Charles Ives

~ Person

Relationships

married: Harmony Twichell Ives (1908 – 1954)
parents: George Edward Ives (father of Charles Ives)
teachers: Horatio Parker (1894-09 – ????)
has catalogue: A Descriptive Catalogue of the Music of Charles Ives
Allmusic: http://www.allmusic.com/artist/mn0000109472 [info]
Discogs: https://www.discogs.com/artist/202092 [info]
IMSLP: imslp: Category:Ives, Charles [info]
VIAF ID: VIAF: 39562133 [info]
Wikidata: Q309648 [info]
biographies: http://www.pbs.org/wnet/gperf/education/ives.html [info]
official homepages: http://www.charlesives.org/ [info]
other databases: http://www.classicalarchives.com/composer/2732.html [info]
picture: https://commons.wikimedia.org/wiki/File:CharlesEdwardIves1913.jpg [info]
stream for free: https://open.spotify.com/artist/73s17iW5LTtXRMVoofi9sU [info]

Appearances

Date Title Attributes Artist Length
arranger
1920 The See'r, S. 344
1929 In the Mornin', S. 441
composer
1886 Minuetto, Op. 4, S. 119
1887 – 1888 Slow March, S. 349
1889 A Song--For Anything, S. 355
1890 – 1891 Abide With Me, S. 205
1892 Rock of Ages, S. 335
1893 – 1894 Far from my Heavenly Home, S. 246
1894 A Christmas Carol, S. 228
1894 My Lou Jennine, S. 302
1894 Psalm 54, S. 150
1894 Psalm 67, S. 151 “God be merciful unto us”
1894 Psalm 90, S. 152 “Lord, thou hast been”
1894 – 1895 March no. 1 for Piano, with "Year of Jubilee", S. 109
1895 March "Intercollegiate," with "Annie Lisle", S. 54
1895 March no. 2 for Piano, with "Son of a Gambolier", S. 110
1895 March no. 3, with "My Old Kentucky Home", S. 31
1895 March No. 5 for Piano, with "Annie Lisle", S. 112
1895 March, “A Son of a Gambolier”
1895 Son of a Gambolier, S. 353
1895 Songs My Mother Taught Me, S. 361
1895 – 1896 Canon [I], S. 223 "Not only in my lady's eyes"
1895 – 1896 March No. 3 for Piano, with "Omega Lambda Chi", S. 111
1896 Amphion, S. 210
1896 An Old Flame, S. 314 (K. 6B23c) (for voice and piano)
1896 In Autumn, S. 276
1896 In the Alley, S. 279
1896 March in F and C, with "Omega Lambda Chi", S. 53
1896 The All-Enduring, S. 209
1896 William Will, S. 396
1896 – 1897 March in G and C for Piano, with "See the Conquering Hero Comes", S. 114
1896 – 1898 There is a Certain Garden, S. 369
1896 – 1900 When Stars are in the Quiet Skies, S. 389
1897-07 Her Gown Was Vermilion Silk, S. 264
1897-12 No More, S. 312
1897 Dreams, S. 238
1897 Memories, S. 297
1897 The Bells of Yale, S. 192 (version 1, "Sing on, sweet chime")
1897 – 1898 Through Night and Day, S. 375
1897 – 1900 At Parting, S. 212
1897 – 1900 Fugue in C (for Band, arr. Sinclair from first string quartet)
1897 – 1900 My Native Land [I], S. 303
1897 – 1900 String Quartet no. 1, S. 57 "From the Salvation Army"
1897 – 1900 String Quartet no. 1, S. 57 "From the Salvation Army": I. Chorale. Andante con moto
1897 – 1900 String Quartet no. 1, S. 57 "From the Salvation Army": II. Prelude. Allegro
1897 – 1900 String Quartet no. 1, S. 57 "From the Salvation Army": III. Offertory. Adagio cantabile
1897 – 1900 String Quartet no. 1, S. 57 "From the Salvation Army": IV. Postlude. Adagio marziale
1898 Because of You, S. 218
1898 Feldeinsamkeit / In Summer Fields, S. 250
