| performed |
|---|
| 1969-07 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (soprano) "Seufzer, Tränen, Kummer, Not" | | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 4:40 |
| 1978-03 | Ach wie flüchtig, ach wie nichtig, Cantata BWV 26: 5. "Die höchste Herrlichkeit und Pracht" | | Johann Sebastian Bach | 0:45 |
| 1978-03 | Du Friedefürst, Herr Jesu Christ, Cantata BWV 116: 4. "Ach, wir bekennen unsre Schuld" | | Johann Sebastian Bach | 5:46 |
| 1978-05 | Ein feste Burg ist unser Gott, Cantata BWV 80: 2. "Alles was von Gott geboren" | | Johann Sebastian Bach | 3:42 |
| 1978-05 | Ein feste Burg ist unser Gott, Cantata BWV 80: 4. "Komm in mein Herzens Haus" | | Johann Sebastian Bach | 3:27 |
| vocals |
|---|
| 1963 | Fenton! Mein Mädchen (Die lustigen Weiber von Windsor) | soprano vocals | Edith Mathis, Fritz Wunderlich, Bayerisches Staatsorchester, Robert Heger | 6:13 |
| 1964-11 | Ein Sommernachtstraum. Finale: »Bei des Feuers mattem Flimmern«: Allegro di molto | soprano vocals | Ursula Boese, Edith Mathis, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 4:09 |
| 1964-11 | Ein Sommernachtstraum. Lied mit Chor: »Bunte Schlangen, zweigezüngt«: Allegro ma non troppo | soprano vocals | Ursula Boese, Edith Mathis, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 3:14 |
| 1965-05-31 – 1965-06-03 | Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | soprano vocals | Consortium Musicum, Wolfgang Gönnenwein | 5:12 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 02. Aria aus der Opera 'Belsazar', Poesie von Hrn. Beccau | soprano vocals | Edith Mathis, Josef Ulsamer | 1:38 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 32. Aria aus der opera 'Sancio', Poesie von Herrn König | soprano vocals | Edith Mathis, Eduard Melkus, Josef Ulsamer | 4:24 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 38. Aria à 2 aus der Opera 'Eginhard': Duetto | soprano vocals | Edith Mathis, Rosemarie Sommer, Eduard Melkus, Eleanor Sloan, Josef Ulsamer | 4:59 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 40. Aria aus der Opera 'Sancio', Poesie von Herrn König | soprano vocals | Edith Mathis, Eduard Melkus, Josef Ulsamer | 4:56 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 46. Chor aus der Opera 'Calypso', Poesie von Herrn Praetorio | soprano vocals | Edith Mathis, Bachchor Würzburg, Josef Ulsamer | 2:23 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 51. Aria aus der Opera 'Aesopus', Flauto alla quarta, ò Oboe, ò Violino | soprano vocals | Edith Mathis, Sebastian Kelber, Eduard Melkus, Eleanor Sloan, Josef Ulsamer | 3:25 |
| 1966-08 – 1967-04 | Der getreue Music-Meister: 58. Szene aus der Opera 'Die verkehrte Welt', Text von Le Sage, übersetzt von J. Ph. Praetorius | soprano vocals | Hartmut Hein, Edith Mathis, Josef Ulsamer | 1:53 |
| 1967-03-12 | Te Deum | solo and soprano vocals | Edith Mathis, Sieglinde Wagner, Georg Jelden, William Dooley, Berliner Philharmoniker, Chor der St. Hedwigs‐Kathedrale Berlin, Hans Chemin-Petit | 32:48 |
| 1967-05 | Requiem in D minor, K. 626: I. Introitus: Requiem aeternam – II. Kyrie eleison | soprano vocals | Edith Mathis, New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 8:25 |
| 1967-05 | Requiem in D minor, K. 626: III. Sequenz: Recordare | soprano vocals | Edith Mathis, Grace Bumbry, George Shirley, Marius Rintzler, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 6:12 |
| 1967-05 | Requiem in D minor, K. 626: III. Sequenz: Tuba mirum | soprano vocals | Edith Mathis, Grace Bumbry, George Shirley, Marius Rintzler, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 3:53 |
| 1967-05 | Requiem in D minor, K. 626: IV: Offertorium: Domine Jesu | soprano vocals | Grace Bumbry, Edith Mathis, New Philharmonia Chorus, Marius Rintzler, George Shirley, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 4:05 |
