| A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday | | | | | | | |
| A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day | | | | | | | |
| A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July | | | | | | | |
| A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day | | | | | | | |
| Adagio for Strings | | | | | | | |
| Ash | | | | | | | |
| Atto for String Orchestra | | | | | | | |
| Baal Shem: I. Vidui | | | | | | | |
| Baal Shem: II. Nigun | | | | | | | |
| Baal Shem: III. Simchas Torah | | | | | | | |
| Billy the Kid: I. Introduction: The Open Prairie | | | | | | | |
| Billy the Kid: II. Street in a Frontier Town | | | | | | | |
| Billy the Kid: III. Mexican Dance and Finale | | | | | | | |
| Billy the Kid: IV. Prairie Night (Card Game at Night) | | | | | | | |
| Billy the Kid: V. Gun Battle | | | | | | | |
| Billy the Kid: VI. Celebration (After Billy’s Capture) | | | | | | | |
| Billy the Kid: VII. Billy’s Death | | | | | | | |
| Billy the Kid: VIII. The Open Prairie Again | | | | | | | |
| Bizarro | | | | | | | |
| Boléro | | | | Ballet | | | 5 |
| Bonham | | | | | | | |
| Bright Blue Music | | | | | | | |
| Candide: Overture | | | | Overture | | | |
| Caucasian Sketches Suite no. 1, op. 10: I. In a Mountain Pass | | | | | | | |
| Caucasian Sketches Suite no. 1, op. 10: II. In a Village | | | | | | | |
| Caucasian Sketches Suite no. 1, op. 10: III. In a Mosque | | | | | | | |
| Caucasian Sketches Suite no. 1, op. 10: IV. Procession of the Sardar | | | | | | | |
| Cello Concerto | | | | Concerto | | | |
| Cello Concerto, op. 22: I. Allegro moderato | | | | | | | |
| Cello Concerto, op. 22: II. Andante sostenuto | | | | | | | |
| Cello Concerto, op. 22: III. Molto allegro e appassionato | | | | | | | |
| Cello Concerto: I. Audacemente ma sostenuto | | | | | | | |
| Cello Concerto: II. Con brio - Instante (Urgent) | | | | | | | |
| Cello Concerto: III. Larghetto | | | | | | | |
| Cello Concerto: IV. Con moto: Con imminenso e inquieto | | | | | | | |
| Charcoal | | | | | | | |
| Cockaigne (In London Town), op. 40 | | | | Overture | | | |
| Collage: Boogie | | | | | | | |
| Concert Overture (Overture for 2012) | | | | Overture | | | |
| Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto | | | | | | | |
| Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
| Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | | | | |
| Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | | | | |
| Concerto for Violin and Orchestra ("The Red Violin"): I. Chaconne | | | | | | | |
| Concerto for Violin and Orchestra ("The Red Violin"): II. Pianissimo Scherzo | | | | | | | |
| Concerto for Violin and Orchestra ("The Red Violin"): III. Andante flautando | | | | | | | |
| Concerto for Violin and Orchestra ("The Red Violin"): IV. Accelerando Finale | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: I. Allegro | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: II. Andante | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | | | | | | | |
| Constant Craving | | | | Song | | - 6553926 (AGADU ID)
- 195564701 (AKM ID)
- (show 25 more)
- 001689 188 15 (SUISA ID)
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| Danzón cubano | | | | | | | |
| Desi | | | | | | | |
| Die Hebriden, op. 26 | | | | Overture | | | |
| Ecstatic Orange | | | | | | | |
| Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) | | | | | | | |
| Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) | | | | | | | |
| Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) | | - Andreas Schmidt, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Maria Giulini
- Berliner Philharmoniker, Wiener Singverein, Herbert von Karajan
- Hans Hotter, Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan
- Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- (show 80 more)
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| Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) | | | | | | | |
| Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) | | - Barbara Bonney, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Maria Giulini
- Berliner Philharmoniker, Wiener Singverein, Herbert von Karajan
- Elisabeth Schwarzkopf, Singverein der Gesellschaft der Musikfreunde, Wiener Philharmoniker, Herbert von Karajan
- Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- (show 78 more)
| | | | | |
| Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) | | | | | | | |
| Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) | | | | | | | |
| El salón México | | | | | | | |
| Essay for Orchestra, op. 12 | | | | | | | |
| Facsimile: Choreographic Essay for Orchestra | | | | | | | |
| Fancy Free: Big Stuff | | | | Song | | | |
| Fancy Free: I. Enter Three Sailors | | - New York Philharmonic, Leonard Bernstein
- Israel Philharmonic Orchestra, Leonard Bernstein
- Columbia Symphony Orchestra, Leonard Bernstein
- Tony Yazbeck, Clyde Alves, Jay Armstrong Johnson, Ruth Mense, Dicky Tarrach, Thissy Thiers, New York Philharmonic, Leonard Bernstein, London Symphony Orchestra, Yannick Nézet‐Séguin
- (show 5 more)
| | | | | |
| Fancy Free: II. Scene at the Bar | | | | | | | |
| Fancy Free: III. Enter Two Girls | | | | | | | |
| Fancy Free: IV. Pas de deux | | | | | | | |
| Fancy Free: V. Competition Scene | | | | | | | |
| Fancy Free: VI. Three Dance Variations: Variation I: Galop | | | | | | | |
| Fancy Free: VI. Three Dance Variations: Variation II: Waltz | | | | | | | |
| Fancy Free: VI. Three Dance Variations: Variation III: Danzon | | | | | | | |
| Fancy Free: VII. Finale | | | | | | | |
| Feste romane, P. 157: I. Circenses | | | | | | | |
| Feste romane, P. 157: II. Il giubileo | | | | | | | |
| Feste romane, P. 157: III. L’ottobrata | | | | | | | |
| Feste romane, P. 157: IV. La befana | | | | | | | |
| Firebird Suite: V. Infernal Dance of King Kastchei | | | | | | | |
| Francesca da Rimini, op. 32 | | | | Symphonic poem | | | |
| Grande Ouverture des Francs-Juges, for orchestra, op. 3 | | | | Overture | | | |
| Green | | | | | | | |
| Hallelujah | | | | Song | | - 6523938 (AGADU ID)
- 110458801 (AKM ID)
- (show 24 more)
- 001406 876 71 (SUISA ID)
| |
| Háry János Suite: I. Prelude: The Fairy Tale Begins: Con moto | | | | | | | |
| Háry János Suite: II. Viennese Musical Clock: Allegretto | | | | | | | |
| Háry János Suite: III. Song: Andante, poco rubato | | | | | | | |
| Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia | | | | | | | |
| Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco | | | | | | | |
