| Plaudite, Sonat Tuba: VI. Allegro assai | | | | | | | |
| Prometheus, S. 99 | | | | Symphonic poem | | | |
| Psalmus Miserere | | | | | | | |
| Rocks and Rolls | | | | | | | |
| Salve Regina in G minor, Hob. XXIIIb:2: I. Salve Regina. Adagio | | - Joseph Haydn
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Monica Groop, Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Geoffrey Lancaster
- Bernarda Fink, Hugo Distler Chor Wien, Klaus Mertens, Dorothea Röschmann, Helmut Wildhaber, Martin Haselböck, Wiener Akademie
| | | | | |
| Salve Regina in G minor, Hob. XXIIIb:2: II. Eja ergo, advocata nostra. Allegro | | - Joseph Haydn
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Monica Groop, Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Geoffrey Lancaster
- Bernarda Fink, Hugo Distler Chor Wien, Klaus Mertens, Dorothea Röschmann, Helmut Wildhaber, Martin Haselböck, Wiener Akademie
| | | | | |
| Salve Regina in G minor, Hob. XXIIIb:2: III. Et Jesum. Largo - Allegretto | | - Joseph Haydn
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Bernarda Fink, Hugo Distler Chor Wien, Klaus Mertens, Dorothea Röschmann, Helmut Wildhaber, Martin Haselböck, Wiener Akademie
- Monica Groop, Jörg Hering, Harry van der Kamp, Ann Monoyios, Tölzer Knabenchor, Geoffrey Lancaster
| | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: I. Adagio - Allegro con brio | | | | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: II. Adagio cantabile | | | | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: III. Tempo di Menuetto | | | | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: IV. Tema. Andante con Variazioni | | | | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: V. Scherzo. Allegro molto e vivace | | | | | | | |
| Septett for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto | | | | | | | |
| Sonata for Organ, op. 92 | | | | Sonata | | | |
| Song for Tenor, Men's Chorus & Organ in G major, K. 484: "Ihr unsre neuen Leiter" | | | | Song | | | |
| Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band" | | | | Song | | | |
| Song for Voice, Male Chorus & Piano in B-flat major, K. 483: "Zerfließet heut', geliebte Brüder" | | | | Song | | | |
| Suite for Piano in C major, K. 385i/399 (fragment): I. Overture | | | | | | | |
| Symphonie Nr. 4 d-Moll (Orgelsymphonie): I. Praeludium. Andante con moto – Maestoso | | | | | | | |
| Symphonie Nr. 4 d-Moll (Orgelsymphonie): II. Andante | | | | | | | |
| Symphonie Nr. 4 d-Moll (Orgelsymphonie): III. Scherzo. Allegro moderato – grazioso – quasi Allegretto | | | | | | | |
| Symphonie Nr. 4 d-Moll (Orgelsymphonie): IV. Finale. Allegro maestoso – molto moderato | | | | | | | |
| Symphonische Variationen F-Dur: I. Thema. Andante | | | | | | | |
| Symphonische Variationen F-Dur: II. Serena. Andante mosso | | | | | | | |
| Symphonische Variationen F-Dur: III. Allegro moderato | | | | | | | |
| Symphonische Variationen F-Dur: IV. Canzonetta. Andante sostenuto – poco Adagio | | | | | | | |
| Symphonische Variationen F-Dur: IX. Andante | | | | | | | |
| Symphonische Variationen F-Dur: V. Allegretto | | | | | | | |
| Symphonische Variationen F-Dur: VI. Allegretto tenuto | | | | | | | |
| Symphonische Variationen F-Dur: VII. Adagio | | | | | | | |
| Symphonische Variationen F-Dur: VIII. Scherzino. Allegro | | | | | | | |
| Symphonische Variationen F-Dur: X. Scherzo. Allegro moderato | | | | | | | |
| Symphonische Variationen F-Dur: XI. Praeludium. Andante | | | | | | | |
| Symphonische Variationen F-Dur: XII. Finale. Allegro tenuto moderato | | | | | | | |
| Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | | | | | | | |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | | | | | | | |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | | | | | | | |
| Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | | | | | | | |
| Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | | | | | | | |
| Symphony no. 2 in D major, op. 36: II. Larghetto | | | | | | | |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | | | | | | | |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | | | | | | | |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | | | | | | | |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | | | | | | | |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | | | | | | | |
| Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | | | | | | | |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | | | | | | | |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | | | | | | | |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | | | | | | | |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | | | | | | | |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | | | | | | |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | | | | | | | |
| Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | | | | | | | |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | | | | | | | |
| Symphony no. 6 in D major, Hob. I:6 “Le Matin”: I. Adagio - Allegro | | | | | | | |
| Symphony no. 6 in D major, Hob. I:6 “Le Matin”: II. Adagio - Andante - Adagio | | | | | | | |