| 1967-05 | Requiem in D minor, K. 626: VII. Agnus Dei – VIII. Communio | soprano vocals | Edith Mathis, New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | 9:57 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) | soprano vocals | Chor der Deutschen Oper Berlin, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:25 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | soprano vocals | Chor der Deutschen Oper Berlin, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:08 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) | soprano vocals | Chor der Deutschen Oper Berlin, Patricia Johnson, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:01 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) | soprano vocals | Chor der Deutschen Oper Berlin, Dietrich Fischer‐Dieskau, Edith Mathis, Erwin Wohlfahrt, Orchester der Deutschen Oper Berlin, Karl Böhm | 5:21 |
| 1968-03 | Le nozze di Figaro, K. 492: Act I. no. 2. Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | soprano vocals [Susanna] | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | 2:36 |
| 1968-03 | Le nozze di Figaro, K. 492: Act II, Scene III. No. 13 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) | soprano vocals | Dietrich Fischer‐Dieskau, Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:09 |
| 1968-03 | Le nozze di Figaro, K. 492: Act II, Scene IV. No. 14 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) | soprano vocals | Edith Mathis, Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | 2:32 |
| 1968-03 | Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | soprano vocals | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:16 |
| 1968-03 | Le nozze di Figaro, K. 492: Act II. no. 12. Aria "Venite … inginocchiatevi" (Susanna) | soprano vocals [Susanna] | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:16 |
| 1968-03 | Le nozze di Figaro, K. 492: Act III, Scene II. No. 16 Duetto "Crudel! Perchè finora farmi languir così?" (Il Conte, Susanna) | soprano vocals | Dietrich Fischer‐Dieskau, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:30 |
| 1968-03 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 18 Sestetto "Riconosci in questo amplesso" (Marcellina, Figaro, Bartolo, Don Curzio, Il Conte, Susanna) | soprano vocals | Dietrich Fischer‐Dieskau, Gundula Janowitz, Patricia Johnson, Peter Lagger, Edith Mathis, Hermann Prey, Martin Vantin, Orchester der Deutschen Oper Berlin, Karl Böhm | 6:25 |
| 1968-03 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Duettino "Che soave zeffiretto" (Susanna, La Contessa) | soprano vocals | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:55 |
| 1968-03 | Le nozze di Figaro, K. 492: Act III. no. 20. Duettino (“Sull’aria”) - “Che soave zeffiretto” (Susanna, Contessa) | soprano vocals [Susanna] | Gundula Janowitz, Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 3:34 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 28 Finale "Pian pianin le andrò più presso" (Cherubino, La Contessa, Il Conte, Susanna, Figaro) | soprano vocals | Dietrich Fischer‐Dieskau, Gundula Janowitz, Edith Mathis, Hermann Prey, Tatiana Troyanos, Orchester der Deutschen Oper Berlin, Karl Böhm | 11:35 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Giunse alfin il momento" / Aria "Deh vieni, non tardar" (Susanna) | soprano vocals | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 5:32 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 22 Finale "Ecco la marcia... andiamo" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | soprano vocals | Dietrich Fischer‐Dieskau, Gundula Janowitz, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | 6:17 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV. no. 27. Aria "Deh vieni, non tardar" (Susanna) | soprano vocals [Susanna] | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 4:15 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV. no. 27. Recitativo “Giunse alfin il momento” (Susanna) | soprano vocals [Susanna] | Edith Mathis, Orchester der Deutschen Oper Berlin, Karl Böhm | 1:23 |
| 1968-03 | Le nozze di Figaro, K. 492: Act IV. no. 28. Finale "Gente, gente, all'armi, all'armi" (Conte, Tutti) | soprano vocals [Susanna] | Dietrich Fischer‐Dieskau, Gundula Janowitz, Peter Lagger, Edith Mathis, Hermann Prey, Tatiana Troyanos, Barbara Vogel, Orchester der Deutschen Oper Berlin, Karl Böhm | 5:08 |
