| performed |
|---|
| Heiligmesse - Agnus Dei | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Agnus Dei | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Benedictus | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Kyrie | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Sanctus | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Agnus Dei | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Agnus Dei | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Benedictus | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Benedictus | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Credo | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Gloria | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Kyrie | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Nelson Mass - Sanctus | | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| vocals |
|---|
| 1978-08 | Otello: Atto I, Scena V. "Incerta l'anima" | | tenor vocals [Lucio] | Ambrosian Singers, José Carreras, Nucci Condò, Salvatore Fisichella, Keith Lewis, Samuel Ramey, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos | 5:51 |
| 1978-08 | Otello: Atto I, Scena V. "L'infida, ahimè che miro?" | | tenor vocals [Lucio] | Ambrosian Singers, José Carreras, Salvatore Fisichella, Keith Lewis, Samuel Ramey, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos | 3:12 |
| 1978-08 | Otello: Atto I, Scena V. "Ti parli d'amore" | | tenor vocals [Lucio] | Ambrosian Singers, José Carreras, Salvatore Fisichella, Keith Lewis, Samuel Ramey, Frederica von Stade, Philharmonia Orchestra, Jesús López Cobos | 4:07 |
| 1978-08 | Otello: Atto III, Scena X. "Che sento? Chi batte?" | | tenor vocals [Lucio] | Ambrosian Singers, José Carreras, Salvatore Fisichella, Alfonso Leoz, Keith Lewis, Samuel Ramey, Philharmonia Orchestra, Jesús López Cobos | 3:36 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto I, Scene 2. “Fugano a vo” (Ercole, Venere, le tre grazie) | | tenor vocals [Hyllo] | Christopher Hirons, Colette Alliot-Lugaz, Kerry Brown, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Ann Mackay, Patricia Miller, Yvonne Minton, Felicity Palmer, Judith Rees, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 0:38 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto I, Scene 2. “Se Ninfa ai pianti” (Venere, le tre grazie) | | tenor vocals [Hyllo] | Christopher Hirons, Colette Alliot-Lugaz, Kerry Brown, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Ann Mackay, Patricia Miller, Yvonne Minton, Felicity Palmer, Judith Rees, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:11 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto II, Scene 1. “Amor ardo piu rari” (Hyllo, Jole) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:15 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto II, Scene 1. “Pure alfine il rispetto di figlio” (Hole, Hyllo, Il Paggio) | | tenor vocals [Hyllo] | Christopher Hirons, Agnès de Crouzat, Keith Lewis, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 2:25 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto II, Scene 2. “D'amore il foco” (Jole, Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:00 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto II, Scene 7. “Le rugiade piu preziose” (Tutti) | | tenor vocals [Hyllo] | Christopher Hirons, Colette Alliot-Lugaz, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Keith Lewis, Patricia Miller, Yvonne Minton, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 0:42 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto II, Scene 7. “Vanne e fa breve dimora” (Pasitea, tutti) | | tenor vocals [Hyllo] | Christopher Hirons, Colette Alliot-Lugaz, Ricardo Cassinelli, Ulrik Cold, Agnès de Crouzat, Rosemary Hardy, Keith Lewis, Patricia Miller, Yvonne Minton, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:53 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto III, Scene 3. “Ohime, che ascolto” (Hyllo, Ercole) | | tenor vocals [Hyllo] | Christopher Hirons, Ulrik Cold, Keith Lewis, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:53 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto III, Scene 6. “D'Eutyro anima grande” (Jole, Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 1:18 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto III, Scene 9. “Figlio, tu prigionero” (Dejanira, Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Patricia Miller, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 4:29 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto IV, Scene 1. “Ahi che pena e gelosia” (Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 3:33 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto IV, Scene 2. “Che novella m'arrechi” (Hyllo, Il Paggio) | | tenor vocals [Hyllo] | Christopher Hirons, Agnès de Crouzat, Keith Lewis, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 2:16 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto IV, Scene 3. “E chi fia piu vieti” (Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 0:54 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto IV, Scene 4. “Eccoti o Dea contenta” (Nettuno, Hyllo, Giunone) | | tenor vocals [Hyllo] | Christopher Hirons, Keith Lewis, Yvonne Minton, John Tomlinson, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 3:59 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto V, Scene 3. “Ah, Nesso mi tradi” (Dejanira, Jole, Licco, Hyllo) | | tenor vocals [Hyllo] | Christopher Hirons, Ricardo Cassinelli, Keith Lewis, Patricia Miller, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 5:49 |
