“E lucevan le stelle” (from Tosca) | | - Academy of St Martin in the Fields, Sir Neville Marriner
- Yuri Ogawa, Eric Couëffé, Marc Minier, Diego Modena
- Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner
- Ron Carter, Billy Childs, Grover Washington, Jr., Orchestra of St. Luke’s, Robert Freedman
- (show 5 more)
| | Aria | | | |
“Nessun dorma” (from Turandot) | | | | | | | |
“The Apartment” Theme | | | | | | - 4799445 (AGADU ID)
- 4799447 (AGADU ID)
- (show 33 more)
- 000230 493 20 (SUISA ID)
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3 Songs for Voice and Piano, op. 18: no. 1 Nell | | | | Song | | | |
5 Lieder, op. 49: Nr. 4. Wiegenlied | | | | | | | |
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" | | | | Song | | | |
6 Pieces, op. 51 no. 6: Valse sentimentale | | | | | | | |
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) | | | | Song | | | |
6 Romances, op. 6: No. 6. Нет, только тот, кто знал / None but the Lonely Heart | | | | | | | |
6 Stücke, op. 32: Nr. 3. Frühlingsrauschen | | | | | | | |
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose | | | | | | | |
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose | | | | | | | 5 |
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 Romances, op. 14: no. 11 "Spring Waters" | | | | | | | |
12 Romances, op. 14: no. 11 "Spring Waters" | | | | Song | | | |
16 Waltzes, op. 39: No. 5 in E major | | | | | | | |
A Musical Snuffbox, op. 32 | | | | | | | |
A Swan, op. 25 no. 2 | | | | Song | | | |
A Trumpeter’s Lullaby | | | | | | - 208376 (ACDAM ID)
- 4663790 (AGADU ID)
- (show 34 more)
- 000039 435 03 (SUISA ID)
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Accelerationen, op. 234 | | | | | | | |
Adagio for Strings | | | | | | | |
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | | | | Aria | | | |
Aida: Grand March | | | | | | | |
Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
An der schönen blauen Donau, op. 314 | | | | | | | 5 |
An Silvia, D. 891 | | | | Song | | | |
An Sylvia, D. 891 | | | | Song | | | |
And This Is My Beloved | | | | Song | | - 512500801 (AKM ID)
- GW03455717 (APRA ID)
- (show 9 more)
- 1529767 (SPA ID)
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Angel of Music | | | | Song | | - W-000568605 (BUMA/STEMRA ID)
- 2447702-001 (GEMA ID)
- 1116KQ (PRS tune code)
- 224506500 (SABAM ID)
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Annie Laurie | | | | Song | | | |
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn | | | | | | | |
Après un rêve, op. 7 no. 1 | | | | | | | |
Après un rêve, op. 7 no. 1 | | | | Song | | | 5 |
Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
At Dawning | | | | Song | | | |
Auf Flügeln des Gesanges, op. 34 Nr. 2 | | | | | | | |
Ave Maria | | | | Song | | | 5 |
Ave Maria | | | | Song | | | |
Ave Maria, D. 839 | | | | | | | |
Babes in Toyland: Act II. March of the Toys | | | | | | | |
Bachianas Brasileiras nº 5, W389 | | | | | | | |
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | | | | | | | |
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | | | | | | | |
Baubles, Bangles and Beads | | | | Song | | | |
Beau soir | | | | | | | |
Beautiful Dreamer | | | | | | | |
Because | | | | Song | | | |
Berceuse (Kehtolaulu) | | | | | | | |
Bird Songs at Eventide | | | | Song | | | |
Bist du bei mir, BWV 508 | | | | | | | |
Black Is the Colour (of My True Love’s Hair) | | | | Song | | | |
Boccaccio-Quadrille, op. 180 | | | | | | | |
Brazilian Lullaby | | | | | | | |
Cagliostro-Walzer, op. 370 | | | | | | | |
Canon and Gigue in D major, T. 377: I. Canon | | | | | | | |
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) | | | | Aria | | | |
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) | | - Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- John Alldis, Plácido Domingo, The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
- Luciano Pavarotti, Orchester der Wiener Volksoper & Leone Magiera
- Nicolai Gedda, Maria Callas, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- (show 125 more)
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Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) | | - Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Andréa Guiot, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- (show 58 more)
| | Aria | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: VI. Les toréadors | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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Carmen Suite no. 2: IV. Chanson du toréador | | | | | | | |
Caro mio ben | | | | Aria | | | |
Clarinet Candy | | | | | | | |
Come prima | | | | Song | | | |
Concerto for Clarinet in A major, K. 622: II. Adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467 | | | | Concerto | | | |
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
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Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
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Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” | | | | Concerto | | | 5 |
Concierto de Aranjuez | | | | Concerto | | | |
Country Gardens | | | | Song | | - W-000209623 (BUMA/STEMRA ID)
- 20584AP (PRS tune code)
- (show 2 more)
- 221343 (SPA ID)
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Csárdás aus 'Ritter Pasman', op. 441-1 | | | | | | | |
Danny Boy | | | | Song | | | |
Das Land des Lächelns: Dein ist mein ganzes Herz | | | | | | | |
Das Land des Lächelns: Ouvertüre | | | | Overture | | | |
Deep River | | | | Song | | | |
Der fliegende Rittmeister: Fliegermarsch | | | | | | | |
Der Graf von Luxemburg: Akt II. „Bist du's, lachendes Glück” (Angèle, René) | | | | | | | |
Der Opernball: Akt II. "Im chambre séparée" | | | | | | | |
Der Zigeunerbaron: Akt III. „Hurrah, die Schlacht mitgemacht haben wir im fernen Land“ (Chor) | | | | | | | |
Der Zigeunerbaron: Ouvertüre | | | | | | | |
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto | | | | | | | |
Die Fledermaus | | | | Operetta | | | |
Die Fledermaus: Ouvertüre | | | | Overture | | | |
Die Forelle, D. 550 | | | | Song | | | |
Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied | | | | | | | |
Die Reise um die Erde in 80 Minuten: Heurigenmarsch „Jung san ma! Fesch san ma!“ | | | | Song | | | |
Dolly Suite, op. 56: I. Berceuse | | | | | | | |
Don Giovanni: “Là ci darem la mano” | | | | Aria | | | |
Down by the Salley Gardens | | | | Song | | | |
Drink to Me Only With Thine Eyes | | | | Song | | | |
Ein Morgen, ein Mittag und ein Abend in Wien: Ouvertüre | | | | Overture | | | |
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace | | | | | | | |
Ein Walzertraum | | | | Operetta | | | |
Ein Walzertraum: Ouvertüre | | | | Overture | | | |
El amor brujo: VIII. Danza ritual del fuego | | | | | | | |
Eros (op 70, no. 1) | | | | Song | | | |