| Symphony no. 6 in D major, Hob. I:6 “Le Matin”: III. Menuet and Trio | | | | | | - D major (Key)
- D minor (Key)
| |
| Symphony no. 6 in D major, Hob. I:6 “Le Matin”: IV. Finale. Allegro | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” | | - Berliner Philharmoniker, Herbert von Karajan
- London Festival Orchestra, Münchner Philharmoniker, Munich Symphony Orchestra, Philharmonia Slavonica, Slowakische Philharmonie, Süddeutsche Philharmonica, Henry Adolph, Bystrík Režucha, Alfred Scholz, Hans Swarowski, Hans Swarowsky
- [unknown]
- Royal Philharmonic Orchestra, Mark Ermler
- (show 232 more)
| | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” | | | | | | | |
| Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” | | | | | | | |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | | | | | | | |
| Symphony no. 7 in A major, op. 92: II. Allegretto | | | | | | | |
| Symphony no. 7 in A major, op. 92: III. Presto | | | | | | | |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | | | | | | | |
| Symphony no. 7 in C major, Hob. I:7 “Le Midi”: I. Adagio - Allegro | | | | | | | |
| Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | | | | | | | |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | | | | | | | |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | | | | | | | |
| Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | | | | | | | |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | | | | | | | |
| Symphony no. 8 in G major, Hob. I:8 “Le Soir”: I. Allegro molto | | | | | | | |
| Symphony no. 8 in G major, Hob. I:8 “Le Soir”: II. Andante | | | | | | | |
| Symphony no. 8 in G major, Hob. I:8 “Le Soir”: III. Menuetto and Trio | | | | | | - C major (Key)
- G major (Key)
| |
| Symphony no. 8 in G major, Hob. I:8 “Le Soir”: IV. La Tempesta. Presto | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | |
| Symphony no. 30 in C major, Hob. I:30 “Alleluja”: I. Allegro | | | | | | | |
| Symphony no. 30 in C major, Hob. I:30 “Alleluja”: II. Andante | | | | | | | |
| Symphony no. 30 in C major, Hob. I:30 “Alleluja”: III. Finale. Tempo di menuet, più tosto allegretto | | | | | | | |
| Symphony no. 73 in D major, Hob. I:73 "La Chasse": I. Adagio - Allegro | | | | | | | |
| Symphony no. 73 in D major, Hob. I:73 "La Chasse": II. Andante | | | | | | | |
| Symphony no. 73 in D major, Hob. I:73 "La Chasse": III. Menuetto and Trio. Allegretto | | | | | | | |
| Symphony no. 73 in D major, Hob. I:73 "La Chasse": IV. La Chasse. Presto | | | | | | | |
| Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai | | | | | | | |
| Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | | | | | | | |
| Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet | | | | | | | |
| Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto | | | | | | | |
| Tantum ergo, D. 739 | | - Josef Schmidhuber, Chor des Bayerischen Rundfunks, Elmar Schloter, Symphonie‐Orchester des Bayerischen Rundfunks, Wolfgang Sawallisch
- Bernarda Fink, Hugo-Distler-Chor, Herbert Lippert, Ildikó Raimondi, Franz-Josef Selig, Helmut Wildhaber, Wiener Akademie, Martin Haselböck
- Chor des Bayerischen Rundfunks, Elmar Schloter, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Sawallisch
| | | | | |
| Tasso: Lamento e Trionfo, S. 96 | | | | Symphonic poem | | | |
| Te Deum, op. 22: I. Te deum | | - Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Orchestre de Paris, John Nelson
- (show 7 more)
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| Te Deum, op. 22: II. Tibi omnes | | - Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Orchestre de Paris, John Nelson
- (show 10 more)
| | | | | |
| Te Deum, op. 22: III. Dignare, domine | | - Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Orchestre de Paris, John Nelson
- (show 8 more)
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| Te Deum, op. 22: IV. Christe, rex gloriae | | - Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Orchestre de Paris, John Nelson
- (show 9 more)
| | | | | |
| Te Deum, op. 22: V. Te ergo quaesumus | | - Franco Tagliavini, Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Francisco Araiza, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- Colin Lee, London Symphony Orchestra, London Symphony Orchestra, Sir Colin Davis
- Roberto Alagna, Chœur de l'Orchestre de Paris, Orchestre de Paris, John Nelson
- (show 9 more)
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| Te Deum, op. 22: VI. Judex crederis | | - Nicolas Kynaston, Wandsworth School Boys’ Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Richard Hickox, Choirboys Of High Wycombe Parish Church, Desborough School Choir, The Haberdasher’s Aske’s Hatcham College Choir, London Philharmonic Choir, London Symphony Chorus, Southend Boys’ Choir, St. Albans School Choir, The Choir Of Forest School, Winnersh, Wooburn Singers, Martin Haselböck, European Union Youth Orchestra, Claudio Abbado
- London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Orchestre de Paris, John Nelson
- (show 8 more)
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