| instruments |
---|
1969-11-21 | Dreams | | drums (drum set) [drums] | Alan Wakeman feat. John Taylor & Paul Lytton | 10:10 |
1969-11-21 | Dreams | | drums (drum set) [drums] | Alan Wakeman | 10:17 |
1969-11-21 | Forever | | drums (drum set) [drums] | Alan Wakeman feat. John Taylor & Paul Lytton | 8:10 |
1969-11-21 | Forever | | drums (drum set) [drums] | Alan Wakeman | 9:16 |
1969-11-21 | Merry-Go-Round | | drums (drum set) [drums] | Alan Wakeman | 9:40 |
1969-11-21 | Merry‐Go‐Round | | drums (drum set) [drums] | Alan Wakeman feat. John Taylor & Paul Lytton | 8:52 |
1971-06-27 | But for the Mist (For Eric Ziarko) | | horn [air horns] | Evan Parker & Paul Lytton | 12:39 |
1971-06-27 | But for the Mist (For Eric Ziarko) | | whistle [dog whistles] | Evan Parker & Paul Lytton | 12:39 |
1971-06-27 | But for the Mist (For Eric Ziarko) | | percussion | Evan Parker & Paul Lytton | 12:39 |
1971-06-27 | But for the Mist (For Eric Ziarko) | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 12:39 |
1972-04 | Cat’s Flux 2 | | | Evan Parker & Paul Lytton | 5:45 |
1972-04 | Left of the Neo-Left | | | Evan Parker & Paul Lytton | 1:12 |
1972-04 | Lytton Perdu | | | Evan Parker & Paul Lytton | 13:25 |
1972-04 | Peradam | | | Evan Parker & Paul Lytton | 5:09 |
1972-04 | Shaker | | | Evan Parker & Paul Lytton | 13:00 |
1972-04 | Some Mother Blues | | | Evan Parker & Paul Lytton | 8:06 |
1972-04 | Voice Fragment | | | Evan Parker & Paul Lytton | 0:21 |
1972-04 | What’s Left of the Neo-Left | | | Evan Parker & Paul Lytton | 1:55 |
1972-10-02 | Then Wept! Then Rose in Zeal and Awe | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 18:20 |
1972-10-02 | Then Wept! Then Rose in Zeal and Awe | | percussion | Evan Parker & Paul Lytton | 18:20 |
1973-06-06 | The Theatre of the World and Photic Diversions | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 28:05 |
1973-06-06 | The Theatre of the World and Photic Diversions | | horn [klaxon] | Evan Parker & Paul Lytton | 28:05 |
1973-06-06 | The Theatre of the World and Photic Diversions | | percussion | Evan Parker & Paul Lytton | 28:05 |
1973-06-06 | The Theatre of the World and Photic Diversions | | horn [air horns] | Evan Parker & Paul Lytton | 28:05 |
1973-06-06 | The Theatre of the World and Photic Diversions | | harmonium | Evan Parker & Paul Lytton | 28:05 |
1974-07-19 | The Night the Ariel Left Harwich and Other Synchronicities | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 29:09 |
1974-07-19 | The Night the Ariel Left Harwich and Other Synchronicities | | percussion | Evan Parker & Paul Lytton | 29:09 |
1974-11 | I Want! I Want! | | percussion | Evan Parker & Paul Lytton | 15:02 |
1974-11 | I Want! I Want! | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 15:02 |
1975-01-07 | In the Midst of Laughter and Glee | | percussion | Evan Parker & Paul Lytton | 18:04 |
1975-01-07 | Mild Steel Rivets for P.H. | | percussion | Evan Parker & Paul Lytton | 14:42 |
1975-01-07 | On Reflection | | percussion | Evan Parker & Paul Lytton | 5:24 |
1975-01-07 | The Dirlston Dirler | | percussion | Evan Parker & Paul Lytton | 7:23 |
1975-01-07 | Through Consensus | | percussion | Evan Parker & Paul Lytton | 18:26 |
1975-01-07 | To Unity | | percussion | Evan Parker & Paul Lytton | 4:03 |
1975-10-11 | Two Horn’d Reasoning, Cloven Fiction | | percussion | Evan Parker & Paul Lytton | 43:15 |
1975-10-11 | Two Horn’d Reasoning, Cloven Fiction | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | 43:15 |
1976-06-07 | Ra 1 | | | Evan Parker-Paul Lytton Duo | 18:51 |
1976-06-07 | Ra 2 | | | Evan Parker-Paul Lytton Duo | 19:40 |
1977-12-16 | Oiloffersoddenkneesstopperedlaundrywrote | | electronic instruments | Paul Lytton | 11:16 |
1977-12-16 | Oiloffersoddenkneesstopperedlaundrywrote | | percussion | Paul Lytton | 11:16 |
1978-06-30 | Delft I | | drums (drum set) [drums] | Lytton, Termos | 3:47 |
1978-06-30 | Delft I | | percussion | Lytton, Termos | 3:47 |
1978-06-30 | Delft II | | drums (drum set) [drums] | Lytton, Cusack, Termos, Janssen | 23:03 |
1978-06-30 | Delft II | | percussion | Lytton, Cusack, Termos, Janssen | 23:03 |
1978-07 | Circadian Rhythm Excerpt 1 | | electronic instruments [live electronics] | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 22:46 |
1978-07 | Circadian Rhythm Excerpt 1 | | percussion | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 22:46 |
1978-07 | Circadian Rhythm Excerpt 2 | | percussion | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 9:56 |
1978-07 | Circadian Rhythm Excerpt 2 | | electronic instruments [live electronics] | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 9:56 |
1978-07 | Circadian Rhythm Excerpt 3 | | electronic instruments [live electronics] | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 9:55 |
1978-07 | Circadian Rhythm Excerpt 3 | | percussion | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | 9:55 |
1978-12-03 | Moinho da asneira | | electronic instruments [live electronics] | Lovens & Lytton | 23:15 |
1978-12-03 | Moinho da asneira | | percussion | Lovens & Lytton | 23:15 |
1979-06 – 1979-07 | A Strange Bird | | percussion | Paul Lytton | 4:18 |
1979-06 – 1979-07 | A Strange Bird | | electronic instruments | Paul Lytton | 4:18 |
1979-06 – 1979-07 | Brummnummer | | percussion | Paul Lytton | 4:01 |
1979-06 – 1979-07 | Brummnummer | | electronic instruments | Paul Lytton | 4:01 |
1979-06 – 1979-07 | I Can't Get Started (A Quick Bowl Job) | | electronic instruments | Paul Lytton | 13:49 |
1979-06 – 1979-07 | I Can't Get Started (A Quick Bowl Job) | | percussion | Paul Lytton | 13:49 |
1979-06 – 1979-07 | Occam's Razor | | percussion | Paul Lytton | 6:39 |
1979-06 – 1979-07 | Occam's Razor | | electronic instruments | Paul Lytton | 6:39 |
1979-06 – 1979-07 | Um Ulm Und um Ulm herum | | percussion | Paul Lytton | 2:30 |
1979-06 – 1979-07 | Um Ulm Und um Ulm herum | | electronic instruments | Paul Lytton | 2:30 |
1979-11-09 | À cerca da bela vista á graça (The Beeg View) | | percussion | Lovens & Lytton | 25:25 |
1979-11-09 | À cerca da bela vista á graça (The Beeg View) | | electronic instruments [live electronics] | Lovens & Lytton | 25:25 |
1980-06 | San Zeno Quintet 1 | | electronic instruments [live electronics] | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 17:40 |
1980-06 | San Zeno Quintet 1 | | percussion | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 17:40 |
1980-06 | San Zeno Quintet 2 | | electronic instruments [live electronics] | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 7:43 |
1980-06 | San Zeno Quintet 2 | | percussion | Barry Guy, Paul Lovens, Paul Lytton, Evan Parker, Philipp Wachsmann | 7:43 |
1983-01-07 | Fire | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 4:57 |
1983-01-07 | Fire | | percussion | Evan Parker / Barry Guy / Paul Lytton | 4:57 |
1983-01-07 | Heat | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 12:22 |
1983-01-07 | Heat | | percussion | Evan Parker / Barry Guy / Paul Lytton | 12:22 |
1983-01-07 | Light | | percussion | Evan Parker / Barry Guy / Paul Lytton | 5:19 |
1983-01-07 | Light | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 5:19 |
1983-01-07 | Sidetrack | | electronic instruments [amplification and live electronics] | Evan Parker / Barry Guy / Paul Lytton | 19:04 |
1983-01-07 | Sidetrack | | percussion | Evan Parker / Barry Guy / Paul Lytton | 19:04 |
1983-02-04 | Drift | | percussion | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 34:31 |
1983-02-04 | Hook | | percussion | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 6:13 |
1983-02-04 | Shuffle | | percussion | Evan Parker with George Lewis, Barry Guy & Paul Lytton | 10:01 |
1983-12-18 – 1983-12-19 | ... We Start Now | | percussion | XPact | 21:17 |
1983-12-18 – 1983-12-19 | Der Blick des Tauchers | | percussion | XPact | 12:27 |
1983-12-18 – 1983-12-19 | The Broken Key | | percussion | XPact | 2:33 |
1983-12-18 – 1983-12-19 | The Crack Is Fierce | | percussion | XPact | 1:22 |
1983-12-18 – 1983-12-19 | To Goosenecks... | | percussion | XPact | 1:59 |
1985-08-17 | Dark Interior | | percussion | Evan Parker with Paul Lytton, Paul Rutherford & Hans Schneider | 1:00:50 |
1985-08-17 | Dark Interior | | electronic instruments [live electronics] | Evan Parker with Paul Lytton, Paul Rutherford & Hans Schneider | 1:00:50 |
1986-06-16 – 1986-06-17 | Die schnelle Wende | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 9:42 |
1986-06-16 – 1986-06-17 | Die schnelle Wende | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 9:42 |
1986-06-16 – 1986-06-17 | Kritische Studie #1 | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 4:10 |
1986-06-16 – 1986-06-17 | Kritische Studie #1 | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 4:10 |
1986-06-16 – 1986-06-17 | Kritische Studie #2 | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 5:44 |
1986-06-16 – 1986-06-17 | Kritische Studie #2 | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 5:44 |
1986-06-16 – 1986-06-17 | Kritische Studie #3 | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 7:24 |
1986-06-16 – 1986-06-17 | Kritische Studie #3 | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 7:24 |
1986-06-16 – 1986-06-17 | Kritische Studie #4 | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 3:24 |
1986-06-16 – 1986-06-17 | Kritische Studie #4 | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 3:24 |
1986-06-16 – 1986-06-17 | Wo der Kopf sitzt | | percussion | Berliner Begegnung : Fuchs, Van Hove, Lytton | 9:42 |
1986-06-16 – 1986-06-17 | Wo der Kopf sitzt | | electronic instruments | Berliner Begegnung : Fuchs, Van Hove, Lytton | 9:42 |
1986-12-12 | Atlanta | | drums (drum set) [drums] | Evan Parker • Barry Guy • Paul Lytton | 25:19 |
| See all 425 relationships |
| performed |
---|
2017-03-11 | A Constant State of Flux or Movement | | | Lytton, Nies, Scott, Wissel | 17:31 |
2017-03-11 | A No-Mans Land | | | Lytton, Nies, Scott, Wissel | 20:38 |
