| vocals |
|---|
| 1975-08 | Porgy and Bess: Act II, Scene I. "Bess, you is my woman now" | | bass-baritone vocals | Willard White, The Cleveland Orchestra, Lorin Maazel | 4:43 |
| 1975-08 | Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” – “Lissen there, what I tells you” | | bass-baritone vocals | Willard White, The Cleveland Orchestra, Lorin Maazel | 3:42 |
| 1975-08 | Porgy and Bess: Act II, Scene I. Buzzard Song – “Lo, Bess, goin’ to picnic?” | | bass-baritone vocals | François Clemmons, Willard White, The Cleveland Orchestra, Lorin Maazel | 6:50 |
| 1978-02 | Acis and Galatea, HWV 49a: Act One. 2. Chorus: “Oh, the pleasure of the plains!” | | bass vocals | Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | 5:55 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 10. Chorus: “Wretched lovers! Fate has past” | | bass vocals | Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 5:05 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 11. Accompagnato: “I rage - I melt - I burn” (Polyphemus) | | bass vocals [Polyphemus] | Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 1:24 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 12. Air: “O ruddier than the cherry” (Polyphemus) | | bass vocals [Polyphemus] | Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 3:08 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 12. Recitative: “Whither, fairest, art thou running” (Polyphemus, Galatea) | | bass vocals [Polyphemus] | Willard White, Norma Burrowes, English Baroque Soloists, Sir John Eliot Gardiner | 1:06 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 13. Air: “Cease to beauty to be suing” (Polyphemus) | | bass vocals [Polyphemus] | Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 5:39 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 17. Trio: “The flocks shall leave the mountains” (Galatea, Acis, Polyphemus) | | bass vocals [Polyphemus] | Norma Burrowes, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 2:31 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 19. Chorus: “Mourn, all ye muses! weep, all ye swains” | | bass vocals | Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | 3:16 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 20. Air with Chorus: “Must I my Acis still bemoan” (Galatea) | | bass vocals | Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner | 3:55 |
| 1978-02 | Acis and Galatea, HWV 49a: Act Two. 22. Chorus: “Galatea, dry thy tears” | | bass vocals | Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner | 3:12 |
| 1985-12 | L'Orfeo: Atto quarto. "Signor, quel infelice" / "Benché severo" / "O degli abitator" / "Quali grazie ti rendo" / "Tue soavi parole" | | bass vocals [Plutone] | John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson | 6:54 |
| 1988-02 | Porgy and Bess: Act I, Scene I. "Here comes Big Boy!" (Mingo, Jake, Jim, Crown, Porgy, Serena, Bess, Robbins, Chorus, Sporting Life) | | bass-baritone vocals | George Gershwin | 7:09 |
| 1988-02 | Porgy and Bess: Act I, Scene I. "Here's the ol' crap shark!" - "No, no, brudder" (Jake, Mingo, Porgy, Sporting Life, Robbins, Jim, Maria, Serena) | | bass-baritone vocals | George Gershwin | 4:17 |
| 1988-02 | Porgy and Bess: Act I, Scene I. "Six to make!" (Sporting Life, Jim, Jake, Mingo, Porgy, Crown, Robbins, Maria, Serena, Bess, Chorus) | | bass-baritone vocals | George Gershwin | 4:06 |
| 1988-02 | Porgy and Bess: Act I, Scene II. "A saucer-burying set-up, I see" (Detective, Serena, Lily, Peter, Porgy, Policeman, Maria, Jake, Chorus) | | bass-baritone vocals | George Gershwin | 3:50 |
| 1988-02 | Porgy and Bess: Act I, Scene II. "How de saucer stan' now, my sister?" (Undertaker, Serena, Jake, Porgy) | | bass-baritone vocals | George Gershwin | 2:06 |
| 1988-02 | Porgy and Bess: Act I, Scene II. "Overflow, overflow" (Chorus, Porgy) | | bass-baritone vocals | George Gershwin | 0:58 |
| 1988-02 | Porgy and Bess: Act I, Scene II. "Where is brudder Robbins?" - "Come on, sister!" (solo soprano, Chorus, solo baritone, Serena, Maria, Bess, solo soprano, Jake, Peter, Porgy, Clara) | | bass-baritone vocals | George Gershwin | 4:53 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "'Lo Bess, goin' to picnic?" (Sporting Life, Bess, Porgy) | | bass-baritone vocals | George Gershwin | 2:57 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Boy! Come here, boy!" (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, Frazier, Chorus) | | bass-baritone vocals | George Gershwin | 2:40 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Buzzard keep on flyin' over" (Porgy, Chorus) | | bass-baritone vocals | George Gershwin | 3:02 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Honey, we sure goin' strut our stuff today!" - "Bess, you is my woman now" (Jake, Porgy, Bess) | | bass-baritone vocals | Bruce Hubbard / Willard White, Cynthia Haymon | 6:15 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Mornin', Lawyer, lookin' for somebody?" (Maria, Frazier, Porgy, Bess, Chorus, Lily, Bass voice, Scipio, Annie, Serena) | | bass-baritone vocals | George Gershwin | 4:58 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Mus' be you mens forgot about de picnic" - "Oh, I got plenty o' nuttin'" (Annie, Jake, Clara, Porgy, Chorus, Serena, Maria) | | bass-baritone vocals | George Gershwin | 3:26 |
