| 12 Irish Songs WoO 154: No. 1, "The Elfin Fairies" | | - Barbara Emilia Schedel, Kerstin Wagner, 小林幸子, Chihiro Saito, Michael Wagner
- Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Wolfgang Holzmair, Trio Fontenay
- Ludwig van Beethoven
- Maria Keohane, Ricercar Consort, Sarah-Jane Summers
| | | | | |
| 12 Irish Songs WoO 154: No. 5, "Oh! Who, My Dear Dermot" | | - Barbara Emilia Schedel, 小林幸子, Chihiro Saito, Michael Wagner
- Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Wolfgang Holzmair, Trio Fontenay
- Ian Bostridge, Nicolas Altstaedt, Vilde Frang, Antonio Pappano
- Lorna Anderson, TrioVanBeethoven
| | | | | |
| A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’ | | - The Bach Choir, Andrew Kennedy, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bournemouth Symphony Orchestra, Richard Hickox
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ – | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
| An ä Bergli bin i gesässe, WoO 158a no. 18 | | - Horst Neumann, Renate Kramer, MDR Rundfunkchor Leipzig, Ingeborg Springer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Renate Krahmer, Ingeborg Springer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Ludwig van Beethoven
| | | | | |
| Bird Songs: The Owl | | | | Song | | | |
| Bird Songs: The Starling | | | | Song | | | |
| Bird Songs: The Woodpigeon | | | | Song | | | |
| Bird Songs: The Wren | | | | Song | | | |
| Bird Songs: The Yellowhammer | | | | Song | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: I. Chorus "Tot! Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
- (show 4 more)
| | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: IV. Aria & Chorus "Da stiegen die Menschen ans Licht" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: V. Recitative "Er schläft" (soprano) | | | | | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VI. Aria "Hier schlummert seinen stillen Frieden" (soprano) | | | | Aria | | | |
| Cantata on the Death of Emperor Joseph II, WoO 87: VII. Chorus "Tot, stöhnt es durch die öde Nacht" (solo quartet) | | - Eesti Riiklik Sümfooniaorkester, Tõnu Kaljuste, Mati Kõrts, Leonid Savitski, Teele Jõks, Fiona Cameron
- Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann
- Eesti Riiklik Sümfooniaorkester, Eesti Filharmoonia Kammerkoor, Tõnu Kaljuste
- Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam
- (show 4 more)
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| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Cherry Ripe | | | | Song | | | |
| Como la mariposa soy, WoO 158a no. 20 | | - Horst Neumann, Renate Kramer, MDR Rundfunkchor Leipzig, Ingeborg Springer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Ruby Philogene, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Renate Krahmer, Ingeborg Springer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
| | | | | |
| Endymion | | | | Song | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: I. Gloria | | | | | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: II. Laudamus te | | | | | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: III. Domine Deus | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- (show 20 more)
| | | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: IV. Domine Fili unigenite | | - John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 18 more)
| | | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: V. Domine Deus, Agnus Dei | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 14 more)
| | | | | |
| Gloria, for Soprano, Chorus and Orchestra, FP 177: VI. Qui sedes ad dexteram Patris | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 19 more)
| | | | | |
| Hodie: III. Song: It Was the Winter Wild | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Guildford Choral Society, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
| | | | | |
| Hodie: VI. Narration: And There Were in the Same Country | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Guildford Choral Society, Peter Hoare, St Catherine's School Middle Chamber Choir, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
| | | | | |
| Hodie: XI. Lullaby: Sweet Was the Song the Virgin Sang | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- Children's Chorus of Washington, Joan Gregoryk
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Guildford Choral Society, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
| | | | | |
| Hodie: XIV. The March of the Three Kings: From Kingdoms of Wisdom | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Stephen Gadd, Guildford Choral Society, Peter Hoare, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
| | | | | |
| Hodie: XVI. Epilogue: In the Beginning Was the Word | | - The Bach Choir, Dame Janet Baker, Choir of Westminster Abbey, Richard Lewis, John Shirley‐Quirk, Philip Ledger, London Symphony Orchestra, Sir David Willcocks
- London Symphony Orchestra, Richard Hickox
- Clio Gould, Stephen Gadd, Guildford Choral Society, Peter Hoare, Janice Watson, Royal Philharmonic Orchestra, Hilary Davan Wetton
| | | | | |
