Cello Concerto in B minor, op. 104: I. Allegro | | | | | | | |
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo | | | | | | | |
Klid (Silent Woods) for Cello and Orchestra, op. 68 no. 5 | | | | | | | |
La Création du monde, op. 81b: I. Prelude | | | | | | | |
La Création du monde, op. 81b: II. Fugue | | | | | | | |
La Création du monde, op. 81b: III. Romance | | | | | | | |
La Création du monde, op. 81b: IV. Scherzo | | | | | | | |
La Création du monde, op. 81b: V. Finale | | | | | | | |
Piano Quintet in D major, op. 51: I. Allegro moderato | | - Piers Lane, Goldner String Quartet
- Ying Quartet, Adam Neiman
- Mark Drobinsky, Lucia Hall, Nora Romanoff-Schwarzberg, Dora Schwarzberg, Lilya Zilberstein
- Lajtha Quartet, Ilona Prunyi
- Juhani Lagerspetz, Alexander Mayorov, Alexander Rudin, Alexander Vinnitsky, Anton Yaroshenko
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Piano Quintet in D major, op. 51: II. Variations. Andante | | - Piers Lane, Goldner String Quartet
- Ying Quartet, Adam Neiman
- Mark Drobinsky, Lucia Hall, Nora Romanoff-Schwarzberg, Dora Schwarzberg, Lilya Zilberstein
- Lajtha Quartet, Ilona Prunyi
- Juhani Lagerspetz, Alexander Mayorov, Alexander Rudin, Alexander Vinnitsky, Anton Yaroshenko
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Piano Quintet in D major, op. 51: III. Scherzo. Allegro vivace | | - Piers Lane, Goldner String Quartet
- Ying Quartet, Adam Neiman
- Mark Drobinsky, Lucia Hall, Nora Romanoff-Schwarzberg, Dora Schwarzberg, Lilya Zilberstein
- Lajtha Quartet, Ilona Prunyi
- Juhani Lagerspetz, Alexander Mayorov, Alexander Rudin, Alexander Vinnitsky, Anton Yaroshenko
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Piano Quintet in D major, op. 51: IV. Finale (in modo antico). Allegro moderato | | - Piers Lane, Goldner String Quartet
- Ying Quartet, Adam Neiman
- Mark Drobinsky, Lucia Hall, Nora Romanoff-Schwarzberg, Dora Schwarzberg, Lilya Zilberstein
- Lajtha Quartet, Ilona Prunyi
- Juhani Lagerspetz, Alexander Mayorov, Alexander Rudin, Alexander Vinnitsky, Anton Yaroshenko
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Piano Quintet in E major, op. 15: I. Maßiges Zeitmaß, mit schwungvoll blühendem Ausdruck | | | | | | | |
Piano Quintet in E major, op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | | | | | | | |
Piano Quintet in E major, op. 15: III. Finale. Gemessen, beinahe pathetisch | | | | | | | |
Piano Quintet in E-flat major, op. 44: I. Allegro brillante | | | | | | | |
Piano Quintet in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente | | | | | | | |
Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace | | | | | | | |
Piano Quintet in E-flat major, op. 44: IV. Allegro, ma non troppo | | | | | | | |
Polonaise in A major for Cello and Orchestra, B. 94 | | | | | | | |
Quartet for Piano no. 1 in G minor, K. 478: I. Allegro | | | | | | | |
Quartet for Piano no. 1 in G minor, K. 478: II. Andante | | | | | | | |
Quartet for Piano no. 1 in G minor, K. 478: III. Rondeau | | | | | | | |
Rondo in G minor, op. 94, B. 181 | | | | | | | |
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: I. Allegro con brio | | | | | | | |
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: II. Adagio | | | | | | | |
Trio for Piano, Clarinet [or Violin], and Cello no. 4 in B-flat major, op. 11: III. Allegretto con variazioni | | | | | | | |