| 1988-02 | Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" (Chorus, Maria, Bess, Porgy) | | bass-baritone vocals | George Gershwin | 4:14 |
| 1988-02 | Porgy and Bess: Act II, Scene III. "I wants to stay here" (Bess, Porgy) | | bass-baritone vocals | George Gershwin | 3:55 |
| 1988-02 | Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" (Strawberry woman, Peter, Woman, Annie, Crab man, Porgy, Maria) | | bass-baritone vocals | George Gershwin | 5:01 |
| 1988-02 | Porgy and Bess: Act II, Scene III. "Oh, doctor Jesus" (Serena, Peter, Porgy, Lily) | | bass-baritone vocals | George Gershwin | 2:13 |
| 1988-02 | Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there, ain't it?" (Bess, Porgy) | | bass-baritone vocals | George Gershwin | 2:42 |
| 1988-02 | Porgy and Bess: Act II, Scene III. "Take yo' han's off me" (Bess, Serena, Maria, Peter, Porgy) | | bass-baritone vocals | George Gershwin | 2:28 |
| 1988-02 | Porgy and Bess: Act II, Scene IV. "All right, I'm goin' out to get Clara" - "Oh, Doctor Jesus" (Crown, Porgy, Solo sextet, Chorus) | | bass-baritone vocals | George Gershwin | 2:32 |
| 1988-02 | Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" (Solo sextet, Chorus, Porgy, Clara, Serena, Sporting Life) | | bass-baritone vocals | George Gershwin | 3:45 |
| 1988-02 | Porgy and Bess: Act II, Scene IV. "One of dese mornings you goin' to rise up singin'" (Clara, Chorus, Porgy, Bess) | | bass-baritone vocals | George Gershwin | 1:51 |
| 1988-02 | Porgy and Bess: Act II, Scene IV. "You is a nice parcel of Christians!" (Crown, Serena, Bess, Porgy, Woman, Chorus) | | bass-baritone vocals | George Gershwin | 4:05 |
| 1988-02 | Porgy and Bess: Act III, Scene I. "Summertime" - Porgy kills Crown (Bess, Porgy) | | bass-baritone vocals | George Gershwin | 4:16 |
| 1988-02 | Porgy and Bess: Act III, Scene II. "Come out here, both of you" (Detective, Coroner, Porgy) | | bass-baritone vocals | George Gershwin | 2:26 |
| 1988-02 | Porgy and Bess: Act III, Scene II. "Oh, Lawd, what I goin' do?" - "Oh, Gawd! They goin' make him look on Crown's face!" (Porgy, Bess, Sporting Life, Policeman) | | bass-baritone vocals | George Gershwin | 3:41 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Bess is gone" (Lily, Porgy, Serena, Mingo, Maria, Chorus) | | bass-baritone vocals | George Gershwin | 2:02 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Dem white folks sure ain' put nuttin' over on this baby" (Porgy, Lily) | | bass-baritone vocals | George Gershwin | 4:01 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "It's Porgy comin' home" (Solo tenor, solo mezzo-soprano, Chorus, Children, Mingo, Porgy) | | bass-baritone vocals | George Gershwin | 3:29 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Here Mingo, what's de matter wid you all?" (Porgy) | | bass-baritone vocals | George Gershwin | 1:48 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" (Porgy, Chorus) | | bass-baritone vocals | George Gershwin | 1:21 |
| 1988-02 | Porgy and Bess: Act III, Scene III. "Where's Bess?" (Porgy, Maria, Serena) | | bass-baritone vocals | George Gershwin | 3:06 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part I: 4. Now in Each Nation | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 1:10 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part I: 8. Steal Away | | bass vocals and solo | Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 2:29 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 10. And a Time Came | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 0:17 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 12. Where They Could, They Fled | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 0:22 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 14. And the Boys Mother Wrote a Letter | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 0:14 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 15. O My Son! | | bass vocals and solo | Cynthia Clarey, Damon Evans, Cynthia Haymon, Willard White, London Symphony Orchestra, Richard Hickox | 1:29 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 16. Nobody Knows the Trouble I