Paul Esswood (countertenor)

~ Person

Relationships

Discogs:https://www.discogs.com/artist/376031 [info]
official homepages:http://www.esswood.co.uk/ [info]
VIAF ID:VIAF: 47868761 [info]
Wikidata:Q1351901 [info]
Wikipedia:en: Paul Esswood [info]
other databases:http://id.loc.gov/authorities/names/n82040710 [info]
http://snaccooperative.org/ark:/99166/w6qs7824 [info]
https://catalogue.bnf.fr/ark:/12148/cb13893719w [info]
https://d-nb.info/gnd/130432946 [info]
https://www.worldcat.org/identities/lccn-n82040710 [info]

Appearances

Date Title Attributes Artist Length
vocal
1969-01 Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I) countertenor vocals [I] Paul Esswood, English Chamber Orchestra, Charles Mackerras 3:43
1969-01 Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) countertenor vocals [I] Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras 5:39
1969-01 Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I) countertenor vocals [I] Paul Esswood, English Chamber Orchestra, Charles Mackerras 1:38
1969-01 Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I) countertenor vocals [I] Paul Esswood, English Chamber Orchestra, Charles Mackerras 3:06
1969-01 Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) countertenor vocals [I] Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras 0:57
1969-01 Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) countertenor vocals [I] Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras 2:52
1970-04 Israel in Egypt, HWV 54, Part I - Exodus: 2. Solo (Countertenor) and Chorus: And the children of Israel sigh'd countertenor vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 3:50
1970-04 Israel in Egypt, HWV 54, Part I - Exodus: 5. Air (Countertenor): Their land brought forth frogs countertenor vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 2:34
1970-04 Israel in Egypt, HWV 54, Part II - Moses' Song: 24. Duet (Countertenor & Tenor): Thou in Thy mercy countertenor vocals Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras 4:20
1970-04 Israel in Egypt, HWV 54, Part II - Moses' Song: 26. Air (Countertenor): Thou shalt bring them in countertenor vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 3:55
1970-09 Matthäus-Passion, BWV 244: Teil I: Aria (Altus 1): Buß' und Reu' countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 5:18
1970-09 Matthäus-Passion, BWV 244: Teil I: Aria (Altus 1): Buß' und Reu' alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:18
1970-09 Matthäus-Passion, BWV 244: Teil I: Aria (Soprano 1, Altus 1, Chorus 2): So ist mein Jesus nun gefangen countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 3:53
1970-09 Matthäus-Passion, BWV 244: Teil I: Recit (Altus 1): Du lieber Heiland du countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 1:07
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus 2): Ach, nun ist mein Jesus hin! (Chorus: Wo ist denn) alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:21
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus 2): Ach, nun ist mein Jesus hin! (Chorus: Wo ist denn) countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 4:21
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1, Chorus2): Sehet, Jesus hat die Hand (Chorus: Wohin?) countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 3:29
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1): Erbarme dich, mein Gott countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 6:14
1970-09 Matthäus-Passion, BWV 244: Teil II: Aria (Altus 1): Erbarme dich, mein Gott alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:14
1970-09 Matthäus-Passion, BWV 244: Teil II: Recit (Altus 1): Ach Golgatha! countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 1:38
1970-09 Matthäus-Passion, BWV 244: Teil II: Recit (Soprano 1, Altus 1, Tenore 1, Basso 1, Chorus 2): Nun ist der Herr zur Ruh gebracht (Chorus: Mein Jesu, gute Nacht) countertenor vocals [Altus I] Concentus Musicus Wien, Nikolaus Harnoncourt 1:45
1970-12-01 – 1971-04 Cantata, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria "Tilg, o Gott, die Lehren" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:01
1970-12-01 – 1971-04 Cantata, BWV 3 "Ach Gott, wie manches Herzeleid (I)": II. Recitativo "Wie schwerlich lässt sich Fleisch und Blut" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:27
1970-12-01 – 1971-04 Cantata, BWV 3 "Ach Gott, wie manches Herzeleid (I)": V. Aria (Duetto) "Wenn Sorgen auf mich dringen" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 8:33
1970-12-01 – 1971-04 Cantata, BWV 4 "Christ lag in Todesbanden": III.Verso II "Den Tod niemand zwingen kunnt" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:41
1971-01 Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:47
1971-01 Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:45
1971-01 Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" alto vocals Leonhardt‐Consort, Gustav Leonhardt 4:00
1971-01 Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:10
1971-12-08 Cantata, BWV 9 "Es ist das Heil uns kommen her": V. Duetto "Herr, du siehst statt guter Werke" alto vocals Leonhardt‐Consort, Gustav Leonhardt 7:25
1971-12-08 Cantata, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" alto vocals Leonhardt‐Consort, Gustav Leonhardt 2:20
1971-12-08 – 1971-12-15 Cantata "Weinen, Klagen, Sorgen, Zagen", BWV 12: 2. Chorus "Weinen, Klagen, Sorgen, Zagen" alto vocals Leonhardt‐Consort, Gustav Leonhardt 6:02
1971-12-08 – 1971-12-15 Cantata "Weinen, Klagen, Sorgen, Zagen", BWV 12: 3. Arioso (Alto) "Wir müssen durch viel Trübsal" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:56
1971-12-08 – 1971-12-15 Cantata "Weinen, Klagen, Sorgen, Zagen", BWV 12: 4. Aria (Alto) "Kreuz und Krone sind verbunden" alto vocals Leonhardt‐Consort, Gustav Leonhardt 6:26
1971-12-08 – 1971-12-15 Cantata, BWV 11 "Lobet Gott in seinen Reichen": IV. Aria (Alto) "Ach bleibe doch" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:43
1971-12-08 – 1971-12-15 Cantata, BWV 11 "Lobet Gott in seinen Reichen": VIIb. Recitativo (Alto) "Ach ja! so komme bald zurück" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:37
1971-12 Cantata, BWV 17 "Wer Dank opfert, der preiset mich": Part 1, II. Recitativo "Es muss die ganze Welt ein stummer Zeuge werden" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:03
1971-12 Cantata, BWV 20 "O Ewigkeit, du Donnerwort": Part 1, VI. Aria "O Mensch, errette deine Seele" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:23
1971-12 Cantata, BWV 20 "O Ewigkeit, du Donnerwort": Part 2, II. Recitativo "Verlass, o Mensch, die Wollust dieser Welt" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:16
1971-12 Cantata, BWV 20 "O Ewigkeit, du Donnerwort": Part 2, III. Aria (Duetto) "O Menschenkind" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:42
