| edited |
|---|
| 2017-10 | American Dollar Bill – Keep Facing Sideways, You’re Too Hideous to Look at Face On | | | Keiji Haino + SUMAC | 19:54 |
| 2017-10 | I’m Over 137% a Love Junkie and Still It’s Not Enough Pt. 1 | | | Keiji Haino + SUMAC | 11:07 |
| 2017-10 | I’m Over 137% a Love Junkie and Still It’s Not Enough Pt. 2 | | | Keiji Haino + SUMAC | 15:42 |
| 2017-10 | What Have I Done? (I Was Reeling in Something White and I Became Able to Do Anything I Made a Hole Imprisoned Time Within It Created Friction Stopped Listening to Warnings Ceased Fixing My Errors Made the Impossible Possible? Turned Sadness Into Joy) Pt. 1 | | | Keiji Haino + SUMAC | 9:01 |
| 2017-10 | What Have I Done? (I Was Reeling in Something White and I Became Able to Do Anything I Made a Hole Imprisoned Time Within It Created Friction Stopped Listening to Warnings Ceased Fixing My Errors Made the Impossible Possible? Turned Sadness Into Joy) Pt. 2 | | | Keiji Haino + SUMAC | 11:12 |
| Dexamyl | | | Earth | 18:29 |
| instruments |
|---|
| It Wants to Fly | | bass guitar | Khanate | 21:43 |
| It Wants to Fly | | synthesizer | Khanate | 21:43 |
| Like a Poisoned Dog | | synthesizer | Khanate | 19:20 |
| Like a Poisoned Dog | | bass guitar | Khanate | 19:20 |
| Music for Twin Peaks Episode #30 Part I (remixed by James Plotkin) | | Rhodes piano | Stars of the Lid | 9:36 |
| Plex | | guitar | Ubik | 5:12 |
| To Be Cruel | | synthesizer | Khanate | 20:09 |
| To Be Cruel | | bass guitar | Khanate | 20:09 |
| mixed |
|---|
| 2017-10 | American Dollar Bill – Keep Facing Sideways, You’re Too Hideous to Look at Face On | | additional | Keiji Haino + SUMAC | 19:54 |
| 2017-10 | I’m Over 137% a Love Junkie and Still It’s Not Enough Pt. 1 | | additional | Keiji Haino + SUMAC | 11:07 |
| 2017-10 | I’m Over 137% a Love Junkie and Still It’s Not Enough Pt. 2 | | additional | Keiji Haino + SUMAC | 15:42 |
| 2017-10 | What Have I Done? (I Was Reeling in Something White and I Became Able to Do Anything I Made a Hole Imprisoned Time Within It Created Friction Stopped Listening to Warnings Ceased Fixing My Errors Made the Impossible Possible? Turned Sadness Into Joy) Pt. 1 | | additional | Keiji Haino + SUMAC | 9:01 |
| 2017-10 | What Have I Done? (I Was Reeling in Something White and I Became Able to Do Anything I Made a Hole Imprisoned Time Within It Created Friction Stopped Listening to Warnings Ceased Fixing My Errors Made the Impossible Possible? Turned Sadness Into Joy) Pt. 2 | | additional | Keiji Haino + SUMAC | 11:12 |
| [untitled] | | | Merzbow, Gustafsson, Pándi | ?:?? |
| [untitled] | | | Merzbow, Gustafsson, Pándi | ?:?? |
| A Stump in Eden | | | Caged | 8:29 |
| Bound | | | Zola Jesus | 3:27 |
| Dangerous Days | | | Zola Jesus | 5:01 |
| Exhumed | | | Zola Jesus | 4:17 |
| Held Still Under Running Water | | | Caged | 8:55 |
| Hikikomori | | | Zola Jesus | 3:59 |
| How Wings Are Attached to the Backs of Angels | | | Caged | 9:14 |
| Isaac in Rope | | | Caged | 6:46 |
