| 2 Rhapsodies, op. 79: No. 1 in B minor. Agitato | | | | | | | |
| 2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro | | | | | | | |
| 3 intermezzi, op. 117: Nr. 1 in Es-Dur. Andante moderato | | | | | | | |
| 3 intermezzi, op. 117: Nr. 2 in b-Moll. Andante non troppo e con molta espressione | | | | | | | |
| 3 intermezzi, op. 117: Nr. 3 in cis-Moll. Andante con moto | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 1 in C major. Moderato | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 2 in A-flat major. Andantino | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 4 in C-sharp minor. Moderato | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 5 in F minor. Allegro vivace | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 6 in A-flat major. Allegretto | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 | | | | | | | |
| 32 Variations for Piano in C minor on an Original Theme, WoO 80 | | | | | | | |
| Arabeske in C major, op. 18 | | | | | | | |
| Barcarolle in F-sharp major, op. 60 | | | | | | | |
| Cerdaña, 5 Études pittoresques | | | | | | | |
| Cinq mélodies: Chanson pour la nageuse nue | | | | | | | |
| Cinq mélodies: Chanson pour un officier de marine | | | | | | | |
| Cinq mélodies: Dans vos viviers, dans vos étangs | | | | | | | |
| Cinq mélodies: L'enfant a la poule aux oeufs d'or | | | | | | | |
| Cinq mélodies: Que lentemnet passent les heures | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
- (show 173 more)
| | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
| Drei Romanzen für Pianoforte, op. 28: I. Sehr markiert | | | | | | | |
| Drei Romanzen für Pianoforte, op. 28: II. Einfach | | | | | | | |
| Drei Romanzen für Pianoforte, op. 28: III. Sehr markiert | | | | | | | |
| Fantaisie in F minor, op. 49 | | | | | | | |
| Fantasiestücke, op. 12: I. Des Abends | | | | | | | |
| Fantasiestücke, op. 12: II. Aufschwung | | | | | | | |
| Fantasiestücke, op. 12: III. Warum? | | | | | | | |
| Fantasiestücke, op. 12: IV. Grillen | | | | | | | |
| Fantasiestücke, op. 12: V. In der Nacht | | | | | | | |
| Fantasiestücke, op. 12: VI. Fabel | | | | | | | |
| Fantasiestücke, op. 12: VII. Traumes Wirren | | | | | | | |
| Fantasiestücke, op. 12: VIII. Ende vom Lied | | | | | | | |
| Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton | | | | | | | |
| Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | | | | | | | |
| Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | | | | | | | |
| Faschingsschwank aus Wien, op. 26: I. Allegro. Sehr lebhaft | | | | | | | |
| Faschingsschwank aus Wien, op. 26: II. Romanze. Ziemlich langsam | | | | | | | |
| Faschingsschwank aus Wien, op. 26: III. Scherzino | | | | | | | |
| Faschingsschwank aus Wien, op. 26: IV. Intermezzo. Mit größter Energie | | | | | | | |
| Faschingsschwank aus Wien, op. 26: V. Finale. Höchst lebhaft | | | | | | | |
| Humoreske, op. 20 | | | | | | | |
| Kinderszenen, op. 15 | | | | | | | |
| Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen | | | | | | | |
| Kinderszenen, op. 15: No. 2. Kuriose Geschichte | | | | | | | |
| Kinderszenen, op. 15: No. 3. Hasche-Mann | | | | | | | |
| Kinderszenen, op. 15: No. 4. Bittendes Kind | | | | | | | |
| Kinderszenen, op. 15: No. 5. Glückes genug | | | | | | | |
| Kinderszenen, op. 15: No. 6. Wichtige Begebenheit | | | | | | | |
| Kinderszenen, op. 15: No. 7. Träumerei | | | | | | | |
| Kinderszenen, op. 15: No. 8. Am Kamin | | | | | | | |
| Kinderszenen, op. 15: No. 9. Ritter vom Steckenpferd | | | | | | | |
| Kinderszenen, op. 15: No. 10. Fast zu ernst | | | | | | | |
| Kinderszenen, op. 15: No. 11. Fürchtenmachen | | | | | | | |
| Kinderszenen, op. 15: No. 12. Kind im Einschlummern | | | | | | | |
| Kinderszenen, op. 15: No. 13. Der Dichter spricht | | | | | | | |
| Kreisleriana, op. 16: I. Äußerst bewegt | | | | | | | |
| Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | | | | | | | |
| Kreisleriana, op. 16: III. Sehr aufgeregt | | | | | | | |
| Kreisleriana, op. 16: IV. Sehr langsam | | | | | | | |
| Kreisleriana, op. 16: V. Sehr lebhaft | | | | | | | |
| Kreisleriana, op. 16: VI. Sehr langsam | | | | | | | |
| Kreisleriana, op. 16: VII. Sehr rasch | | | | | | | |
| Kreisleriana, op. 16: VIII. Schnell und spielend | | | | | | | |
| Novelletten, op. 21: I. Markiert und kräftig | | | | | | | |
| Novelletten, op. 21: II. Äußerst rasch und mit Bravour | | | | | | | |
| Novelletten, op. 21: III. Leicht und mit Humor | | | | | | | |
| Novelletten, op. 21: IV. Ballmässig. Sehr munter | | | | | | | |
| Novelletten, op. 21: V. Rauschend und festlich | | | | | | | |
| Novelletten, op. 21: VI. Sehr lebhaft, mit vielem Humor | | | | | | | |
| Novelletten, op. 21: VII. Äußerst rasch | | | | | | | |
| Novelletten, op. 21: VIII. Sehr lebhaft | | | | | | | |
| Papillons, op. 2 | | | | | | | |
| Petrushka: Danse Russe | | | | | | | |
| Piano Concerto: I. Allegro molto quasi presto | | | | | | | |
| Piano Concerto: II. Andante | | | | | | | |
| Piano Concerto: III. Intermezzo | | | | | | | |
| Piano Concerto: IV. Vivo | | | | | | | |
| Pour un petit moujik | | | | | | | |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: I. Allegro | | | | | | | |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: II. Adagio | | | | | | | |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | | | | | | | |
| Sonata for Piano no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | | | | | | | |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: I. Allegro vivace | | | | | | | |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: II. Largo appassionato | | | | | | | |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | | | | | | | |
| Sonata for Piano no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: II. Scherzo | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: IV. Finale. Presto | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: I. Allegro con brio | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: II. Adagio | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | | | | | | | |
| Sonata for Piano no. 3 in C major, op. 2 no. 3: IV. Allegro assai | | | | | | | |
| Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | | | | | | | 5 |