1898 Frühlingslied, S. 254
1898 God Bless and Keep Thee, S. 256
1898 Her Eyes, S. 263
1898 Invention in D, S. 118
1898 Song of the Dead, S. 357
1898 Widmung, S. 393
1898 World's Wanderers, S. 398
1898 – 1899 Friendship, S. 253
1898 – 1899 I Knew and Loved a Maid, S. 269
1898 – 1899 March for Piano: The Circus Band, S. 115
1898 – 1900 We Melodien zieht es mir, S. 394
1898 – 1901 Ich Grolle Nicht / I'll Not Complain, S. 271
1898 – 1901 Symphony no. 1, S. 1
1898 – 1901 Symphony no. 1, S. 1: I. Allegro
1898 – 1901 Symphony no. 1, S. 1: II. Adagio molto (sostenuto)
1898 – 1901 Symphony no. 1, S. 1: III. Scherzo. Vivace
1898 – 1901 Symphony no. 1, S. 1: IV. Allegro molto
1898 – 1902 The Celestial Country, S. 143: IV. Intermezzo for String Quartet
1899 March: The Circus Band (for band, arr. Elkus)
1899 March: The Circus Band, S. 33 (Version 3, Roberts orchestration)
1899 The Circus Band, S. 229
1899 – 1903 The Love Song of Har Dyal, S. 292
1899 – 1909 Finale from Symphony no. 2 (for military band, Elkus)
1899 – 1909 Lento maestoso from Symphony no. 2 (for military band, Elkus)
1899 – 1909 Symphony no. 2, S. 2
1899 – 1909 Symphony no. 2, S. 2: I. Andante moderato
1899 – 1909 Symphony no. 2, S. 2: II. Allegro
1899 – 1909 Symphony no. 2, S. 2: III. Adagio cantabile
1899 – 1909 Symphony no. 2, S. 2: IV. Lento maestoso
1899 – 1909 Symphony no. 2, S. 2: V. Allegro molto vivace
1900 Allegro, S. 208
1900 Ein Ton / I hear a tone, S. 241
1900 Flag Song, S. 251
1900 Kären, S. 285
1900 Walking, S. 383
1900 Wiegenlied, S. 395
1900 – 1901 My Native Land [II], S. 304
1901 Élégie, S. 242
1901 From the Steeples and the Mountains, S. 65
1901 I Travelled Among Unknown Men, S. 270
1901 Minnelied, S. 298
1901 Processional "Let There Be Light", S. 176
1901 – 1902 Because Thou Art, S. 219
1901 – 1902 Marie, S. 296 No. 1
1901 – 1902 On Judges' Walk, S. 318
1902-12 Mirage, S. 299
1902 A Perfect Day, S. 326
1902 Du alte Mutter / My dear old mother, S. 239
1902 Harpalus, S. 261
1902 Omens and Oracles, S. 317
1902 Psalm 100, S. 153
1902 Rough Wind, S. 339
1902 Slugging a Vampire, S. 350
1902 Tarrant Moss, S. 367
1902 There Is a Lane, S. 370
1902 Weil' auf mir / Eyes so Dark, S. 387
1902 – 1915 Three Harvest Home Chorales, S. 145
1903-01-04 The Sea of Sleep, S. 343
1903 Berceuse, S. 220
1903 Ilmenau / Over all the treetops, S. 272
1903 The Light That Is Felt, S. 287
1903 – 1904 Scherzo for String Quartet, S. 83
1904 – 1911 Symphony no. 3, S. 3 "The Camp Meeting"
1904 – 1911 Symphony no. 3, S. 3 "The Camp Meeting": I. Old Folks Gatherin'. Andante maestoso
1904 – 1911 Symphony no. 3, S. 3 "The Camp Meeting": II. Children's Day. Allegro
1904 – 1911 Symphony no. 3, S. 3 "The Camp Meeting": III. Communion. Largo
1905 – 1911 "Country Band" March, S. 36
1906-06 The General Slocum, S. 37 (incomplete work)
1906-12 A Farewell to Land, S. 248
1906 Central Park in the Dark, S. 34
1906 Pictures, S. 327
1906 The Cage, S. 221
1906 The Unanswered Question, S. 50 (version 1)
1906 Where the Eagle Cannot See, S. 390
1906 – 1907 The World's Highway, S. 397
1906 – 1909 Set of Five Take-Offs, S. 122
1906 – 1909 Set of Five Take-Offs, S. 122: I. The Seen and Unseen?
