| balance engineered |
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| Streichquartett a-Moll, op. 13: I. Adagio – Allegro vivace | | | Mandelring Quartett | 7:46 |
| Streichquartett a-Moll, op. 13: II. Adagio non lento | | | Mandelring Quartett | 7:34 |
| Streichquartett a-Moll, op. 13: III. Intermezzo. Allegretto con moto | | | Mandelring Quartett | 4:48 |
| Streichquartett a-Moll, op. 13: IV. Presto | | | Mandelring Quartett | 8:33 |
| Streichquartett Es-Dur, op. 12: I. Adagio non troppo – Allegro non tardante | | | Mandelring Quartett | 7:32 |
| Streichquartett Es-Dur, op. 12: II. Canzonetta. Allegretto | | | Mandelring Quartett | 4:04 |
| Streichquartett Es-Dur, op. 12: III. Andante espressivo – attacca | | | Mandelring Quartett | 4:10 |
| Streichquartett Es-Dur, op. 12: IV. Molto allegro e vivace | | | Mandelring Quartett | 8:17 |
| Streichquartett Es-Dur: I. Allegro moderato | | | Mandelring Quartett | 8:23 |
| Streichquartett Es-Dur: II. Adagio non troppo | | | Mandelring Quartett | 5:59 |
| Streichquartett Es-Dur: III. Minuetto | | | Mandelring Quartett | 4:56 |
| Streichquartett Es-Dur: IV. Fuga | | | Mandelring Quartett | 4:08 |
| edited |
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| Alma mater redemptoris (Seibel 22; 1726) | | | Musica Antiqua Köln, Reinhard Goebel | 8:16 |
| Beatus vir (Seibel 26) | | | Musica Antiqua Köln, Reinhard Goebel | 4:14 |
| De profundis (Seibel 35) | | | Musica Antiqua Köln, Reinhard Goebel | 6:53 |
| Die Schöpfung, Hob. XXI:2, Erster Teil: 14.Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | | | Sylvia McNair, Michael Schade, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | 3:46 |
| Die Schöpfung: Dritter Teil: 27. Accompanied Recitative (Uriel): “Aus Rosenwolken bricht” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:59 |
| Die Schöpfung: Dritter Teil: 28. Duet (Eva, Adam) with Chorus: “Von deiner Güt’ o Herr und Gott” / “Gesegnet sei des Herren Macht” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 9:10 |
| Die Schöpfung: Dritter Teil: 29. Recitative (Adam, Eva): “Nun ist die erste Pflicht erfüllt” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:34 |
| Die Schöpfung: Dritter Teil: 30. Duet (Adam, Eva): “Holde Gattin, dir zur Seite” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 7:58 |
| Die Schöpfung: Dritter Teil: 31. Recitative (Uriel): “O glücklich Paar, und glücklich immerfort” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:24 |
| Die Schöpfung: Dritter Teil: 32. Chorus: “Singt dem Herren, alle Stimmen” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:18 |
| Die Schöpfung: Erster Teil: 1. Die Vorstellung des Chaos | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 5:10 |
| Die Schöpfung: Erster Teil: 2. Recitative (Raphael, Uriel) and Chorus: “Im Anfange schuf Gott Himmel und Erde” / “Und der Geist Gottes schwebte auf der Fläche der Wasser” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:59 |
| Die Schöpfung: Erster Teil: 3. Aria (Uriel) and Chorus: “Nun schwanden vor dem heiligen Strahle” / “Verzweiflung, Wut und Schrecken” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:39 |
| Die Schöpfung: Erster Teil: 4. Accompanied Recitative (Raphael): “Und Gott machte das Firmament” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 1:54 |
| Die Schöpfung: Erster Teil: 5. Solo (Gabriel) with Chorus: “Mit Staunen sieht das Wunderwerk” / “Und laut ertönt aus ihren Kehlen” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:01 |
| Die Schöpfung: Erster Teil: 6. Recitative (Raphael): “Und Gott sprach: Es sammle sich das Wasser” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:47 |
| Die Schöpfung: Erster Teil: 7. Aria (Raphael): “Rollend in schäumenden Wellen” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:52 |
| Die Schöpfung: Erster Teil: 8. Recitative (Gabriel): “Und Gott sprach: Es bringe die Erde Gras hervor” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:35 |
| Die Schöpfung: Erster Teil: 9. Aria (Gabriel): “Nun beut die Flur das frische Grün” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 5:08 |
| Die Schöpfung: Erster Teil: 10: Recitative (Uriel): “Und die himmlischen Heerscharen verkündigten” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:13 |
| Die Schöpfung: Erster Teil: 11. Chorus: “Stimmt an die Saiten” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 1:56 |
| Die Schöpfung: Erster Teil: 12. Recitative (Uriel): “Und Gott sprach: Es sei’n Lichter an der Feste des Himmels” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:39 |
| Die Schöpfung: Erster Teil: 13. Accompanied Recitative (Uriel): “In vollem Glanze steiget jetzt” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:36 |
| Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:49 |
| Die Schöpfung: Zweiter Teil: 15. Recitative (Gabriel): “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:28 |
