo Muti | 3:52 |
| Requiem: Sanctus | | | Chicago Symphony Orchestra, Riccardo Muti | 2:35 |
| Requiem: Tuba Mirum | | | Chicago Symphony Orchestra, Riccardo Muti | 1:58 |
| Snow Walker for Organ and Orchestra: I. Polar Landscape | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 5:21 |
| Snow Walker for Organ and Orchestra: II. Throat-singing, with Laughter | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 1:30 |
| Snow Walker for Organ and Orchestra: III. The Whispering Voices of the Spirits Who Ride With the Lights in the Sky | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 4:05 |
| Snow Walker for Organ and Orchestra: IV. Ice and Light | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 4:40 |
| Snow Walker for Organ and Orchestra: V. Snow Walker | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 6:03 |
| Symphony in Waves: I. Continuous Wave | | | Grant Park Orchestra, Carlos Kalmar | 10:08 |
| Symphony in Waves: II. Scherzo | | | Grant Park Orchestra, Carlos Kalmar | 4:16 |
| Symphony in Waves: III. Still Movement | | | Grant Park Orchestra, Carlos Kalmar | 15:58 |
| Symphony in Waves: IV. Intermezzo | | | Grant Park Orchestra, Carlos Kalmar | 2:10 |
| Symphony in Waves: V. Finale | | | Grant Park Orchestra, Carlos Kalmar | 7:09 |
| Symphony no. 6 in A minor: I. Allegro energico, ma non troppo: Heftig, aber markig | | | Chicago Symphony Orchestra, Bernard Haitink | 25:52 |
| Symphony no. 6 in A minor: II. Scherzo: Wuchtig | | | Chicago Symphony Orchestra, Bernard Haitink | 14:20 |
| Symphony no. 6 in A minor: III. Andante moderato | | | Chicago Symphony Orchestra, Bernard Haitink | 16:12 |
| Symphony no. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico | | | Chicago Symphony Orchestra, Bernard Haitink | 34:06 |
| Toccata Festiva for Organ and Orchestra, op. 36 | | | David Schrader, Grant Park Orchestra, Carlos Kalmar | 14:48 |
| Violin Concerto in D major, op. 77: I. Allegro non troppo | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 19:11 |
| Violin Concerto in D major, op. 77: I. Cadenza by Joseph Joachim | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 5:25 |
| Violin Concerto in D major, op. 77: I. Cadenza by Rachel Barton - end of first movement | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 6:18 |
| Violin Concerto in D major, op. 77: II. Adagio | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 10:17 |
| Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 8:20 |
| Violin Concerto no. 2 in D minor, op. 11 "In the Hungarian Style": I. Allegro un poco maestoso | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 26:36 |
| Violin Concerto no. 2 in D minor, op. 11 "In the Hungarian Style": II. Romanze: Andante | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 9:29 |
| Violin Concerto no. 2 in D minor, op. 11 "In the Hungarian Style": III. Finale alla Zingara: Allegro con spirito | | | Rachel Barton Pine, Chicago Symphony Orchestra, Carlos Kalmar | 11:00 |
| mixed |
|---|
| Steelworks | | | Jennifer Gunn, Cynthia Yeh, John Bruce Yeh | 14:27 |
| recording engineer for |
|---|
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Abbasso le spade!” (Otello, Iago, Cassio, Montano) | | | Aleksandrs Antoņenko, Paolo Battaglia, Juan Francisco Gatell, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 3:12 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Capitano, v’attende la fazione ai baluardi” (Montano, Cassio, Iago, Roderigo, Ciprioti) | | | Paolo Battaglia, Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Michael Spyres, Chicago Symphony Orchestra, Riccardo Muti | 1:19 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Esultate!” (Otello, Ciprioti) | | | Aleksandrs Antoņenko, Chicago Symphony Chorus, Chicago Symphony Orchestra, Riccardo Muti | 2:27 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Fuoco di gioia!” (Ciprioti, Iago, Cassio, Roderigo) | | | Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Michael Spyres, Chicago Symphony Orchestra, Riccardo Muti | 4:03 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Già nella notte densa…” (Otello, Desdemona) | | | Aleksandrs Antoņenko, Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 10:41 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Inaffia l’ugola!” (Iago, Cassio, Roderigo, Ciprioti) | | | Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Michael Spyres, Chicago Symphony Orchestra, Riccardo Muti | 4:04 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Roderigo, ebben che pensi?” (Iago, Roderigo) | | | Carlo Guelfi, Michael Spyres, Chicago Symphony Orchestra, Riccardo Muti | 2:21 |