1972-01 – 1972-04 Cantata, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo "Mein liebster Gott lässt mich annoch" alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:14
1972-01 – 1972-04 Cantata, BWV 13 "Meine Seufzer, meine Tränen": III. Chorale "Der Gott, der mir hat versprochen" alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:10
1972-01 – 1972-04 Cantata, BWV 16 "Herr Gott, dich loben wir": IV. Recitativo "Ach treuer Hort" alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:29
1972-01 – 1972-04 Kantate 22 „Jesus nahm zu sich die Zwölfe” BWV22: II. Aria (Alto): „Mein Jesu, ziehe mich nach dir“ alto vocals Leonhardt‐Consort, Gustav Leonhardt 5:05
1972-01 – 1972-04 Kantate 23 „Du wahrer Gott und Davids Sohn” BWV23: I. Duetto (Soprano, Alto): „Du wahrer Gott und Davids Sohn“ alto vocals Leonhardt‐Consort, Gustav Leonhardt 7:59
1972-06 – 1972-10 Cantata, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:34
1972-06 – 1972-12 Cantata, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:36
1972-06 – 1972-12 Cantata, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:40
1972-06 – 1973-04 Cantata, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freud wird zur Traurigkeit" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:49
1972-06 – 1973-04 Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:33
1972-06 – 1973-04 Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" countertenor vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:26
1972-06 – 1973-04 Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" countertenor vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:53
1972-10 – 1973-02 Cantata, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:45
1972-12-13 Cantata, BWV 115 "Mache dich, mein Geist, bereit," II. Aria (alto). Ach, schläfrige Seele alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 8:54
1972 Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) "Nun wird mein liebster Bräutigam" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:53
1972 Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:57
1972 Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 9:23
1972 Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:04
1972 Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:28
1972 Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:42
1972 Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:29
1972 Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) "Warum sollt ihr erschrecken" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:27
1972 Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:36
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:33
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 8:35
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:22
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:17
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:06
1974-02 – 1974-04 Cantata, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:39
1974-02 – 1974-04 Cantata, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!" additional and alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:09
1974-02 – 1974-04 Cantata, BWV 38 "Aus tiefer Not schrei ich zu dir": II. Récitatif. "In Jesu Gnade wird allein" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:46
1974-02 – 1974-04 Cantata, BWV 38 "Aus tiefer Not schrei ich zu dir": V. Trio. "Wenn meine Trübsal als mit Ketten" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:24
1974-02 – 1974-12 Cantata, BWV 41 "Jesu, nun sei gepreiset": III. Recitativo (Alto) "Herr! deine Hand, dein Segen muss allein" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:59
1974-02 – 1974-12 Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alto) "Wo zwei und drei versammlet sind" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 10:43
1974-11 – 1975-05 Cantata, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, IX. Aria (Alto) "Ich sehe schon im Geist" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:23
1974-11 – 1975-05 Cantata, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VIII. Recitativo (Alto) "Der Vater hat ihm ja ein ewig Reich bestimmet" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:33
1974-11 – 1975-05 Cantata, BWV 44 "Sie werden euch in den Bann tun": III. Aria. "Christen müssen auf der Erden" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:39
1974-11 – 1975-05 Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo "O Schmerz, o Elend, so mich trifft" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:17
1974-11 – 1975-05 Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach lege das Sodom der sündlichen Glieder" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:01
1974-12-06 Cantata, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" alto vocals Leonhardt‐Consort, Gustav Leonhardt 8:15
1974-12-06 Cantata, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:15
1974-12-06 Cantata, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) "Wer Sünde tut, der ist vom Teufel" alto vocals Leonhardt‐Consort, Gustav Leonhardt 2:58
1975-05 Cantata No 75 Die Elenden sollen essen BWV75 : IX Recitative - "Nur eines kränkt ein christliches Gemüte" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:43
1975-05 Cantata No 75 Die Elenden sollen essen BWV75 : X Aria - "Jesus macht mich geistlich reich" alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:22
1975-11 Cantata No 62 Nun komm, der Heiden Heiland BWV62 : V Recitative - "Wir ehren diese Herrlichkeit" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:58
1975-11 Cantata No 63 Christen, ätzet diesen Tag BWV63 : II Recitative - "O selger Tag! o ungemeines Heute" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:32
1975-11 Cantata No 63 Christen, ätzet diesen Tag BWV63 : V Duet - "Ruft und fleht den Himmel an" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:23
1975-11 Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : III Recitative - "Geh, Welt! behalte nur das Deine" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:38
1975-11 Cantata No 64 Sehet, welch eine Liebe hat uns der Vater erzeiget BWV64 : VII Aria - "Von der Welt verlang ich nichts" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:51
1975-11 Cantata, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Duetto: Alto/Furcht, Tenore/Hoffnung) "O Ewigkeit, du Donnerwort" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:02
1975-11 Cantata, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:16
1975-11 Cantata, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Duetto: Alto/Tenore) "Mein letztes Lager will mich schrecken" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:20
1975-11 Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:12