| Die Schöpfung: Zweiter Teil: 16. Aria (Gabriel): “Auf starkem Fittiche schwinget sich der Adler stolz” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 7:19 |
| Die Schöpfung: Zweiter Teil: 17. Accompanied Recitative (Raphael): “Und Gott schuf große Walfische” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:12 |
| Die Schöpfung: Zweiter Teil: 18. Recitative (Raphael): “Und die Engel rührten ihr’ unsterblichen Harfen” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:19 |
| Die Schöpfung: Zweiter Teil: 19. Trio (Gabriel, Uriel, Raphael) and Chorus: “In holder Anmut stehn” / “Der Herr ist groß in seiner Macht” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 6:30 |
| Die Schöpfung: Zweiter Teil: 20. Recitative (Raphael): “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:27 |
| Die Schöpfung: Zweiter Teil: 21. Accompanied Recitative (Raphael): “Gleich öffnet sich der Erde Schoß” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:05 |
| Die Schöpfung: Zweiter Teil: 22. Aria (Raphael): “Nun scheint in vollem Glanze der Himmel” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:14 |
| Die Schöpfung: Zweiter Teil: 23. Recitative (Uriel): “Und Gott schuf den Menschen” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:42 |
| Die Schöpfung: Zweiter Teil: 24. Aria (Uriel): “Mit Würd’ und Hoheit angetan” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:26 |
| Die Schöpfung: Zweiter Teil: 25. Recitative (Raphael): “Und Gott sah jedes Ding” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:26 |
| Die Schöpfung: Zweiter Teil: 26. Chorus and Trio (Gabriel, Uriel, Raphael): “Vollendet ist das große Werk” / “Zu dir, o Herr, blickt alles auf” | | | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 8:09 |
| Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Dipl.-Tonmeister Ludger Böckenhoff | | Jimin Oh-Havenith | 15:03 |
| Les Lamentations du Prophète Jérémie - Lamentatio I: Incipit Lamentatio Jeremiae (Seibel 71; 1724) | | | Musica Antiqua Köln, Reinhard Goebel | 12:58 |
| Les Lamentations du Prophète Jérémie - Lamentatio II: Vau. Et egressus est (Seibel 72; 1724) | | | Musica Antiqua Köln, Reinhard Goebel | 10:40 |
| Les Lamentations du Prophète Jérémie - Lamentatio III: Jod. Manum suam misit hostis (Seibel 73; 1724) | | | Musica Antiqua Köln, Reinhard Goebel | 11:06 |
| Sonata in B minor, K. 87: Andante | | | Ivo Pogorelich | 6:21 |
| Sonata in B‐flat major, K. 529: Allegro | | | Ivo Pogorelich | 2:30 |
| Sonata in C major, K. 159: Allegro | | | Ivo Pogorelich | 2:31 |
| Sonata in C major, K. 487: Allegro | | | Ivo Pogorelich | 3:52 |
| Sonata in C minor, K. 11: Moderato | | | Ivo Pogorelich | 2:53 |
| Sonata in D major, K. 119: Allegro | | | Ivo Pogorelich | 5:14 |
| Sonata in D minor, K. 1: Allegro | | | Ivo Pogorelich | 2:30 |
| Sonata in D minor, K. 9: Allegro moderato | | | Ivo Pogorelich | 4:14 |
| Sonata in E major, K. 20: Presto | | | Ivo Pogorelich | 3:31 |
| Sonata in E major, K. 135: Allegro | | | Ivo Pogorelich | 4:16 |
| Sonata in E major, K. 380: Andante comodo | | | Ivo Pogorelich | 4:59 |
| Sonata in E minor, K. 98: Allegrissimo | | | Ivo Pogorelich | 3:18 |
| Sonata in G major, K. 13: Presto | | | Ivo Pogorelich | 4:24 |
| Sonata in G minor, K. 8: Allegro | | | Ivo Pogorelich | 5:55 |
| Sonata in G minor, K. 450: Allegrissimo | | | Ivo Pogorelich | 3:32 |
| Warum toben die Heiden (Seibel 39; 1715) | | | Musica Antiqua Köln, Reinhard Goebel | 14:28 |
| engineered |
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| Piano Sonata in B flat major, K281 - 1: Allegro | | | Angela Hewitt | 7:26 |
| Piano Sonata in B flat major, K281 - 2: Andante amoroso | | | Angela Hewitt | 6:54 |
| Piano Sonata in B flat major, K281 - 3: Rondeau: Allegro | | | Angela Hewitt | 4:37 |
| Piano Sonata in C major, K279 - 1: Allegro | | | Angela Hewitt | 7:49 |
| Piano Sonata in C major, K279 - 2: Andante | | | Angela Hewitt | 7:23 |
| Piano Sonata in C major, K279 - 3: Allegro | | | Angela Hewitt | 5:22 |
| Piano Sonata in C major, K309 - 1: Allegro con spirito | | | Angela Hewitt | 8:58 |
| Piano Sonata in C major, K309 - 2: Andante un poco adagio | | | Angela Hewitt | 5:55 |
| Piano Sonata in C major, K309 - 3: Rondo: Allegretto grazioso | | | Angela Hewitt | 6:29 |
| Piano Sonata in D major, K284 - 1: Allegro | | | Angela Hewitt | 7:57 |
| Piano Sonata in D major, K284 - 2: Rondeau en polonaise: Andante | | | Angela Hewitt | 4:01 |
| Piano Sonata in D major, K284 - 3: Tema: Andante | | | Angela Hewitt | 0:57 |
| Piano Sonata in D major, K284 - 4: Variation 1 | | | Angela Hewitt | 0:59 |
| Piano Sonata in D major, K284 - 5: Variation 2 | | | Angela Hewitt | 1:06 |
| Piano Sonata in D major, K284 - 6: Variation 3 | | | Angela Hewitt | 1:06 |
| Piano Sonata in D major, K284 - 7: Variation 4 | | | Angela Hewitt | 1:09 |