See, Lord | | bass vocals and solo | Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 1:17 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 17. The Boy Becomes Desperate in His Agony | | bass vocals and solo | Cynthia Clarey, Willard White, London Symphony Orchestra, Richard Hickox | 1:31 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 18. They Took a Terrible Vengeance | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 0:32 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 20. Men Were Ashamed of What Was Done | | bass vocals and solo | Willard White, London Symphony Orchestra, Richard Hickox | 0:37 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part II: 21. Go Down, Moses | | bass vocals and solo | Stephen Westrop, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 3:29 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part III: 28. The Word of Wisdom Are These | | bass vocals and solo | Stephen Westrop, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 6:51 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part III: 29. I Would Know My Shadow My Shadow and My Light | | bass vocals and solo | Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 6:16 |
| 1992-07-06 – 1992-07-08 | A Child of Our Time: Part III: 30. Deep River | | bass vocals and solo | Stephen Westrop, Cynthia Clarey, Damon Evans, Cynthia Haymon, London Symphony Chorus, Willard White, London Symphony Orchestra, Richard Hickox | 3:57 |
| 1993-10 | Symphonische Gesänge, op. 20: I. Lied aus Dixieland | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 3:35 |
| 1993-10 | Symphonische Gesänge, op. 20: II. Lied der Baumwollpacker | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 3:14 |
| 1993-10 | Symphonische Gesänge, op. 20: III. Totes braunes Mädel | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 2:31 |
| 1993-10 | Symphonische Gesänge, op. 20: IV. Übler Bursche | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 2:07 |
| 1993-10 | Symphonische Gesänge, op. 20: V. Erkenntnis | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 2:47 |
| 1993-10 | Symphonische Gesänge, op. 20: VI. Afrikanischer Tanz | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 1:19 |
| 1993-10 | Symphonische Gesänge, op. 20: VII. Arabeske | | bass vocals | Willard White, Royal Concertgebouw Orchestra, Riccardo Chailly | 2:22 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene I. "Away, you swagpot!" (Nekrotzar, Piet) | | bass-baritone vocals | Willard White, Graham Clark, Philharmonia Orchestra, Esa-Pekka Salonen | 2:26 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene I. "Dies irae" (Piet, Amanda, Amando, Nekrotzar) | | bass-baritone vocals | Graham Clark, Laura Claycomb, Charlotte Hellekant, Willard White, Philharmonia Orchestra, Esa-Pekka Salonen | 6:22 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene I. "Ha-ha-ha-ha! Hey! Give me my requisites" (Nekrotzar, Piet, Chorus) | | bass-baritone vocals | Willard White, Graham Clark, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 3:04 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene I. "Shut up!" (Nekrotzar, Piet, Chorus) | | bass-baritone vocals | Willard WhiteGraham Clark, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 4:13 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene II. "Stop! - Sh!.. Quiet, for heaven's sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) | | bass-baritone vocals | Frode Olsen, Willard White, Graham Clark, Jard van Nes, Sibylle Ehlert, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 3:30 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene II. "Who's there? A man? - A man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) | | bass-baritone vocals | Sibylle Ehlert, Willard White, Sibylle Ehlert, Graham Clark, Frode Olsen, Philharmonia Orchestra, Esa-Pekka Salonen | 2:23 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene II. Finale: "Fire and death I bring" (Nekrotzar, Piet, Astradamors) | | bass-baritone vocals | Willard White, Graham Clark, Frode Olsen, Philharmonia Orchestra, Esa-Pekka Salonen | 3:27 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Up! - Drink! - Up!" (Nekrotzar, Piet, Astradamors) | | bass-baritone vocals | Willard White, Graham Clark, Frode Olsen, Philharmonia Orchestra, Esa-Pekka Salonen | 1:28 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Where am I? What time is it?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) | | bass-baritone vocals | Willard White, Graham Clark, Derek Lee Ragin, Frode Olsen, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 5:46 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. "Woe! Ooh! - For the day of wrath" (Nekrotzar, Astradamors, Chorus) | | bass-baritone vocals | Willard White, Frode Olsen, London Voices, Philharmonia Orchestra, Esa-Pekka Salonen | 3:17 |
