| vocals |
---|
1962-02-03 | Madama Butterfly: Atto I. “Amore o grillo” | tenor vocals [Goro] | Carlo Bergonzi, Clifford Harvuot, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:09 |
1962-02-03 | Madama Butterfly: Atto I. “E soffitto… e pareti…” | tenor vocals [Goro] | Carlo Bergonzi, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 6:24 |
1962-02-03 | Madama Butterfly: Atto I. “Ed è bella la sposa?” | tenor vocals [Goro] | Carlo Bergonzi, Clifford Harvuot, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 1:02 |
1962-02-03 | Madama Butterfly: Atto I. “Gran ventura” | tenor vocals [Goro] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Chorus, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:28 |
1962-02-03 | Madama Butterfly: Atto I. “L’Imperial Commissario” | tenor vocals [Goro] | Carlo Bergonzi, Clifford Harvuot, Metropolitan Opera Chorus, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:11 |
1962-02-03 | Madama Butterfly: Atto I. “Tutti zitti!” | tenor vocals [Goro] | Roald Reitan, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:48 |
1962-02-03 | Madama Butterfly: Atto I. “Vieni, amor mio!” | tenor vocals [Goro] | Carlo Bergonzi, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:37 |
1962-02-03 | Madama Butterfly: Atto II. “C’è. Entrate” | tenor vocals [Goro] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Helen Vanni, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:30 |
1962-02-03 | Madama Butterfly: Atto II. “Goro, appena F.B. Pinkerton” | tenor vocals [Goro] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 2:27 |
1962-02-03 | Madama Butterfly: Atto II. “Si sa che aprir la porta” | tenor vocals [Goro] | George Cehanovsky, Clifford Harvuot, Gabriella Tucci, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 3:11 |
1962-02-03 | Madama Butterfly: Atto II. “Vespa! Rospo maledetto!” | tenor vocals [Goro] | Gabriella Tucci, Helen Vanni, Andrea Velis, Metropolitan Opera Orchestra, Fausto Cleva | 1:44 |
1969-02-15 | Tosca: Atto I. “Tre sbirri… Una carrozza…” | tenor vocals [Spoletta] | William Dooley, Metropolitan Opera Chorus, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 3:35 |
1969-02-15 | Tosca: Atto I. “Un tal baccano in chiesa!” | tenor vocals [Spoletta] | William Dooley, Paul Plishka, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 3:35 |
1969-02-15 | Tosca: Atto II. “Chi è la?” | tenor vocals [Spoletta] | William Dooley, Birgit Nilsson, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 1:51 |
1969-02-15 | Tosca: Atto II. “O galantuomo, come andò la caccia?” | tenor vocals [Spoletta] | William Dooley, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 3:29 |
1969-02-15 | Tosca: Atto II. “Orsù, Tosca, parlate” | tenor vocals [Spoletta] | Russell Christopher, Plácido Domingo, William Dooley, Birgit Nilsson, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 3:45 |
1969-02-15 | Tosca: Atto II. “Ov’e Angelotti?” | tenor vocals [Spoletta] | Plácido Domingo, William Dooley, Birgit Nilsson, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 3:41 |
1969-02-15 | Tosca: Atto III. “Presto, su! Mario! Mario!” | tenor vocals [Spoletta] | Russell Christopher, Metropolitan Opera Chorus, Birgit Nilsson, Andrea Velis, Metropolitan Opera Orchestra, George Schick | 1:17 |
1972-09 | Carmen : Acte II. « Amoureuse … ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / No. 15. Chanson: “Halte‐là! Qui va là?” (Don José) / “Écoutez, le voilà” (Carmen, Mercédès, Remendado, Dancaïre) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 3:16 |
1972-09 | Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » (Frasquita, Dancaïre, Remendado, Mercédès) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 0:30 |
1972-09 | Carmen : Acte II. No. 14. Quintet « Nous avons en tête une affaire ! » (Dancaïre, Frasquita, Mercédès, Carmen, Remendado) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 4:28 |