| Piano Sonata in D major, K284 - 8: Variation 5 | | | Angela Hewitt | 1:09 |
| Piano Sonata in D major, K284 - 9: Variation 6 | | | Angela Hewitt | 1:05 |
| Piano Sonata in D major, K284 - 10: Variation 7: Minore | | | Angela Hewitt | 1:34 |
| Piano Sonata in D major, K284 - 11: Variation 8: Maggiore | | | Angela Hewitt | 0:57 |
| Piano Sonata in D major, K284 - 12: Variation 9 – | | | Angela Hewitt | 0:57 |
| Piano Sonata in D major, K284 - 13: Variation 10 | | | Angela Hewitt | 1:02 |
| Piano Sonata in D major, K284 - 14: Variation 11: Adagio cantabile | | | Angela Hewitt | 4:17 |
| Piano Sonata in D major, K284 - 15: Variation 12: Allegro | | | Angela Hewitt | 1:07 |
| Piano Sonata in E flat major, K282 - 1: Adagio | | | Angela Hewitt | 7:40 |
| Piano Sonata in E flat major, K282 - 2: Menuetto I & II | | | Angela Hewitt | 4:35 |
| Piano Sonata in E flat major, K282 - 3: Allegro | | | Angela Hewitt | 3:34 |
| Piano Sonata in F major, K280 - 1: Allegro assai | | | Angela Hewitt | 7:26 |
| Piano Sonata in F major, K280 - 2: Adagio | | | Angela Hewitt | 7:47 |
| Piano Sonata in F major, K280 - 3: Presto | | | Angela Hewitt | 4:50 |
| Piano Sonata in G major, K283 - 1: Allegro | | | Angela Hewitt | 6:10 |
| Piano Sonata in G major, K283 - 2: Andante | | | Angela Hewitt | 7:02 |
| Piano Sonata in G major, K283 - 3: Presto | | | Angela Hewitt | 6:36 |
| holds phonographic copyright (℗) for |
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2014 | Clarinet Quintet in A major, K. 581: I. Allegro | | | Amadeus Quartet, Heinrich Geuser | 6:14 |
2014 | Clarinet Quintet in A major, K. 581: II. Larghetto | | | Amadeus Quartet, Heinrich Geuser | 6:19 |
2014 | Clarinet Quintet in A major, K. 581: III. Menuetto | | | Amadeus Quartet, Heinrich Geuser | 6:53 |
2014 | Clarinet Quintet in A major, K. 581: IV. Allegretto con variazioni | | | Amadeus Quartet, Heinrich Geuser | 9:22 |
2014 | String Quartet no. 14 in G major, K. 387: I. Allegro vivace assai | | | Amadeus Quartet | 5:53 |
2014 | String Quartet no. 14 in G major, K. 387: II. Menuetto. Allegro | | | Amadeus Quartet | 8:35 |
2014 | String Quartet no. 14 in G major, K. 387: III. Andante cantabile | | | Amadeus Quartet | 8:30 |
2014 | String Quartet no. 14 in G major, K. 387: IV. Molto allegro | | | Amadeus Quartet | 4:12 |
2014 | String Quartet no. 15 in D minor, K. 421: I. Allegro moderato | | | Amadeus Quartet | 5:53 |
2014 | String Quartet no. 15 in D minor, K. 421: II. Andante | | | Amadeus Quartet | 5:18 |
2014 | String Quartet no. 15 in D minor, K. 421: III. Menuetto. Allegretto | | | Amadeus Quartet | 3:39 |
2014 | String Quartet no. 15 in D minor, K. 421: IV. Allegro ma non troppo – Più allegro | | | Amadeus Quartet | 9:33 |
2014 | String Quartet no. 16 E-Flat major, K. 428: I. Allegro non troppo | | | Amadeus Quartet | 4:58 |
2014 | String Quartet no. 16 E-Flat major, K. 428: II. Andante con moto | | | Amadeus Quartet | 6:50 |
2014 | String Quartet no. 16 E-Flat major, K. 428: III. Menuetto. Allegro | | | Amadeus Quartet | 6:49 |
2014 | String Quartet no. 16 E-Flat major, K. 428: IV. Allegro vivace | | | Amadeus Quartet | 5:23 |
2014 | String Quartet no. 18 in A major, K. 464: I. Allegro | | | Amadeus Quartet | 7:29 |
2014 | String Quartet no. 18 in A major, K. 464: II. Menuetto | | | Amadeus Quartet | 6:17 |
2014 | String Quartet no. 18 in A major, K. 464: III. Andante | | | Amadeus Quartet | 13:40 |
2014 | String Quartet no. 18 in A major, K. 464: IV. Allegro non troppo | | | Amadeus Quartet | 5:31 |
2014 | String Quartet no. 19 in C major, K. 465: I. Adagio – Allegro | | | Amadeus Quartet | 7:56 |
2014 | String Quartet no. 19 in C major, K. 465: II. Andante cantabile | | | Amadeus Quartet | 7:23 |
2014 | String Quartet no. 19 in C major, K. 465: III. Menuetto. Allegro | | | Amadeus Quartet | 4:53 |
2014 | String Quartet no. 19 in C major, K. 465: IV. Allegro molto | | | Amadeus Quartet | 5:34 |
2014 | String Quartet no. 21 in D major, K. 575: I. Allegretto | | | Amadeus Quartet | 5:06 |
2014 | String Quartet no. 21 in D major, K. 575: II. Andante | | | Amadeus Quartet | 3:49 |
2014 | String Quartet no. 21 in D major, K. 575: III. Menuetto. Allegretto | | | Amadeus Quartet | 5:20 |
2014 | String Quartet no. 21 in D major, K. 575: IV. Allegretto | | | Amadeus Quartet | 5:42 |
2014 | String Quartet no. 22 in B-Flat major, K. 589: I. Allegro | | | Amadeus Quartet | 4:34 |
2014 | String Quartet no. 22 in B-Flat major, K. 589: II. Larghetto | | | Amadeus Quartet | 6:00 |
2014 | String Quartet no. 22 in B-Flat major, K. 589: III. Menuetto. Moderato | | | Amadeus Quartet | 6:17 |
2014 | String Quartet no. 22 in B-Flat major, K. 589: IV. Allegro assai | | | Amadeus Quartet | 3:54 |
2014 | String Quartet no. 23 in F major, K. 590: I. Allegro moderato | | | Amadeus Quartet | 6:26 |