| 1968-03 | Le nozze di Figaro: Atto I. 5. Duettino: “Via, resti servita” (Marcellina, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:20 |
| 1968-03 | Le nozze di Figaro: Atto I. 7. Terzetto: “Cosa sento! tosto andate” (Conte, Basilio, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 4:28 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Ah, son perduto!” (Cherubino, Susanna, Conte, Basilio) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:07 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (Conte, Susanna, Cherubino, Basilio) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:52 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Cos’è questa commedia?” (Conte, Figaro, Susanna, Coro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:18 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:40 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Evviva!” … “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, Conte) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:05 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Or bene, ascolta, e taci” (Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:31 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Tutto ancor no ho perso” (Marcellina, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:47 |
| 1968-03 | Le nozze di Figaro: Atto I. Recitativo: “Va là, vecchia pedante” (Susanna, Cherubino) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:43 |
| 1968-03 | Le nozze di Figaro: Atto II. 13. Terzetto: “Susanna, or via, sortite” (Conte, Contessa, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:15 |
| 1968-03 | Le nozze di Figaro: Atto II. 14. Duettino: “Aprite, presto, aprite” (Susanna, Cherubino) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:00 |
| 1968-03 | Le nozze di Figaro: Atto II. 15. Finale: “Ah! signore … signor” – “Cosa è stato?” (Antonio, Conte, Contessa, Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:43 |
| 1968-03 | Le nozze di Figaro: Atto II. 15. Finale: “Signore! Cos’è quel stupore?” (Susanna, Conte, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:29 |
| 1968-03 | Le nozze di Figaro: Atto II. 15. Finale: “Signori, di fuori son già i suonatori” (Figaro, Conte, Susanna, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:01 |
| 1968-03 | Le nozze di Figaro: Atto II. 15. Finale: “Voi signor, che giusto siete” (Marcellina, Basilio, Bartolo, Conte, Susanna, Contessa, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 4:01 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Bravo! che bella voce!” (Contessa, Susanna, Cherubino) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:02 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Conoscete, signor Figaro” (Conte, Figaro, Susanna, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:24 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Oh guarda il demonietto!” (Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:21 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Quante buffonerie!” (Contessa, Susanna, Cherubino, Conte) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:13 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Quanto duolmi, Susanna” (Contessa, Susanna, Cherubino) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:14 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Susanna, son morta” (Contessa, Susanna, Conte) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:41 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Vieni, cara Susanna” (Contessa, Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:18 |
| 1968-03 | Le nozze di Figaro: Atto II. Recitativo: “Vostre dunque saran queste carte” (Antonio, Conte, Figaro, Susanna, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:03 |
| 1968-03 | Le nozze di Figaro: Atto III. “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:01 |
| 1968-03 | Le nozze di Figaro: Atto III. 16. Duetto: “Crudel! perchè finora farmi languir così?” (Conte, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:49 |
| 1968-03 | Le nozze di Figaro: Atto III. 18. Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 4:48 |
