| “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” | | - Brian Gordon, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh
- John Mark Ainsley, James Bowman, Simon Keenlyside, The King’s Consort, Robert King
- Jonathan Arnold, Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 7 more)
| | | | | |
| “Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
| | | | | |
| 7 Lieder, op. 104: No. 1. Mond, meiner Seele Liebling | | | | | | | |
| Ach Herr, strafe mich nicht (Psalm 6) | | | | Cantata | | | |
| Ach, dass ich Wassers g’nug hätte | | | | Cantata | | | |
| Akhnaten: Act I, Scene III. The Window of Appearances | | | | | | | |
| Akhnaten: Act II, Scene I. The Temple | | - The Stuttgart State Opera Chorus, Paul Esswood, Helmut Holzapfel, Melinda Liebermann, The Stuttgart State Opera Orchestra, Dennis Russell Davies
- Aaron Blake, Anthony Roth Costanzo, Dísella Làrusdóttir, Karen Kamensek, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus
| | | | | |
| Akhnaten: Act II, Scene II. Akhnaten and Nefertiti | | - Chor der Staatsoper Stuttgart, Paul Esswood, Milagro Vargas, Orchester der Staatsoper Stuttgart, Dennis Russell Davies, New York City Opera
- Paul Esswood, Milagro Vargas, David Warrilow, The Stuttgart State Opera Orchestra, Dennis Russell Davies
- Zachary James, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra
| | | | | |
| Akhnaten: Act II, Scene IV. Hymn | | | | | | | |
| Akhnaten: Act III, Scene I. The Family | | - Paul Esswood, Maria Koupilová‐Ticha, Geraldine Rose, Victoria Schneider, Angelika Schwarz, Milagro Vargas, David Warrilow, Lynne Wilhelm‐Königer, Christina Wächtler, The Stuttgart State Opera Orchestra, Dennis Russell Davies
- Lindsay Ohse, Karen Chia‐Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra
| | | | | |
| Akhnaten: Act III, Scene IV. Epilogue | | - Paul Esswood, Melinda Liebermann, Milagro Vargas, The Stuttgart State Opera Orchestra, Dennis Russell Davies
- Dísella Làrusdóttir, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra
- Paul Esswood
- Chor der Staatsoper Stuttgart, Paul Esswood, Milagro Vargas, Orchester der Staatsoper Stuttgart, Dennis Russell Davies
| | | | | |
| Alma Redemptoris Mater | | | | Motet | | | |
| Behold, I bring you glad tidings, Z. 2 | | | | | | | |
| Cantata Jubilate Domino BuxWV 64: II. Jubilate Domino | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 2. “Allez, le ciel vous attend” (David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 3. “Ciel ! Quel triste combat” (David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 1, Scene 4. “Le ciel enfin favourable à mes vœux” (Achis, David, Captifs, Chorus) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 1. “Quel inutile soin” (Joabel, David, Chorus) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 2, Scene 3. “À vostre bras vanqueur” (Jonathas, David, Un de la suite de Jonathas, CHorus, Bergers) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 3, Scene 3a. “David puet-il attendre un retour favorable ?” (Jonathas, Saül, David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 1. “Souverain juge des mortels” (David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 4, Scene 2. “Vous me fuyez !” (Jonathas, David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 4. “Qu'on sauve Jonathas” (David, Jonathas, Chorus) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 5. “Voi traitre, et reconnoi ta nouvelle victime” (Saül, David) | | | | | | | |
| David et Jonathas, opera in one prologue and five acts, H. 490: Acte 5, Scene 6. “Joignez à vos exploits l'honneur du diadème” (Achis, David, Chorus) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 5: Recitative: Antippo, der uns gleich (Rodisette, Edronica) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Arietta: Die Sonne brennet (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: Da die Natur (Rodis, Antippo, Edronica) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: O Schone, bist du hier? (Antippo, Rodisette, Edronica) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: So lasst ihr mich (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Aria: Blitzet, strahlet (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Recitative: Ihr schonen Nebenbuhlerinnen! (Antippo, Rodisette, Edronica) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Recitative: Ihr schweigt? (Antippo, Rodisette, Edronica) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Aria: S'io ami (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Aria: Verblendeter Tyranne (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Recitative: Was aber seh' ich nicht (Antippo, Edronica, Rodisette) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Aria Hegt dein Herze (Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Duet: Meine Triebe (Edronica, Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Recitative: Erwage sein Verdienst! (Nicia, Socrates, Rodisette, Melito, Edronica, Antippo) | | | | | | | |
| Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Recitative: Halt! Sprich nun (Antippo, Socrates, Edronica) | | | | | | | |
| Dichterliebe, op. 48: I. Im wunderschönen Monat Mai | | | | Song | | | |
| Dichterliebe, op. 48: II. Aus meinen Tränen sprießen | | | | Song | | | |
| Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne | | | | Song | | | |
| Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ | | | | Song | | | |
| Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen | | | | Song | | | |
| Dichterliebe, op. 48: V. Ich will meine Seele tauchen | | | | Song | | | |
| Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome | | | | Song | | | |
| Dichterliebe, op. 48: VII. Ich grolle nicht | | | | Song | | | |
| Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen | | | | Song | | | |
| Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen | | | | Song | | | |
| Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen | | | | Song | | | |
| Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen | | | | Song | | | |
| Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet | | | | Song | | | |
| Dichterliebe, op. 48: XIV. Allnächtlich im Traume | | | | Song | | | |
| Dichterliebe, op. 48: XV. Aus alten Märchen winkt es | | | | Song | | | |
| Dichterliebe, op. 48: XVI. Die alten, bösen Lieder | | | | Song | | | |
| Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 23 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) | | | | | | | |
| I was glad when they said unto me, Z. 19 | | | | | | | |
| In thee, O Lord, do I put my trust, Z. 16 | | - Robert King, The King’s Consort
- Paul Esswood, Ian Partridge, Stafford Dean, Choir of St John’s College, Cambridge, John Scott, George Guest
- Collegium Instrumentale Brugense, Patrick Peire
- Gerhard Schmidt‐Gaden, David Cordier, John Elwes, Harry van der Kamp, Peter Kooy, Tölzer Knabenchor, Gustav Leonhardt
| | | | | |
| Israel in Egypt, HWV 54: Part II, no. 2: Chorus "And the children of Israel sighed" (with alto II) | | | | | | | |
| Israel in Egypt, HWV 54: Part II, no. 5: Air "Their land brought forth frogs" (alto I) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 32: Duet "Thou in thy mercy" (alto I, tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 34: Air "Thou shalt bring them" (alto I) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 5a. Recitative "Happy this embassy" (Hamor) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 6. Air "Dull delay, in piercing anguish" (Hamor) | | | | Aria | | | |
| Jephtha, HWV 70: Act I, no. 7a. Recitative "I go. My soul, inspir'd by thy command" (Hamor) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 13a. Recitative "Glad things of great joy" (Hamor) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 15. Air "Up the dreadful steep ascending" (Hamor) | | | | Aria | | | |
| Jephtha, HWV 70: Act II, no. 23a. Recitative "If such thy cruel purpose, lo!" (Hamor) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 24. Air "On me let blind mistake zeal" (Hamor) | | | | Aria | | | |
| Jephtha, HWV 70: Act II, no. 25. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) | | - John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed
- Michael Chance, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Deller Consort, Alfred Deller
- Paul Esswood, Alfreda Hodgson, Christopher Keyte, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | Quartet | | | |
| Jephtha, HWV 70: Act III, no. 41a. Recitative "With transport, Iphis, I behold thy safety" (Hamor) | | | | | | | |
| Jephtha, HWV 70: Act III, no. 42. Air "'Tis Heaven's all-ruling pow'r" (Hamor) | | | | Aria | | | |
| Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) | | - Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed
- Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | | | | |
| Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) | | - John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed
- Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | | | | |
| Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "O Judas, o my brethren!" (Messenger) | | | | | | | |
| Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama on eagle wings" (Messengers) | | - English Chamber Orchestra, Johannes Somary
- Michał Wajda-Chłopicki, Elbipolis Barockorchester Hamburg, Rolf Beck
- Philharmonia Baroque Orchestra, Nicholas McGegan
- Paul Esswood, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras
- The King’s Consort, Robert King, Simon Birchall, James Bowman
| | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" | | | | | | | |
| Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht" | | | | | | | |
| Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Erwin Ortner, Bernarda Fink, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Netherlands Bach Collegium, Pieter Jan Leusink
- Hans Gillesberger, Chorus Viennensis, Paul Esswood, Tölzer Knabenchor, Wiener Sängerknaben, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 5 more)
| | | | | |
| Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" | | | | | | | |
| Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" | | | | | | | |
| Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" | | | | | | | |
| Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel | | | | | | | |
| Kantate, BWV 115 "Mache dich, mein Geist, bereit": II. Aria (Alt) "Ach schläfrige Seele, wie? ruhest du noch?" | | | | | | | |
| Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": II. Aria (Alt) "Ach, unaussprechlich ist die Not" | | | | | | | |
| Kantate, BWV 116 "Du Friedefürst, Herr Jesu Christ": V. Recitativo (Alt) "Ach, laß uns durch die scharfen Ruten" | | | | | | | |