2017-03-11 | It’s Always a Questionable Activity | | | Lytton, Nies, Scott, Wissel | 7:57 |
2017-03-11 | Taking Orders From Fucking Idiots | | | Lytton, Nies, Scott, Wissel | 3:57 |
2017-03-11 | The Nuts and Bolts | | | Lytton, Nies, Scott, Wissel | 15:51 |
| produced |
---|
| ... a little perplexing ... | | | Evan Parker - Paul Lytton | 4:48 |
| ... becoming transfigured … | | | Evan Parker - Paul Lytton | 4:48 |
| ... beheading their own King … | | | Evan Parker - Paul Lytton | 5:02 |
| ... confused about England. | | | Evan Parker - Paul Lytton | 4:38 |
| ... the dissent, that began with the Quakers? ... | | | Evan Parker - Paul Lytton | 4:40 |
| À cerca da bela vista á graça (The Beeg View) | | | Lovens & Lytton | 25:25 |
| A Strange Bird | | | Paul Lytton | 4:18 |
| Abstractions and Replications | | | Paul Lytton, Ikue Mori, Nate Wooley | 15:10 |
| Alfreda was always especially cordial to me ... | | | Evan Parker - Paul Lytton | 4:26 |
| Automatic | | | Paul Lytton, Ken Vandermark, Nate Wooley | 16:31 |
| Berlyne's Law | | | Paul Lytton, Ikue Mori, Nate Wooley | 10:42 |
| Brummnummer | | | Paul Lytton | 4:01 |
| Destructive to Our Proper Business | | | Paul Lytton, Ken Vandermark, Nate Wooley | 5:49 |
| Each thing, the one, the other and both together would amount to the truth. | | | Evan Parker - Paul Lytton | 5:01 |
| England feels very remote to me. | | | Evan Parker - Paul Lytton | 3:58 |
| Free Will, Free Won't | | | Paul Lytton, Nate Wooley | 35:35 |
| How tight knit was England then! | | | Evan Parker - Paul Lytton | 5:36 |
| I Can't Get Started (A Quick Bowl Job) | | | Paul Lytton | 13:49 |
| Men Caught Staring | | | Paul Lytton, Nate Wooley | 18:23 |
| Moinho da asneira | | | Lovens & Lytton | 23:15 |
| Occam's Razor | | | Paul Lytton | 6:39 |
| Oiloffersoddenkneesstopperedlaundrywrote | | | Paul Lytton | 11:16 |
| The bonfires on Hampstead Heath. | | | Evan Parker - Paul Lytton | 5:07 |
| The Information Bomb | | | Paul Lytton, Nate Wooley | 4:12 |
| The Ripple Effect | | | Paul Lytton, Ken Vandermark, Nate Wooley | ?:?? |
| Um Ulm Und um Ulm herum | | | Paul Lytton | 2:30 |
| What has it become entangled with now? | | | Evan Parker - Paul Lytton | 7:04 |
| recording engineer for |
---|
1979-06 – 1979-07 | A Strange Bird | | | Paul Lytton | 4:18 |
1979-06 – 1979-07 | Brummnummer | | | Paul Lytton | 4:01 |
1979-06 – 1979-07 | I Can't Get Started (A Quick Bowl Job) | | | Paul Lytton | 13:49 |
1979-06 – 1979-07 | Occam's Razor | | | Paul Lytton | 6:39 |
1979-06 – 1979-07 | Um Ulm Und um Ulm herum | | | Paul Lytton | 2:30 |
| design |
---|
| The Inclined Stick | | | Paul Lytton | |
| illustration |
---|
| Concert in Vilnius | | | Evan Parker - Barry Guy - Paul Lytton | |
| instruments |
---|
1972-04-15 – 1972-04-16 | Collective Calls (Urban) (Two Microphones) | | effects [noise] | Evan Parker & Paul Lytton | |
1972-04-15 – 1972-04-16 | Collective Calls (Urban) (Two Microphones) | | percussion | Evan Parker & Paul Lytton | |
1972-04-15 – 1972-04-16 | Collective Calls (Urban) (Two Microphones) | | electronic instruments [live electronics] | Evan Parker & Paul Lytton | |
1972-04-15 – 1972-04-16 | Collective Calls (Urban) (Two Microphones) | | effects [sound effects] | Evan Parker & Paul Lytton | |
