[untitled] | | | | | | | |
[untitled] | | | | | | | |
Balls | | | | | | | |
Bâtons Rompus | | | | | | | |
Begegnung 1 | | | | | | | |
Begegnung 3a | | | | | | | |
Begegnung 3b | | | | | | | |
Begegnung 3c | | | | | | | |
Boogie für Fred | | | | | | | |
Carrousel | | | | | | | |
Das Fröhliche ... | | | | | | | |
De daag waarop Sipke eindelijk zijn nagels knipte, en verder alle andere A moten voor hem openstonden I.C.P. 17 | | | | | | | |
De Dans | | | | | | | |
Der Mammutzahn aus Balve | | | | | | | |
Die schnelle Wende | | | | | | | |
Drei Gesänge | | | | | | | |
Filet Americain | | | | | | | |
Final Bounce | | | | | | | |
Foreplay/Vorspiel | | | | | | | |
Garten | | | | | | | |
Inari Konta 3 | | | | | | | |
Involved | | | | | | | |
Kritische Studie #1 | | | | | | | |
Kritische Studie #2 | | | | | | | |
Kritische Studie #3 | | | | | | | |
Kritische Studie #4 | | | | | | | |
La Porte | | | | | | | |
Minos | | | | | | | |
Mouvement KC | | | | | | | |
Ommekeer | | | | | | | |
Part 1 | | | | | | | |
Part 2 | | | | | | | |
Part 3 | | | | | | | |
Part 4 | | | | | | | |
Petit Suite | | | | | | | |
Requiem for Che Guevara, Martin Luther King, John Fitzgerald and Robert Kennedy, Malcolm X | | | | | | | |
Schwarzspecht | | | | | | | |
Serieuze Serie | | | | | | | |
Tartar | | | | | | | |
Tiddledit | | | | | | | |
Trenches/Tranches | | | | | | | |
Witchy | | | | | | | |
Wo der Kopf sitzt | | | | | | | |