| Ich mag di nit nehma, WoO 158a no. 8 | | - Horst Neumann, Renate Kramer, MDR Rundfunkchor Leipzig, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Renate Krahmer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Ludwig van Beethoven
| | | | | |
| Jeanie Deans: "O God, whose eyes can never look on sin" (Jeanie) | | | | | | | |
| Jeanie Deans: "What can it be that weighs upon my spirit?" (Jeanie) | | | | | | | |
| Jeanie Deans: "Why com'st thou thus, dear sister?" (Jeanie) | | | | | | | |
| Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) | | | | | | | |
| Les Contes d’Hoffmann: Barcarolle | | | | | | | |
| Lilla Carl, WoO 158a no. 17 | | - Horst Neumann, Renate Kramer, MDR Rundfunkchor Leipzig, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Renate Krahmer, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Barbara Hendricks
- (show 2 more)
| | | | | |
| Magdalen at Michael's Gate | | | | Song | | | |
| Missa Sabrinensis: I. Kyrie | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Missa Sabrinensis: II. Gloria | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Missa Sabrinensis: III. Credo | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Missa Sabrinensis: IV. Sanctus | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Missa Sabrinensis: V. Benedictus | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Missa Sabrinensis: VI. Agnus Dei | | - Helena Dix, Christine Rice, Benjamin Hulett, Roderick Williams, The Bach Choir, BBC Concert Orchestra, David Hill
- Martyn Hill, Della Jones, London Symphony Chorus, Donald Maxwell, Janice Watson, London Symphony Orchestra, Gennady Rozhdestvensky
| | | | | |
| Nonsense Songs From "Alice in Wonderland": Will You Walk a Little Faster | | | | Song | | | |
| Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Nathan Gunn, Jonathan Lemalu, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act I Scene II: "Old Joe has gone fishing" (Keene) | | | | | | | |
| Peter Grimes: Act I Scene II: "The bridge is down, we half swam over" (Hobson) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Christopher Gillett, Jill Grove, Nathan Gunn, Jonathan Lemalu, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, Janice Watson, Glenn Winslade, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Alison Buchanan, Jill Grove, Sally Matthews, Janice Watson, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen) | | | | | | | |
| Peter Grimes: Act II Scene I: "Let this be a holiday" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Ryland Davies, London Symphony Chorus, Janice Watson, Glenn Winslade, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, Jonathan Lemalu, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, Jonathan Lemalu, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "This unrelenting work" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Ryland Davies, London Symphony Chorus, Janice Watson, Glenn Winslade, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, Jonathan Lemalu, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act II Scene I: "What is it?" (Chorus) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen) | | | | | | | |
| Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, Alison Buchanan, Ryland Davies, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels-Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Act III Scene II: "Peter, we've come to take you home" (Ellen) | | | | | | | |
| Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Jonathan Lemalu, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Prologue: "Peter Grimes!" (Hobson) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Jonathan Lemalu, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Prologue: "The truth...the pity...and the truth" (Peter) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Bergen Philharmonic Orchestra, Edward Gardner
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Joseph Cullen, London Symphony Chorus, Janice Watson, Glenn Winslade, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Jonathan Lemalu, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | |
| Prelude and Idyll: Idyll "Once I Passed Through a Populous City" | | | | | | | |
| Ridder Stigs runer, WoO 158a no. 1 | | - Horst Neumann, Günther Leib, MDR Rundfunkchor Leipzig, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Sir Thomas Allen, Ruby Philogene, Timothy Robinson, Janice Watson, Malcolm Martineau, Krysia Osostowicz, Ursula Smith
- Günther Leib, Eva Ander, Joachim Bischof, Kurt Mahn, Werner Pauli, Reinhard Ulbricht
- Ludwig van Beethoven
| | | | | |
| Stabat Mater, FP 148: I. Stabat Mater dolorosa | | | | | | | |
| Stabat Mater, FP 148: II. Cuius animam gementem | | | | | | | |
| Stabat Mater, FP 148: III. O quam tristis | | | | | | | |
| Stabat Mater, FP 148: IV. Quae moerebat | | | | | | | |
| Stabat Mater, FP 148: IX. Sancta Mater | | | | | | | |
| Stabat Mater, FP 148: V. Quis est homo | | | | | | | |
| Stabat Mater, FP 148: VI. Vidit suum | | - Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- Danielle Borst, Chœur Régional Vittoria de I'Ile de France, Orchestre de la Cité, Michel Piquemal