1975-01-07 | At the Unity Theatre | | percussion | Evan Parker & Paul Lytton | |
1975-01-07 | At the Unity Theatre | | electronic instruments [electronics] | Evan Parker & Paul Lytton | |
1976-06-07 | Ra | | electronic instruments [electronics] | Evan Parker-Paul Lytton Duo | |
1976-06-07 | Ra | | percussion | Evan Parker-Paul Lytton Duo | |
1978-07-29 – 1978-07-30 | Circadian Rhythm | | electronic instruments [live electronics] | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | |
1978-07-29 – 1978-07-30 | Circadian Rhythm | | percussion | Paul Burwell / Hugh Davies / Max Eastley / Paul Lovens / Paul Lytton / Annabel Nicolson / Evan Parker / David Toop | |
1996-05 | Toward the Margins | | electronic instruments [live electronics] | Evan Parker Electro-Acoustic Ensemble | |
1996-05 | Toward the Margins | | percussion | Evan Parker Electro-Acoustic Ensemble | |
1998-12 | Drawn Inward | | electronic instruments [live electronics] | Evan Parker Electro-Acoustic Ensemble | |
1998-12 | Drawn Inward | | percussion | Evan Parker Electro-Acoustic Ensemble | |
2007-11 | The Moment’s Energy | | electronic instruments [live electronics] | Evan Parker Electro-Acoustic Ensemble | |
2007-11 | The Moment’s Energy | | percussion | Evan Parker Electro-Acoustic Ensemble | |
2010-05-21 – 2010-05-22 | Hasselt | | percussion | Evan Parker Electroacoustic Ensemble | |
2010-05-21 – 2010-05-22 | Hasselt | | electronic instruments [live electronics] | Evan Parker Electroacoustic Ensemble | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| An Electric Storm | | percussion | White Noise | |
| liner notes |
---|
| Abiding Variations | | translator | Charles Gayle 3 | |
| Almeda | | translator | Cecil Taylor: The Ensemble | |
| Always a Pleasure | | translator | Cecil Taylor Ensemble | |
| Aoyama Crows | | translator | Die Like a Dog Quartet | |
| Berlin Movement From Future Years | | translator | Charles Gayle 3 | |
| Burning Cloud | | translator | Butch Morris · Lê Quan Ninh · J.A. Deane | |
| Butch Morris Conducts Berlin Skyscraper | | translator | Butch Morris, Berlin Skyscraper | |
| Close Up | | translator | Die Like a Dog Quartet | |
| Collective Calls (Revisited) (Jubilee) | | translator | Evan Parker & Paul Lytton | |
| Crepuscule in Nickelsdorf | | translator | Evan Parker, Matthew Wright, Adam Linson, John Coxon, Ashley Wales, Trance Map+ | |
| Erzulie Maketh Scent | | translator | Cecil Taylor | |
| In East-Berlin | | translator | Cecil Taylor · Solo / Cecil Taylor & Günter Sommer | |
| Incarnation | | translator | Cecil Taylor Quartet | |
| Leaf Palm Hand | | translator | Cecil Taylor & Tony Oxley | |
| Legba Crossing | | translator | Cecil Taylor Workshop Ensemble | |
| London Air Lift | | translator | Evan Parker with John Russell, Mark Sanders, John Edwards | |
| Melancholy | | translator | Cecil Taylor Workshop Ensemble | |
| Posium Pendasem | | translator | In Order to Survive | |
| Precious Soul | | translator | Charles Gayle 3 | |
| Regalia | | translator | Cecil Taylor & Paul Lovens | |
| Riobec | | translator | Cecil Taylor & Günter Sommer | |
| Roulette of the Cradle | | translator | Ingrid Laubrock Anti-House | |
| Spots, Circles, and Fantasy | | translator | Cecil Taylor & Han Bennink | |
| The Hearth | | translator | Cecil Taylor with Tristan Honsinger & Evan Parker | |