2014 | String Quartet no. 23 in F major, K. 590: II. Andante | | | Amadeus Quartet | 6:34 |
2014 | String Quartet no. 23 in F major, K. 590: III. Menuetto. Allegretto | | | Amadeus Quartet | 4:14 |
2014 | String Quartet no. 23 in F major, K. 590: IV. Allegro | | | Amadeus Quartet | 4:46 |
2014 | String Quintet no. 3 in C major, K. 515: I. Allegro | | | Amadeus Quartet, Cecil Aronowitz | 9:14 |
2014 | String Quintet no. 3 in C major, K. 515: II. Menuetto. Allegretto | | | Amadeus Quartet, Cecil Aronowitz | 5:33 |
2014 | String Quintet no. 3 in C major, K. 515: III. Andante | | | Amadeus Quartet, Cecil Aronowitz | 8:49 |
2014 | String Quintet no. 3 in C major, K. 515: IV. (Allegro) | | | Amadeus Quartet, Cecil Aronowitz | 7:28 |
2014 | String Quintet no. 4 in G minor, K. 516: I. Allegro | | | Amadeus Quartet, Cecil Aronowitz | 7:24 |
2014 | String Quintet no. 4 in G minor, K. 516: II. Menuetto. Allegretto | | | Amadeus Quartet, Cecil Aronowitz | 5:00 |
2014 | String Quintet no. 4 in G minor, K. 516: III. Adagio ma non troppo | | | Amadeus Quartet, Cecil Aronowitz | 8:09 |
2014 | String Quintet no. 4 in G minor, K. 516: IV. Adagio – Allegro | | | Amadeus Quartet, Cecil Aronowitz | 10:04 |
2014 | String Quintet no. 5 in D major, K. 593: I. Larghetto – Allegro | | | Amadeus Quartet, Cecil Aronowitz | 7:37 |
2014 | String Quintet no. 5 in D major, K. 593: II. Adagio | | | Amadeus Quartet, Cecil Aronowitz | 6:37 |
2014 | String Quintet no. 5 in D major, K. 593: III. Menuetto. Allegretto | | | Amadeus Quartet, Cecil Aronowitz | 4:47 |
2014 | String Quintet no. 5 in D major, K. 593: IV. Allegro | | | Amadeus Quartet, Cecil Aronowitz | 4:07 |
2014 | String Quintet no. 6 in E-Flat major, K. 614: I. Allegro di molto | | | Amadeus Quartet, Cecil Aronowitz | 5:28 |
2014 | String Quintet no. 6 in E-Flat major, K. 614: II. Andante | | | Amadeus Quartet, Cecil Aronowitz | 7:27 |
2014 | String Quintet no. 6 in E-Flat major, K. 614: III. Menuetto. Allegretto | | | Amadeus Quartet, Cecil Aronowitz | 3:42 |
2014 | String Quintet no. 6 in E-Flat major, K. 614: IV. Allegro | | | Amadeus Quartet, Cecil Aronowitz | 5:09 |
| produced |
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| "Die Seele ruht in Jesu Händen" from Cantata no. 127, BWV 127 | | | Angela Hewitt | 5:30 |
| "Jesu, joy of man's desiring" from Cantata no. 147, BWV 147 | | | Angela Hewitt | 3:51 |
| "Sanctify us by Thy goodness" from Cantata no. 22, BWV 22 | | | Angela Hewitt | 2:28 |
| "Sheep may safely graze" from Cantata no. 208, BWV 208 | | | Angela Hewitt | 5:48 |
| 3 Fantasiestücke, op. 111: 1. Sehr rasch, mit leidenschaftlichem Vortrag | | | Nicolas Bringuier | 2:07 |
| 3 Fantasiestücke, op. 111: 2. Ziemlich langsam | | | Nicolas Bringuier | 4:34 |
| 3 Fantasiestücke, op. 111: 3. Kräftig und sehr markiert | | | Nicolas Bringuier | 3:23 |
| 5 Variations on “Rule, Britannia”, WoO 79 | | | Angela Hewitt | 5:31 |
| 6 Variations on an Original Theme in F major, op. 34 | | | Angela Hewitt | 14:27 |
| 6 Variations on the Duet “Nel cor più non mi sento” from La molinara, WoO 70 | | | Angela Hewitt | 5:51 |
| 7 Variation on “Bei Männers, welche Liebe fühlen” from Mozart’s “The Magic Flute”, WoO 46 | | | Marc Coppey, Peter Laul | 9:45 |
| 7 Variations on “God save the King”, WoO 78 | | | Angela Hewitt | 9:27 |
| 9 Variations on the Aria “Quant'è più bello” from Paisiello's La molinara, WoO 69 | | | Angela Hewitt | 6:30 |
| 12 Variations on “Ein Mädchen oder Weibchen” from Mozart’s “The Magic Flute”, op. 66 | | | Marc Coppey, Peter Laul | 9:45 |
| 12 Variations on “See the Conq’uring Hero Comes” from Handel’s Oratorio “Judas Maccabaeus”, WoO 45 | | | Marc Coppey, Peter Laul | 12:06 |
| 12 Violin Sonatas, Livre 2e - Sonata no. 4 in E major (Cello version): I. Adagio cantabile | | | Cheng² Duo | 2:06 |
| 12 Violin Sonatas, Livre 2e - Sonata no. 4 in E major (Cello version): II. Allegro vivo | | | Cheng² Duo | 2:02 |
| 12 Violin Sonatas, Livre 2e - Sonata no. 4 in E major (Cello version): II. Allegro vivo | | | Cheng² Duo | 2:06 |
| 15 Variations and a Fugue on an Original Theme “Eroica”, op. 35 | | | Angela Hewitt | 24:54 |
| 32 Variations on an Original Theme in C minor, WoO 80 | | | Angela Hewitt | 13:00 |
| Abendlied | | | Vox Bona - Karin Freist-Wissing | 3:24 |
| Alle Menschen müssen sterben, BWV 643 | | | Angela Hewitt | 3:11 |
| Allegro Appassionato, op. 43 | | | Cheng² Duo | 4:11 |
| Allerseelen, op. 10 no. 8 | | | Angela Hewitt | 3:20 |
| An die Musik, D547 | | | Angela Hewitt | 2:45 |
| Andantino (G minor) | | | Hans-Eberhard Roß | 5:37 |
| Andantino (G minor) (5.1 mix) | | | Hans-Eberhard Roß | 5:37 |
| Après une lecture du Dante – Fantasia quasi Sonata, S161/7 | | | Angela Hewitt | 18:16 |
| Ballade pour piano seul, op. 19 | | | Angela Hewitt | 15:06 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | | | Australian Chamber Orchestra, Richard Tognetti, Angela Hewitt, Alison Mitchell | 9:42 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | | | Australian Chamber Orchestra, Richard Tognetti, Angela Hewitt, Alison Mitchell | 5:03 |
| Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | | | Australian Chamber Orchestra, Richard Tognetti, Angela Hewitt, Alison Mitchell | 5:14 |
| Cäcilie, op. 27 no. 2 | | | Angela Hewitt | 2:38 |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 6:09 |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 11:08 |
| Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 5:40 |
| Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 5:01 |
| Cello Concerto no. 2 in G minor, op. 126: I. Largo | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 12:58 |
| Cello Concerto no. 2 in G minor, op. 126: II. Allegretto | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 4:18 |
| Cello Concerto no. 2 in G minor, op. 126: III. Allegretto | | | Marc Coppey, Polish National Radio Symphony Orchestra, Lawrence Foster | 14:53 |
| Cello Sonata no. 1 in F major, op. 5/1: I. Adagio sostenuto – Allegro | | | Marc Coppey, Peter Laul | 17:07 |
| Cello Sonata no. 1 in F major, op. 5/1: II. Rondo. Allegro vivace | | | Marc Coppey, Peter Laul | 7:02 |
| Cello Sonata no. 2 in G minor, op. 5/2: I. Adagio sostenuto e espressivo – Allegro molto più tosto presto | | | Marc Coppey, Peter Laul | 19:20 |
| Cello Sonata no. 2 in G minor, op. 5/2: II. Rondo. Allegro | | | Marc Coppey, Peter Laul | 7:43 |
| Cello Sonata no. 3 in A Major, op. 69: I. Allegro ma non tanto | | | Marc Coppey, Peter Laul | 12:31 |
| Cello Sonata no. 3 in A Major, op. 69: II. Scherzo. Allegro molto | | | Marc Coppey, Peter Laul | 5:43 |
| Cello Sonata no. 3 in A Major, op. 69: III. Adagio cantabile – Allegro vivace | | | Marc Coppey, Peter Laul | 8:13 |
| Cello Sonata no. 4 in C major, op. 102/1: I. Andante – Allegro vivace | | | Marc Coppey, Peter Laul | 7:42 |
| Cello Sonata no. 4 in C major, op. 102/1: II. Adagio – Tempo d’Andante – Allegro vivace | | | Marc Coppey, Peter Laul | 7:05 |
| Cello Sonata no. 5 in D major, op. 102/2: I. Allegro con brio | | | Marc Coppey, Peter Laul | 6:55 |
| Cello Sonata no. 5 in D major, op. 102/2: II. Adagio con molto sentimento d’affeto | | | Marc Coppey, Peter Laul | 9:33 |
| Cello Sonata no. 5 in D major, op. 102/2: III. Allegro fugato | | | Marc Coppey, Peter Laul | 4:24 |
| Children’s Corner: Doctor Gradus ad Parnassum | | | Angela Hewitt | 2:10 |
| Children’s Corner: Golliwog’s Cake-Walk | | | Angela Hewitt | 3:07 |
| Children’s Corner: Jimbo’s Lullaby | | | Angela Hewitt | 3:26 |
| Children’s Corner: Serenade for the Doll | | | Angela Hewitt | 2:52 |
| Children’s Corner: The Little Shepherd | | | Angela Hewitt | 2:50 |
| Children’s Corner: The Snow Is Dancing | | | Angela Hewitt | 2:42 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: I. Andante | | | Hans-Eberhard Roß | 6:31 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: I. Andante (5.1 mix) | | | Hans-Eberhard Roß | 6:31 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: II. Andantino | | | Hans-Eberhard Roß | 3:39 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: II. Andantino (5.1 mix) | | | Hans-Eberhard Roß | 3:39 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: III. Andantino poco mosso | | | Hans-Eberhard Roß | 0:46 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: III. Andantino poco mosso (5.1 mix) | | | Hans-Eberhard Roß | 0:46 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: IV. Andante | | | Hans-Eberhard Roß | 1:07 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: IV. Andante (5.1 mix) | | | Hans-Eberhard Roß | 1:07 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: V. Andantino quasi Allegretto | | | Hans-Eberhard Roß | 3:23 |
| Cinq pièces pour harmonium transcrites pour grand orgue par Louis Vierne: V. Andantino quasi Allegretto (5.1 mix) | | | Hans-Eberhard Roß | 3:23 |
| Danse | | | Angela Hewitt | 5:29 |
| Darthulas Grabesgesang | | | Vox Bona - Karin Freist-Wissing | 4:55 |
| Das alte Jahr vergangen ist, BWV 614 | | | Angela Hewitt | 2:41 |
| Das wohltemperirte Clavier - Book 1: Prelude and Fugue no. 21 in B flat | | | Angela Hewitt | 3:12 |
| Davidsbündlertänze, op. 6: Balladenmäßig: Sehr rasch | | | Angela Hewitt | 1:33 |
| Davidsbündlertänze, op. 6: Einfach | | | Angela Hewitt | 2:13 |
| Davidsbündlertänze, op. 6: Einfach | | | Angela Hewitt | 2:17 |
| Davidsbündlertänze, op. 6: Frisch | | | Angela Hewitt | 1:02 |
| Davidsbündlertänze, op. 6: Frisch | | | Angela Hewitt | 1:54 |
| Davidsbündlertänze, op. 6: Innig | | | Angela Hewitt | 1:43 |
| Davidsbündlertänze, op. 6: Lebhaft | | | Angela Hewitt | 1:29 |
| Davidsbündlertänze, op. 6: Lebhaft | | | Angela Hewitt | 1:27 |
| Davidsbündlertänze, op. 6: Mit gutem Humor | | | Angela Hewitt | 1:11 |
| Davidsbündlertänze, op. 6: Mit Humor | | | Angela Hewitt | 0:43 |