1972-09 | Carmen : Acte II. No. 17. Finale « Holà ! Carmen ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Chorus) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 5:25 |
1972-09 | Carmen : Acte III. « Moi ? Je viens te chercher » (Micaëla, Carmen, Don José, Chorus, Escamillo | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 5:11 |
1972-09 | Carmen : Acte III. No. 18. Introduction « Écoute, compagnon … Notre métier est bon » (Chorus, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 4:25 |
1972-09 | Carmen : Acte III. No. 20. Ensemble « Quant au douanier » (Frasquita, Mercédès, Carmen, Chorus) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 3:37 |
1972-09 | Carmen : Acte III. No. 23. Finale « Holà ! Holà ! José! » (Carmen, Escamillo, Dancaïre, Don José, Chorus, Micaëla) | tenor vocals [Le Remendado] | Metropolitan Opera Orchestra, Leonard Bernstein | 3:15 |
1980-07 – 1980-08 | Tosca: Atto I. “Tre sbirri, una carrozza” (Scarpia, Spoletta, Coro) | tenor vocals [Spoletta] | Ambrosian Singers, Renato Bruson, Andrea Velis, Philharmonia Orchestra, James Levine | 4:33 |
1980-07 – 1980-08 | Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) | tenor vocals [Spoletta] | Renato Bruson, Renato Capecchi, Andrea Velis, Philharmonia Orchestra, James Levine | 3:53 |
1980-07 – 1980-08 | Tosca: Atto II. “Dov’è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) | tenor vocals [Spoletta] | Renato Bruson, Plácido Domingo, Renata Scotto, Andrea Velis, Philharmonia Orchestra, James Levine | 0:58 |
1980-07 – 1980-08 | Tosca: Atto II. “Ha più forte” (Scarpia, Sciarrone, Spoletta) | tenor vocals [Spoletta] | Renato Bruson, Paul Hudson, Andrea Velis, Philharmonia Orchestra, James Levine | 2:25 |
1980-07 – 1980-08 | Tosca: Atto II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi) | tenor vocals [Spoletta] | Renato Bruson, Plácido Domingo, Paul Hudson, Renata Scotto, Andrea Velis, Philharmonia Orchestra, James Levine | 3:52 |
1980-07 – 1980-08 | Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta) | tenor vocals [Spoletta] | Renato Bruson, Renata Scotto, Andrea Velis, Philharmonia Orchestra, James Levine | 3:37 |
1980-07 – 1980-08 | Tosca: Atto III. “Presto! Su, Mario! Mario! Su! Presto! Andiam!” (Tosca, Voci, Sciarrone, Spoletta) | tenor vocals [Spoletta] | Paul Hudson, Renata Scotto, Andrea Velis, Philharmonia Orchestra, James Levine | 1:33 |
| Manon Lescaut: Atto II. “L’ora, o Tirsi, è vaga e bella!” | tenor vocals [Maestro di ballo] | Renato Capecchi, Renata Scotto, Andrea Velis, Metropolitan Opera Orchestra, James Levine | 2:53 |
| Manon Lescaut: Atto II. “Vi prego, signorina” [minuetto] | tenor vocals [Maestro di ballo] | Renato Capecchi, Metropolitan Opera Chorus, Renata Scotto, Andrea Velis, Metropolitan Opera Orchestra, James Levine | 4:05 |
| Te Deum | tenor vocals | The Ambrosian Opera Chorus, Renato Bruson, St. Clement Danes School Boys' Choir, Andrea Velis, Philharmonia Orchestra, James Levine | 4:37 |
| Tosca: “Tre sbirri, una carrozza” (Te Deum) | tenor vocals | Ambrosian Opera Chorus, Renato Bruson, Andrea Velis, Philharmonia Orchestra, James Levine | 4:32 |
| Tosca: Atto I. “Tre sbirri, una carrozza” | tenor vocals | Renato Bruson, Andrea Velis, Philharmonia Orchestra, James Levine | 4:39 |
| Tosca: Atto I. “Tre sbirri, una carrozza” | tenor vocals [Spoletta] | Ambrosian Opera Chorus, Renato Bruson, Andrea Velis, Philharmonia Orchestra, James Levine | 4:38 |
| Tosca: Atto III. “Presto, su! Mario!” | tenor vocals [Spoletta] | Ambrosian Opera Chorus, Paul Hudson, Renata Scotto, Andrea Velis, Philharmonia Orchestra, James Levine | 1:30 |
| Tosca: Tre sbirri, una carozza (Te Deum) | tenor vocals | Renato Bruson, Philharmonia Orchestra, James Levine | 4:37 |