| 1980-01-23 – 1980-01-29 | Ercole amante: Atto V, Scene 4. “Oh Dea come n'arrequi” (Jole, Dejanira, Hyllo, Licco, Giunone) | | tenor vocals [Hyllo] | Christopher Hirons, Ricardo Cassinelli, Keith Lewis, Patricia Miller, Yvonne Minton, Felicity Palmer, Luciano Sgrizzi, English Bach Festival Orchestra, Michel Corboz | 3:40 |
| 1981-08 | Mosè in Egitto: Atto I. “All'idea di tanto eccesso” | | | June Anderson, Sandra Browne, Salvatore Fisichella, Zehava Gal, Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Ruggero Raimondi, Philharmonia Orchestra, Claudio Scimone | 3:02 |
| 1981-08 | Mosè in Egitto: Atto I. “Padre...” / “Signor...” | | | John McCarthy, Ambrosian Singers, June Anderson, Sandra Browne, Salvatore Fisichella, Zehava Gal, Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Ruggero Raimondi, Philharmonia Orchestra, Claudio Scimone | 3:52 |
| 1981-08 | Mosè in Egitto: Atto I. No. 7. Finale “Che narri?” / “Il ver” | | | John McCarthy, Ambrosian Singers, June Anderson, Sandra Browne, Salvatore Fisichella, Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Ruggero Raimondi, Philharmonia Orchestra, Claudio Scimone | 2:14 |
| 1981-08 | Mosè in Egitto: Atto I. Recitativo “Ah! dov'è Faraone?” | | | Zehava Gal, Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone | 3:44 |
| 1981-08 | Mosè in Egitto: Atto I. Recitativo “E avete, avverse stelle” | | | June Anderson, Keith Lewis, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone | 4:39 |
| 1981-08 | Mosè in Egitto: Atto II. No. 8. Duetto “Parlar, spiegar non posso” | | | Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone | 3:10 |
| 1981-08 | Mosè in Egitto: Atto II. Recitativo “Ecco in tua mano, Aronne” | | | Keith Lewis, Siegmund Nimsgern, Ernesto Palacio, Philharmonia Orchestra, Claudio Scimone | 2:51 |
| 1981-08 | Mosè in Egitto: Atto II. Recitativo “O Nume Osiri” | | | Keith Lewis, Siegmund Nimsgern, Philharmonia Orchestra, Claudio Scimone | 1:37 |
| 1981-08 | Mosè in Egitto: Atto III. “Son fuggiti! Oh ciel, che miro!” | | | John McCarthy, Ambrosian Singers, Keith Lewis, Siegmund Nimsgern, Philharmonia Orchestra, Claudio Scimone | 4:25 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 1. No. 3 Recitative: “Zerreißet eure Herzen” (Tenor) | | tenor vocals | Felix Mendelssohn | 0:45 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 1. No. 4 Aria: “So ihr mich von ganzem Herzen suchet” (Tenor) | | tenor vocals | Felix Mendelssohn | 2:36 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 1. No. 7a Double Quartet: “Denn er hat seinen Engeln befohlen” (Soprano, Alto, Tenor, Bass, Chorus) | | tenor vocals | Felix Mendelssohn | 2:53 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 1. No. 15 Quartet: “Wirf dein Anliegen auf den Herrn” (Soprano, Alto, Tenor, Bass) | | tenor vocals | Felix Mendelssohn | 1:32 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 1. No. 19 Recitative with Chorus: “Hilf deinem Volk, du Mann Gottes!” (Tenor, Bass, Chorus, Soprano) | | tenor vocals | Felix Mendelssohn | 6:16 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 2. No. 25 Recitative: “Du Mann Gottes” (Tenor) | | tenor vocals | Felix Mendelssohn | 2:24 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 2. No. 27 Recitative: “Siehe, er schläft” (Tenor) | | tenor vocals | Felix Mendelssohn | 0:53 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 2. No. 35 Recitative: “Seraphim standen über ihm” (Alto) - Quartet with Chorus: “Heilig ist Gott der Herr” (Soprano, Alto, Tenor, Bass, Chorus) | | tenor vocals | Felix Mendelssohn | 3:24 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 2. No. 39 Aria: “Dann werden die Gerechten leuchten” (Tenor) | | tenor vocals | Felix Mendelssohn | 2:42 |
| 1983-04-26 – 1983-05-01 | Elias, op. 70, MWV A25: Part 2. No. 41b Quartet: “Wohlan, alle, die ihr durstig seid” (Soprano, Alto, Tenor, Bass) | | tenor vocals | Felix Mendelssohn | 3:46 |
| 1986-02-09 – 1986-02-10 | Romeo and Juliet: Duo “Do you not hear the nightingale?” | | tenor vocals | Royal Scottish National Orchestra, Neeme Järvi, Suzanne Murphy, Keith Lewis | 13:03 |
| 1986-02-09 – 1986-02-10 | The Bells, op. 35: I. Allegro ma non tanto. The Silver Sleigh Bells | | tenor vocals | Royal Scottish National Orchestra, Royal Scottish National Orchestra Chorus, Neeme Järvi, Keith Lewis | 6:15 |
| 1986-02-27 – 1986-06-21 | Sinfonie Nr. 9 d-Moll, Op. 125: V. Presto - O Freunde, Nicht Diese Tone! Allegro Assai | | solo and tenor vocals | Edith Wiens, Hildegard Hartwig, Roland Hermann, Keith Lewis, NDR Sinfonieorchester, Günter Wand | 17:38 |
| 1987 | Mass No.ll in D Minor: Missa in angustiis (“Lord Nelson Mass“): Kyrie | | tenor vocals | Jörg‐Peter Weigle, Robert Holl, Keith Lewis, MDR Rundfunkchor Leipzig, Margaret Marshall, Carolyn Watkinson, Staatskapelle Dresden, Sir Neville Marriner | 4:27 |
| 1988-02-25 – 1988-02-26 | Te Deum, Op. 22: Te ergo quaesumus (Priere) | | tenor vocals | Eliahu Inbal, hr‐Sinfonieorchester | 7:01 |