1906 – 1909 Set of Five Take-Offs, S. 122: II. Rough and Ready et al.
1906 – 1909 Set of Five Take-Offs, S. 122: III. Song without (good) Words or The Good & the Bad (new & old)
1906 – 1909 Set of Five Take-Offs, S. 122: IV. Scene Episode
1906 – 1909 Set of Five Take-Offs, S. 122: V. Bad Resolutions [and] Good WAN! (Jan 1, 190[7])
1906 – 1913 The Pond, S. 40
1907-08 Spring Song, S. 363
1907 Those Evening Bells, S. 374
1907 – 1908 Scherzo: All the Way Around and Back, S. 81
1907 – 1908 Study no. 4: Allegro moderato, S. 92
1908-04 South Wind, S. 362
1908 A Set of Three Short Pieces, S. 84: III. Adagio cantabile: The Innate
1908 Autumn, S. 217
1908 Study No. 18: Sunrise Cadenza (Adagio), S. 102
1908 – 1909 Largo Risoluto No. 1, S. 74
1909 – 1910 Largo Risoluto No. 2, S. 75
1909 – 1910 Nature's Way, S. 306
1909 – 1913 A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday
1909 – 1916 A Symphony: New England Holidays, S. 5
1910 Evidence, S. 245
1910 Religion, S. 331
1910 – 1911 Study no. 1: Allegro, S. 90
1910 – 1911 Study No. 2: Andante moderato--Allegro molto, S. 91
1910 – 1911 Three-Page Sonata, S. 89
1910 – 1916 Symphony no. 4, S. 4
1910 – 1916 Symphony no. 4, S. 4: I. Prelude. Maestoso
1910 – 1916 Symphony no. 4, S. 4: II. Comedy. Allegretto
1910 – 1916 Symphony no. 4, S. 4: III. Fugue. Andante moderato (con moto)
1910 – 1916 Symphony no. 4, S. 4: IV. Finale. Very slowly – Largo maestoso
1910 – 1921 Emerson Concerto, S. 22
1910 – 1921 Emerson Concerto, S. 22: I.
1910 – 1921 Emerson Concerto, S. 22: II.
1910 – 1921 Emerson Concerto, S. 22: III.
1910 – 1921 Emerson Concerto, S. 22: IV.
1911-11 Requiem, S. 333
1911 Romanzo (di Central Park), S. 336
1911 Waltz-Rondo, S. 125
1911 – 1913 A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July
1911 – 1913 String Quartet no. 2, S. 58
1911 – 1913 String Quartet no. 2, S. 58: I. Discussions. Andante moderato - Andante con spirito - Adagio molto
1911 – 1913 String Quartet no. 2, S. 58: II. Arguments. Allegro con spirito
1911 – 1913 String Quartet no. 2, S. 58: III. The Call of the Mountains. Adagio - Andante - Adagio
1911 – 1915 A Concord Symphony
1911 – 1915 A Concord Symphony: I. Emerson
1911 – 1915 A Concord Symphony: II. Hawthorne
1911 – 1915 A Concord Symphony: III. The Alcotts
1911 – 1915 A Concord Symphony: IV. Thoreau
1911 – 1915 Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”
1911 – 1916 A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day
1912-11 Vote for Names! Names! Names!, S. 381
1912 The Camp Meeting, S. 222
1912 – 1913 A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day
1912 – 1913 Study No. 5: Moderato con anima, S. 93
1912 – 1913 Study No. 6: Andante, S. 94
1912 – 1913 Study No. 7: Andante cantabile, S. 95
1912 – 1913 Study No. 8: Trio (Allegro moderato - Presto), S. 96
1912 – 1913 Study No. 9: The Anti-Abolitionist Riots in the 1830's and 1840's, S. 97
1912 – 1913 The Children's Hour, S. 227
1912 – 1921 Paracelsus, S. 324
1913 His Exaltation, S. 265
1913 Tolerance, S. 377