| It Wants to Fly | | | Khanate | 21:43 |
| Like a Poisoned Dog | | | Khanate | 19:20 |
| Night | | | Zola Jesus | 3:47 |
| Nothing Makes Any Sense | | | Cline • Giffoni • Licht • Ranaldo | 53:03 |
| Remains | | | Zola Jesus | 5:22 |
| Siphon | | | Zola Jesus | 4:00 |
| Soak | | | Zola Jesus | 3:54 |
| The Messiah Draws Near | | | Caged | 5:35 |
| To Be Cruel | | | Khanate | 20:09 |
| Veka | | | Zola Jesus | 5:20 |
| Vessel | | | Zola Jesus | 5:04 |
| Wiseblood | | | Zola Jesus | 4:52 |
| Witness | | | Zola Jesus | 5:27 |
| produced |
|---|
| Sonofachippa | | | James Plotkin | 5:42 |
| The Other (James Plotkin remix) | | additional | Isis | 9:49 |
| recording engineer for |
|---|
| It Wants to Fly | | synthesizer | Khanate | 21:43 |
| Like a Poisoned Dog | | synthesizer | Khanate | 19:20 |
| To Be Cruel | | synthesizer | Khanate | 20:09 |
| remixed |
|---|
| 1,2,3 (James Plotkin remix) | | | Pyramids | 4:28 |
| 070796 (Reconstruction by Plotkin) | | | Earth | 13:31 |
| Acid Orgy | | | Goatlord | 5:52 |
| Angel Tears (James Plotkin remix) | | | Pelican | 6:44 |
| Bay of Hopelessness (Plotkin remix) | Plotkin | | Sheephead | 5:32 |
| Blood Monk | | | Goatlord | 6:00 |
| Chicken Dance | | | Goatlord | 4:29 |
| Distorted Birth | | | Goatlord | 9:09 |
| Doublefist (Eightfold Way remix) | | | Hyrrokkin | 8:19 |
| Intro | | | Goatlord | 1:20 |
| Misanthrophobia-Distortion | | | James Plotkin | 5:39 |
| Music for Twin Peaks Episode #30 Part I (remixed by James Plotkin) | | | Stars of the Lid | 9:36 |
| Neuro (Reversed mix) | | | James Plotkin | 5:25 |
| Possessed Soldiers of War | | | Goatlord | 5:04 |
| Sacrifice | | | Goatlord | 6:37 |
| ThaumoRemix | | | Nadja | 16:42 |
| The Echo of Something Lovely (James Plotkin remix) | | | Pyramids | 3:12 |
| The Fog | | | Goatlord | 5:35 |
| The Hemophiliac Dream, Part II | | | 5ive’s Continuum Research Project | 13:40 |
| The Other (James Plotkin remix) | | | Isis | 9:49 |
| To Ebb Is to Drift (Minimal remix) | | | Old | 7:01 |
| Total Hag Turntable Action, Part 1 | | | Old | 3:17 |
| Total Hag Turntable Action, Part 2 | | | Old | 3:16 |
| Total Hag Turntable Action, Part 3 | | | Old | 2:49 |
| Total Hag Turntable Action, Part 4 | | | Old | 8:18 |
| Total Hag Turntable Action, Part 5 | | | Old | 2:06 |
| Total Hag Turntable Action, Part 6 | | | Old | 3:05 |
| Total Hag Turntable Action, Part 7 | | | Old | 8:12 |
| Twilight Rem | | | Goatlord | 9:58 |
| Underground Church | | | Goatlord | 4:28 |
| Unholy Black Slut | | | Goatlord | 6:22 |
| Untitled (Phantomsmasher mix) | | | Agoraphobic Nosebleed | 1:45 |
| Voodoo Mass | | | Goatlord | 5:32 |
| edited |
|---|
| Early Works | | | C.C.C.C. | |
| engineered |
|---|
| Over the Garden Wall: Original Soundtrack | | additional | The Blasting Company | |
| instruments |
|---|
| Live WFMU 91.1 | | bass guitar | Khanate | |
| mastering |
|---|
| 2011 | The Archer & The Owle | | | Thou | |
| 2013 | Ovna | | | Chaos E.T. Sexual | |
| 2013 | Tale | | | Sontag Shogun | |
| 2015 | Cheval Ouvert | | | Monno | |
| 2017-10 | American Dollar Bill – Keep Facing Sideways, You’re Too Hideous to Look at Face On | | | Keiji Haino + SUMAC | |
| 2018-12 | Even for Just the Briefest Moment / Keep Charging This “Expiation” / Plug In to Making It Slightly Better | | | Keiji Haino + SUMAC | |
| 2018 | Magus | | | Thou | |
| 2018 | Magus | | | Thou | |
| 2018 | Sidereal Decomposition Activity | | | M.B. + Barnacles | |
| 2020-06 | Cuts Open | | | Merzbow, Mats Gustafsson & Balázs Pándi | |
| 2020-06 | Cuts Open | | | Merzbow, Mats Gustafsson & Balázs Pándi | |
| 2020-06 | Cuts Open | | | Merzbow, Mats Gustafsson & Balázs Pándi | |
| 08/15/07 Big Jar Books, Philadelphia, PA | | | Religious Knives | |
| 2007-2012 | | | Whitehorse | |
| A Yellow Robe Remixes | | | Sam Prekop and John McEntire / The Soft Pink Truth | |
| Afterlife Cartoons | | | Jon Mueller | |
| Afterlife Cartoons in the Buckland Museum | | | Jon Mueller | |
| All My Circles Run | | | Sarah Davachi | |
| All’s Lost | | re | Ragana | |
| An Untroublesome Defencelessness | | | Merzbow / Keiji Haino / Balázs Pándi | |
| An Untroublesome Defencelessness | | | Merzbow / Keiji Haino / Balázs Pándi | |
| An Untroublesome Defencelessness | | | Merzbow / Keiji Haino / Balázs Pándi | |
| Apex | | | Majeure | |
| Apex | | | Majeure | |
| Arrogance | | | Carlos Giffoni | |
| Assimilating the Shadow | | | Ricardo Donoso | |
| At Temple Gate | | | Kenney / Kang / Park | |
| At Temple Gate | | | Kenney / Kang / Park | |
| At the Dam | | | Mary Lattimore | |
| Bad Men | | | Demons of Noon | |
| Barking Orders | | | Gnaw | |
| Barons Court | | | Sarah Davachi | |
| Become the Discovered, Not the Discoverer | | | Keiji Haino, Merzbow, Balázs Pándi | |
| Become the Discovered, Not the Discoverer | | | Keiji Haino, Merzbow, Balázs Pándi | |
| Become the Discovered, Not the Discoverer | | | Keiji Haino, Merzbow, Balázs Pándi | |
| Black Sand: Live in London | | | The Myrrors | |
| Blank Grey Canvas Sky | | | Peter Broderick & Machinefabriek | |
| Bliss Torn From Emptiness | | | Nadja | |
| Blood Eagle | | | Conan | |
| Brain Drain | | | Gorilla Mask | |
| Branded By Constellations | | | David Colohan & Richard Moult | |
| Breaking News | | | Makeup and Vanity Set | |
| Brilliant Days | | | Michiru Aoyama | |
| Castlevania | | | Kinuyo Yamashita & Satoe Terashima | |
| Castlevania | | | Kinuyo Yamashita & Satoe Terashima | |
| Castlevania II: Simon's Quest Original Video Game Soundtrack | | re | Konami Kukeiha Club | |
| Castlevania II: Simon's Quest Original Video Game Soundtrack | | re | Konami Kukeiha Club | |
| Collected Pieces: 2015-2020 | | | Mary Lattimore | |
| Complete Sonambient Collection | | | Harry Bertoia | |
| Contempt | | | Couch Slut | |
| Contra III: The Alien Wars Original Video Game Soundtrack | | re | Konami Kukeiha Club | |
| Contra III: The Alien Wars Original Video Game Soundtrack | | re | Konami Kukeiha Club | |
| Corners | | | Jacob Faurholt | |
