| Alto Rhapsody, op. 53 | | - John Alldis, Janet Baker, Male Voices of the John Alldis Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Christa Ludwig, Wiener Singverein, Wiener Philharmoniker, Karl Böhm
- Christa Ludwig, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
- San Francisco Symphony, Herbert Blomstedt
- (show 45 more)
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| Andante in C major for Flute and Orchestra, K. 285e/315 | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 1 Chorus et Oebalus "Numen o Latonium!" (Chrorus, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 2 Aria "Saepe terrent Numina" (Hyacinthus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. No. 3 Aria "Iam pastor Apollo" (Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Ah nate! vera loqueris" (Oebalus, Apollo, Hyacinthus, Melia, Zephyrus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Amice! iam parata sunt omnia" (Hyacinthus, Zephyrus, Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act I, Prologus. Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 4 Aria "Laetari, iocari" (Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 5 Aria "En! duos conspicis" (Zephyrus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. No. 6 Duetto "Discede crudelis!" (Melia, Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Amare numquid filia" (Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Heu! Numen! ecce!" (Zephyrus, Melia, Apollo) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act II, Chorus I. Recitativo "Rex! de salute filii est actum" (Zephyrus, Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 7 Aria "Ut navis in aequore luxuriante" (Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 8 Duetto "Natus cadit" (Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. No. 9 Terzetto "Tandem post turbida fulmina" (Apollo, Melia, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Non Est - Quis Ergo" (Hyacinthus, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Quocumque Me Converto" (Melia, Oebalus) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Act III, Chorus II. Recitativo "Rex! Me Redire Cogit" (Apollo, Oebalus, Melia) | | | | | | | |
| Apollo et Hyacinthus, K. 38: Intrada | | | | | | | |
| Aria for Bass & Orchestra in E-flat major, K. 513: "Mentre ti lascio, oh figlia" | | | | Aria | | | |
| Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" | | - Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
- Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel
- Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
- Sabine Meyer, Kammerorchester Basel, Andreas Spering
- Vesselina Kasarova, Staatskapelle Dresden, Sir Colin Davis
| | Aria | | | |
| Aria for Bass, Double Bass & Orchestra in D major, K. 612: "Per questa bella mano" | | - Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel
- Walter Berry, Alois Posch, Mozarteum Orchester Salzburg, Leopold Hager
- Ildebrando d’Arcangelo, Davide Ghio, Orchestra del Teatro Regio di Torino, Gianandrea Noseda
- George London, George Neikrug, Columbia Symphony Orchestra, Bruno Walter
- (show 2 more)
| | Aria | | | |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | | | | Aria | | | |
| Aria for Soprano & Orchestra in B-flat major, K. 73e/77: "Misero me!… Misero pargoletto" | | | | Aria | | | |
| Aria for Soprano & Orchestra in C major, K. 73c/88: "Fra cento affanni e cento" | | | | Aria | | | |
| Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace" | | | | Aria | | | |
| Aria for Soprano & Orchestra in E major, K. 74b/deest: "Non curo l'affetto" | | | | Aria | | | |
| Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio" | | | | Aria | | | |
| Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | | | | Aria | | | |
| Aria for Soprano & Orchestra in F major, K. 73o/82: "Se ardire, e speranza" | | | | Aria | | | |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | | | | Aria | | | |
| Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele" | | | | Aria | | | |
| Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" | | | | Aria | | | |
| Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" | | | | Aria | | | |
| Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” | | | | Aria | | | |
| Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei" | | | | Aria | | | |
| Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” | | | | Aria | | | |
| Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" | | | | Aria | | | |
| Aria for Tenor & Orchestra in C major, K. 210: "Con ossequio, con rispetto" | | - Claes‐Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager
- Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel
- Rolando Villazón, London Symphony Orchestra, Antonio Pappano
- Francisco Fernandez-Rueda, Cristofori, Arthur Schoonderwoerd
- Gösta Winbergh, Wiener Kammerorchester, György Fischer
| | Aria | | | |
| Aria for Tenor & Orchestra in D major, K. 209: "Si mostra la sorte" | | | | Aria | | | |
| Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa" | | - Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel
- Claes‐Håkan Ahnsjö, Mozarteum Orchester Salzburg, Leopold Hager
- Antonio Pappano, Rolando Villazón, London Symphony Orchestra
- Gösta Winbergh, Wiener Kammerorchester, György Fischer
- Harry van der Kamp, Christoph Prégardien, La Petite Bande, Sigiswald Kuijken
| | Aria | | | |
| Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" | | | | Aria | | | |
| Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi" | | | | Aria | | | |
| Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata" | | - Marcel Reijans, The Chamber Orchestra of Europe, Wilhelm Keitel
- Thomas Moser, Mozarteum Orchester Salzburg, Leopold Hager
- Rolando Villazón, London Symphony Orchestra, Antonio Pappano
- Ben Johnson, The Mozartists, Ian Page
- Gösta Winbergh, Wiener Kammerorchester, György Fischer
| | Aria | | | |
| Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | | | | | | | |
| Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. No. 1 Ballet. Andante grazioso | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. No. 2 Coro "Di te più amabile, né Dea maggiore" (Coro di geni e grazie) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. No. 3 Aria "L'ombra de' rami tuoi" (Venere) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. No. 4 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Genie, grazie, ed amori, fermate il piè" (Venere, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Ma la Ninfa gentil" (Ascanio, Venere) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III-IV. No. 9 Coro "Hai di Diana il core" (Coro di pastori e Pastorelle) Recitativo "Oh generosa Diva" (Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore) Recitativo "Ma qual canto risona?" (Ascanio, Fauno) No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori) | | - Vocaal Ensemble Coqu, Musica ad Rhenum, Jed Wentz
- Rupert Huber, Arleen Augér, Aγνή Mπάλτσα, Salzburger Kammerchor, Leopold Hager, Mozarteum Orchester Salzburg
- Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei, che ignoto qui t'aggiri fra noi? (Fauno, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core de la tua stirpe" (Ascanio, Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. No. 10 Coro "Venga, de' sommi eroi" (Coro di pastori) Recitativo "Di propria man la Dea a voi la donerà" (Aceste) No. 11 Coro "Venga, de' sommi eroi" (Coro di pastori) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. No. 12 Aria "Per la gioia in questo seno" (Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. No. 13 Cavatina "Sì, sì, ma d'un altro amore" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. No. 14 Aria "Come è felice stato" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Ah no, Silvia t'inganni" (Aceste, Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Misera! che farò?" (Silvia, Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh mia gloria, oh mia cura" (Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Silvia, mira, che il sole omai s'avanza" (Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene V. No. 16 Aria "Ah di sì nobil alma" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene V. No. 17 Aria "Al chiaror di que' bei rai" (Venere) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene V. No. 18 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Cielo! che vidi mai?" (Ascanio, Venere) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Un'altra prova a te mirar conviene" (Venere, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene I. No. 19 Aria "Spiega il desio, le piume" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene I. No. 20 Coro "Già l'ore sen volano" (Coro di pastorelle) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene I. Recitativo "Star lontana non so" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene II-III. Recitativi "Cerco di loco in loco... Silvia, ove sei?" (Ascanio, Silvia, Fauno) | | - Arleen Augér, Aγνή Mπάλτσα, Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
- Maaike Beekman, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Claron McFadden, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene IV. No. 22 Aria "Al mio ben mi veggio avanti" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene IV. No. 23 Aria "Infelici affetti miei" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ahimè! Che veggio mai?" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ferma, aspetta, ove vai?" (Silvia) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo e Coro "Anima grande" No. 24 Coro "Che strano evento" Recitativo "Ahi la crudel" (Ascanio, Silvia, coro di pastorelle) | | - Rupert Huber, Aγνή Mπάλτσα, Edith Mathis, Salzburger Kammerchor, Leopold Hager, Mozarteum Orchester Salzburg
- Maaike Beekman, Musica ad Rhenum, Jed Wentz
- Vocaal Ensemble Coqu, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act II, Scene V. No. 25 Aria "Torna mio bene, ascolta" (Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 26 Coro "Venga, venga, de' sommi eroi" (Coro di pastori) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 27 Aria e Recitativo "Sento, che il cor mi dice... Sì, Padre, alfin mi taccia" (Silvia, Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 28 Coro "Scendi, celeste Venere" (Coro di pastori e Ninfe o Pastorelle) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 29 Coro e Recitativo "No, non possiamo vivere... Ecco, ingombran l'altare" (Coro di pastori e Pastorelle, Aceste) No. 30 Coro "Scendi celeste Venere" (Coro) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 31 Terzetto "Ah caro sposo, oh dio!" (Silvia, Ascanio, Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 32 Piccola parte del terzetto "Che bel piacer io sento" (Silvia, Ascanio, Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. No. 33 Coro "Alma Dea, tutto il mondo governa" (Coro ultimo di geni, grazie, pastori e ninfe) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ah chi nodi più forti" (Silvia, Ascanio, Aceste, Venere) | | - Aγνή Mπάλτσα, Edith Mathis, Peter Schreier, Lilian Sukis, Leopold Hager, Mozarteum Orchester Salzburg
- Thomas Michael Allen, Maaike Beekman, Claudia Patacca, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Che strana meraviglia" (Aceste) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Eccovi al fin di vostre pene" (Venere) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Invoca, oh figlia" (Aceste, Silvia, Ascanio, Venere) | | - Aγνή Mπάλτσα, Edith Mathis, Peter Schreier, Lilian Sukis, Leopold Hager, Mozarteum Orchester Salzburg
- Thomas Michael Allen, Maaike Beekman, Claudia Patacca, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
| | | | | |
| Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ma s'allotani almen" (Silvia, Aceste, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Ouvertura | | | | Overture | | | |
| Bastien und Bastienne, K.50: Intrada | | | | | | | |
