| balance engineered |
|---|
| Alma Redemptoris mater | | The Hilliard Ensemble | 5:45 |
| Ave Maria | | The Hilliard Ensemble | 3:36 |
| Bring Us in Good Ale | | The King’s Singers | 1:04 |
| In Paradisum (Requiem) | | Choir of King’s College, Cambridge, José‐Luis García, Peter Barley, English Chamber Orchestra, Stephen Cleobury | 3:30 |
| Intemerata Dei mater | | The Hilliard Ensemble | 8:16 |
| Missa prolationum: I. Kyrie. Christe eleison | | The Hilliard Ensemble | 2:39 |
| Missa prolationum: I. Kyrie. Kyrie eleison I | | The Hilliard Ensemble | 1:08 |
| Missa prolationum: I. Kyrie. Kyrie eleison II | | The Hilliard Ensemble | 1:12 |
| Missa prolationum: II. Gloria | | The Hilliard Ensemble | 7:35 |
| Missa prolationum: III. Credo | | The Hilliard Ensemble | 8:07 |
| Missa prolationum: IV. Sanctus - Osanna | | The Hilliard Ensemble | 0:45 |
| Missa prolationum: IV. Sanctus. Pleni sunt coeli | | The Hilliard Ensemble | 0:50 |
| Missa prolationum: IV. Sanctus. Sanctus | | The Hilliard Ensemble | 1:34 |
| Missa prolationum: V. Benedictus | | The Hilliard Ensemble | 4:07 |
| Missa prolationum: VI. Agnus Dei. Agnus Dei I | | The Hilliard Ensemble | 2:00 |
| Missa prolationum: VI. Agnus Dei. Agnus Dei II & III | | The Hilliard Ensemble | 4:20 |
| Salve Regina | | The Hilliard Ensemble | 5:31 |
| Salve Regina | | The Hilliard Ensemble | 10:24 |
| engineered |
|---|
| Aida: Atto Quatro, Scena Primo. "L'aborrita rivale a me sfuggia"..."Gia i sacerdoti adunansi" | | Plácido Domingo, Eva Randová, Orchestra of the Royal Opera House, Covent Garden, John Barker | 9:38 |
| Autumn (L’autunno) op. 8 no. 3: First Movement. Allegro | | Alexander Barantschik, London Symphony Orchestra Strings | 5:06 |
| Autumn (L’autunno) op. 8 no. 3: Second Movement. Adagio molto | | Alexander Barantschik, London Symphony Orchestra Strings | 2:36 |
| Autumn (L’autunno) op. 8 no. 3: Third Movement. Allegro | | Alexander Barantschik, London Symphony Orchestra Strings | 3:16 |
| Concierto de Aranjuez: Ⅰ. Allegro con spirito | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 6:24 |
| Concierto de Aranjuez: Ⅱ. Adagio | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 11:17 |
| Concierto de Aranjuez: Ⅲ. Allegro gentile | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 5:29 |
| Concierto pastoral, for flute & orchestra: Adagio / Allegro moderato | | Jennifer Stinton, English Chamber Orchestra, Steuart Bedford | 10:31 |
| Concierto pastoral, for flute & orchestra: Allegro | | Jennifer Stinton, English Chamber Orchestra, Steuart Bedford | 7:59 |
| Concierto pastoral, for flute & orchestra: Rondo. Allegro – Allegretto | | Jennifer Stinton, English Chamber Orchestra, Steuart Bedford | 6:33 |
| Die Fledermaus: Akt II. "Klänge der Heimat" | | Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker | 4:42 |
| El último romántico: Acto I. "Bella enamorado" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 4:09 |
| Fantasía para un gentilhombre, for guitar & orchestra: Españoleta – Fanfare de la caballeria de Nápoles – Tempo de Españoleta | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 9:20 |
| Fantasía para un gentilhombre: Canario | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 5:10 |
| Fantasía para un gentilhombre: Danza de las hachas | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 2:06 |
| Fantasía para un gentilhombre: Españoleta – Fanfare de la caballeria de Nápoles – Tempo de Españoleta | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 4:50 |
| Fantasía para un gentilhombre: Españoleta – Fanfare de la caballeria de Nápoles – Tempo de Españoleta | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 4:31 |
| Fantasía para un gentilhombre: Ⅰ. Villano y ricercare | | Carlos Bonell, English Chamber Orchestra, Steuart Bedford | 4:50 |
| L'Africaine: Acte IV. "Pays merveilleux ... Ô Paradis" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 3:18 |
| La bohème: Atto IV, "In un coupé ... O Mimi, tu più non torni" | | Plácido Domingo, Sir Thomas Allen, Orchestra of the Royal Opera House, Covent Garden, John Barker | 4:44 |
| La Chulapona: Romanza "Noche madrileña" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 3:32 |
| La fanciulla del West:: Atto III. "Ch'ella mi creda libero e lontano" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 2:06 |
| La Traviata: Act I. "Libiamo, ne' lieti calici" | | Plácido Domingo, Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker | 4:01 |
| Macbeth: Atto IV, Scena I. "O figli, a figli mei!" ... "Ah, la paterna mano" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 3:47 |
| Orchestral Suite No. 1 in C major, BWV 1066: I. Ouverture | | Consort of London, Robert Haydon Clark | 6:30 |
| Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | | Consort of London, Robert Haydon Clark | 2:09 |
| Orchestral Suite No. 1 in C major, BWV 1066: III. Gavotte 1 & 2 | | Consort of London, Robert Haydon Clark | 2:55 |
| Orchestral Suite No. 1 in C major, BWV 1066: IV. Forlane | | Consort of London, Robert Haydon Clark | 1:39 |
| Orchestral Suite No. 1 in C major, BWV 1066: V. Menuet I & II | | Consort of London, Robert Haydon Clark | 2:39 |
| Orchestral Suite No. 1 in C major, BWV 1066: VI. Bourrée I & II | | Consort of London, Robert Haydon Clark | 2:32 |
| Orchestral Suite No. 1 in C major, BWV 1066: VII. Passepied I & II | | Consort of London, Robert Haydon Clark | 2:26 |
| Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture | | Consort of London, Robert Haydon Clark | 7:03 |
| Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau | | Consort of London, Robert Haydon Clark | 1:41 |
| Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande | | Consort of London, Robert Haydon Clark | 2:48 |
| Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrée I & II | | Consort of London, Robert Haydon Clark | 1:48 |
| Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise | | Consort of London, Robert Haydon Clark | 3:05 |
| Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | | Consort of London, Robert Haydon Clark | 1:13 |
| Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | | Consort of London, Robert Haydon Clark | 1:22 |
| Orchestral Suite No. 3 in D major, BWV 1068: I. Ouverture | | Consort of London, Robert Haydon Clark | 7:09 |
| Orchestral Suite No. 3 in D major, BWV 1068: II. Air | | Consort of London, Robert Haydon Clark | 4:45 |
| Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte I & II | | Consort of London, Robert Haydon Clark | 4:27 |
| Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourrée | | Consort of London, Robert Haydon Clark | 1:19 |
| Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue | | Consort of London, Robert Haydon Clark | 3:02 |
| Orchestral Suite No. 4 in D major, BWV 1069: I. Ouverture | | Consort of London, Robert Haydon Clark | 8:14 |
| Orchestral Suite No. 4 in D major, BWV 1069: II. Bourrée I & II | | Consort of London, Robert Haydon Clark | 3:18 |
| Orchestral Suite No. 4 in D major, BWV 1069: III. Gavotte | | Consort of London, Robert Haydon Clark | 1:45 |
| Orchestral Suite No. 4 in D major, BWV 1069: IV. Menuet I & II | | Consort of London, Robert Haydon Clark | 3:28 |
| Orchestral Suite No. 4 in D major, BWV 1069: V. Rejouissance | | Consort of London, Robert Haydon Clark | 2:34 |
| Otello: Atto I. "Già nella notte densa" | | Plácido Domingo, Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker | 10:02 |
| Otello: Atto IV. Romanza "Niun mi tema" | | Plácido Domingo, Orchestra of the Royal Opera House, Covent Garden, John Barker | 5:44 |
| Spring (La primavera) op. 8 no. 1: First Movement. Allegro | | Alexander Barantschik, London Symphony Orchestra Strings | 3:08 |
| Spring (La primavera) op. 8 no. 1: Second Movement. Largo | | Alexander Barantschik, London Symphony Orchestra Strings | 2:17 |
| Spring (La primavera) op. 8 no. 1: Third Movement. Danza pastorale. Allegro | | Alexander Barantschik, London Symphony Orchestra Strings | 3:50 |
| Summer (L’estate) op. 8 no. 2: First Movement. Allegro non molto | | Alexander Barantschik, London Symphony Orchestra Strings | 5:07 |
| Summer (L’estate) op. 8 no. 2: Second Movement. Adagio – Presto | | Alexander Barantschik, London Symphony Orchestra Strings | 2:06 |
| Summer (L’estate) op. 8 no. 2: Third Movement. Presto | | Alexander Barantschik, London Symphony Orchestra Strings | 2:52 |
| Trumpet Concerto: I. Adagio - Allegro | | John Wallace, Royal Scottish National Orchestra, Peter Maxwell Davies | 13:47 |
| Trumpet Concerto: II. Adagio molto | | John Wallace, Royal Scottish National Orchestra, Peter Maxwell Davies | 9:54 |
| Trumpet Concerto: III. Presto | | John Wallace, Royal Scottish National Orchestra, Peter Maxwell Davies | 6:45 |
| Winter (L’inverno) op. 8 no. 4: First Movement. Allegro non molto | | Alexander Barantschik, London Symphony Orchestra Strings | 3:36 |
| Winter (L’inverno) op. 8 no. 4: Second Movement. Largo | | Alexander Barantschik, London Symphony Orchestra Strings | 1:49 |
| Winter (L’inverno) op. 8 no. 4: Third Movement. Allegro | | Alexander Barantschik, London Symphony Orchestra Strings | 3:17 |
| recording engineer for |
|---|
| A Different Rhythm | assistant | Maurice Jarre | 10:56 |
| Arrival in Africa | assistant | Maurice Jarre | 8:46 |
| Death and Misery | assistant | Maurice Jarre | 11:19 |
| Kuki's Determination | assistant | Maurice Jarre | 6:07 |
| The Storm | assistant | Maurice Jarre | 9:02 |
| engineered |
|---|
| America | | The King’s Singers | |
| My Spirit Sang All Day | | The King’s Singers | |
| produced |
|---|
| Syrian Dreams | associate and co | Maya Youssef | |
| recording engineer for |
|---|
| El amor después del amor | | Fito Páez | |
