| 4 Poems by Fredegond Shove: No. 3. The New Ghost | | | | Song | | | |
| 4 Poems by Fredegond Shove: No. 4. The Water Mill | | | | Song | | | |
| A Pilgrimes Solace: No. 17. Where Sinne sore wounding | | | | | | | |
| An die ferne Geliebte, op. 98 | | | | Song-cycle | | | |
| An die Hoffnung, op. 32 | | | | Song | | | |
| An die Musik, D. 547 | | | | Song | | | |
| Beatus Vir, RV 597: XII. Largo e spiccato "Peccator videbit" | | - Charles Daniels, The King’s Consort, Robert King
- Anthony Rolfe Johnson, The John Alldis Choir, Alastair Ross, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri
- Philippe Corboz, Philippe Huttenlocher, Christiane Jaccottet, Orchestre de Chambre de Lausanne, Michel Corboz
- Ian Partridge, English Chamber Orchestra, Stephen Cleobury
- (show 3 more)
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| Beatus Vir, RV 597: XIII. Allegro "Beatus vir" | | - Choir of the King’s Consort, The King’s Consort, Robert King
- Anthony Rolfe Johnson, The John Alldis Choir, Alastair Ross, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri
- Philippe Corboz, Philippe Huttenlocher, Christiane Jaccottet, Orchestre de Chambre de Lausanne, Michel Corboz
- Ian Partridge, English Chamber Orchestra, Stephen Cleobury
- (show 3 more)
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| Behold, I bring you glad tidings, Z. 2 | | | | | | | |
| Ca’ the Yowes | | | | Song | | | |
| Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor) | | | | | | | |
| Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor) | | | | | | | |
| Chandos Anthem no. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass) | | | | | | | |
| Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor) | | | | | | | |
| Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor) | | | | | | | |
| Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor) | | | | | | | |
| Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor) | | | | | | | |
| Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor) | | | | | | | |
| Chandos Anthem no. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor) | | | | | | | |
| Chandos Anthem no. 6 “As pants the hart”, HWV 251b: IV. Now When I Think Thereupon | | | | | | | |
| Chandos Anthem no. 6 “As pants the hart”, HWV 251b: VI. Why So Full of Grief? | | - The Sixteen, Orchestra of The Sixteen, Harry Christophers
- Susan Gritton, Thomas Hobbs, Orchestra of the Age of Enlightenment, Stephen Layton
- Harry Christophers, Orchestra of the Sixteen, Eleanor Meynell, Elizabeth Poole, Daniel Auchincloss, Laurence Cummings
- April Cantelo, Ian Partridge, Academy of St Martin in the Fields, Sir David Willcocks
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| Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: III. For Who Is He Among the Clouds | | | | | | | |
| Chandos Anthem no. 7 in G major "My Song Shall Be Alway", HWV 252: IV. God Is Very Greatly to Be Feared | | | | | | | |
| Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: III. O Come Let Us Worship (Tenor) | | | | | | | |
| Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: V. Tell it Out Among the Heathen (Tenor, Chorus) | | | | | | | |
| Chandos Anthem no. 8 "O come, let us sing unto the Lord", HWV 253: VIII. For Look, as High as the Heaven is (Tenor) | | | | | | | |
| Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: III. For This Our Truest Int'rest Is | | | | | | | |
| Chandos Anthem no. 10 “The Lord is my light”, HWV 255: II. The Lord Is My Light and Salvation | | | | | | | |
| Chandos Anthem no. 10 “The Lord is my light”, HWV 255: IV. One Thing Have I Desired of the Lord | | | | | | | |
| Chandos Anthem no. 10 “The Lord is my light”, HWV 255: V. I Will Offer in His Dwelling an Oblation | | | | | | | |
| Chandos Anthem no. 10 “The Lord is my light”, HWV 255: VII. The Lord is My Strength and My Shield | | | | | | | |
| Chandos Anthem no. 11a in B-flat major "Let God Arise", HWV 256a: III. Like as the Smoke Vanisheth | | | | | | | |
| Come Love, Come Lord | | | | Song | | | |
| Das Berliner Requiem: 1. Großer Dankchoral "Lobet die Nacht ..." (Chor) | | - Peter Kooij, Alexandre Laiter, La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe
- Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton
- Flemish Radio Choir, I Solisti del Vento, Paul Hillier
- Rundfunkchor Berlin, John Axelrod, Staats‐ und Domchor Berlin
- (show 2 more)
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| Das Berliner Requiem: 2. Ballade vom ertrunkenen Mädchen (Chor) | | | | | | | |
| Das Berliner Requiem: 3. Marterl "Hier ruht die Jungfrau Johanna Beck" (Chor, Tenor) | | - Alexandre Laiter, Peter Kooij, Chœur de La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe
- Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton
- Angelina Réaux
- Flemish Radio Choir, I Solisti del Vento, Paul Hillier
- (show 5 more)
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| Das Berliner Requiem: 4. Erster Bericht über den unbekannten Soldaten "Wir kamen von den Gebirgen" (Chor, Tenor) | | - Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton
- Alexandre Laiter, Peter Kooij, Chœur de La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe
- Flemish Radio Choir, I Solisti del Vento, Paul Hillier
- Rundfunkchor Berlin, John Axelrod, Staats‐ und Domchor Berlin
- (show 2 more)
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| Das Berliner Requiem: 6. Großer Dankchoral (da capo) (Chor a capella) | | - Philip Langridge, Benjamin Luxon, Ian Partridge, London Sinfonietta, David Atherton
- Alexandre Laiter, Peter Kooij, Chœur de La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe
- Flemish Radio Choir, I Solisti del Vento, Paul Hillier
- Rundfunkchor Berlin, John Axelrod, Staats‐ und Domchor Berlin
- (show 2 more)
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| Der Protagonist, op. 15: Die erste Pantomime | | | | | | | |
| Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" | | | | Song | | | |
| Dichterliebe, op. 48: I. Im wunderschönen Monat Mai | | | | Song | | | |
| Dichterliebe, op. 48: II. Aus meinen Tränen sprießen | | | | Song | | | |
| Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne | | | | Song | | | |
| Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ | | | | Song | | | |
| Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen | | | | Song | | | |
| Dichterliebe, op. 48: V. Ich will meine Seele tauchen | | | | Song | | | |
| Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome | | | | Song | | | |
| Dichterliebe, op. 48: VII. Ich grolle nicht | | | | Song | | | |
| Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen | | | | Song | | | |
| Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen | | | | Song | | | |
| Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen | | | | Song | | | |
| Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen | | | | Song | | | |
| Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet | | | | Song | | | |
| Dichterliebe, op. 48: XIV. Allnächtlich im Traume | | | | Song | | | |
| Dichterliebe, op. 48: XV. Aus alten Märchen winkt es | | | | Song | | | |
| Dichterliebe, op. 48: XVI. Die alten, bösen Lieder | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 1. Das Wandern | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 2. Wohin? | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 3. Halt! | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 4. Danksagung an den Bach | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 5. Am Feierabend | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 6. Der Neugierige | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 7. Ungeduld | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 8. Morgengruß | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 9. Des Müllers Blumen | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 10. Tränenregen | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 11. Mein! | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 12. Pause | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 13. Mit dem grünen Lautenbande | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 14. Der Jäger | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 15. Eifersucht und Stolz | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 16. Die liebe Farbe | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 17. Die böse Farbe | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 18. Trockne Blumen | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 19. Der Müller und der Bach | | | | Song | | | |
| Die schöne Müllerin, D. 795: Nr. 20. Des Baches Wiegenlied | | | | Song | | | |
| Evening Hymn | | | | Song | | | |
| Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" | | - Christ Church Cathedral Choir, Oxford, The English Concert, Simon Preston
- Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- Henry Purcell
- (show 16 more)
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| Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- The Taverner Choir, Consort & Players, Andrew Parrott
- Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- (show 13 more)
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| Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord" | | - Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford, Oxford
- Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
- The Cambridge Singers, John Rutter
- (show 21 more)
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| Happy End: Teil 1. No. 3: Heilsarmeelied I. "Geht hinein in die Schlacht" | | | | Song | | | |
| Happy End: Teil 2. No. 5: Heilsarmeelied II. "Bruder, gib dir einen Stoß" | | | | Song | | | |
| Happy End: Teil 2. No. 6: Heilsarmeelied III. "Fürchte dich nicht" | | | | Song | | | |
| Happy End: Teil 2. No. 7: Heilsarmeelied IV. "In der Jugend gold'nem Schimmer" | | | | Song | | | |
| Happy End: Teil 2. No. 8: Das Lied vom Branntweinhändler. "Hinter Gläsern, an dem Schanktisch" | | | | Song | | | |
| Happy End: Teil 3. No. 13: Hosiannah Rockefeller | | | | Song | | | |
| Happy End: Teil 3. No. 14: Der kleine Leutnant des lieben Gottes II (Finale) | | | | Song | | | |
| I was glad when they said unto me, Z. 19 | | | | | | | |
| If it's ever spring again | | | | | | | |
| In thee, O Lord, do I put my trust, Z. 16 | | - Robert King, The King’s Consort
- Paul Esswood, Ian Partridge, Stafford Dean, Choir of St John’s College, Cambridge, John Scott, George Guest
- Collegium Instrumentale Brugense, Patrick Peire
- Gerhard Schmidt‐Gaden, David Cordier, John Elwes, Harry van der Kamp, Peter Kooy, Tölzer Knabenchor, Gustav Leonhardt
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| Indigo Blues, op. 103½ | | | | Song | | | |
| Jacke and Jone They Thinke No Ill | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) | | - Fritz Rothschuh, Kieth Engen, Ernst Haefliger, Münchener Bach‐Chor, Münchener Chorknaben, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- The Brandenburg Consort, Stephen Cleobury
- English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 48 more)
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| Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus) | | | | | | | |