| 1988-09-14 – 1988-09-16 | Requiem: IX. Sanctus: Sanctus – Hosanna – Sanctus – Hosanna | | solo and tenor vocals | Keith Lewis, NDR Chor, ORF-Chor, hr‐Sinfonieorchester, Eliahu Inbal | 10:33 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Accende lumen sensibus | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 4:57 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 3:30 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Imple superna gratia | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 3:58 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Infirma nostri corporis | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 3:17 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Infirma nostri corporis | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 2:43 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 1: Hymnus "Veni creator spiritus": Veni creator spiritus | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 3:52 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis | | solo and tenor vocals | Philharmonia Orchestra, Giuseppe Sinopoli | 6:22 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt | | solo and tenor vocals [Doctor Marianus] | Philharmonia Orchestra, Giuseppe Sinopoli | 5:07 |
| 1990-11 – 1990-12 | Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick | | solo and tenor vocals [Doctor Marianus] | Philharmonia Orchestra, Giuseppe Sinopoli | 8:03 |
| 1991 | La condenación de Fausto: Coro de estudiantes y soldados (acto II) | K. Lewis | tenor vocals [t] | A. Echevarría, K. Lewis, Orfeón Donostiarra, Orquesta Filarmónica de Radio Francia, Marek Janowski | 4:26 |
| 1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Benedictus | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 7:18 |
| 1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Credo | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 13:03 |
| 1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Gloria | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 6:06 |
| 1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Kyrie | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 7:02 |
| 1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: In te, Domine | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 5:29 |
| 1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: Salvum fac | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 6:55 |
| 1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: Te Deum laudamus | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 6:33 |
| 1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: Te ergo | | tenor vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 2:57 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) | | tenor vocals | Keith Lewis, Bach‐Collegium Stuttgart, Helmuth Rilling | 3:55 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) | | tenor vocals | Keith Lewis, Bach‐Collegium Stuttgart, Helmuth Rilling | 5:05 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) | | tenor vocals | Keith Lewis, Maria Venuti, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:13 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) | | tenor vocals | Keith Lewis, Maria Venuti, Bach‐Collegium Stuttgart, Helmuth Rilling | 6:02 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) | | tenor vocals | Keith Lewis, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:26 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) | | tenor vocals | Keith Lewis, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:50 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) | | tenor vocals | Michel Brodard, Keith Lewis, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:18 |
| 1994-02 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) | | tenor vocals | Michel Brodard, Keith Lewis, Maria Venuti, Bach‐Collegium Stuttgart, Helmuth Rilling | 4:49 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 3 »Der hehre Engel, der die Pforte des Lichts bewacht« | | tenor vocals | Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 1:55 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 5 »So sann sie nach und schwang die Flügel« | | tenor vocals | Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 1:05 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 9 »Die Peri sah das Mal der Wunde« | | tenor vocals | Chor der Staatsoper Dresden, Julia Faulkner, Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 6:49 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 10 »Die Peri tritt mit schüchterner Gebärde vor Edens Tor« | | tenor vocals | Chor der Staatsoper Dresden, Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 3:01 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 11 »Ihr erstes Himmelshoffen schwand« | | tenor vocals | Chor der Staatsoper Dresden, Julia Faulkner, Keith Lewis, Staatskapelle Dresden, Giuseppe Sinopoli | 3:46 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 12 »Fort streift von hier das Kind der Lüfte« | | tenor vocals | Julia Faulkner, Keith Lewis, Staatskapelle Dresden, Giuseppe Sinopoli | 3:57 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 13 »Die Peri weint« | | tenor vocals | Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 2:22 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 15 »Verlassener Jüngling« | | tenor vocals | Keith Lewis, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 4:27 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 19 »Dem Sang von Ferne von Ferne lauschend« | | tenor vocals | Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 2:48 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 22 »Und wie sie niederwärts sich schwingt« | | tenor vocals | Julia Faulkner, Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Elisabeth Wilke, Staatskapelle Dresden, Giuseppe Sinopoli | 4:01 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 23 »Hinab zu jenem Sonnentempel!« | | tenor vocals | Julia Faulkner, Robert Hale, Keith Lewis, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 6:38 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 25 »Es fällt ein Tropfen aufs Land Ägypten« | | tenor vocals | Chor der Staatsoper Dresden, Julia Faulkner, Keith Lewis, Staatskapelle Dresden, Giuseppe Sinopoli | 6:21 |