1914 General William Booth Enters into Heaven, S. 181 (Becker orchestration)
1914 General William Booth Enters into Heaven, S. 255
1914 Hallowe'en, S. 71
1914 The Rainbow, S. 45 (orchestral work)
1914 – 1918 Study no. 16/19, S. 101/103 (Kirkpatrick/Berman realization of two incomplete studies)
1915 Swimmers, S. 366
1915 Thoreau, S. 373
1915 – 1916 In Re Con Moto et al., S. 72
1915 – 1916 Study No. 11: Andante, S. 99
1916 A Night Thought, S. 311
1916 At the River, S. 214
1916 The Innate, S. 284
1916 – 1917 Piano Sonata no. 1, S. 87
1916 – 1917 Piano Sonata no. 1, S. 87: I. Adagio con moto - Andante con moto - Allegro risoluto - Adagio cantabile
1916 – 1917 Piano Sonata no. 1, S. 87: IIa. Allegro moderato - Andante
1916 – 1917 Piano Sonata no. 1, S. 87: IIb. In the Inn. Allegro
1916 – 1917 Piano Sonata no. 1, S. 87: III. Largo - Allegro - Largo
1916 – 1917 Piano Sonata no. 1, S. 87: IVa. [no tempo heading]
1916 – 1917 Piano Sonata no. 1, S. 87: IVb. Allegro - Presto - Slow
1916 – 1917 Piano Sonata no. 1, S. 87: V. Andante maestoso - Adagio cantabile - Allegro - Andante
1916 – 1917 Soliloquy, S. 352
1916 – 1919 Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: I. Emerson. Slowly
1916 – 1919 Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: II. Hawthorne. Very fast
1916 – 1919 Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: III. The Alcotts. Moderately
1916 – 1919 Piano Sonata no. 2, S. 88 “Concord, Mass., 1840–60”: IV. Thoreau. Starting slowly and quietly
1916 – 1919 The Alcotts (for wind band, Elkus)
1917 Four Transcriptions from "Emerson", S. 123: I. Slowly
1917 He Is There!, S. 262
1917 In Flanders Fields, S. 277 (Del Trecidi orchestration)
1917 In Flanders Fields, S. 277
1917 The Things Our Fathers Loved, S. 372
1917 They Are There!, S. 371
1917 Tom Sails Away, S. 378
1917 – 1918 Study No. 15: Allegro moderato, S. 100
1917 – 1919 Study No. 20: March (Slow Allegro or Fast Andante), S. 104
1918 – 1919 Study No. 21: Some Southpaw Pitching, S. 105
1918 – 1923 Study No. 22: Andante maestoso - Allegro vivace, S. 106
1919 Afterglow, S. 207
1919 Cradle Song, S. 233 (for voice and piano)
1919 Down East, S. 236
1919 To Edith, S. 376
1919 – 1920 September, S. 346
1920 An Election, S. 180 (for chorus and orchestra)
1920 August, S. 216
1920 December, S. 234
1920 Grantchester, S. 258
1920 La fede, S. 249
1920 Like a Sick Eagle, S. 288
1920 Luck and Work, S. 293
1920 Maple Leaves, S. 295
1920 Old Home Day, S. 315
1920 On the Counter, S. 320
1920 The Collection, S. 230
1920 – 1921 Charlie Rutlage (for band, arr. Sinclair)
1920 – 1921 Charlie Rutlage, S. 14/iii (Ives/Singleton orchestration of S. 226)
1920 – 1921 Charlie Rutlage, S. 226
1920 – 1921 The White Gulls, S. 391
1920 – 1922 Study No. 23: Allegro, S. 107
1920 – 1922 Varied Air and Variations, S. 124
1921-03 Immortality, S. 273
1921 "1, 2, 3", S. 321
1921 Ann Street, S. 211
1921 At Sea, S. 213
1921 Disclosure, S. 235
1921 Evening, S. 244
1921 Hymn, S. 267
1921 Nov. 2, 1920 (An Election), S. 313
1921 Premonitions, S. 328