| Davidsbündlertänze, op. 6: Mit Humor | | | Angela Hewitt | 1:29 |
| Davidsbündlertänze, op. 6: Nicht schnell | | | Angela Hewitt | 2:46 |
| Davidsbündlertänze, op. 6: Nicht schnell | | | Angela Hewitt | 3:35 |
| Davidsbündlertänze, op. 6: Sehr rasch | | | Angela Hewitt | 1:50 |
| Davidsbündlertänze, op. 6: Ungeduldig | | | Angela Hewitt | 0:49 |
| Davidsbündlertänze, op. 6: Wie aus der Ferne | | | Angela Hewitt | 4:44 |
| Davidsbündlertänze, op. 6: Wild und lustig | | | Angela Hewitt | 3:26 |
| Davidsbündlertänze, op. 6: Zart und singend | | | Angela Hewitt | 2:47 |
| Der Mond ist aufgegangen | | | Vox Bona - Karin Freist-Wissing | 5:55 |
| Der schwarze Mond | | | Vox Bona - Karin Freist-Wissing | 1:14 |
| Deux Arabesques: Allegretto scherzando | | | Angela Hewitt | 3:42 |
| Deux Arabesques: Andantino | | | Angela Hewitt | 4:01 |
| Diomedes: Bist du bei mir | | | Angela Hewitt | 2:54 |
| Du bist wie eine Blume, op. 25 no. 24 | | | Angela Hewitt | 1:48 |
| Élégie, op. 24 | | | Cheng² Duo | 7:10 |
| Este | | | Vox Bona - Karin Freist-Wissing | 5:27 |
| Fantaisie (C major, version I) | | | Hans-Eberhard Roß | 11:50 |
| Fantaisie (C major, version I) (5.1 mix) | | | Hans-Eberhard Roß | 11:50 |
| See all 1,285 relationships |
| recording engineer for |
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1991 | Drei Konzertsätze für Orgel und Streicher: Nr. 1 B-dur | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 7:31 |
1991 | Drei Konzertsätze für Orgel und Streicher: Nr. 2 Es-dur | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 7:26 |
1991 | Drei Konzertsätze für Orgel und Streicher: Nr. 3 F-dur | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 5:58 |
1991 | Konzert C-dur für Violine, Violoncello, Orgel und Streicher: Adagio | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:55 |
1991 | Konzert C-dur für Violine, Violoncello, Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 4:23 |
1991 | Konzert C-dur für Violine, Violoncello, Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:26 |
1991 | Konzert d-moll für Violine; Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:10 |
1991 | Konzert d-moll für Violine; Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 1:58 |
1991 | Konzert d-moll für Violine; Orgel und Streicher: Grave | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 2:34 |
1991 | Konzert F-dur für Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:58 |
1991 | Konzert F-dur für Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:44 |
1991 | Konzert F-dur für Orgel und Streicher: Andante | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:24 |
1991 | Konzert F-dur für Violine; Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:24 |
1991 | Konzert F-dur für Violine; Orgel und Streicher: Allegro | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 4:01 |
1991 | Konzert F-dur für Violine; Orgel und Streicher: Lento | | | Johannes Geffert, Ingeborg Scheerer, Johann Christian Bach-Akademie | 3:13 |
1998-01-21 – 1998-01-23 | Préludes: No. 1. La colombe | | | Angela Hewitt | 2:22 |
1998-01-21 – 1998-01-23 | Préludes: No. 2. Chant d'extase dans un paysage triste | | | Angela Hewitt | 7:17 |
1998-01-21 – 1998-01-23 | Préludes: No. 3. Le nombre léger | | | Angela Hewitt | 2:06 |
1998-01-21 – 1998-01-23 | Préludes: No. 4. Instants défunts | | | Angela Hewitt | 5:01 |
1998-01-21 – 1998-01-23 | Préludes: No. 5. Les sons impalpables du rêve | | | Angela Hewitt | 5:08 |
1998-01-21 – 1998-01-23 | Préludes: No. 6. Cloches d'angoisse et larmes d'adieu | | | Angela Hewitt | 10:13 |
1998-01-21 – 1998-01-23 | Préludes: No. 7. Plainte calme | | | Angela Hewitt | 2:55 |
1998-01-21 – 1998-01-23 | Préludes: No. 8. Un reflet dans le vent | | | Angela Hewitt | 5:21 |
1998-01-21 – 1998-01-23 | Quatre Études de rythme: No. 1. Île de feu 1 | | | Angela Hewitt | 2:29 |
1998-01-21 – 1998-01-23 | Quatre Études de rythme: No. 4. Île fe feu 2 | | | Angela Hewitt | 4:41 |
1998-01-21 – 1998-01-23 | Vingt Regards sur l'Enfant-Jésus: No. 4. Regard de la Vierge | | | Angela Hewitt | 5:57 |
1998-01-21 – 1998-01-23 | Vingt Regards sur l'Enfant-Jésus: No. 10. Regard de l’Esprit de joie | | | Angela Hewitt | 9:32 |
1998-01-21 – 1998-01-23 | Vingt Regards sur l'Enfant-Jésus: No. 15. Le baiser de l’Enfant-Jésus | | | Angela Hewitt | 12:30 |
2001-09-04 – 2001-09-06 | Adagio C-dur KV 356 (617a) | | | Martin Sander | 3:46 |
2001-09-04 – 2001-09-06 | Adagio und Allegro ("kleine Fantasie") f-moll KV 594 | | | Martin Sander | 9:14 |
2001-09-04 – 2001-09-06 | Adagio und Fuge c-moll KV 426/546: Adagio | | | Martin Sander | 2:49 |
2001-09-04 – 2001-09-06 | Adagio und Fuge c-moll KV 426/546: Fuge | | | Martin Sander | 5:50 |
2001-09-04 – 2001-09-06 | Adagio und Rondo c-moll, C-dur KV617: Adagio | | | Martin Sander | 4:29 |