- (show 14 more)
| | | | | |
| Stabat Mater, FP 148: VII. Eia, Mater | | | | | | | |
| Stabat Mater, FP 148: VIII. Fac ut ardeat | | | | | | | |
| Stabat Mater, FP 148: X. Fac ut portem | | - Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- Danielle Borst, Chœur Régional Vittoria de I'Ile de France, Orchestre de la Cité, Michel Piquemal
- (show 15 more)
| | | | | |
| Stabat Mater, FP 148: XI. Inflammatus et accensus | | - Tanglewood Festival Chorus, Boston Symphony Orchestra, 小澤征爾
- Teresa Berganza, Mirella Freni, Claudio D'Onofrio, Solisti dell'Orchestra "Scarlatti" Napoli, Ettore Gracis
- Serge Baudo, Orchestre National de Lyon
- François Polgar, Chœur de Radio France, Orchestre national de France, Charles Dutoit
- (show 14 more)
| | | | | |
| Stabat Mater, FP 148: XII. Quando corpus morietur | | | | | | | |
| Stabat Mater, op. 58, B. 71: I. Andante con moto “Stabat Mater dolorosa” (Quartetto e Coro) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Kühnův smíšený sbor, Česká filharmonie, Libor Pešek
- Piotr Beczała, Chor des Bayerischen Rundfunks, Franz Hawlata, Ľuba Orgonášová, Birgit Remmert, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt
- Chor des Bayerischen Rundfunks, Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- (show 21 more)
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| Stabat Mater, op. 58, B. 71: II. Andante sostenuto "Quis est homo, qui non fleret" (Quartetto) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Piotr Beczała, Franz Hawlata, Ľuba Orgonášová, Birgit Remmert, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt
- Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- Edith Mathis, Wiesław Ochman, Anna Reynolds, John Shirley‐Quirk, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- (show 20 more)
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| Stabat Mater, op. 58, B. 71: VIII. Larghetto "Fac, ut portem Christi mortem" (Tenore e Soprano) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Piotr Beczała, Ľuba Orgonášová, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt
- John Aler, Christine Brewer, The Washington Orchestra, Robert Shafer
- Christian Elsner, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- (show 21 more)
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| Stabat Mater, op. 58, B. 71: X. Andante con moto "Quando corpus morietur" (Quartetto e Coro) | | - Simfonični orkester RTV Slovenija, Marko Munih
- Chor des Bayerischen Rundfunks, Christian Elsner, Mihoko Fujimura, Liang Li, Erin Wall, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
- Piotr Beczała, Chor des Bayerischen Rundfunks, Franz Hawlata, Ľuba Orgonášová, Birgit Remmert, Symphonieorchester des Bayerischen Rundfunks, Nikolaus Harnoncourt
- Ana Pusar Jerič, Eva Novšak Houška, Jurij Rega, Consortium Musicum Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
- (show 22 more)
| | | | - B minor (Key)
- D major (Key)
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| Teppichkrämer‑Lied, WoO 158a no. 5 | | | | | | | |
| The Daisy Chain: If No One Ever Marries Me | | | | Song | | | |
| The Daisy Chain: The Swing | | | | Song | | | |
| The Four Coronation Anthems: “Zadok the Priest”, HWV 258 | | - Choir of Westminster Abbey, Simon Preston, The English Concert, Trevor Pinnock
- Royal Choral Society, London Philharmonic Orchestra, London Philharmonia Orchestra, Sir Andrew Davis
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- (show 65 more)
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| The Lily of a Day | | | | Song | | | |
| The Mikado: Act I Finale, no. 11, “With Aspect Stern and Gloomy Stride” (Pooh-Bah, Ko-Ko, Nanki-Poo, Chorus) | | - Gilbert & Sullivan
- John McCarthy, Ambrosian Opera Chorus, Cynthia Buchan, Anne Collins, Stafford Dean, Fiona Dobie, Kate Flowers, John Stewart, London Symphony Orchestra, Alexander Faris
- Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras
| | Song | | | |
| The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) | | | | Song | | | |
| The Mikado: Act I, no. 8, “So Please You Sir, We Much Regret” (Yum-Yum, Peep-Bo, Pitti-Sing, Pooh-Bah, and Girls) | | - D'Oyly Carte Opera Chorus, Peggy Ann Jones, Valerie Masterson, Kenneth Sandford, Pauline Wales, Royal Philharmonic Orchestra, Royston Nash
- Gilbert & Sullivan
- Cynthia Buchan, Stafford Dean, Fiona Dobie, Kate Flowers, London Symphony Orchestra, Alexander Faris
- Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Marie McLaughlin, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras
| | Song | | | |
| The Mikado: Act II, no. 24. Finale “For He’s Gone and Married Yum-Yum” (Ensemble) | | - Gilbert & Sullivan
- John McCarthy, Ambrosian Opera Chorus, Cynthia Buchan, Kate Flowers, Clive Revill, John Stewart, London Symphony Orchestra, Alexander Faris
- Thomas Edmonds, Dennis Olsen, Adelaide Symphony Orchestra, James Christiansen
- Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, Pauline Wales, Peggy Ann Jones, Valerie Masterson, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash
- (show 3 more)
| | Song | | | |