1921 Remembrance, S. 332
1921 Resolution, S. 334
1921 The "Incantation", S. 280
1921 The Greatest Man, S. 259
1921 The Housatonic at Stockbridge, S. 266
1921 The Indians, S. 283
1921 The Last Reader, S. 286
1921 The New River, S. 308
1921 The Rainbow (So May It Be!), S. 330
1921 The Side Show, S. 348
1921 Two Little Flowers, S. 379
1921 Two Slants (Christian and Pagan), S. 380
1921 Two Slants (Christian and Pagan), S. 380 No. 1: Duty
1921 Two Slants (Christian and Pagan), S. 380 No. 2: Vita
1921 Walt Whitman, S. 384
1921 West London, S. 388
1922 – 1923 On the Antipodes, S. 319
1922 – 1923 The One Way, S. 322
1922 – 1924 Aeschylus and Sophocles, S. 206
1923-09 Peaks, S. 325
1923 Yellow Leaves, S. 399
1923 – 1924 Three Quarter-Tone Pieces, S. 128
1923 – 1924 Three Quarter-Tone Pieces, S. 128: I. Largo
1923 – 1924 Three Quarter-Tone Pieces, S. 128: II. Allegro
1923 – 1924 Three Quarter-Tone Pieces, S. 128: III. Chorale. Adagio, very slowly
1925-01 A Sea Dirge, S. 342
1925 The Celestial Railroad, S. 116
1926-08 Sunrise, S. 365
1930 – 1935 The Unanswered Question, S. 50 (version 2)
1938-05-11 Three Improvisations, S. 117
1938-05-11 Three Improvisations, S. 117: Improvisation I
1938-05-11 Three Improvisations, S. 117: Improvisation II
1938-05-11 Three Improvisations, S. 117: Improvisation III
A Night Song, S. 310
A Scotch Lullaby, S. 341
A Set of Three Short Pieces, S. 84
A Set of Three Short Pieces, S. 84: I. Largo cantabile: Hymn
A Set of Three Short Pieces, S. 84: II. Scherzo: Holding Your Own!
Chanson de Florian, S. 225
Du bist wie eine Blume, S. 240
Five Songs
Five Songs: At the River (for orchestra, arr. Adams)
Five Songs: Cradle Song (for orchestra, arr. Adams)
Five Songs: Down East (for orchestra, arr. Adams)
Five Songs: Serenity (for orchestra, arr. Adams)
Five Songs: Thoreau (for orchestra, arr. Adams)
Four Ragtime Dances, S. 43
Four Ragtime Dances, S. 43: No. 1. Allegro moderato
Four Ragtime Dances, S. 43: No. 2. Allegro moderato
Four Ragtime Dances, S. 43: No. 3. Allegro
Four Ragtime Dances, S. 43: No. 4. Allegro
Four Transcriptions from "Emerson", S. 123
Four Transcriptions from "Emerson", S. 123: II. Moderato
Four Transcriptions from "Emerson", S. 123: III. Largo
Four Transcriptions from "Emerson", S. 123: IV. Allegro agitato - Broadly
Fugue in Four Keys on "The Shining Shore", S. 69
Largo for Violin, Clarinet and Piano, S. 73
Lincoln, the Great Commoner, S. 184 (for choir and orchestra)
Lincoln, the Great Commoner, S. 289 (for voice and piano)
Majority, S. 294 (for voice and piano)
March No. 6 for Piano, with "Here's to Good Old Yale", S. 113
March no. 6, “Here’s to Good Old Yale” (For band, arr. Elkus)
Mists, S. 15/i (Orchestrated version of song)
Mists, S. 301
Old Home Days, Suite for Band
Old Home Days, Suite for Band: 1. Waltz
Old Home Days, Suite for Band: 2. The Opera House / Old Home Day
Old Home Days, Suite for Band: 3. The Collection
Old Home Days, Suite for Band: 4. Slow March
Old Home Days, Suite for Band: 5. London Bridge Is Fallen Down!