| 1994-06 | Mass in B minor: VIII. Duet (soprano, tenor): Domine Deus | | tenor vocals | Roberta Alexander, Keith Lewis, Symphonieorchester des Bayerischen Rundfunks, Carlo Maria Giulini | 6:33 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 1. « Le vieil hiver a fait place au printemps » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 5:57 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 2. Ronde de paysans « Les bergers laissent leurs troupeaux » (Chœur, Faust)) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 3:22 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 3. « Mais d’un éclat guerrier les campagnes se parent » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 0:48 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 4. « Sans regrets j’ai quitté les riantes campagnes » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 5:29 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 4. Chant de la fête de pâques « Christ vient de ressusciter ! » (Chœur, Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 5:53 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 4. Chant de la fête de pâques « Hélas ! Doux chants du ciel » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 1:12 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 5. « Ô pure émotion ! » (Méphistophélès, Faust) | | tenor vocals [Faust] | Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 2:09 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 6. Chanson de Méphistophélès « Assez ! Fuyons ces lieux où la parole est vile » (Faust, Méphistophélès) | | tenor vocals [Faust] | Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 2:08 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 7. « Margarita ! Qu’ai‐je vu ? » (Faust, Méphistophélès) | | tenor vocals [Faust] | Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 1:09 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 7. Songe de Faust, chœur de gnomes et de sylphes « Dors ! Heureux Faust ! » (Chœur, Méphistophélès, Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Chorus, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 6:12 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Première partie, scène 8. Chœur de soldats et chanson d’étudiants « Villes entourées » / « Jam nox stellata » (Soldats, Étudiants, Faust, Méphistophélès) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Chorus, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 2:07 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Quatrième partie, scène 16. Invocation à la nature « Nature immense, impénétrable et fière » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 5:42 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Quatrième partie, scène 17. Récitatif et chasse « À la voûte azurée » (Méphistophélès, Faust) | | tenor vocals [Faust] | Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 3:23 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Quatrième partie, scène 18. La course à l’abîme « Dans mon cœur retentit sa voix désespérée » (Faust, chœur, Méphistophélès) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Chorus, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 3:20 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Troisième partie, scène 9. Air de Faust « Merci, doux crépuscule ! » (Faust) | | tenor vocals [Faust] | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 4:58 |
| 1995 – 1996 | La Damnation de Faust, op. 24 : Troisième partie, scène 10. « Je l’entends ! » (Méphistophélès, Faust) | | tenor vocals [Faust] | Keith Lewis, Bryn Terfel, Philharmonia Orchestra, Myung-Whun Chung | 1:01 |
| See all 181 relationships |
| vocals |
|---|
| Die 10 Symphonien / Orchesterlieder | | tenor vocals | Gustav Mahler; Philharmonia Orchestra, Staatskapelle Dresden, Giuseppe Sinopoli, Edita Gruberová, Waltraud Meier, Bryn Terfel u.a. | |
| Don Giovanni | | tenor vocals [Don Ottavio] | Mozart; Thomas Allen · Carol Vaness · Maria Ewing · Richard Van Allan · The Glyndebourne Chorus · London Philharmonic Orchestra · Bernard Haitink | |
| Ercole amante | | tenor vocals | Cavalli; Yvonne Minton, Patricia Miller, Felicity Palmer, Ulrik Cold, English Bach Festival Chorus & Baroque Orchestra, Michel Corboz | |
| Messiah | | tenor vocals | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
| Messiah: Great Choruses | | tenor vocals | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti, Kiri Te Kanawa | |
| Requiem | | tenor vocals | Mozart; Felicity Lott, Della Jones, Keith Lewis, Willard White, London Philharmonic Choir & Orchestra, Franz Welser‐Möst | |
| Requiem K. 626 | | tenor vocals | Mozart; Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | |
| Te Deum Op. 22 | | tenor vocals | Hector Berlioz; Keith Lewis, Choruses & Radio-Sinfonie-Orchester Frankfurt, Eliahu Inbal | |
| Theresienmesse / Heiligmesse | | tenor vocals | Joseph Haydn; Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | |
| wrote |
|---|
| Nights Like This | | | | |