1976-01-14 – 1976-10-24 Cantata No 69 "Lobe den Herrn, meine Seele" BWV69 : II. Aria "Mein Seele, auf, erzähle" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:04
1976-01-14 – 1976-10-24 Cantata No 69a "Lobe den Herrn, meine Seele" BWV 69a: IV. Recitative "Gedenk ich nur zurück" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:11
1976-05 – 1976-10-31 Cantata No 70 Wachet! betet! betet! wachet! BWV70 : III Aria - "Wenn kömmt der Tag" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:41
1976-05 – 1976-10-31 Cantata No 71 Gott ist mein König BWV71 : V Aria - "Durch mächtige Kraft" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:19
1976-05 – 1976-10-31 Cantata No 71 Gott ist mein König BWV71 : VII Chorus - "Das neue Regiment" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:52
1976-05 – 1976-10-31 Cantata No 72 Alles nur nach Gottes Willen BWV72 : II Recitative - "O selger Christ" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:01
1976-05 – 1976-10-31 Cantata No 72 Alles nur nach Gottes Willen BWV72 : III Aria - "Mit allem, was ich hab und bin" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:18
1976-06-10 – 1976-06-16 Cantata No 66 Erfreut euch, ihr Herzen BWV66 : IV Recitative - "Bei Jesu Leben freudig sein" alto vocals Leonhardt‐Consort, Gustav Leonhardt 4:47
1976-06-10 – 1976-06-16 Cantata No 66 Erfreut euch, ihr Herzen BWV66 : V Duet - "Ich furchte zwar des Grabes Finsternissen" alto vocals Leonhardt‐Consort, Gustav Leonhardt 8:15
1976-06-10 – 1976-06-16 Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: III. Recitative "Mein Jesu, heissest du des Todes Gift" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:26
1976-06-10 – 1976-06-16 Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: V. Recitative "Doch scheinet fast, dass mich der Feinde Rest" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:50
1976-10-14 – 1976-10-30 BWV 76: I. Die Himmel erzählen ... alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:49
1976-10-14 – 1976-10-30 BWV 76: VI. Du hast uns, Herr, ... alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:26
1976-10-14 – 1976-10-30 BWV 76: XI. Ich fühle schon ... alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:49
1976-10-14 – 1976-10-30 BWV 76: XII. Liebt, ihr Christen, ... alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:14
1976-10-28 – 1977-04 BWV 78: II. Wie eilen mit schwachen ... alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:04
1977-03-19 – 1977-05-20 Cantata No. 85, "Ich bin ein guter Hirt," BWV 85 Aria. Jesus ist ein guter Hirt alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:11
1977-03-19 – 1977-05-20 Cantata No. 86, "Wahrlich, wahrlich, ich sage euch," BWV 86 Aria. Ich will doch wohl Rosen brechen alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:22
1977-03 – 1977-05 Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 Duetto: "Wie selig sind doch die" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:42
1977-03 – 1977-05 Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Aria. "Jesus schläft, was soll ich hoffen?" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:10
1977-03 – 1977-05 Cantata No. 81, "Jesus schläft, was soll ich hoffen?" BWV 81 Recitativo: "Wohl mir, mein Jesus spricht ein Wort" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:18
1977-04-13 – 1977-05-22 BWV 87: Aria alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 7:35
1977-04-13 – 1977-05-22 BWV 87: Recitativo alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:32
1977-04-21 Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Aria - Choral. (Duetto) Er kennt die rechten Freudenstunden alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:49
1977-04-21 Cantata No. 93, "Wer nur den lieben Gott lässt walten," BWV 93 Coro. Wer nur den lieben Gott läßt walten alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:17
1977-04-22 – 1977-04-23 Cantata No. 99, "Was Gott tut, das ist wohlgetan," BWV 99 Aria. (Duetto) Wenn des Kreuzes Bitterkeiten alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:54
1977-04-22 – 1977-04-23 Cantata No. 99, "Was Gott tut, das ist wohlgetan," BWV 99 Recitativo. Nun, der von Ewigkeit geschlossne Bund alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:56
1977-05-04 – 1977-05-06 Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 Aria: "Gott ist unsre Sonn und Schild!" alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:40
1977-05-04 – 1977-05-07 BWV 77: V. Ach, es bleibt, ... alto vocals Leonhardt‐Consort, Gustav Leonhardt 4:33
1977-05 Cantata No 74 Wer mich liebet, der wird mein Wort halten BWV74 : III Recitative - "Die Wohnung ist bereit" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:34
1977-05 Cantata No 74 Wer mich liebet, der wird mein Wort halten BWV74 : VII Aria - "Nichts kann mich erretten" alto vocals Leonhardt‐Consort, Gustav Leonhardt 5:22
1978-02-14 Cantata No. 97, "In allen meinen Taten," BWV 97 Aria. Leg ich mich späte nieder alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:40
1978-02-14 – 1978-05-19 Cantata No. 94, "Was frag ich nach der Welt," BWV 94 Aria. Betörte Welt, betörte Welt! alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:54
1978-02-14 – 1978-05-19 Cantata No. 96, "Herr Christ, der einge Gottessohn," BWV 96 Recitativo. O Wunderkraft der Liebe alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:03
1978-02-16 – 1979-07-10 Cantata, BWV 108 "Es ist euch gut, daß ich hingehe," V. Aria (alto). Was mein Herz von dir begehrt alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:50
1978-03-01 – 1978-09-16 Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen" alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:12
1978-03-01 – 1978-09-18 Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:44
1978-03-01 – 1978-09-18 Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" alto vocals Leonhardt‐Consort, Gustav Leonhardt 2:39
1978-03-02 – 1978-09-16 Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:19
1978-09-15 Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 Aria. (Duetto) Die Armut, so Gott auf sich nimmt alto vocals Leonhardt‐Consort, Gustav Leonhardt 8:13
1978-09-15 – 1978-09-16 Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Ei nun, mein Gott, so fall ich dir alto vocals Leonhardt‐Consort, Gustav Leonhardt 2:13
1978-09-15 – 1978-09-16 Cantata No. 92, "Ich hab in Gottes Herz und Sinn," BWV 92 Choral. Zudem ist Weisheit und Verstand alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:22
1978-09-16 – 1978-09-19 Cantata No. 98, "Was Gott tut, das ist wohlgetan," BWV 98 Recitativo. Gott hat ein Herz, das des Erbarmens Überfluß alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:56
1979-03-10 – 1979-12-21 Kantate "Der Herr ist mein getreuer Hirt ", BWV 112: II. Aria (Alt): Zum reinen Wasser er mich weist alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:45