| 1998-02-05 – 1998-02-13 | Le Grand Macabre: Scene III. Galimatius: "Hmm! It's delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | | bass-baritone vocals | Willard White, Graham Clark, Frode Olsen, Derek Lee Ragin, Philharmonia Orchestra, Esa-Pekka Salonen | 4:45 |
| 1999-04-18 | Belshazzar's Feast | | baritone vocals and solo | BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis | 33:12 |
| 1999-04-18 | Belshazzar’s Feast: And in that same hour as they feasted | | baritone vocals and solo | BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis | 1:51 |
| 1999-04-18 | Belshazzar’s Feast: Babylon was a great city | | baritone vocals and solo | BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis | 3:51 |
| 1999-04-18 | Belshazzar’s Feast: If I forget thee, O Jerusalem | | baritone vocals | BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis | 5:07 |
| 1999-04-18 | Belshazzar’s Feast: Praise ye, the God of gold | | baritone vocals | BBC Symphony Chorus, Leeds Festival Chorus, Willard White, BBC Symphony Orchestra, Andrew Davis | 4:55 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Fifth Door: Bluebeard's Vast and Beautiful Kingdom | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 6:05 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: First Door: Bluebeard's Torture Chamber | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 4:19 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Fourth Door: The Garden | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 4:31 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Prologue and Introduction | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 15:22 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Second Door: The Armoury | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 4:16 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Seventh Door: Bluebeard's Wives | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 8:29 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Sixth Door: The Lake of Tears | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 13:30 |
| 2009-01-27 – 2009-01-29 | Bluebeard's Castle: Third Door: The Treasury | Sir Willard White | bass-baritone vocals | Sir Willard White, Elena Zhidkova, London Symphony Orchestra, Valery Gergiev | 2:14 |
| 2014-01-06 – 2014-01-07 | The Seafarer — for voice and piano trio | | spoken vocals | Trio Apaches, Sir Willard White | 28:45 |
| Acis and Galatea, HWV 49 (First Version): Act One. No. 2 Chorus: "Oh, the pleasure of the plains!" | | bass vocals [Polyphemus] | George Frideric Handel | 5:56 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 10 Chorus: "Wretched lovers! Fate has passed this sad decree" | | bass vocals [Polyphemus] | George Frideric Handel | 5:06 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 11 Accompagnato: "I rage, I melt, I burn!" (Polyphemus) | | bass vocals [Polyphemus] | George Frideric Handel | 1:24 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 12 Air: "O ruddier than the cherry" (Polyphemus) | | bass vocals [Polyphemus] | George Frideric Handel | 3:08 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 13 Air: "Cease to beauty to be suing" (Polyphemus) | | bass vocals [Polyphemus] | George Frideric Handel | 5:39 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 17 Trio: "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus) | | bass vocals [Polyphemus] | George Frideric Handel | 2:31 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 19 Chorus: "Mourn, all ye Muses! Weep, all ye swains!" | | bass vocals [Polyphemus] | George Frideric Handel | 3:16 |
| Acis and Galatea, HWV 49 (First Version): Act Two. No. 20a Solo and Chorus: "Must I my Acis still bemoan, inglorious crush'd beneath that stone?" (Galatea) | | bass vocals [Polyphemus] | George Frideric Handel | 3:56 |
| See all 198 relationships |
| vocals |
|---|
| El Niño | | baritone vocals | John Adams; Lorraine Hunt Lieberson, Dawn Upshaw, Willard White, Kent Nagano | |
| Elijah | | bass-baritone vocals | Felix Mendelssohn; London Symphony Orchestra, London Symphony Chorus, Richard Hickox, Willard White, Rosalind Plowright, Linda Finnie, Arthur Davies | |
| Elijah (Oratorio), op. 70 | | bass-baritone vocals | Felix Mendelssohn; London Symphony Orchestra, London Symphony Chorus, Richard Hickox | |
| Requiem | | bass vocals and solo | Mozart; English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | |
| Requiem | | bass vocals | Mozart; Felicity Lott, Della Jones, Keith Lewis, Willard White, London Philharmonic Choir & Orchestra, Franz Welser‐Möst | |