Orchestral Set No. 1, S. 7 "Three Places in New England"
Orchestral Set No. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common
Orchestral Set No. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut
Orchestral Set No. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge
Orchestral Set No. 2, S. 8
Orchestral Set No. 2, S. 8: I. An Elegy to Our Forefathers. Very slowly
Orchestral Set No. 2, S. 8: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro
Orchestral Set No. 2, S. 8: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly
Orchestral Set No. 3, S. 9
Orchestral Set No. 3, S. 9: I. [Andante moderato]
Orchestral Set No. 3, S. 9: II. During Camp Meetin' Week - One Secular Afternoon (In Bethel)
Orchestral Set No. 3, S. 9: III. [Andante]
Overture and March “1776”, S. 24
Postlude in F, S. 41
Qu'il m'irait bien, S. 329
Robert Browning Overture, S. 27
Rosamunde, S. 337
Runaway Horse on Main Street, S. 55 (for band)
Scherzo: Over the Pavements, S. 82
Serenity, S. 347
Set for Theatre Orchestra, S. 20
Set for Theatre Orchestra, S. 20: I. In the Cage
Set for Theatre Orchestra, S. 20: II. In the Inn (Potpourri)
Set for Theatre Orchestra, S. 20: III. In the Night
Set No. 1, S. 10
Set No. 1, S. 10: I. The See'r
Set No. 1, S. 10: II. A Lecture
Set No. 1, S. 10: III. The Ruined River
Set No. 1, S. 10: IV. Like a Sick Eagle
Set No. 1, S. 10: V. Calcium Light Night
Set No. 1, S. 10: VI. Allegretto sombreoso
Set No. 2, S. 11
Set No. 2, S. 11: I. The Indians
Set No. 2, S. 11: II. "Gyp the Blood" or Hearst!? Which is Worst?!
Set No. 2, S. 11: III. The Last Reader
Set No. 3, S. 12
Set No. 3, S. 12: I. Adagio sostenuto "At Sea"
Set No. 3, S. 12: II. Luck and Work
Set No. 3, S. 12: III. Premonitions
Set no. 5, S. 14 "The Other Side of Pioneering, or Side Lights on American Enterprise"
Set no. 6, S. 15 "From the Side Hill"
Sonata for Violin and Piano no. 1, S. 60
Sonata for Violin and Piano no. 1, S. 60: I. Andante - Allegro vivace
Sonata for Violin and Piano no. 1, S. 60: II. Largo cantabile
Sonata for Violin and Piano no. 1, S. 60: III. Allegro
Sonata for Violin and Piano no. 2, S. 61
Sonata for Violin and Piano no. 2, S. 61: I. Autumn (Adagio maestoso - Allegro moderato)
Sonata for Violin and Piano no. 2, S. 61: II. In the Barn (Presto - Allegro moderato)
Sonata for Violin and Piano no. 2, S. 61: III. The Revival (Largo - Allegretto)
Sonata for Violin and Piano no. 3, S. 62
Sonata for Violin and Piano no. 3, S. 62: I. Adagio
Sonata for Violin and Piano no. 3, S. 62: II. Allegro
Sonata for Violin and Piano no. 3, S. 62: III. Adagio cantabile
Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63
Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: I. Allegro
Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: II. Largo
Sonata for Violin and Piano no. 4 "Children's Day at the Camp Meeting", S. 63: III. Allegro
Song, S. 354 "She Is Not Fair"
The Celestial Country, S. 143
The Gong on the Hook and Ladder or Firemen's Parade on Main Street, S. 38
The Masses (Majority), S. 185 (for choir and orchestra)
The See'r, S. 344
The Unanswered Question, S. 50 (unspecified version)
They Are There! (A War Song March), S. 188
Three Outdoor Scenes
Tone Roads No. 1, S. 49/i
Tone Roads No. 3, S. 49/iii
Tone Roads, S. 49
Trio for Violin, Cello and Piano, S. 86
Trio for Violin, Cello and Piano, S. 86: I. Moderato
Trio for Violin, Cello and Piano, S. 86: II. "TSIAJ". Presto
Trio for Violin, Cello and Piano, S. 86: III. Moderato con moto
