| performed |
|---|
| Spring Symphony, for soprano, alto, tenor, boys’ chorus, chorus & orchestra, op. 44: III Spring, the sweet spring | | | Jennifer Vyvyan | 1:54 |
| vocals |
|---|
| 1954 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | | soprano vocals | Benjamin Britten | 3:22 |
| 1954 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | | soprano vocals | Benjamin Britten | 4:00 |
| 1954 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | | soprano vocals | Benjamin Britten | 3:51 |
| 1954 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | | soprano vocals | Benjamin Britten | 5:37 |
| 1954 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | | soprano vocals | Benjamin Britten | 9:57 |
| 1954 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | | soprano vocals | Benjamin Britten | 4:44 |
| 1954 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | | soprano vocals | Benjamin Britten | 7:07 |
| 1954 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | | soprano vocals | Benjamin Britten | 11:03 |
| 1954 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | | soprano vocals | Benjamin Britten | 8:20 |
| 1954 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | | soprano vocals | Benjamin Britten | 8:36 |
| 1954 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | | soprano vocals | Benjamin Britten | 6:43 |
| 1954 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | | soprano vocals | Benjamin Britten | 6:22 |
| 1954 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | | soprano vocals | Benjamin Britten | 4:28 |
| 1954 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | | soprano vocals | Benjamin Britten | 4:20 |
| 1954 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | | soprano vocals | Benjamin Britten | 12:05 |
| 1955 | The Turn of the Screw (1955): Act II: Colloquy and Soliloquy - The Bells - Miss Jessel - The Bedroom Conclusion - Quint - The Piano - Flora - Miles | | soprano vocals | Britten | 52:43 |
| 1955 | The Turn of the Screw (1955): The Prologue - Act I: The Journey - The Welcome - The Letter - The Tower - The Window - The Letter Conclusion - The Lesson - The Lake - At Night | | soprano vocals | Britten | 51:35 |
| 1957-02 | A Midsummer Night's Dream, op. 61: No. 3. "You Spotted Snakes" | | soprano vocals | Jennifer Vyvyan, Marion Lowe, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | 4:23 |
| 1957-02 | A Midsummer Night's Dream, op. 61: No. 12. Finale | | soprano vocals | Jennifer Vyvyan, Female Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Peter Maag | 4:00 |
| 1959 | Hallelujah Chorus from the Messiah HWV56 | | | [unknown] | 3:37 |
| 1960-01-12 – 1960-06-03 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Choral Finale (Ode to Joy) | | | London Symphony Orchestra, Josef Krips | 24:38 |
| 1960-08 | Presto; Allegro Assai. Choral Finale | | soprano vocals | Leslie Woodgate, BBC Chorus, Donald Bell, Rudolf Petrák, Shirley Verrett, Jennifer Vyvyan, London Symphony Orchestra, Josef Krips | 24:34 |
| 1969-10-27 – 1969-10-30 | Changes: Part I Sancte Thomas ora pro nobis | | solo and soprano vocals | Jennifer Vyvyan, London Symphony Chorus, Orpington Junior Singers, Highgate School Boys Choir, London Symphony Orchestra, Norman Del Mar | 8:59 |
| 1969-10-27 – 1969-10-30 | Changes: Part II No. 4 Nurse’s Song: When voices of children are heard on the green | | solo and soprano vocals | Jennifer Vyvyan, London Symphony Orchestra, Norman Del Mar | 3:25 |
| 1969-10-27 – 1969-10-30 | Changes: Part III No. 5 Like to the lightning from the sky | | solo and soprano vocals | Jennifer Vyvyan, Orpington Junior Singers, Highgate School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Norman Del Mar | 4:45 |
| 1969-10-27 – 1969-10-30 | Changes: Part IV No. 1 The Door of Death | | solo and soprano vocals | Jennifer Vyvyan, London Symphony Orchestra, Norman Del Mar | 4:45 |
| 1972-09 | Szenen aus Goethes Faust: Dritte Abteilung. Gerettet ist das edle Glied | | soprano vocals | Aldeburgh Festival Singers, Jennifer Vyvyan, Wandsworth School Boys’ Choir, English Chamber Orchestra, Benjamin Britten | 11:09 |
| 1972-09 | Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel | | soprano vocals | Meriel Dickinson, Felicity Palmer, Pauline Stevens, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | 2:22 |
