| 2 Morceaux de salon, op. 6: no. 1 Romance in D minor | | | | | | | |
| À Chloris | | | | | | | |
| À Chloris | | | | Song | | | |
| A Tune and Variations for Little People | | | | | | | |
| Adagio (from the Chamber Concerto) | | | | | | | |
| Allegretto moderato for Two Cellos | | | | | | | |
| Andante pour violon & piano en si bémol majeur, op. 75 | | | | | | | |
| Appassionato for viola and piano, op. 34 | | | | | | | |
| Beau soir | | | | | | | |
| Berceuse, op. 28 no. 3 | | | | | | | |
| Deux mélodies hébraïques: No. 1. Kaddisch | | | | | | | |
| Deux pièces pour alto (ou violoncelle) et piano, op. 5: Le Soir | | | | | | | |
| Deux pièces pour alto (ou violoncelle) et piano, op. 5: Légende | | | | | | | |
| Diagonal musik: 1 | | | | | | | |
| Diagonal musik: 2 | | | | | | | |
| Diagonal musik: 3 | | | | | | | |
| Diagonal musik: 4 | | | | | | | |
| Diagonal musik: 5 | | | | | | | |
| Diagonal musik: 6 | | | | | | | |
| Diagonal musik: 7 | | | | | | | |
| Diagonal musik: 8 | | | | | | | |
| Diagonal musik: 9 | | | | | | | |
| Diagonal musik: 10 | | | | | | | |
| Diagonal musik: 11 | | | | | | | |
| Diagonal musik: 12 | | | | | | | |
| Four Pieces for Violin and Piano, op. 7: I. Sehr langsam | | | | | | | |
| Four Pieces for Violin and Piano, op. 7: II. Rasch | | | | | | | |
| Four Pieces for Violin and Piano, op. 7: III. Sehr langsam | | | | | | | |
| Four Pieces for Violin and Piano, op. 7: IV. Bewegt | | | | | | | |
| From San Domingo | | | | | | | |
| Impromptu concertant in G flat major | | | | | | | |
| Infinite Rooms | | | | Concerto | | | |
| Introduzione ed allegro appassionato, op. 256 | | | | | | | |
| Invierno porteño | | | | | | | |
| Jamaican Rumba | | | | | | | |
| Jeux d’enfants, op. 22 : I. L’Escarpolette | | | | | | | |
| Jeux d’enfants, op. 22 : II. La Toupie | | | | | | | |
| Jeux d’enfants, op. 22 : III. La Poupée | | | | | | | |
| Jeux d’enfants, op. 22 : IV. Les Chevaux de bois | | | | | | | |
| Jeux d’enfants, op. 22 : IX. Colin‐maillard | | | | | | | |
| Jeux d’enfants, op. 22 : V. Le Volant | | | | | | | |
| Jeux d’enfants, op. 22 : VI. Trompette et Tambour | | | | | | | |
| Jeux d’enfants, op. 22 : VII. Les Bulles de savon | | | | | | | |
| Jeux d’enfants, op. 22 : VIII. Les Quatre Coins | | | | | | | |
| Jeux d’enfants, op. 22 : X. Saute‐mouton | | | | | | | |
| Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme | | | | | | | |
| Jeux d’enfants, op. 22 : XII. Le Bal | | | | | | | |
| Konzertstück für Viola und Klavier | | | | | | | |
| La Valse | | | | | | | |
| Le tombeau de Ravel | | | | | | | |
| Liebesleid | | | | | | | |
| Liebesleid | | | | | | | |
| Ma mère l’Oye: I. Pavane de la Belle au bois dormant | | | | | | | |
| Ma mère l’Oye: II. Petit poucet | | | | | | | |
| Ma mère l’Oye: III. Laideronnette, impératrice des pagodes | | | | | | | |
| Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête | | | | | | | |
| Ma mère l’Oye: V. Le Jardin féerique | | | | | | | |
| Mazurka in D major, B. 71, KK IVb/2 | | | | | | | |
| Meditation from Nobilissima visione | | | | | | | |
| Miniatures: 7. Valse Russe | | | | | | | |
| Morceau de concert, op. 23 | | | | | | | |
| On Wenlock Edge: I. On Wenlock Edge | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Mark Padmore, Britten Sinfonia, Huw Watkins, Jacqueline Shave
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- (show 5 more)
| | Song | | | |