| 1968-03 | Le nozze di Figaro: Atto III. 22. Finale: “Ecco la marcia…andiamo” (Figaro, Susanna, Conte, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:54 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “Che imbarazzo è mai questo!” (Conte, Contessa, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:26 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “E perchè fosti meco stamattina sì austera?” (Conte, Susanna, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:41 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “Io vi dico, signor” (Antonio, Conte, Contessa, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:54 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “Piegato è il foglio” (Susanna, Contessa) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:22 |
| 1968-03 | Le nozze di Figaro: Atto III. Recitativo: “Queste sono, Madama, le ragazze del loco” (Barbarina, Contessa, Susanna, Antonio, Conte, Cherubino, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 2:18 |
| 1968-03 | Le nozze di Figaro: Atto IV. 27. Aria: “Deh vieni, non tardar, o gioia bella” (Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:35 |
| 1968-03 | Le nozze di Figaro: Atto IV. 28. Finale: “Pace, pace, mio dolce tesoro” (Figaro, Susanna, Conte) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 1:51 |
| 1968-03 | Le nozze di Figaro: Atto IV. 28. Finale: “Tutto è tranquillo e placido” (Figaro, Susanna) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 3:42 |
| 1968-03 | Le nozze di Figaro: Atto IV. Recitativo: “Signora, ella mi disse” (Susanna, Marcellina, Contessa, Figaro) | soprano vocals [Susanna] | Orchester der Deutschen Oper Berlin, Karl Böhm | 0:50 |
| 1968-07 | Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" | soprano vocals | Edith Mathis, Münchener Bach‐Orchester, Karl Richter | 5:01 |
| 1969-02 – 1969-03 | Symphonie nr. 2 “Auferstehung”: Langsam. Misterioso | soprano vocals | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 13:30 |
| 1969-03 | Fidelio: Act I, No. 1. "Der arme Jaquino!" (Marzeline) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 0:13 |
| 1969-03 | Fidelio: Act I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzeline) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 4:55 |
| 1969-03 | Fidelio: Act I, No. 2. Aria "O wär ich schon mit der vereint" (Marzeline) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 4:09 |
| 1969-03 | Fidelio: Act I, No. 3. "Marzelline, ist Fidelio noch nicht zurück-gokommen?" (Rocco, Mazeline, Leonore) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 1:01 |
| 1969-03 | Fidelio: Act I, No. 3. Quartet "Mir ist so Wunderbar" (Mazeline, Leonore, Rocco, Jaquino) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 4:52 |
| 1969-03 | Fidelio: Act I, No. 4. Aria "Höre, Fidelio!" (Rocco, Marzeline. Leonore) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 0:25 |
| 1969-03 | Fidelio: Act I, No. 5. "Ihr Könnt das leicht sagen" (Leonore, Rocco, Mrzeline) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 1:28 |
| 1969-03 | Fidelio: Act I, No. 5. Trio "Gut, Söhnchen gut" (Rocco, Leonore, Marzeline) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 6:50 |
| 1969-03 | Fidelio: Act I, No. 9. "Aber Marzelline..." (Jaquino, Marzeline, Rocco, Leonore) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 0:52 |
| 1969-03 | Fidelio: Act I, No. 10. "Leb' wohl, du warmes Sonnenlicht" (Geganfenen, Marzeline, Leonore, Jaquino, Pizarro, Rocco) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 3:31 |
| 1969-03 | Fidelio: Act I, No. 10. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizzarro) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 7:21 |
| 1969-03 | Fidelio: Act II, No. 16. Finale "Heil sei dem Tag" (Chor der Gefangenen und des Volkes, Fernando, Rocco, Pizarro, Leonore, Marzeline, Jaquino) | soprano vocals [Marzelline] | Staatskapelle Dresden, Karl Böhm | 14:11 |