2001-09-04 – 2001-09-06 | Adagio und Rondo c-moll, C-dur KV617: Rondo | | | Martin Sander | 8:04 |
2001-09-04 – 2001-09-06 | Allegro und Andante ("große Fantasie") f-moll KV 608 | | | Martin Sander | 11:48 |
2001-09-04 – 2001-09-06 | Andante F-dur KV 616 | | | Martin Sander | 7:48 |
2001-09-04 – 2001-09-06 | Fuga Es-dur KV 153 (375f) | | | Martin Sander | 2:20 |
2001-09-04 – 2001-09-06 | Fuga g-moll KV 154 (385k) | | | Martin Sander | 2:41 |
2001-09-04 – 2001-09-06 | Fuga g-moll KV 401 (375e) | | | Martin Sander | 4:31 |
2001-09-04 – 2001-09-06 | Ouverture C-dur KV 399 (385i) | | | Martin Sander | 5:02 |
2001-09-04 – 2001-09-06 | Trio G-dur KV 443 (385 l) | | | Martin Sander | 2:47 |
2001-09-04 – 2001-09-06 | Zwei Versetten KV 154a: Nr. I | | | Martin Sander | 0:27 |
2001-09-04 – 2001-09-06 | Zwei Versetten KV 154a: Nr. II | | | Martin Sander | 0:25 |
2006-06-01 – 2006-06-04 | Suite in A minor: I. Allemande | | | Angela Hewitt | 5:05 |
2006-06-01 – 2006-06-04 | Suite in A minor: II. Courante | | | Angela Hewitt | 3:58 |
2006-06-01 – 2006-06-04 | Suite in A minor: III. Sarabande | | | Angela Hewitt | 2:19 |
2006-06-01 – 2006-06-04 | Suite in A minor: IV. Les trois mains | | | Angela Hewitt | 5:10 |
2006-06-01 – 2006-06-04 | Suite in A minor: V. Fanfarinette | | | Angela Hewitt | 2:52 |
2006-06-01 – 2006-06-04 | Suite in A minor: VI. La triomphante | | | Angela Hewitt | 1:31 |
2006-06-01 – 2006-06-04 | Suite in E minor: IX. La villageoise | | | Angela Hewitt | 2:43 |
2006-06-01 – 2006-06-04 | Suite in E minor: V. Le rappel des oiseaux | | | Angela Hewitt | 2:37 |
2006-06-01 – 2006-06-04 | Suite in E minor: VI. Rigaudons I and II | | | Angela Hewitt | 2:21 |
2006-06-01 – 2006-06-04 | Suite in E minor: VII. Musette en rondeau | | | Angela Hewitt | 2:46 |
2006-06-01 – 2006-06-04 | Suite in E minor: VIII. Tambourin | | | Angela Hewitt | 1:30 |
2006-06-01 – 2006-06-04 | Suite in G minor: I. Les tricotets | | | Angela Hewitt | 1:49 |
2006-06-01 – 2006-06-04 | Suite in G minor: II. L'indifferente | | | Angela Hewitt | 1:55 |
2006-06-01 – 2006-06-04 | Suite in G minor: III. Menuets I and II | | | Angela Hewitt | 3:32 |
2006-06-01 – 2006-06-04 | Suite in G minor: IV. La poule | | | Angela Hewitt | 4:54 |
2006-06-01 – 2006-06-04 | Suite in G minor: V. Les triolets | | | Angela Hewitt | 4:47 |
2006-06-01 – 2006-06-04 | Suite in G minor: VI. Les sauvages | | | Angela Hewitt | 1:53 |
2006-06-01 – 2006-06-04 | Suite in G minor: VII. L'enharmonique | | | Angela Hewitt | 6:49 |
2006-06-01 – 2006-06-04 | Suite in G minor: VIII. L'egiptienne | | | Angela Hewitt | 2:46 |
| 5 Variations on “Rule, Britannia”, WoO 79 | | | Angela Hewitt | 5:31 |
| 6 Variations on an Original Theme in F major, op. 34 | | | Angela Hewitt | 14:27 |
| 6 Variations on the Duet “Nel cor più non mi sento” from La molinara, WoO 70 | | | Angela Hewitt | 5:51 |
| 7 Variations on “God save the King”, WoO 78 | | | Angela Hewitt | 9:27 |
| 9 Variations on the Aria “Quant'è più bello” from Paisiello's La molinara, WoO 69 | | | Angela Hewitt | 6:30 |
| 15 Variations and a Fugue on an Original Theme “Eroica”, op. 35 | | | Angela Hewitt | 24:54 |
| 32 Variations on an Original Theme in C minor, WoO 80 | | | Angela Hewitt | 13:00 |
| Allerseelen, op. 10 no. 8 | | | Angela Hewitt | 3:20 |
| An die Musik, D547 | | | Angela Hewitt | 2:45 |
| Cäcilie, op. 27 no. 2 | | | Angela Hewitt | 2:38 |
| Diomedes: Bist du bei mir | | | Angela Hewitt | 2:54 |
| Du bist wie eine Blume, op. 25 no. 24 | | | Angela Hewitt | 1:48 |
| Fantasia in C minor, K396 | | | Angela Hewitt | 11:16 |
| Fantasia in D minor, K397 | | | Angela Hewitt | 6:06 |
| Freundliche Vision, op. 48 no. 1 | | | Angela Hewitt | 3:21 |
| Frühlingsnacht – Lied von Robert Schumann, S568 | | | Angela Hewitt | 3:12 |
| Goldberg Variations, BWV 988: Aria | | | Angela Hewitt | 4:21 |
| Goldberg Variations, BWV 988: Aria da capo | | | Angela Hewitt | 2:45 |
| Goldberg Variations, BWV 988: Variation 1 | | | Angela Hewitt | 1:42 |
| Goldberg Variations, BWV 988: Variation 2 | | | Angela Hewitt | 1:40 |
| Goldberg Variations, BWV 988: Variation 3. Canone all'unisuono | | | Angela Hewitt | 2:19 |
| Goldberg Variations, BWV 988: Variation 4 | | | Angela Hewitt | 1:08 |
| Goldberg Variations, BWV 988: Variation 5 | | | Angela Hewitt | 1:32 |
| Goldberg Variations, BWV 988: Variation 6. Canone alla secunda | | | Angela Hewitt | 1:42 |
| Goldberg Variations, BWV 988: Variation 7 | | | Angela Hewitt | 1:56 |
| Goldberg Variations, BWV 988: Variation 8 | | | Angela Hewitt | 1:54 |
| Goldberg Variations, BWV 988: Variation 9. Canone alla terza | | | Angela Hewitt | 1:54 |
| Goldberg Variations, BWV 988: Variation 10. Fughetta | | | Angela Hewitt | 1:37 |
| Goldberg Variations, BWV 988: Variation 11 | | | Angela Hewitt | 2:08 |
| Goldberg Variations, BWV 988: Variation 12. Canone alla quarta | | | Angela Hewitt | 2:35 |