| On Wenlock Edge: II. From far, from eve and morning | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- The Schubert Ensemble, Alison Dods, Mark Padmore
- (show 5 more)
| | Song | | | |
| On Wenlock Edge: III. Is my team ploughing | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Mark Padmore, Britten Sinfonia, Huw Watkins, Jacqueline Shave
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- (show 5 more)
| | Song | | | |
| On Wenlock Edge: IV. Oh, when I was in love with you | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- The Schubert Ensemble, Alison Dods, Mark Padmore
- (show 5 more)
| | Song | | | |
| On Wenlock Edge: V. Bredon Hill | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Mark Padmore, Britten Sinfonia, Huw Watkins, Jacqueline Shave
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- (show 5 more)
| | Song | | | |
| On Wenlock Edge: VI. Clun | | - Anthony Rolfe Johnson, Graham Johnson, Duke Quartet
- James Gilchrist, Fitzwilliam String Quartet, Anna Tilbrook
- Ian Partridge, Hugh Bean, Eileen Croxford, Frances Mason, David Parkhouse, Christopher Wellington
- The Schubert Ensemble, Alison Dods, Mark Padmore
- (show 5 more)
| | Song | | | |
| Otoño porteño | | | | | | | |
| Piano Trio | | | | | | | |
| Pièce pour violoncelle et piano, op. 39 | | | | | | | |
| Pieces for Viola and Piano from "The Gadfly": 3. Folk Feast | | | | | | | |
| Pieces for Viola and Piano from "The Gadfly": 5. Sharmanka | | | | | | | |
| Pieces for Viola and Piano from "The Gadfly": 8. Romance | | | | | | | |
| Pieces for Viola and Piano from "The Gadfly": 9. Intermezzo | | | | | | | |
| Pieces for Viola and Piano from "The Gadfly": 11. Scene | | | | | | | |
| Prélude à l’après-midi d’un faune, L. 86, CD 87 | | | | | | | |
| Préludes, Book 1: XII. Minstrels | | | | | | | |
| Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | | | | | | | |
| Préludes, Livre I, L. 117: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | | | | | | | |
| Préludes, Livre I, L. 117: XII. Minstrels. Modéré | | | | | | | |
| Première Rapsodie pour clarinette en si bémol, L. 116, CD 124a | | | | | | | |
| Primavera porteña | | | | | | | |
| Quatre Petites Pièces, op. 32: I. Andante | | | | | | | |
| Quatre Petites Pièces, op. 32: II. Très modéré | | | | | | | |
| Quatre Petites Pièces, op. 32: III. Allegretto quasi andantino | | | | | | | |
| Quatre Petites Pièces, op. 32: IV. Scherzando | | | | | | | |
| Romance, op. 94 no. 1 | | | | | | | |
| Romance, op. 94 no. 2 | | | | | | | |
| Romance, op. 94 no. 3 | | | | | | | |
| Rondo in C major for two pianos, op. 73 | | | | | | | |
| Schließe mir die Augen beide | | | | Song | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Finale (after Prelude no. 24) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Marche funèbre (after Prelude no. 14) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Mélodie amoureuse (after Prelude no. 17) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Un peu triste (after Prelude no. 10) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Une danse ironique (after Prelude no. 18) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Une valse militaire (after Prelude no. 16) | | | | | | | |
| Seven Preludes from 24 Preludes for Piano, op. 34: Une valse vite (after Prelude no. 15) | | | | | | | |
| Soliloque et Forlane | | | | | | | |
| Sonata for Viola and Piano 1939: I. Breit. Mit Kraft | | | | | | | |