| 2011-04-07 – 2011-04-12 | Otello: Atto I. “Una vela! Una vela!” (Ciprioti, Montano, Cassio, Iago, Roderigo) | | | Paolo Battaglia, Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Michael Spyres, Chicago Symphony Orchestra, Riccardo Muti | 4:27 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Credo in un Dio crudel…” (Iago) | | | Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 4:13 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “D’un uom che geme…” (Desdemona, Otello, Iago, Emilia) | | | Aleksandrs Antoņenko, Carlo Guelfi, Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 4:49 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Desdemona rea!” (Otello, Iago) | | | Aleksandrs Antoņenko, Carlo Guelfi, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 5:29 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Dove guardi splendono raggi…” (Ciprioti, Desdemona, Fanciulli, Otello, Iago) | | | Aleksandrs Antoņenko, Chicago Children’s Choir, Chicago Symphony Chorus, Carlo Guelfi, Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 4:01 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Eccola… Cassio” (Iago, Otello, Ciprioti) | | | Aleksandrs Antoņenko, Chicago Symphony Chorus, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 6:33 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Era la notte…” (Iago, Otello) | | | Aleksandrs Antoņenko, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 4:01 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Non ti crucciar” (Iago, Cassio) | | | Juan Francisco Gatell, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 2:54 |
| 2011-04-07 – 2011-04-12 | Otello: Atto II. “Sì, pel ciel marmoreo giuro!” (Otello, Iago) | | | Aleksandrs Antoņenko, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 2:25 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “A terra! … sì… ne livido fango” (Desdemona, Emilia, Cassio, Roderigo, Lodovico, Ciprioti, Iago, Otello) | | | Aleksandrs Antoņenko, Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Eric Owens, Michael Spyres, Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 7:38 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “Dio ti giocondi, o sposo…” (Desdemona, Otello) | | | Aleksandrs Antoņenko, Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 10:06 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “Dio! mi potevi scagliar tutti i mali…” (Otello, Iago) | | | Aleksandrs Antoņenko, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 4:05 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “La vedetta del porto ti ha segnato…” (Un araldo, Otello, Iago, Desdemona) | | | David Govertsen, Aleksandrs Antoņenko, Carlo Guelfi, Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 2:40 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “Questo è una ragna” (Iago, Cassio, Otello, Chorus) | | | Aleksandrs Antoņenko, Chicago Symphony Chorus, Juan Francisco Gatell, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 3:19 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “Vieni, l’aula è deserta” (Iago, Cassio, Otello) | | | Aleksandrs Antoņenko, Juan Francisco Gatell, Carlo Guelfi, Chicago Symphony Orchestra, Riccardo Muti | 3:59 |
| 2011-04-07 – 2011-04-12 | Otello: Atto III. “Viva! Evviva!” (Chorus, Lodovico, Otello, Desdemona, Emilia, Iago) | | | Aleksandrs Antoņenko, Chicago Symphony Chorus, Carlo Guelfi, Eric Owens, Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 5:31 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Aprite! Aprite!” (Emilia, Otello, Desdemona, Cassio, Iago, Lodovico, Montano) | | | Aleksandrs Antoņenko, Paolo Battaglia, Juan Francisco Gatell, Carlo Guelfi, Eric Owens, Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 3:17 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Ave Maria…” (Desdemona) | | | Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 5:02 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Chi è la?” (Desdemona, Otello) | | | Aleksandrs Antoņenko, Krassimira Stoyanova, Chicago Symphony Orchestra, Riccardo Muti | 6:46 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Era più calmo?” (Emilia, Desdemona) | | | Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 4:44 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Niun mi tema…” (Otello, Cassio, Lodovico, Montano) | | | Aleksandrs Antoņenko, Paolo Battaglia, Juan Francisco Gatell, Eric Owens, Chicago Symphony Orchestra, Riccardo Muti | 5:21 |