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9)
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Fragment: Earth Alone
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 1: Pulse of The Cosmos
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 2: Birth of the Oceans
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Prelude # 3: And Lo, Now It Is Night
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section A: Wide Valleys and Clouds
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section B: Earth and the Firmament
Universe Symphony, for large orchestra divided in to smaller ensembles & percussion (Reinhard edition), S. 6 (K. 1A9): Section C: Earth Is of the Heavens
Universe Symphony, S. 6 (realized by Larry Austin)
Variations on "America", S. 140 (catch-all for arrangements)
Variations on "America", S. 140 (for band, Rhoads)
Variations on "America", S. 140 (original version for organ)
Variations on "America", S. 140 (Schuman orchestration)
Variations on “Jerusalem the Golden”, S. 52
Waltz, S. 385 (catch-all for arrangements)
Waltz, S. 385
Watchman!, S. 386
Yale-Princeton Football Game, S. 51
dedication
Chamber Concerto no. 2
instrument
1933-06-12 June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (beg.) piano Charles Ives 4:00
1933-06-12 June 12, 1933 - Four Transcriptions from 'Emerson,' No.1 (end) piano Charles Ives 1:29
1933-06-12 June 12, 1933 - Four Transcriptions from 'Emerson,' No.3 piano Charles Ives 2:33
1933-06-12 June 12, 1933 - Improvisations on a passage in Study No.23, Four Transcriptions from 'Emerson,' No.2, and Emerson Overture's Cadenza No.4 (with false start) piano Charles Ives 0:46
1938-05-11 May 11, 1938 - Four Transcriptions from 'Emerson,' No.1 (abandoned) piano Charles Ives 0:19
1938-05-11 May 11, 1938 - Four Transcriptions from 'Emerson,' No.1 (middle) piano Charles Ives 1:07
1938-05-11 May 11, 1938 - Four Transcriptions from 'Emerson,' No.3 (beg.) piano Charles Ives 1:55
1938-05-11 May 11, 1938 - Four Transcriptions from 'Emerson,' No.3 (end) piano Charles Ives 0:49
1938-05-11 May 11, 1938 - Sonata No.2 for Piano: Concord, Mass., 'Hawthorne' (excerpt) piano Charles Ives 0:17
1938-05-11 May 11, 1938 - Study No.2 (beg.) piano Charles Ives 0:49
1938-05-11 May 11, 1938 - Study No.2 (end) piano Charles Ives 1:17
1938-05-11 May 11, 1938 - Study No.2 with false starts piano Charles Ives 1:31
1938-05-11 May 11, 1938 - Study No.9: The Anti-Abolitionist Riots piano Charles Ives 2:04
1938-05-11 May 11, 1938 - Study No.11 piano Charles Ives 1:05
1938-05-11 May 11, 1938 - Study No.20 (partial) piano Charles Ives 0:32
1938-05-11 May 11, 1938 - Study No.23 (partial, v2) piano Charles Ives 1:10
1938-05-11 May 11, 1938 - Study No.23 (partial) piano Charles Ives 1:02
1938-05-11 May 11, 1938 - Symphony No.1 / rejected mvt. 2 (Largo) piano Charles Ives 1:58
1938-05-11 May 11, 1938 - Three Improvisations, No.1 piano Charles Ives 0:52
1938-05-11 May 11, 1938 - Three Improvisations, No.3 piano Charles Ives 0:45
1938-05-11 May 11, 1938 - Unidentified (improvisation on the 'Sunrise' Candenza) piano Charles Ives 0:21
1943-04-24 April 24, 1943 - Four Transcriptions from 'Emerson,' No.3 (abandoned) piano Charles Ives 1:00
1943-04-24 April 24, 1943 - March No.6 for Piano, with 'Here's to Good Old Yale' piano Charles Ives 2:12
1943-04-24 April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v2) piano Charles Ives 1:26
1943-04-24 April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial, v3) piano Charles Ives 4:05
1943-04-24 April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'Emerson' (partial) piano Charles Ives 2:07
1943-04-24 April 24, 1943 - Sonata No.2 for Piano: Concord, Mass., 'The Alcotts' piano Charles Ives 4:59
1943-04-24 April 24, 1943 - Study No.2 + Study No.23 (mixed) piano Charles Ives 2:27
1943-04-24 April 24, 1943 - Study No.9 piano Charles Ives 2:16
1943-04-24 April 24, 1943 - They are There!, first take (abandoned) piano Charles Ives 1:59
1943-04-24 April 24, 1943 - They are There!, second take piano Charles Ives 3:31
1943-04-24 April 24, 1943 - They are There!, third take piano Charles Ives 2:46
1943-04-24 They Are There!, S. 371 (arr. John Geist) piano Charles Ives, Kronos Quartet 3:02
Emerson (end of exposition) piano Charles Ives 2:01
Emerson (most of recapitulation) piano Charles Ives 4:00
Emerson Transcription No. 1 with Interpolated Improvisations piano Charles Ives 5:19
Emerson Transcription No. 3 with Interpolated Improvisations piano Charles Ives 2:33
mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg., v2) piano Charles Ives 2:58
mid 1930s - Four Transcriptions from 'Emerson,' No.1 (beg.) piano Charles Ives 2:14
mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end, v2) piano Charles Ives 2:55
mid 1930s - Four Transcriptions from 'Emerson,' No.1 (end) piano Charles Ives 2:26
mid 1930s - Four Transcriptions from 'Emerson,' No.3 piano Charles Ives 3:34
mid 1930s - Four Transcriptions from 'Emerson,' No.3, v2 piano Charles Ives 3:42
mid 1930s - Patch for Study No.23 piano Charles Ives 0:41
mid 1930s - Study No.11 piano Charles Ives 1:35
mid 1930s - Study No.11 (abandoned) piano Charles Ives 0:50
mid 1930s - Study No.11, v2 piano Charles Ives 1:33
lyricist
1889 A Song--For Anything, S. 355
1894 A Christmas Carol, S. 228
1896 In the Alley, S. 279
1897 Memories, S. 297
1897 – 1898 Through Night and Day, S. 375
1899 March: The Circus Band, S. 33 (Version 3, Roberts orchestration)
1899 The Circus Band, S. 229
1900 Allegro, S. 208
1900 Walking, S. 383
1902 There Is a Lane, S. 370
1903 Berceuse, S. 220
1906 Remembrance, S. 332
1906 The Cage, S. 221
1906 The Pond, S. 40
1909 – 1910 Nature's Way, S. 306
1910 Evidence, S. 245
1912-11 Vote for Names! Names! Names!, S. 381
1912 The Camp Meeting, S. 222
1916 The Innate, S. 284
1916 – 1917 Soliloquy, S. 352
1917 The Things Our Fathers Loved, S. 372
1917 Tom Sails Away, S. 378
1920 An Election, S. 180 (for chorus and orchestra)
1920 Nov. 2, 1920 (An Election), S. 313
1920 Old Home Day, S. 315
1920 On the Counter, S. 320
1921-03 Immortality, S. 273
1921 "1, 2, 3", S. 321
1921 Disclosure, S. 235
1921 Resolution, S. 334
1921 The New River, S. 308
1921 The Side Show, S. 348
1921 Two Little Flowers, S. 379
1922 – 1923 On the Antipodes, S. 319
1922 – 1923 The One Way, S. 322
1926-08 Sunrise, S. 365
1935 Slugging a Vampire, S. 350
1942 They Are There! (A War Song March), S. 188
1942 They Are There!, S. 371
Majority, S. 294 (for voice and piano)
The Masses (Majority), S. 185 (for choir and orchestra)
The See'r, S. 344
Waltz, S. 385
vocal
1943-04-24 April 24, 1943 - They are There!, first take (abandoned) baritone vocals Charles Ives 1:59
1943-04-24 April 24, 1943 - They are There!, second take baritone vocals Charles Ives 3:31
1943-04-24 April 24, 1943 - They are There!, third take baritone vocals Charles Ives 2:46
1943-04-24 They Are There!, S. 371 (arr. John Geist) baritone vocals Charles Ives, Kronos Quartet 3:02