1979-03 – 1979-04 Serse, Act I: "Qui si canta il mio nome" - "Un Serse mirate" (Carolyn Watkinson, Barbara Hendricks, Paul Esswood) Handel 1:46
1979-03 – 1979-04 Serse, Act I: Aria "Io le dirò che l'amo" - "Tu le dirai che l'ami" - Recitativo "Arsamene!" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks, Anne-Marie Rodde) Handel 4:39
1979-03 – 1979-04 Serse, Act I: Aria "Meglio in voi col mio partire" - Recitativo "Bellissima Romilda" (Paul Esswood, Carolyn Watkinson) Handel 3:08
1979-03 – 1979-04 Serse, Act I: Aria "Non so se sia la speme" - Recitativo "Tradir di reggia sposa" (Paul Esswood, Ortrun Wenkel) Handel 5:40
1979-03 – 1979-04 Serse, Act I: Aria "Sì, sì, mio ben" - Recitativo "Presto, Signor, vien Serse" (Anne-Marie Rodde, Ulrich Studer, Paul Esswood, Carolyn Watkinson, Barbara Hendricks) Handel 3:27
1979-03 – 1979-04 Serse, Act I: Arietta "Va godendo vezzoso e bello" - Recitativo "Quel canto a un bel amor" (Barbara Hendricks, Carolyn Watkinson, Paul Esswood) Handel 4:10
1979-03 – 1979-04 Serse, Act I: Sinfonia e Recitativo - "Sento un soave concento" (Paul Esswood, Ulrich Studer, Barbara Hendricks) Handel 2:40
1979-03 – 1979-04 Serse, Act II: Aria "Anima infida, tradita io sono" - Recitativo "E' pazzo affè" (Ortrun Wenkel, Ulrich Studer, Paul Esswood) Handel 2:36
1979-03 – 1979-04 Serse, Act II: Aria "Quella che tutta fè" (Paul Esswood) Handel 3:12
1979-03 – 1979-04 Serse, Act II: Aria "Sì, la voglio e la otterrò" - Recitativo "V'inchino, eccelso Re" (Paul Esswood, Anne-Marie Rodde, Carolyn Watkinson) Handel 3:33
1979-03 – 1979-04 Serse, Act II: Arioso "Per dar fine alla mia pena" - Recitativo "Arsamene, ove andate?" (Carolyn Watkinson, Paul Esswood) Handel 2:38
1979-03 – 1979-04 Serse, Act III: Aria "Amor, tiranno Amor" - Recitativo "Come già vi accennammo" (Paul Esswood, Carolyn Watkinson, Ulrik Cold) Handel 5:52
1979-03 – 1979-04 Serse, Act III: Aria "Cagion son io del mio dolore" - Recitativo "Romilda infida" (Ortrun Wenkel, Paul Esswood, Barbara Hendricks) Handel 2:47
1979-03 – 1979-04 Serse, Act III: Aria "Per rendermi beato" - Recitativo "Ubbidirò al mio Re?" (Carolyn Watkinson, Paul Esswood, Barbara Hendricks) Handel 5:01
1979-03 – 1979-04 Serse, Act III: Arietta "No, no, se tu mi sprezzi" - Recitativo "Ecco in segno di fé" (Anne-Marie Rodde, Barbara Hendricks, Ulrich Studer, Paul Esswood, Carolyn Watkinson) Handel 2:21
1979-03 – 1979-04 Serse, Act III: Coro "Ciò che Giove destinò" - Recitativo "Ecco lo sposo" (Chorus, Ulrik Cold, Paul Esswood, Barbara Hendricks, Carolyn Watkinson) Handel 5:22
1979-03 – 1979-04 Serse, Act III: Duetto "Troppo oltraggi la mia fede" (Barbara Hendricks, Paul Esswood) Handel 3:51
1979-03 – 1979-04 Serse, Act III: Sinfonia - Recitativo "Sono vani i pretesti" (Paul Esswood, Barbara Hendricks, Anne-Marie Rodde, Ulrich Studer) Handel 5:14
1979-12-13 – 1980-05-30 Cantata, BWV 120 "Gott, man lobet dich in der Stille," I. Aria (alto). Gott, man lobet dich in der Stille alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 6:08
1979-12-13 – 1981-01-24 Cantata, BWV 119 "Preise, Jerusalem, dem Herrn," V. Aria (alto). Die Obrigkeit ist Gottes Gabe alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 3:23
1979-12-13 – 1981-01-24 Cantata, BWV 119 "Preise, Jerusalem, dem Herrn," VIII. Recitativo (alto). Zuletst! Da du uns, Herr, zu deinem Volk gesetzt alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 0:37
1979-12-14 – 1980-05-28 Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," II. Aria (alto). Ach, unaussprechlich ist die Not alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 2:58
1979-12-14 – 1980-05-28 Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ," V. Recitativo (alto). Ach, laß uns durch die scharfen Ruten alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 1:06
1979-12-14 – 1980-05-28 Cantata, BWV 121 "Christum wir sollen loben schon," III. Recitativo (alto). Der Gnade unermeßlichs Wesen alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 1:02
1979-12-19 – 1981-10-21 Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alto) "Ich will auch mit gebrochenen" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 8:41
1979-12-19 – 1981-10-21 Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alto) "O unerschopfter Schatz der Güte" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:37
1980-05-28 – 1981-10-21 Kantate, BWV 126 "Erhalt uns, Herr, bei deinem Wort": III. Recitativo (Alto, Tenore) "Der Menchen Gunst und Macht" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:52
1981-10-21 – 1982-05-22 Cantata, BWV 136 "Erforsche mich, Gott, und erfahre mein Herz," III. Aria (alto). Es kommt ein Tag alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:31
1981-10-21 – 1982-05-22 Cantata, BWV 137 "Lobe den Herren, den mächtigen König der Ehren," II. Aria (alto). Lobe den Herren, der alles so herrlich regieret alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 3:20
1981-10-21 – 1982-05-23 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott," III. Recitativo (alto). Der Heiland sendet ja die Seinen alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 0:31
1981-10-22 Cantata, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir," IV. Aria (tenor, alto). Meine Seele wartet auf den Herrn alto vocals Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 5:34
1983-01-19 – 1983-03-12 Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": III. Aria (Alto) "Ich will nach dem Himmel zu" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 8:10
1983-01 – 1984-04 Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," III. Recitativo (alto). So wie der Hirsch nach frischem Wasser schreit alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 1:40
1983-01 – 1984-04 Cantata, BWV 148 "Bringet dem Herrn Ehre seines Namens," IV. Aria (alto). Mund und Herze steht dir offen alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 5:18
1983-01 – 1986-04 Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," IV. Recitativo (alto). Mein Jesu, laß mich nicht alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 1:35
1983-01 – 1986-04 Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," V. Aria (Duetto) (alto, tenor). In meinem Gott bin ich erfreut alto vocals Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:22
1983-03 Dido and Aeneas: Act II. "Stay, Prince" (Spirit, Aeneas) countertenor vocals [Spirit] Henry Purcell 3:02
1984-01 Cantata, BWV 149 "Man singet mit Freuden vom Sieg," III. Recitativo (alto). Ich fürchte mich vor tausend Feinden nicht alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 0:44
1984-01 Cantata, BWV 149 "Man singet mit Freuden vom Sieg," VI. Aria (Duetto) (alto, tenor). Seid wachsam, ihr heiligen Wächter alto vocals Kurt Equiluz, Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 3:40