| The Light of Corona | | translator | Cecil Taylor: The Ensemble | |
| Winterreise | Lytton | translator | Schlippenbach Trio | |
| Zafiro | | translator | Parker – Guy – Lytton | |
| mastering |
---|
| Ra | Lytton | | Evan Parker-Paul Lytton Duo | |
| vocals |
---|
1975-01-07 | At the Unity Theatre | | other vocals [voice] | Evan Parker & Paul Lytton | |
| composed |
---|
| ... a little perplexing ... | | | | |
| ... becoming transfigured … | | | | |
| ... beheading their own King … | | | | |
| ... confused about England. | | | | |
| ... the dissent, that began with the Quakers? ... | | | | |
| ... We Start Now | | | | |
| [unknown] | | | | |
| [untitled] | | | | |
| 2×3=5 | | | | |
| À cerca da bela vista á graça (The Beeg View) | | | | |
| a deeper red | | | | |
| Agreement | | | | |
| Air/Luft | | | | |
| Alfreda was always especially cordial to me ... | | | | |
| and the tints | | | | |
| Art Is a Science… | | | | |
| Asp Irate | | | | |
| At the Vortex (First Set) | | | | |
| At the Vortex (Second Set) | | | | |
| Atlanta | | | | |
| Black Mass: Electric Storm in Hell | | | | |
| Blue Star | | | | |
| Born Cross-Eyed (Remembering Fuller) | | | | |
| But for the Mist (For Eric Ziarko) | | | | |
| Capnomantic Vortex | | | | |
| Cat’s Flux 2 | | | | |
| Chain of Chance | | | | |
| Chert | | | | |
| Circadian Rhythm | | | | |
| Coalescence | | | | |
| Cohobation | | | | |
| Concert in Vilnius | | | | |
| Consequence | | | | |
| Content | | | | |
| Craig’s Story | | | | |
| Cupellation | | | | |
| Dark Interior | | | | |
| Day of Small Truths | | | | |
| Der Blick des Tauchers | | | | |
| Die schnelle Wende | | | | |
| Distinction | | | | |
| Each thing, the one, the other and both together would amount to the truth. | | | | |
| England feels very remote to me. | | | | |
| Espanados | | | | |
| ESS 1A | | | | |
| ESS 1B | | | | |
| ESS 1C | | | | |
| ESS 1D | | | | |
| ESS 1E | | | | |
| ESS 1F | | | | |
| Film 1 | | | | |
| Film 2 | | | | |
| Film 3 | | | | |
| Film 4 | | | | |
| Film 5 | | | | |
| Film 6 | | | | |
| Film 7 | | | | |
| Fond Farewell | | | | |
| Form | | | | |
| Friends from above | | | | |
| Gabbro | | | | |
| Geometry | | | | |
| Hasselt 3 | | | | |
| Hirta | | | | |
| How tight knit was England then! | | | | |
| I Want! I Want! | | | | |
| ID 1 | | | | |
| ID 2 | | | | |
| ID 3 | | | | |
| ID 4 | | | | |
| ID 5 | | | | |
| ID 6 | | | | |
| ID 7 | | | | |
| ID 8 | | | | |
| ID 9 | | | | |
| ID 10 Zafiro Encore | | | | |
| Identity | | | | |
| In Exultation | | | | |
| In Praise of Shadows | | | | |
| In the Midst of Laughter and Glee | | | | |
| in velvet | | | | |
| In Which the Moment Capsizes | | | | |
| Inner Silence | | | | |
| Invariance | | | | |
| Jean-Marc Rights the Boat | | | | |
| Known | | | | |
| Kritische Studie #1 | | | | |
| Kritische Studie #2 | | | | |
| Kritische Studie #3 | | | | |
| Kritische Studie #4 | | | | |
| Left of the Neo-Left | | | | |
| Ljubljana 2 | | | | |
| Ljubljana 3 | | | | |
| Ljubljana 4 | | | | |
| Ljubljana 6 | | | | |
| Lytton Perdu | | | | |
| Megalops Presents | | | | |
| Mild Steel Rivets for P.H. | | | | |
| Moinho da asneira | | | | |
| Montreuil Motion | | | | |
| See all 172 relationships |
| published |
---|
| In Exultation | | | | |
| Not Backwards, as in Doubt | | | | |
| The Echoing Border Zones | | | | |