| 1969-07-27 | Der Rosenkavalier: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian, Chor, Marianne, Faninal) | soprano vocals [Sophie, seine Tochter] | Theo Adam, Cvetka Ahlin, Chor der Wiener Staatsoper, Kari Lövaas, Edith Mathis, Tatiana Troyanos, Gerhard Unger, Otto Wiener, Wiener Philharmoniker, Karl Böhm | 13:41 |
| 1969-07-27 | Der Rosenkavalier: Akt II. “Ich kenn' Ihn schon recht wohl, mon cousin!” (Sophie, Octavian) | soprano vocals [Sophie, seine Tochter] | Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 4:02 |
| 1969-07-27 | Der Rosenkavalier: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, Marianne) | soprano vocals [Sophie, seine Tochter] | Theo Adam, Kari Lövaas, Edith Mathis, Tatiana Troyanos, Otto Wiener, Wiener Philharmoniker, Karl Böhm | 9:22 |
| 1969-07-27 | Der Rosenkavalier: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie) | soprano vocals [Sophie, seine Tochter] | Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 7:42 |
| 1969-07-27 | Der Rosenkavalier: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, Haushofmeister, Marianne) | soprano vocals [Sophie, seine Tochter] | Siegfried Rudolf Frese, Kari Lövaas, Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 5:59 |
| 1969-07-27 | Der Rosenkavalier: Akt II. Einleitung / “Ein ernster Tag, ein großer Tag!” (Faninal, Marianne, Haushofmeister, Sophie, Lauffer) | soprano vocals [Sophie, seine Tochter] | Siegfried Rudolf Frese, Kari Lövaas, Edith Mathis, Otto Wiener, Wiener Philharmoniker, Karl Böhm | 5:18 |
| 1969-07-27 | Der Rosenkavalier: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Polizeikommissar, Marschallin, Sophie) | soprano vocals [Sophie, seine Tochter] | Theo Adam, Klaus Hirte, Christa Ludwig, Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 9:55 |
| 1969-07-27 | Der Rosenkavalier: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin) | soprano vocals [Sophie, seine Tochter] | Christa Ludwig, Edith Mathis, Tatiana Troyanos, Otto Wiener, Wiener Philharmoniker, Karl Böhm | 6:46 |
| 1969-07-27 | Der Rosenkavalier: Akt III. “Marie Theres'!” ... “Hab mir's gelobt” (Octavian, Marschallin, Sophie) | soprano vocals [Sophie, seine Tochter] | Christa Ludwig, Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 6:25 |
| 1969-07-27 | Der Rosenkavalier: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin) | soprano vocals [Sophie, seine Tochter] | Christa Ludwig, Edith Mathis, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm | 7:07 |
| 1969-07 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (soprano) "Seufzer, Tränen, Kummer, Not" | soprano vocals | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 4:40 |
| 1969-07 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (soprano, bass) "Ach Jesu, meine Ruh, mein Licht" | soprano vocals | Münchener Bach‐Orchester, Karl Richter | 1:46 |
| 1969-07 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Duetto (soprano, bass) "Komm, mein Jesu, und erquicke" | soprano vocals | Münchener Bach‐Orchester, Karl Richter | 4:15 |
| See all 875 relationships |
| vocals |
|---|
| Bach Edition, Volume 7: Secular Cantatas/Weltliche Kantaten | soprano vocals | Johann Sebastian Bach | |
| Der junge Lord | soprano vocals | Henze; Mathis, Grobe, McDaniel, Johnson, Driscoll, von Dohnányi | |
| Der Wildschütz. Komische Oper in drei Akten. Gesamtaufnahme in deutscher Sprache | soprano vocals [Baronin Freimann] | Albert Lortzing; Gottfried Hornik, Doris Soffel, Peter Schreier, Edith Mathis, Rundfunkchor Berlin, Staatskapelle Berlin, Bernhard Klee | |
| Il mondo della Luna | | Joseph Haydn; Orchestre de Chambre de Lausanne, Antal Doráti | |
| La clemenza di Tito | soprano vocals | Wolfgang Amadeus Mozart; Staatskapelle Dresden & Karl Böhm | |
| La Creación (selección) | soprano vocals [Gabriel, Eva] | Haydn; Wiener Philharmoniker, Herbert von Karajan | |
| Le nozze di Figaro | soprano vocals | Wolfgang Amadeus Mozart; Chor und Orchester der Deutschen Oper Berlin, Karl Böhm | |
| Mendelssohn-Bartholdy: Ein Sommernachtstraum / Weber: Ouvertüre zu » Oberon « / Ouvertüre zu » Der Freischütz « | soprano vocals | Mendelssohn-Bartholdy, Weber; Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Rafael Kubelik | |