| 2011-04-07 – 2011-04-12 | Otello: Atto IV. “Piangea cantando…” (Desdemona, Emilia) | | | Krassimira Stoyanova, Barbara di Castri, Chicago Symphony Orchestra, Riccardo Muti | 6:41 |
| Lélio, ou Le retour à la vie: Chanson de brigands | | | Chicago Symphony Chorus, Kyle Ketelsen, Chicago Symphony Orchestra, Riccardo Muti | 4:19 |
| Lélio, ou Le retour à la vie: Chant de bonheur – Hymne | | | Mario Zeffiri, Chicago Symphony Orchestra, Riccardo Muti | 6:26 |
| Lélio, ou Le retour à la vie: Chœur d’ombres | | | Chicago Symphony Chorus, Chicago Symphony Orchestra, Riccardo Muti | 5:48 |
| Lélio, ou Le retour à la vie: Coda | | | Gérard Depardieu, Chicago Symphony Orchestra, Riccardo Muti | 1:05 |
| Lélio, ou Le retour à la vie: Fantaisie sur la tempête de Shakespeare | | | Chicago Symphony Chorus, Chicago Symphony Orchestra, Riccardo Muti | 14:18 |
| Lélio, ou Le retour à la vie: La harpe éolienne – Souvenirs | | | Chicago Symphony Orchestra, Riccardo Muti | 3:57 |
| Lélio, ou Le retour à la vie: Le pêcheur | | | Mario Zeffiri, Chicago Symphony Orchestra, Riccardo Muti | 6:22 |
| Lélio, ou Le retour à la vie: Narration. Assez pour aujourd’hui! | | | Gérard Depardieu | 0:48 |
| Lélio, ou Le retour à la vie: Narration. Comme mon esprit flotte incertain! | | | Gérard Depardieu | 1:46 |
| Lélio, ou Le retour à la vie: Narration. Dieu! Je vis encore | | | Gérard Depardieu | 2:32 |
| Lélio, ou Le retour à la vie: Narration. Étrange persistance d’un souvenir! | | | Gérard Depardieu | 2:22 |
| Lélio, ou Le retour à la vie: Narration. Mais pourquoi m’abandonner à ces dangereuses illusions? | | | Gérard Depardieu | 5:08 |
| Lélio, ou Le retour à la vie: Narration. Ô Shakespeare! | | | Gérard Depardieu | 3:36 |
| Lélio, ou Le retour à la vie: Narration. Oh! Que ne puis-je la trouver | | | Gérard Depardieu | 1:27 |
| Piano Trio in E-flat major: I. Allegro | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 8:51 |
| Piano Trio in E-flat major: II. Scherzo | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:47 |
| Piano Trio in E-flat major: III. Andante | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 5:08 |
| Piano Trio in E-flat major: IV. Finale. Allegro con fuoco | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 7:32 |
| Sonata no. 3 in C minor, op. 45: I. Allegro molto ed appassionato | | | Frank Almond, Adam Neiman | 9:09 |
| Sonata no. 3 in C minor, op. 45: II. Allegretto espressivo alla Romanza | | | Frank Almond, Adam Neiman | 6:30 |
| Sonata no. 3 in C minor, op. 45: III. Allegro animato | | | Frank Almond, Adam Neiman | 7:58 |
| Steelworks | | | Jennifer Gunn, Cynthia Yeh, John Bruce Yeh | 14:27 |
| Symphonie fantastique: Marche au supplice | | | Chicago Symphony Orchestra, Riccardo Muti | 6:40 |
| Symphonie fantastique: Rêveries – Passions | | | Chicago Symphony Orchestra, Riccardo Muti | 15:19 |
| Symphonie fantastique: Scène aux champs | | | Chicago Symphony Orchestra, Riccardo Muti | 16:07 |
| Symphonie fantastique: Songe d’une nuit de sabbat | | | Chicago Symphony Orchestra, Riccardo Muti | 9:56 |
| Symphonie fantastique: Un bal | | | Chicago Symphony Orchestra, Riccardo Muti | 6:46 |
| Symphony no. 2: I. Allegro maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck | | | Chicago Symphony Orchestra, Bernard Haitink | 21:12 |
| Symphony no. 2: II. Andante moderato. Sehr Gemachlich. Nie Eilen | | | Chicago Symphony Orchestra, Bernard Haitink | 10:09 |
| Symphony no. 2: III. Scherzo. In Ruhig Fliessender Bewegung | | | Chicago Symphony Orchestra, Bernard Haitink | 11:09 |
| Symphony no. 2: IV. Urlicht, (Primal Light), Sehr Feierlich, Aber Schlicht | | | Chicago Symphony Orchestra, Bernard Haitink | 4:59 |
| Symphony no. 2: V. Im Tempo Des Scherzos. Wild Herausfahrend | | | Chicago Symphony Orchestra, Bernard Haitink | 34:33 |
| Violin Sonata in D major, B. D13: I. Andante cantabile | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:30 |
| Violin Sonata in D major, B. D13: II. Allegro | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:14 |
| Violin Sonata in D major, B. D13: III. Affettuoso | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 2:47 |
| Violin Sonata in D major, B. D13: IV. Allegro assai | | | Frank Almond, Victor Santiago Asuncion, Alexander Hersh | 4:14 |
| edited |
|---|
| Voices of a Vanished World | | | Michigan State University Children’s Choir | |
| recording engineer for |
|---|
| Voices of a Vanished World | Chris Willis | | Michigan State University Children’s Choir | |
