| Ballet Suite from "Hérodiade": I. Les Égyptiennes | | | | | | | |
| Ballet Suite from "Hérodiade": II. Les Babyloniennes | | | | | | | |
| Ballet Suite from "Hérodiade": III. Les Gauloises | | | | | | | |
| Ballet Suite from "Hérodiade": IV. Les Phéniciennes | | | | | | | |
| Ballet Suite from "Hérodiade": V. Final | | | | | | | |
| La Menace, op. 9 | | | | Symphonic poem | | | |
| Piano Concerto in E major: I. Improvisation. Modéré très librement | | | | | | | |
| Piano Concerto in E major: II. Danse. Vif | | | | | | | |
| Piano Concerto in E major: III. Rêverie, Toccata et Finale. Lent - Gai, fortement rythme (pas trop vite) - Allegro | | | | | | | |
| Piano Concerto in E-flat major: I. Andante moderato - Allegro non troppo | | | | | | | |
| Piano Concerto in E-flat major: II. Largo | | | | | | | |
| Piano Concerto in E-flat major: III. Airs slovaques. Allegro | | | | | | | |
| Scènes alsaciennes: I. Dimanche matin | | | | | | | |
| Scènes alsaciennes: II. Au cabaret | | | | | | | |
| Scènes alsaciennes: III. Sous les tilleuls | | | | | | | |
| Scènes alsaciennes: IV. Dimanche soir | | | | | | | |
| Scènes pittoresques: I. Marche | | | | | | | |
| Scènes pittoresques: II. Air de ballet | | | | | | | |
| Scènes pittoresques: III. Angelus | | | | | | | |
| Scènes pittoresques: IV. Fête bohème | | | | | | | |
| Suite no. 1, op. 13: I. Pastorale et Fugue | | | | | | | |
| Suite no. 1, op. 13: II. Variations | | | | | | | |
| Suite no. 1, op. 13: III. Nocturne | | | | | | | |
| Suite no. 1, op. 13: IV. Marche et Strette | | | | | | | |
| Suite No. 2: Scènes hongroises: Allegretto leggiero | | | | | | | |
| Suite No. 2: Scènes hongroises: Allegro risoluto | | | | | | | |
| Suite No. 2: Scènes hongroises: Allegro risoluto | | | | | | | |
| Suite No. 2: Scènes hongroises: Allegro risoluto | | | | | | | |
| Suite No. 2: Scènes hongroises: Andante | | | | | | | |
| Suite No. 3 : Scènes dramatiques : I. Prélude et divertissement: La Tempête | | | | | | | |
| Suite No. 3 : Scènes dramatiques : II. Mélodrame: Le Sommeil de Desdémone | | | | | | | |
| Suite No. 3 : Scènes dramatiques : III. Scène finale : Macbeth | | | | | | | |
| Suite No. 5: Scènes napolitaines: I. La danse | | | | | | | |
| Suite No. 5: Scènes napolitaines: II. La procession | | | | | | | |
| Suite No. 5: Scènes napolitaines: III. La fete | | | | | | | |
| Suite No. 6: Scènes de feerie: I. Cortège | | | | | | | |
| Suite No. 6: Scènes de feerie: II. Ballet | | | | | | | |
| Suite No. 6: Scènes de feerie: III. Apparition | | | | | | | |
| Suite No. 6: Scènes de feerie: IV. Bacchanale | | | | | | | |
| Symphony no. 1 in C minor, op. 4: I. Strepitoso | | | | | | | |
| Symphony no. 1 in C minor, op. 4: II. Religioso, Largo - Andante | | | | | | | |
| Symphony no. 1 in C minor, op. 4: III. Presto | | | | | | | |
| Symphony no. 1 in C minor, op. 4: IV. Molto energico | | | | | | | |
| Symphony no. 2 in E major, op. 6: I. Ouverture: Assez animé | | | | | | | |
| Symphony no. 2 in E major, op. 6: II. Danses: Vif | | | | | | | |
| Symphony no. 2 in E major, op. 6: III. Chant varié: Très nuancé | | | | | | | |
| Symphony no. 2 in E major, op. 6: IV. Final: Vif et gai | | | | | | | |
| Symphony no. 3 in B-flat minor, op. 11: I. Introduction et Ouverture: Modéré - Vif | | | | | | | |
| Symphony no. 3 in B-flat minor, op. 11: II. Danses: Très vif | | | | | | | |
| Symphony no. 3 in B-flat minor, op. 11: III. Pastorale: Modéré | | | | | | | |
| Symphony no. 3 in B-flat minor, op. 11: IV. Final: Vif | | | | | | | |
| Symphony no. 4 in C-sharp minor, op. 21: I. Modéré | | | | | | | |
| Symphony no. 4 in C-sharp minor, op. 21: II. Vif | | | | | | | |
| Symphony no. 4 in C-sharp minor, op. 21: III. Sans lenteur et nuancé | | | | | | | |
| Symphony no. 4 in C-sharp minor, op. 21: IV. Animé | | | | | | | |