1984-01 Cantata, BWV 150 "Nach dir, Herr, verlanget mich," V. Aria (Terzetto) (alto, tenor, bass). Zedern müssen von den Winden alto vocals Max van Egmond, Kurt Equiluz, Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 1:32
1984-01 Cantata, BWV 151 "Süßer Trost, mein Jesus kömmt," III. Aria (alto). In Jesu Demut kann ich Trost alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 5:55
1984-12 – 1985-05 Cantata, BWV 161 "Komm, du süße Todesstunde," I. Aria (alto). Komm, du süße Todesstunde alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:43
1984-12 – 1985-05 Cantata, BWV 161 "Komm, du süße Todesstunde," IV. Recitativo (alto). Der Schluß ist schon gemacht alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 2:17
1984 Kantate, BWV 144 "Nimm hin, was dein ist, und gehe hin": II. Aria (Alto) "Murre nicht, lieber Christ" alto vocals Leonhardt‐Consort, Gustav Leonhardt 5:05
1984 Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 2:58
1984 Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" alto vocals Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 3:33
1984 Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" alto vocals Paul Esswood, Helrun Gardow, Hildegard Heichele, Concentus Musicus Wien, Nikolaus Harnoncourt 1:25
1985-12-17 – 1985-12-18 Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," I. Aria (alto). Vergnügte Ruh, beliebte Seelenlust alto vocals Leonhardt‐Consort, Gustav Leonhardt 6:20
1985-12-17 – 1985-12-18 Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," II. Recitativo (alto). Die Welt, das Sündenhaus, bricht nur in Höllenlieder aus alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:17
1985-12-17 – 1985-12-18 Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," III. Aria (alto). Wie jammern mich doch die verkehrten Herzen alto vocals Leonhardt‐Consort, Gustav Leonhardt 8:11
1985-12-17 – 1985-12-18 Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," IV. Recitativo (alto). Wer sollte sich demnach wohl hier zu leben wünschen alto vocals Leonhardt‐Consort, Gustav Leonhardt 1:15
1985-12-17 – 1985-12-18 Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," V. Aria (alto). Mir ekelt mehr zu leben alto vocals Leonhardt‐Consort, Gustav Leonhardt 5:53
1985-12-18 – 1985-12-20 Cantata, BWV 172 "Erschallet, ihr Lieder," V. Aria (Duetto) (soprano, alto). Komm, laß mich nicht länger warten alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:48
1987-01-09 – 1987-01-12 Cantata, BWV 180 "Schmücke dich, o liebe Seele," IV. Recitativo (alto). Mein Herz fühlt in sich Furcht und Freude alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 1:36
1987-01-09 – 1987-01-12 Cantata, BWV 181 "Leichtgesinnte Flattergeister," II. Recitativo (alto). O unglückselger Stand verkehrter Seelen alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 1:38
1987-01-10 – 1987-01-11 Kantate, BWV 184 "Erwünschtes Freudenlicht": II. Aria "Gesegnete Christen" alto vocals Paul Esswood, Alexander Raymann, Leonhardt‐Consort, Gustav Leonhardt 9:23
1988 Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo "Ich Bin Bereit, Mein Blut Und Armes..." alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 0:46
1989 Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alto) "Ihr Herzen, die ihr euch in Stein und Fels verkehret" alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 2:03
1989 Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alto) "Sei bemüht in dieser Zeit" alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:43
“Cantata per il santissimo natale” (Weihnachtskantate): 1. Sinfonia countertenor vocals [San Giuseppe] Alessandro Stradella 5:53
“Cantata per il santissimo natale” (Weihnachtskantate): 2. Recitativo: "Ah, ah, troppo è ver" countertenor vocals [San Giuseppe] Alessandro Stradella 0:58
“Cantata per il santissimo natale” (Weihnachtskantate): 3. Aria: "E sarà chi non" countertenor vocals [San Giuseppe] Alessandro Stradella 1:37
“Cantata per il santissimo natale” (Weihnachtskantate): 4. Recitativo: "Sa versar nel mio core" countertenor vocals [San Giuseppe] Alessandro Stradella 1:33
“Cantata per il santissimo natale” (Weihnachtskantate): 5. Ritornello (Concerto grosso) countertenor vocals [San Giuseppe] Alessandro Stradella 0:34
“Cantata per il santissimo natale” (Weihnachtskantate): 6. Coro di furie: "Al cenno orribile" countertenor vocals [San Giuseppe] Alessandro Stradella 1:02
“Cantata per il santissimo natale” (Weihnachtskantate): 7. Recitativo: "Ite a spirar" countertenor vocals [San Giuseppe] Alessandro Stradella 0:26
“Cantata per il santissimo natale” (Weihnachtskantate): 8. Aria: "Su, pastori, alla gioia" countertenor vocals [San Giuseppe] Alessandro Stradella 2:14
“Cantata per il santissimo natale” (Weihnachtskantate): 9. Recitativo: "Al celeste Bambino" countertenor vocals [San Giuseppe] Alessandro Stradella 0:52
“Cantata per il santissimo natale” (Weihnachtskantate): 10. Aria concertata: "Qual alto concento" countertenor vocals [San Giuseppe] Alessandro Stradella 2:52
“Cantata per il santissimo natale” (Weihnachtskantate): 11. Recitativo: "Andiam là dove il fato" countertenor vocals [San Giuseppe] Alessandro Stradella 0:35
“Cantata per il santissimo natale” (Weihnachtskantate): 12. Aria: "Sovrano mio bene" countertenor vocals [San Giuseppe] Alessandro Stradella 4:27
“Cantata per il santissimo natale” (Weihnachtskantate): 13. Recitativo: "Concedi ai falli" countertenor vocals [San Giuseppe] Alessandro Stradella 0:34
“Cantata per il santissimo natale” (Weihnachtskantate): 14. Recitativo: "Al riverito piede" countertenor vocals [San Giuseppe] Alessandro Stradella 0:51
“Cantata per il santissimo natale” (Weihnachtskantate): 15. Aria: "Deh, ricevi i nostri voti" countertenor vocals [San Giuseppe] Alessandro Stradella 4:10
“Cantata per il santissimo natale” (Weihnachtskantate): 16. Sinfonia (Concerto grosso) countertenor vocals [San Giuseppe] Alessandro Stradella 2:40
“Cantata per il santissimo natale” (Weihnachtskantate): 17. Recitativo: "Del nostro amato figlio" countertenor vocals [San Giuseppe] Alessandro Stradella 0:30
“Cantata per il santissimo natale” (Weihnachtskantate): 18. Aria: "Della clemenza sua" countertenor vocals [San Giuseppe] Alessandro Stradella 1:01
“Cantata per il santissimo natale” (Weihnachtskantate): 19. Ritornello (Concerto grosso) countertenor vocals [San Giuseppe] Alessandro Stradella 1:07
“Cantata per il santissimo natale” (Weihnachtskantate): 20. Madrigale: "Or che luci si belle countertenor vocals [San Giuseppe] Alessandro Stradella 2:43
Ach Herr, strafe mich nicht countertenor vocals and solo Paul Esswood ?:??
Akhnaten & Nefertiti tenor vocals Philip Glass 4:17
Alma Redemptoris Mater countertenor vocals and solo Paul Esswood ?:??