| Goldberg Variations, BWV 988: Variation 13 | | | Angela Hewitt | 5:00 |
| Goldberg Variations, BWV 988: Variation 14 | | | Angela Hewitt | 2:11 |
| Goldberg Variations, BWV 988: Variation 15. Canone alla quinta | | | Angela Hewitt | 4:49 |
| Goldberg Variations, BWV 988: Variation 16. Overture | | | Angela Hewitt | 2:53 |
| Goldberg Variations, BWV 988: Variation 17 | | | Angela Hewitt | 2:18 |
| Goldberg Variations, BWV 988: Variation 18. Canone alla sexta | | | Angela Hewitt | 1:31 |
| Goldberg Variations, BWV 988: Variation 19 | | | Angela Hewitt | 1:41 |
| Goldberg Variations, BWV 988: Variation 20 | | | Angela Hewitt | 1:56 |
| See all 284 relationships |
| sound engineered |
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| Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | Dipl.-Tonmeister Ludger Böckenhoff | | Jimin Oh-Havenith | 15:03 |
| balance engineered |
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| Macbeth, Don Juan, Tod und Verklärung & Festmarsch in C | | | Staatskapelle Weimar & Kirill Karabits | |
| engineered |
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| Mozart - Piano Sonatas K279-284 & 309 | | | Wolfgang Amadeus Mozart; Angela Hewitt | |
| holds copyright (©) for |
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2007 | 'Messe von Muri' / Concertos | | | Johann Valentin Rathgeber; Cappella Murensis, Ensemble Arcimboldo | |
2008 | Porgy & Bess | | | George Gershwin; William Warfield, Leontyne Price, Cab Calloway | |
2014 | The RIAS Amadeus Quartet Recordings, volume III: Mozart | | | Mozart; Amadeus Quartet | |
2017 – | Cantata For The 20th Anniversary Of The October Revolution | | | Сергей Сергеевич Прокофьев, Kirill Karabits, Ernst‐Senff‐Chor & Staatskapelle Weimar | |
| holds phonographic copyright (℗) for |
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2007 | 'Messe von Muri' / Concertos | | | Johann Valentin Rathgeber; Cappella Murensis, Ensemble Arcimboldo | |
2008 | Porgy & Bess | | | George Gershwin; William Warfield, Leontyne Price, Cab Calloway | |
| mastering |
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2008 | Porgy & Bess | | re | George Gershwin; William Warfield, Leontyne Price, Cab Calloway | |
2008 | Symphony no. 7 & no. 8 / Leonore Overture no. 3 | | re | Beethoven; Ferenc Fricsay | |
2013 | Schumann: Cello Concerto / Brahms: Piano Concerto No. 1 | | re | Schumann, Brahms; Jacqueline du Pré, Bruno Leonardo Gelber, Gerd Albrecht | |
2015 | Beethoven: Violin Concerto, op. 61 / Brahms: Violin Sonata, op. 100 / Vitali: Chaconne | | re | Beethoven, Brahms, Vitali; Gioconda de Vito, G. L. Jochum, M. Raucheisen | |
2015 | Cello Concertos, Sonatas & Suites | | re | Zara Nelsova | |
2019 | The Complete RIAS Recordings | | re | Quartetto Italiano | |
2019 | The Complete RIAS Recordings | | re | Quartetto Italiano | |
2020 | RIAS Recordings | | re | Paul Tortelier | |
2020 | RIAS Recordings | | re | Paul Tortelier | |
| Organ Music | | | Bach, Duruflé; Samuel Kummer | |
| produced |
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| Bloch: Schelomo / Dvořák: Cello Concerto / Klid “Silent Woods” | | executive | Bloch, Dvořák; Marc Coppey, Deutsches Symphonie‐Orchester Berlin, Kirill Karabits | |
| Bloch: Schelomo / Dvořák: Cello Concerto / Klid “Silent Woods” | | executive | Bloch, Dvořák; Marc Coppey, Deutsches Symphonie‐Orchester Berlin, Kirill Karabits | |
| Cello Concertos | | executive | J. Haydn, C.P.E. Bach; Marc Coppey, Zagreb Soloists | |
| Cello Concertos | | executive | J. Haydn, C.P.E. Bach; Marc Coppey, Zagreb Soloists | |
| Cello Sonatas, Volume 2: Op. 102 / Variations, op. 66, WoO 45 & 46 | | | Ludwig van Beethoven; Daniel Müller‐Schott, Angela Hewitt | |
| Complete Works for Cello & Piano | | executive | Beethoven; Marc Coppey, Peter Laul | |
| Concerti | | executive | Prinz Johann Ernst von Sachsen-Weimar; Thüringer Bach Collegium | |
| Concerti | | executive | Prinz Johann Ernst von Sachsen-Weimar; Thüringer Bach Collegium | |
| Faust Symphony / Mephisto Waltz | Dipl.-Tonmeister Ludger Böckenhoff | executive | Franz Liszt; Kirill Karabits, Staatskapelle Weimar | |
| For Clara | Dipl.-Tonmeister Ludger Böckenhoff | executive | Schumann; Jimin Oh-Havenith | |
| For Clara | Dipl.-Tonmeister Ludger Böckenhoff | executive | Schumann; Jimin Oh-Havenith | |
| Keyboard Concertos | | | Johann Sebastian Bach; Australian Chamber Orchestra, Richard Tognetti, Angela Hewitt | |
| Mozart - Piano Sonatas K279-284 & 309 | | | Wolfgang Amadeus Mozart; Angela Hewitt | |
| Orchestral Suites | | executive | Johann Bernhard Bach; Thüringer Bach Collegium | |
| Orchestral Suites | | executive | Johann Bernhard Bach; Thüringer Bach Collegium | |
| Origin | | executive | ARUNDOSquintett | |
| Violin Concertos | | executive | Prokofiev; Franziska Pietsch, Deutsches Symphonie‐Orchester Berlin, Cristian Măcelaru | |