A Fancy | | | | | | | | |
A Fantasie, P. 1a | | | | | | | | |
A French toy | | | | | | | | |
A Ground | | | | | | | | |
A Horne pype | | | | | | | | |
A Pilgrimes Solace: No. 11. Lasso vita mia mi fa morire | | | | | | | | |
A Toy | | | | | | | | |
A Toy for Monica Bishop | | | | | | | | |
Almaine | | | | | | | | |
As It Fell on a Holie Eve | | | | | | | | |
Ave Maria...virgo serena | | | | | | | | |
Bella Gioiosa | | | | | | | | |
Captaine Digorie Piper his Galiard, P. 19 | | | | | | | | |
Come Again, sweet love doth now invite | | | | | Song | | | |
Consort Lessons, Book 1: O Mistress Mine | | | | | Song | | | |
El Maestro: Agora viniesse un viento | | | | | Song | | | |
El Maestro: Al Amor quiero vencer | | | | | Song | | | |
El Maestro: Amor, che nel mio pensier vive et regna | | | | | Song | | | |
El Maestro: Amor, que tan bien sirviendo | | | | | Song | | | |
El Maestro: Aquel cavallero, madre | | | | | Song | | | |
El Maestro: Durandarte, durandarte | | | | | Song | | | |
El Maestro: Falai, miña amor, falaime | | | | | Song | | | |
El Maestro: Fantasia VI | | | | | | | | |
El Maestro: Fantasia XII | | | | | | | | |
El Maestro: Fantasia XIV | | | | | | | | |
El Maestro: Fantasia XXV | | | | | | | | |
El Maestro: Fantasia XXVI | | | | | | | | |
El Maestro: Fantasia XXXI | | | | | | | | |
El Maestro: Gentil mia donna, i' veggio | | | | | Song | | | |
El Maestro: Leváyme, amor, d'aquesta terra | | | | | Song | | | |
El Maestro: Nova angeleta sovra l'ale accorta | | | | | Song | | | |
El Maestro: Pavana I | | | | | | | | |
El Maestro: Pavana VI | | | | | | | | |
El Maestro: Perdida teñyo la color | | | | | Song | | | |
El Maestro: Poys dezéys que me quereys ben | | | | | Song | | | |
El Maestro: Quien amores ten a fin | | | | | Song | | | |
El Maestro: Sospirastes, baldovinos | | | | | Song | | | |
El Maestro: Sospiró una señora | | | | | Song | | | |
El Maestro: Tento IV | | | | | | | | |
El Maestro: Toda mi vida hos amé | | - Teresa Berganza, Narciso Yepes
- Catherine King, Jacob Heringman
- Atrium Musicæ de Madrid, Gregorio Paniagua
- Margaret Schindler, Leesa Dean, Paul Dean, Tania Frazer, Slava Grigoryan, Peter Luft, Kevin Power
- Bárbara Kusa, Eduardo Egüez
| | | Song | | | |
El Maestro: Triste estava, muy quexosa | | | | | Song | | | |
El Maestro: Un cuydado que mía vida ten | | | | | Song | | | |
Fantasia | | | | | | | | |
Fantazia | | | | | | | | |
First Book of Ayres: It Was a Lover and His Lass | | | | | Song | | | |
Full Fathom Five Thy Father Lies | | | | | | | | |
Galliard | | | | | | | | |
Galliard to the same | | | | | | | | |
Galliard: Holburns Passion | | | | | | | | |
Galliard: responce | | | | | | | | |
Hark, Hark! the Lark | | | | | Song | | | |
Heres paternus | | | | | | | | |
Il Conto d'Orco | | | | | | | | |
Il Nodo di gordio | | | | | | | | |
Inviolata, integra et casta es: I. Inviolata, integra et casta es | | | | | | | | |
Inviolata, integra et casta es: II. Nostra ut pura pectora | | | | | | | | |
Inviolata, integra et casta es: III. O benigna | | | | | | | | |
Je suis ravi de mon Uranie | | | | | | | | |
Kemp's Jig | | | | | | | | |
La Tirantine | | | | | | | | |
M. Bucton his Galiard | | | | | | | | |
M. George Whitehead his Almand | | | | | | | | |
M. Giles Hobies Galiard, P. 29 | | | | | | | | |
M. Henry Noel his Galiard | | | | | | | | |
M. John Langtons Pavan, P. 14 | | | | | | | | |
M. Nicholas Gryffith his Galiard | | | | | | | | |
M. Thomas Collier his Galiard with 2 Trebles | | | | | | | | |
Maister Earles Pavane | | | | | | | | |
Missa de Beata Virgine: Christe | | | | | | | | |
Missa de Beata Virgine: Cum sancto spiritu | | | | | | | | |
Missa de Beata Virgine: Cum sancto spiritu (glosa) | | | | | | | | |
Missa de Beata Virgine: Fantastia on Kyrie II | | | | | | | | |
Missa de Beata Virgine: Kyrie I (glosa) | | | | | Mass | | | |
Missa de Beata Virgine: Kyrie II | | | | | Mass | | | |
Missa de Beata Virgine: Prelude on Mariam coronans | | | | | Mass | | | |
Mistresse Nichols Almand, P. 52 | | | | | | | | |
Muy Linda | | | | | | | | |
Now the earth, the skies, the air | | | | | | | | |
Passameze | | | | | | | | |
Passe Velours | | | | | | | | |
Passymeasures Galliard | | | | | | | | |
Pavan | | | | | | | | |
Posthuma | | | | | | | | |
Praeludium | | | | | | | | |
Queenes Galliard | | | | | | | | |
Salve Regina | | | | | | | | |
Salve Regina: I. Salve Regina | | | | | | | | |
Salve Regina: II. Eia ergo, advocata nostra | | | | | | | | |
Salve Regina: III. Et Jesum benedictum | | | | | | | | |
Sedet sola | | | | | | | | |
Semper Dowland Semper dolens, P. 9 | | | | | | | | |
Sicke sicke and very sicke | | | | | | | | |
Sir Henry Umptons Funerall | | | | | | | | |
Sir John Souch his Galliard, P. 26 | | | | | | | | |
Song for Voice, Lute & Bass Viol "Never Weather-Beaten Saile" | | | | | | | | |
Song for Voice, Lute & Bass Viol "The Sypres Curten of the Night" | | | | | | | | |
Stabat Mater: I. Stabat Mater | | | | | | | | |
Stabat Mater: II. Eia Mater | | | | | | | | |
Take, Oh Take Those Lipps Away | | | | | Madrigal | | | |
Tarleton's Riserrectione, P. 59 | | | | | | | | |