Alma Redemptoris mater a 6, S. xiii/108 countertenor vocals Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 4:17
Ave Maria gratia plena, S. v/118 countertenor vocals Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 2:43
Behold, a virgin / Recitative, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 0:30
Brockes Passion: No. 49 Terzetto (A Believer, soprano, alto, bass): O Donnerwort! O schrecklich schreien! alto vocals Paul Esswood, Edda Moser, Maria Stader, Jakob Stämpfli, August Wenzinger, Schola Cantorum Basiliensis 4:10
Brockes Passion: No. 51 Aria (A Believer, tenor): Brich, brüllender Abgrund countertenor vocals Paul Esswood, Ernst Haefliger, August Wenzinger, Schola Cantorum Basiliensis 4:42
Brockes Passion: No. 52 Aria (A Believer, bass): Wie kommt's, das da der Himmel weint countertenor vocals Paul Esswood, Jakob Stämpfli, August Wenzinger, Schola Cantorum Basiliensis 2:38
Brockes Passion: Recitative (A Believer, tenor, Captain): Ja, ja, es brüllet schon in unterrid'schen Grüften countertenor vocals Paul Esswood, Ernst Haefliger, Jakob Stämpfli, August Wenzinger, Schola Cantorum Basiliensis 1:20
But who may abide / Air, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 4:20
Cantata 137, aria "Lobe den Herren, der alles so herrlich regieret" contralto vocals Johann Sebastian Bach 5:20
Cantata, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" countertenor vocals [Alt] and solo Concentus Musicus Wien, Nikolaus Harnoncourt 2:33
Cantata, BWV 30 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" countertenor vocals [Alt] and solo Concentus Musicus Wien, Nikolaus Harnoncourt 0:36
Cantata, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" countertenor vocals [Alt] and solo Concentus Musicus Wien, Nikolaus Harnoncourt 4:40
Cantata, BWV 100 "Was Gott tut, das ist wohlgetan," II. Duetto Versus 2. Was Gott tut, das ist wohlgetan alto vocals Leonhardt‐Consort, Gustav Leonhardt 4:01
Cantata, BWV 100 "Was Gott tut, das ist wohlgetan," V. Versus 5 (Aria). Was Gott tut, das ist wohlgetan alto vocals Leonhardt‐Consort, Gustav Leonhardt 3:50
Cantata, BWV 101 "Nimm von uns, Herr, du treuer Gott," VI. Aria. Gedenk an Jesubittern Tod! alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:42
Cantata, BWV 102 "Herr, deine Augen sehen nach dem Glauben," III. Aria. Weh der Seele, die den Schaden alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:00
Cantata, BWV 102 "Herr, deine Augen sehen nach dem Glauben," VI. Recitativo. Beim Warten ist Gefahr alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:22
Cantata, BWV 103 "Ihr werdet weinen und heulen," III. Aria (alto). Kein Arzt ist außer dir zu finden alto vocals Leonhardt‐Consort, Gustav Leonhardt 4:45
Cantata, BWV 103 "Ihr werdet weinen und heulen," IV. Recitativo (alto). Du wirst mich nach der Angst auch wiederum erquicken alto vocals Leonhardt‐Consort, Gustav Leonhardt 0:34
Cantata, BWV 105 "Herr, gehe nicht ins Gericht," I. Coro. Herr, gehe nicht ins Gericht alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:02
Cantata, BWV 105 "Herr, gehe nicht ins Gericht," II. Recitativo (alto). Mein Gott, verwirf mich nicht alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:43
Cantata, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben," IV. Recitativo (alto). O fasse dich, du zweifelhafter Mut alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:27
Cantata, BWV 109 "Ich glaube, lieber Herr, hilf meinem Unglauben," V. Aria (alto). Der Heiland kennet ja die Seinen alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:50
Cantata, BWV 111 "Was mein Gott will, das g'scheh allzeit," III. Recitativo (alto). O Törichter! der sich von Gott entzieht alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:43
Cantata, BWV 111 "Was mein Gott will, das g'scheh allzeit," IV. Aria (Duetto) (alto, tenor). So geh ich mit beherzten Schritten alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 6:19
Cantata, BWV 154 "Mein liebster Jesus ist verloren," IV. Aria (alto). Jesu, laß dich finden alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 3:42
Cantata, BWV 154 "Mein liebster Jesus ist verloren," VII. Aria (Duetto) (alto, tenor). Wohl mir, Jesus ist gefunden alto vocals Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 3:45
Cantata, BWV 155 "Mein Gott, wie lang, ach lange," II. Aria (Duetto) (alto, tenor). Du mußt glauben, du mußt hoffen alto vocals Kurt Equiluz, Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 5:54
Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," IV. Aria (alto). Herr, was du willt, soll mir gefallen alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:32
Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," I. Arioso-Recitativo (bass, alto). Sehet! Komm, schaue doch, mein Sinn alto vocals Max van Egmond, Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 2:59
Cantata, BWV 159 "Sehet, wir gehn hinauf gen Jerusalem," II. Aria-Choral (alto, soprano). Ich folge dir nach alto vocals Tobias Eiwanger, Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 4:15
Cantata, BWV 164 "Ihr, die ihr euch von Christo nennet," III. Aria (alto). Nur durch Lieb und durch Erbarmen alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 4:36
Cantata, BWV 165 "O heilges Geist- und Wasserbad," III. Aria (alto). Jesu, der aus großer Liebe alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 2:21
Cantata, BWV 166 "Wo gehest du hin?," V. Aria (alto). Man nehme sich in acht alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 3:51
Cantata, BWV 169 "Gott soll allein mein Herze haben," II. Arioso-Recitativo (alto). Gott soll allein mein Herze haben alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 2:44
Cantata, BWV 169 "Gott soll allein mein Herze haben," III. Aria (alto). Gott soll allein mein Herze haben alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 5:31
Cantata, BWV 169 "Gott soll allein mein Herze haben," IV. Recitativo (alto). Was ist die Liebe Gottes? alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 0:49
Cantata, BWV 169 "Gott soll allein mein Herze haben," V. Aria (alto). Stirb in mir alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 4:37
Cantata, BWV 169 "Gott soll allein mein Herze haben," VI. Recitativo (alto). Doch meint es auch alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 0:23
Cantata, BWV 170 "Vergnügte Ruh, beliebte Seelenlust," I. Aria (alto). Vergnügte Ruh, beliebte Seelenlust contralto vocals Leonhardt‐Consort, Gustav Leonhardt 6:20
Cantata, BWV 175 "Er rufet seinen Schafen mit Namen," II. Aria (alto). Komm, leite mich alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 4:56
Cantata, BWV 175 "Er rufet seinen Schafen mit Namen," V. Recitativo (alto, bass). Sie vernahmen aber nicht alto vocals Max van Egmond, Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 1:08
Cantata, BWV 176 "Es ist ein trotzig und verzagt Ding," II. Recitativo (alto). Ich meine, recht verzagt alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 0:45
Cantata, BWV 176 "Es ist ein trotzig und verzagt Ding," V. Aria (alto). Ermuntert euch, furchtsam und schüchterne Sinne alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 2:50
Cantata, BWV 182 "Himmelskönig, sei willkommen," V. Aria (alto). Leget euch dem Heiland unter alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 8:04
Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: III. Recitativo (alto). Nun mag die Welt mit ihrer Lust vergehen alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 1:25
Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: IV. Aria (Duetto) (soprano, alto). Laß, Seele, kein Leiden alto vocals Paul Esswood, Helmut Wittek, Concentus Musicus Wien, Nikolaus Harnoncourt 4:57
Cantata, BWV 187 "Es wartet alles auf dich," Prima Parte: III. Aria (alto). Du Herr, du krönst allein das Jahr alto vocals Paul Esswood, Leonhardt‐Consort, Gustav Leonhardt 4:34
Cantata, BWV 188 "Ich habe meine Zuversicht," IV. Aria (alto). Unerforschlich ist die Weise alto vocals Paul Esswood, Concentus Musicus Wien, Nikolaus Harnoncourt 5:42
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 5: Recitative: Antippo, der uns gleich (Rodisette, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 0:24
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Arietta: Die Sonne brennet (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 1:27
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: Da die Natur (Rodis, Antippo, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 1:30
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: O Schone, bist du hier? (Antippo, Rodisette, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 1:06
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 6: Recitative: So lasst ihr mich (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 0:11
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Aria: Blitzet, strahlet (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 4:11
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Recitative: Ihr schonen Nebenbuhlerinnen! (Antippo, Rodisette, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 1:10
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act II Scene 5: Recitative: Ihr schweigt? (Antippo, Rodisette, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 0:39
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Aria: S'io ami (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 6:07
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Aria: Verblendeter Tyranne (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 2:06
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 6: Recitative: Was aber seh' ich nicht (Antippo, Edronica, Rodisette) countertenor vocals Paul Esswood, Katalin Farkas, Éva Vámossy, Capella Savaria, Nicholas McGegan 1:50
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Aria Hegt dein Herze (Antippo) countertenor vocals Paul Esswood, Capella Savaria, Nicholas McGegan 4:51
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Duet: Meine Triebe (Edronica, Antippo) countertenor vocals Paul Esswood, Katalin Farkas, Capella Savaria, Nicholas McGegan 1:38
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Recitative: Erwage sein Verdienst! (Nicia, Socrates, Rodisette, Melito, Edronica, Antippo) countertenor vocals Paul Esswood, Katalin Farkas, József Gregor, Gáti István, Guy de Mey, Éva Vámossy, Capella Savaria, Nicholas McGegan 0:36
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act III Scene 12: Recitative: Halt! Sprich nun (Antippo, Socrates, Edronica) countertenor vocals Paul Esswood, Katalin Farkas, József Gregor, Capella Savaria, Nicholas McGegan 0:34
Dido and Aeneas, Z. 626: Act 1. "See, your royal guest appears" / "Cupid only throws…" alto vocals [Spirit] Jürgen Jürgens, Sheila Armstrong, Paul Esswood, Barry McDaniel, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 1:29
Dido and Aeneas, Z. 626: Act 2. "Stay, Prince" alto vocals [Spirit] Jürgen Jürgens, Paul Esswood, Barry McDaniel, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras 3:01
Epilogue tenor vocals Philip Glass 4:23
Graduale countertenor vocals Pro Cantione Antiqua, Bruno Turner 3:27
He shall feed His flock / Duet, alto & soprano countertenor vocals Paul Esswood, Yvonne Kenny, Swedish Radio Symphony Orchestra, Anders Öhrwall 5:25
He was despised / Air, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 10:55
Hymn to the Sun countertenor vocals Paul Esswood, Orchester der Staatsoper Stuttgart & Chor der Staatsoper Stuttgart 6:17
I was glad alto vocals Stafford Dean, Paul Esswood, Ian Partridge, George Guest, Choir of St John’s College, Cambridge 9:55
Jubilate Domino countertenor vocals and solo Paul Esswood ?:??
Judas Maccabaeus, HWV 63: Act II, no. 39: Recitative "Oh Judas, oh my brethren!" (Messenger) countertenor vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 0:48
Judas Maccabaeus, HWV 63: Act III, no. 57: Recitative "From Capharsalama, on eagle wings I fly" (Messenger, Simon) countertenor vocals Paul Esswood, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras 1:25
Judas Maccabaeus, HWV 63: Act Three. Recitative: "From Capharsalama, on eagle wings I fly" (Messenger, Simon) countertenor vocals [Messenger] George Frideric Handel 1:25
Judas Maccabaeus, HWV 63: Act Two. Recitative: "Oh Judas, oh my brethren!" (Messenger) countertenor vocals [Messenger] George Frideric Handel 0:48
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" countertenor vocals [Alt] and solo Concentus Musicus Wien, Nikolaus Harnoncourt 0:26
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" countertenor vocals [Alt] and solo Concentus Musicus Wien, Nikolaus Harnoncourt 1:53
Lamento: Ach, daß ich Wassers genug hätte countertenor vocals and solo Paul Esswood ?:??
Le Messie Part 1: No. 5 Aria: But who may abide alto vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 4:22
Le Messie Part 2: No. 34. Aria: Thou art gone up on high alto vocals Paul Esswood, English Chamber Orchestra, Charles Mackerras 3:20
Le Messie Part 2: No. 36. Duo: How beautiful are the feet alto vocals Paul Esswood, Robert Tear, English Chamber Orchestra, Charles Mackerras 3:32
Le Messie Part 3: No. 48. Duo: O death, where is thy sting? alto vocals Paul Esswood, Robert Tear, English Chamber Orchestra, Charles Mackerras 1:18
Magnificat "Praeter rerum seriem", H. xv/248 countertenor vocals Collegium Aureum, Pro Cantione Antiqua, Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Bruno Turner 13:46
Messiah, HWV 56, Part 1: For unto us a child is born (chorus: Andante allegro) solo The Ambrosian Singers, Dame Janet Baker, Paul Esswood, Elizabeth Harwood, Raimund Herincx, Robert Tear, English Chamber Orchestra, Charles Mackerras ?:??
Messiah, HWV 56, Part 2: Hallelujah (chorus: Allegro) solo The Ambrosian Singers, Dame Janet Baker, Paul Esswood, Elizabeth Harwood, Raimund Herincx, Robert Tear, English Chamber Orchestra, Charles Mackerras ?:??