| 1972-09 | Szenen aus Goethes Faust: Zweite Abteilung. Vier sah ich kommen | | soprano vocals | Dietrich Fischer‐Dieskau, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | 8:15 |
| "Ah, lo previdi...Ah, t'invola agl'occhi miei", K. 272 | | soprano vocals | Jennifer Vyvyan, The Haydn Orchestra, Harry Bluestone | 12:26 |
| Ah se in ciel, benigne stelle, K. 538 | | soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Peter Maag | 7:30 |
| Ch'io mi scordi di te... Non temer, amato bene, K. 505 | | soprano vocals | Jennifer Vyvyan, Peter Wallfisch | 10:38 |
| Exsultate, jubilate, K. 165, Original Version 1773: IV. Alleluia | | soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Peter Maag | 2:39 |
| Mass in C major: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: Laudamus Te | | soprano vocals | Jennifer Vyvyan, The Haydn Orchestra, Harry Newstone | 4:53 |
| Mass in C major: Missa Sancta Caeciliae (Missa cellensis), Hob. XXV:5: Quoniam | | soprano vocals | Jennifer Vyvyan, The Haydn Orchestra, Harry Newstone | 2:55 |
| Mass in C minor, K. 427 "Grosse Messe": 3b. Credo: Et incarnatus est | | soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Peter Maag | 7:38 |
| Messiah: But thou didst not leave | | solo and soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 2:56 |
| Messiah: He Shall Feed His Flock | | solo and soprano vocals | Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 6:22 |
| Messiah: He was cut off | | solo and soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 0:21 |
| Messiah: How Beautiful are the Feet | | soprano vocals | London Philharmonic Choir, Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 2:59 |
| Messiah: I Know That my Redeemer Liveth | | soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 7:26 |
| Messiah: If God Be for Us | | solo and soprano vocals | London Philharmonic Choir, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 6:01 |
| Messiah: Rejoice Greatly | | solo and soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 4:59 |
| Messiah: Then Shall the Eyes of the Blind be Opened / He Shall Feed his Flock | | soprano vocals | Norma Procter, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 6:51 |
| Messiah: There Were Shepherds | | solo and soprano vocals | Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 2:04 |
| Messiah: There Were Shepherds / And lo! The Angel of the Lord / And the Angel Said Unto Them / And Suddenly There was With the Angel / Glory to God | | soprano vocals | London Philharmonic Choir, Jennifer Vyvyan, London Philharmonic Orchestra, Sir Adrian Boult | 4:04 |
| Saul, HWV 53: 1. Act I, Scene 1 Chorus: How excellent thy name | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:00 |
| Saul, HWV 53: 2. Act I, Scene 1 Air: An infant | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 1:33 |
| Saul, HWV 53: 3. Act I, Scene 1 Trio: Along the monster strode | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:43 |
| Saul, HWV 53: 4. Act I, Scene 1 Chorus: How excellent thy name | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:43 |
| Saul, HWV 53: 5. Act I, Scene 2 Recitative and Air: Behold, O King | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 5:46 |
| Saul, HWV 53: 6. Act I, Scene 2 Recitative and Air: Oh, early piety! | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:31 |
| Saul, HWV 53: 7. Act I, Scene 2 Air: See, with what a scornful air | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:28 |
| Saul, HWV 53: 9. Act I, Scene 3 Recitative: Already see the daughters of the land | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:17 |
| Saul, HWV 53: 10. Act I, Scene 3 Accompagnato: What do I hear? | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 1:15 |
| Saul, HWV 53: 11. Act I, Scene 3 Accompagnato and Air: To him ten thousands | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 1:55 |
| Saul, HWV 53: 12. Act I, Scene 3 Recitative and Air: Imprudent woman! | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 4:17 |
| Saul, HWV 53: 13. Act I, Scene 4 Recitative and Air: Racked with infernal pains | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 4:20 |
| Saul, HWV 53: 14. Act I, Scene 4 Recitative and Air: 'Tis all in vain | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:29 |
| Saul, HWV 53: 15. Act I, Scene 4 Recitative and Air: Has he escap'd my rage? | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 4:24 |
