“Hail! Bright Cecilia”, Z. 328: I. Symphony | | | | Overture | | | |
“Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” | | - Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, English Chamber Orchestra, Charles Mackerras
- Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King
- (show 11 more)
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“Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” | | - Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- James Bowman, Michael George, The King’s Consort, Robert King
- John Shirley‐Quirk, Simon Woolf, Charles Mackerras
- Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh
- (show 7 more)
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“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” | | - Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
- Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, Choir of New College Oxford, Gillian Fisher, The King’s Consort, Robert King
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 9 more)
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“Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” | | - Brian Gordon, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh
- John Mark Ainsley, James Bowman, Simon Keenlyside, The King’s Consort, Robert King
- Jonathan Arnold, Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 7 more)
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“Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” | | | | | | | |
“Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” | | - David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras
- Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh
- Michael George, Simon Keenlyside, The King’s Consort, Robert King
- (show 6 more)
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“Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
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2 Pieces for Cello and Orchestra, op. 20: I. Mélodie | | | | | | | |
2 Pieces for Cello and Orchestra, op. 20: II. Sérénade Espagnole | | | | | | | |
3 Gesänge, op. 42: Nr. 1. Abendständchen | | | | Song | | | |
3 Gesänge, op. 42: Nr. 2. Vineta | | | | Song | | | |
3 Gesänge, op. 42: Nr. 3. Darthulas Grabgesang | | | | Song | | | |
4 Gesänge, op. 17: Nr. 1. Es tönt ein voller Harfenklang | | | | Song | | | |
4 Gesänge, op. 17: Nr. 2. Lied von Shakespeare | | | | Song | | | |
4 Gesänge, op. 17: Nr. 3. Der Gärtner | | | | Song | | | |
4 Gesänge, op. 17: Nr. 4. Gesang aus Fingal | | | | Song | | | |
4 Quartette, op. 92: Nr. 1. O schöne Nacht! | | - Chamber Choir of Europe, Jürgen Meier, Nicol Matt
- Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel
- RIAS Kammerchor, Marcus Creed, Alain Planès
- Robert Shaw Festival Singers, Norman Mackenzie, Robert Shaw
- (show 8 more)
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4 Quartette, op. 92: Nr. 2. Spätherbst | | - Chamber Choir of Europe, Jürgen Meier, Nicol Matt
- Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel
- RIAS Kammerchor, Marcus Creed, Alain Planès
- Kammerchor Stuttgart, Andreas Rothkopf, Frieder Bernius
- (show 4 more)
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4 Quartette, op. 92: Nr. 3. Abendlied | | - Chamber Choir of Europe, Jürgen Meier, Nicol Matt
- Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel
- RIAS Kammerchor, Marcus Creed, Alain Planès
- Robert Shaw Festival Singers, Norman Mackenzie, Robert Shaw
- (show 6 more)
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4 Quartette, op. 92: Nr. 4. Warum? | | - Chamber Choir of Europe, Jürgen Meier, Nicol Matt
- Brigitte Fassbaender, Dietrich Fischer‐Dieskau, Edith Mathis, Peter Schreier, Karl Engel
- RIAS Kammerchor, Marcus Creed, Alain Planès
- Kammerchor Stuttgart, Andreas Rothkopf, Frieder Bernius
- (show 4 more)
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5 Gesänge, op. 104: Nr. 1. Nachtwache I | | | | Song | | | |
5 Gesänge, op. 104: Nr. 2. Nachtwache II | | | | Song | | | |
5 Gesänge, op. 104: Nr. 3. Letztes Glück | | | | Song | | | |
5 Gesänge, op. 104: Nr. 4. Verlorene Jugend | | | | Song | | | |
5 Gesänge, op. 104: Nr. 5. Im Herbst | | | | Song | | | |
5 Lieder, op. 41: Nr. 1. Ich schwing mein Horn ins Jammertal | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Als ihr Geliebter schied | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Die drei Schwestern | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Die Mädchen mit den verbundenen Augen | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Lied der Jungfrau | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Sie kam zum Schloß gegangen | | | | Song | | | |
6 Gesänge nach Maeterlinck, op. 13: Und kehrt er einst heim | | | | Song | | | |
13 Canons, op. 113: Nr. 13. Einförmig ist der Liebe Gram | | | | | | | |
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) | | - Berliner Symphoniker, Orchestre Symphonique de Dresde, Festivalový orchestr Praha, London Festival Orchestra, Philharmonia Slavonica, Julian Armstrong, Cesare Cantieri, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- Royal Philharmonic Orchestra, Walter Weller
- [unknown]
- Isaac Stern, Columbia Symphony Orchestra, Milton Katims
- (show 61 more)
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A Spotless Rose | | | | | | | |
Abendlied, op. 69 nr. 3 | | | | | | | |
Ach Herr, du Schöpfer aller Ding, SWV 450 | | | | Madrigal | | | |
Acis and Galatea, HWV 49 | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act I, no. 5. Aria "Where shall I seek the charming fair?" (Acis) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act I, no. 6a. Recitative: "Lo! Here my love!" (Acis) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea) | | | | | | | |
Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus) | | | | | | | |
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
- (show 2 more)
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Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea) | | | | Aria | | | |
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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Adoramus te, Christe, SV 289 | | | | Motet | | | |
Agrippina, HWV 6: Atto 2, Scena XII. Aria "Quando invita la donna l'amante" (Nerone) | | | | Aria | | | |
Agrippina, HWV 6: Atto I, Scena I. Aria "Con saggio tuo consiglio" (Nerone) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena I. Recitativo "Nerone, amato figlio" (Agrippina, Nerone) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena II. Recitativo "Per cosi grande impresa" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena III. Aria "La mia sorte fortunata" (Pallante) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena IV. Recitativo "Or che Pallante è vinto" (Agrippana) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena IX. Recitativo "Ma qual di liete trombe" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena IX. Recitativo "Voi che dell'alta Roma" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena V. Aria "Volo pronto e lieto il core" (Narciso) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena VI. Recitativo ""Quanto fa, quanto puote" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena VII. Arioso "Qual piacere a un cor pietoso" (Nerone) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena VII. Recitativo "Amici, al sen vi stringo" (Nerone) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XII. Aria "Tu ben degno" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XIII. Recitativo "l'ultima del gioir meta gradita" (Ottone) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XIV. Aria "Vaghe perle, eletti fiori" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XIV. Recitativo "Otton, Claudio, Nerone" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XIX. Recitativo "Cieli, quai strani casi" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XVII. Aria "E un foco quel d'amore" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XVIII. Aria "Ho un non so che nel cor" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XVIII. Recitativo ""Ma qui Agrippina viene" (Poppea, Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XX. Recitativo "Non veggo alcun" (Lesbo) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXI. Aria "Pur ritorno a rimirarvi" (Claudio) | | | | Aria | | | |
Agrippina, HWV 6: Atto I, Scena XXI. Arietta "Vieni, oh cara" (Claudio) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXI. Recitativo "Che mai farò?" (Poppea, Claudio) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXI. Recitativo "Ma, oh ciel, mesta e confusa" (Claudio, Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXII. Recitativo "Pur al fin se ne andò" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXIII. Aria "Non ho cor che per amarti" (Agrippina) | | | | | | | |
Agrippina, HWV 6: Atto I, Scena XXIV. Recitativo "Se Ottone m'ingannò" (Poppea) / Aria "Se giunge un dispetto" (Poppea) | | | | | | | |
Agrippina, HWV 6: Atto II, Scena I. Recitativo "Dunque noi siam traditi?" (Pallante, Narciso) | | | | | | | |