Messiah: Behold A Virgin...Recitative (Counter-Tenor), Air (Alto) & Chorus countertenor vocals NightPro Orchestra, Sir David Willcocks 5:51
Messiah: But Who May Abide...Air (Counter-Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 4:22
Messiah: He Shall Feed His Flock...Air (Alto) countertenor vocals NightPro Orchestra, Sir David Willcocks 5:02
Messiah: He Was Despised...Air (Counter-Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 10:49
Messiah: O Death, Where Is Thy Sting...Duet (Counter-Tenor, Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 1:04
Messiah: Then Shall Be Brought To Pass..Air (Counter-Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 0:17
Messiah: Then Shall The Eyes Of The Blind...Recitative (Counter-Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 0:29
Messiah: Thou Art Gone Up On High...Air (Counter-Tenor) countertenor vocals NightPro Orchestra, Sir David Willcocks 3:10
Missa Pro defunctis (Requiem) à 5, H. vi/135: Agnus Dei countertenor vocals Pro Cantione Antiqua, Bruno Turner 3:33
Missa Pro defunctis (Requiem) à 5, H. vi/135: Communio: Lux aeterna countertenor vocals Pro Cantione Antiqua, Bruno Turner 2:59
Missa Pro defunctis (Requiem) à 5, H. vi/135: Introitus countertenor vocals Pro Cantione Antiqua, Bruno Turner 6:28
Missa Pro defunctis (Requiem) à 5, H. vi/135: Kyrie countertenor vocals Pro Cantione Antiqua, Bruno Turner 3:21
Missa Pro defunctis (Requiem) à 5, H. vi/135: Offertorium: Domine Jesu Christe countertenor vocals Pro Cantione Antiqua, Bruno Turner 6:53
Missa Pro defunctis (Requiem) à 5, H. vi/135: Sanctus - Benedictus countertenor vocals Pro Cantione Antiqua, Bruno Turner 3:36
Missa Pro defunctis (Requiem) à 5, H. vi/135: Tractus: Absolve Domine countertenor vocals Pro Cantione Antiqua, Bruno Turner 4:56
O bone Jesu, S. i/69 countertenor vocals Pro Cantione Antiqua, Bruno Turner 3:52
O thou that tellest / Air, countertenor & chorus countertenor vocals Stockholm Bach Choir, Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 5:43
Ode for St. Cecilia’s Day (1692): IV. "Tis Nature's Voice" countertenor vocals [Counter-Tenor] Henry Purcell 3:43
Ode for St. Cecilia’s Day (1692): IX. "The Airy Violin" countertenor vocals [Counter-Tenor] Henry Purcell 1:37
Ode for St. Cecilia’s Day (1692): VII. "With That Sublime Celestial Lay" (Terzett) countertenor vocals [Counter-Tenor I] Henry Purcell 2:50
Ode for St. Cecilia’s Day (1692): VIII. "Wondrous Machine" countertenor vocals [Counter-Tenor] Henry Purcell 3:19
Ode for St. Cecilia’s Day (1692): XI. "The Fife and All the Harmony of War" countertenor vocals [Counter-Tenor] Henry Purcell 3:05
Ode for St. Cecilia’s Day (1692): XIII. "With Rapture of Delight" (Quartett) countertenor vocals [Counter-Tenor I] Henry Purcell 0:56
Rinaldo, Act l: ‘Goffredo, se t’arrise’ Ulrik Cold, Paul Esswood, Jean‐Claude Malgoire, La Grande Écurie et la Chambre du Roy 1:09
Saul, Act 1: O Lord, Whose Mercies Numberless (English Chamber Orchestra and Paul Esswood feat. conductor Philip Ledger) Paul Esswood, English Chamber Orchestra, Philip Ledger 4:04
Saül: O Lord, whose mercies numberless alto vocals Paul Esswood, English Chamber Orchestra, Philip Ledger 3:33
Saül: O Lord, whose mercies numberless solo Paul Esswood, English Chamber Orchestra, Philip Ledger 3:33
Saül: Your works, oh king solo Paul Esswood, English Chamber Orchestra, Philip Ledger 1:17
Stabat Mater: Fac me cruce custodiri alto vocals Paul Esswood, Capella Savaria, Pál Németh 0:46
Stabat Mater: Fac ut portem Christi mortem alto vocals Paul Esswood, Capella Savaria, Pál Németh 1:06
Stabat Mater: Juxta crucem tecum stare alto vocals Paul Esswood, Capella Savaria, Pál Németh 3:38
Stabat Mater: O quam tristis alto vocals Paul Esswood, Capella Savaria, Pál Németh 2:20
Stabat Mater: Quae moerebat et dolebat alto vocals Paul Esswood, Mária Zádori, Capella Savaria, Pál Németh 2:31
Stabat Mater: Quando corpus morietur - Amen alto vocals Paul Esswood, Mária Zádori, Capella Savaria, Pál Németh 2:49
Stabat Mater: Quis non posset contristari alto vocals Paul Esswood, Capella Savaria, Pál Németh 2:12
Stabat Mater: Sancta Mater, istud agas alto vocals Paul Esswood, Capella Savaria, Pál Németh 1:25
Stabat Mater: Stabat Mater dolorosa alto vocals Paul Esswood, Mária Zádori, Capella Savaria, Pál Németh 2:20
Stabat Mater: Tui nati vulnerati alto vocals Paul Esswood, Mária Zádori, Capella Savaria, Pál Németh 2:23
Stabat Mater: Vidit suum dulcem natum alto vocals Paul Esswood, Mária Zádori, Capella Savaria, Pál Németh 2:21
Te Deum: First Part countertenor vocals Jean‐Baptiste Lully 20:07
Te Deum: Second Part countertenor vocals Jean‐Baptiste Lully 20:02
Then shall be brought / Recitative, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 0:20
Then shall the eyes / Recitative, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 0:30
Thou art gone / Air, countertenor countertenor vocals Paul Esswood, Swedish Radio Symphony Orchestra, Anders Öhrwall 3:05
Was betrübst du dich, meine Seele countertenor vocals and solo Paul Esswood ?:??
Weihnachts-Oratorium, BWV 248: Teil I, II. Evangelista "Es begab sich aber zu der Zeit" / III. Accompagnato (Alto) "Nun wird mein liebster Bräutigam" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:01
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Evangelista "Da Jesus geboren war" / XLV. Coro, Recitativo (Alt) "Wo ist der neugeborne König der Jüden?" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:01
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Evangelista "Da das der König Herodes hörte" / XLIX. Accompagnato (Tenore) "Warum wollt ihr erschrecken?" / L. Evangelista "Und liess versammeln alle Hohepriester" alto vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:01
Window of Appearances countertenor vocals Paul Esswood, Orchester der Staatsoper Stuttgart & Chor der Staatsoper Stuttgart 4:29
Window of Appearances tenor vocals Philip Glass 4:24
Akhnaten countertenor vocals Philip Glass; The Stuttgart State Opera Orchestra & Chorus, Dennis Russell Davies
Dido and Aeneas Purcell; Ann Murray, Anton Scharinger, Rachel Yakar, Nikolaus Harnoncourt
Il Ritorno d'Ulisse in Patria countertenor vocals Claudio Monteverdi, Concentus Musicus Wien, Junge Kantorei & Nikolaus Harnoncourt
Symphony no. 2 "St. Florian" / Pas de Quatre countertenor vocals Schnittke, Rozhdestvensky, Desinov, Pärt