| Saul, HWV 53: 16. Act I, Scene 4 Chorus: Preserve him | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:58 |
| Saul, HWV 53: 17. Act II, Scene 1 - Chorus: Envy, eldest born of hell | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:42 |
| Saul, HWV 53: 18. Act II, Scene 1 - Recitative and Air: Hast thou obey'd my orders | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:45 |
| Saul, HWV 53: 19. Act II, Scene 1 - Air: As great Jehovah lives | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:33 |
| Saul, HWV 53: 20. Act II, Scene 1 - Recitative: Appear, my friend | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 0:42 |
| Saul, HWV 53: 21. Act II, Scene 2 - Recitative and Duet: A father's will | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:27 |
| Saul, HWV 53: 22. Act II, Scene 2 - Chorus: Is there a man | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 1:41 |
| Saul, HWV 53: 24. Act II, Scene 3 - Recitative and Duet: Thy father is as cruel | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:03 |
| Saul, HWV 53: 25. Act II, Scene 3 - Recitative and Air: Whom dost thou seek | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:11 |
| Saul, HWV 53: 27. Act II, Scene 4 - Accompagnato: The time at length is come | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:17 |
| Saul, HWV 53: 28. Act II, Scene 4 - Chorus: Oh, fatal consequence of rage | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 5:30 |
| Saul, HWV 53: 29. Act III, Scene 1 - Accompagnato: Wretch that I am | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 4:22 |
| Saul, HWV 53: 30. Act III, Scene 2 - Recitative and Air: With me what should'st thou? | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:59 |
| Saul, HWV 53: 31. Act III, Scene 2 - Accompagnato: Why hast thou forc'd me | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:14 |
| Saul, HWV 53: 33. Act III, Scene 3 - Recitative and Air: Whence comest thou? | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:28 |
| Saul, HWV 53: 35. Act III, Scene 3 - Chorus: Mourn, Israel, mourn | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 3:44 |
| Saul, HWV 53: 36. Act III, Scene 3 - Air: Brave Jonathan his bow never drew | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 2:16 |
| Saul, HWV 53: 37. Act III, Scene 3 - Chorus: Eagles were not so swift | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 0:28 |
| Saul, HWV 53: 38. Act III, Scene 3 - Air: In sweetest harmony | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 9:11 |
| Saul, HWV 53: 39. Act III, Scene 3 - Recitative and Chorus: Ye men of Judah | | soprano vocals [Michal] | Laurence Dutoit, Herbert Handt, Thomas Hemsley, Copenhagen Boys Choir, Erling Thorborg, Jennifer Vyvyan, Helen Watts, Anton Heiller, Erna Heiller, Vienna Symphony Orchestra, Mogens Wöldike | 6:28 |
| Scena di Berenice 'Berenice, che fai?' (Hob XXIVa:10) | | soprano vocals | Jennifer Vyvyan, The Haydn Orchestra, Harry Newstone | 14:09 |
| Symphony ... Hark! hark! the echoing air (The Fairy Queen) | | soprano vocals | Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten, St. Anthony Singers | 4:05 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai | Jennifer Vivian | soprano vocals | Pro Musica Symphony Orchestra London, Walter Richter, BBC Symphony Chorus, Leslie Woodgate | 25:07 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Choral Finale (Ode to Joy) | | soprano vocals | London Symphony Orchestra, Josef Krips | 24:38 |
| The Sweet Passion: The Plaint: O let me weep, for ever weep! | | soprano vocals | Jennifer Vyvyan, James Bowman, Charles Brett, Peter Pears, Mary Wells, Ian Partridge, John Shirley‐Quirk, Owen Brannigan, Norma Burrowes, Alfreda Hodgson, Ambrosian Opera Chorus, English Chamber Orchestra | 7:53 |
| The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora | | soprano vocals | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Jennifer Vyvyan, Benjamin Britten, The English Opera Group Orchestra | 4:56 |
| The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles | | soprano vocals | Joan Cross, Olive Dyer, David Hemmings, Arda Mandikian, Jennifer Vyvyan, Benjamin Britten, The English Opera Group Orchestra | 11:45 |
| vocals |
|---|
| Messiah | | soprano vocals | Handel; Royal Philharmonic Orchestra, Sir Thomas Beecham | |
| Messiah | | | Handel; Royal Philharmonic Orchestra, Sir Thomas Beecham | |