| Coward | | | Demons of Noon | |
| Crashing Diseases and Incurable Airplanes | | | USA Out of Vietnam | |
| Crashing Diseases and Incurable Airplanes | | | USA Out of Vietnam | |
| Crushing Sun | | | Demons of Noon | |
| Cuts | | | Merzbow, Pándi & Gustaffson | |
| Cuts | | | Merzbow, Pándi & Gustaffson | |
| Cuts | | | Merzbow, Pándi & Gustaffson | |
| Cuts of Guilt, Cuts Deeper | | | Merzbow, Mats Gustafsson, Thurston Moore & Balázs Pándi | |
| Cuts of Guilt, Cuts Deeper | | | Merzbow, Mats Gustafsson, Thurston Moore & Balázs Pándi | |
| Cuts of Guilt, Cuts Deeper | | | Merzbow, Mats Gustafsson, Thurston Moore & Balázs Pándi | |
| Cuts Up, Cuts Out | | | Merzbow, Balázs Pándi, Mats Gustafsson & Thurston Moore | |
| Cutting Pieces | | | Gnaw | |
| Dagdrøm | | | Nadja | |
| Death Machine | | | Demons of Noon | |
| Death Machine | | | Demons of Noon | |
| Death Machine | | | Demons of Noon | |
| Desideratum | | | Planning for Burial | |
| Double Wig | | | Double Wig | |
| Early Works | | | C.C.C.C. | |
| Eaten Alive | | | Talvihorros | |
| Emeralds | | | Emeralds | |
| Entropies and Mimetic Patterns | | | Gustavo Costa | |
| Eve Live at Roadburn 2011 | | | Ufomammut | |
| Everyday I Get Closer to the Light From Which I Came | | | Jesu | |
| Everyday, Things Are Getting Worse | | | The Body & Thou | |
| Everyday, Things Are Getting Worse (Live at Roadburn 2018) | | | The Body & Thou | |
| Faltered Pursuit | | | Hyrrokkin & Merzbow | |
| Farseeing the Paranormal Abysm | | | The Chasm | |
| Fathom | | | Douglas Quin | |
| Feel Inside | | | Heavy Winged | |
| Final Transmission | | | Cave In | |
| Final Transmission | | | Cave In | |
| Final Transmission | | | Cave In | |
| Forever Waiting | | | Anduin | |
| From Roving About the Earth | | | Caged | |
| From Roving About the Earth | | | Caged | |
| Fungal Hex | | | Fungal Hex | |
| Fungal Hex | | | Fungal Hex | |
| Gauche Gists | | | Dumb Waiter | |
| Genkaku 幻覚 | | | Low Flying Hawks | |
| Glacial Glow | | | Noveller | |
| Goodbye, Hotel Arkada | | | Mary Lattimore | |
| Great Bringer of Night | | | Coffinworm | |
| Herb Your Enthusiasm | | | Boss Keloid | |
| Herb Your Enthusiasm | | | Boss Keloid | |
| Hit or Mystery | | | Stephen Brodsky | |
| Horrible Chamber | | | Gnaw | |
| See all 238 relationships |
| mixed |
|---|
| Liminoid / Lifeforms | | | Aidan Baker | |
| Pyramids with Nadja | | | Pyramids with Nadja | |
| performed |
|---|
| Trifid Project | | | Trifid Project | |
| produced |
|---|
| A Peripheral Blur | | | James Plotkin & Mark Spybey | |
| Trifid Project | | | Trifid Project | |
| composed |
|---|
| Zickzack | | | | |
| wrote |
|---|
| Caught In Your Orbit | | | | |
| Chaos Is My Name | | | | |
| Gilgamesh | | | | |
| Phantom Smasher | | | | |
| Placebo | | | | |
| Pokemon Gangbang | | | | |
| Skitchy | | | | |
| Skull Shot | | | | |
| Someone Is Trying to Kill Me | | | | |
| Thunderspit | | | | |
| Very Much Want Head Return | | | | |
| Zanzibar | | | | |
