| conducted |
---|
1990-10 | Ausstrahlung | Claudia Eder, Pietro Borgonovo, Roberto Fabbriciani, SWF Symphony Orchestra, Arturo Tamayo | 32:36 |
1991-05-24 – 1991-05-25 | For Samuel Beckett | Ensemble Modern, Arturo Tamayo | 18:51 |
1991-05-24 – 1991-05-25 | For Samuel Beckett (continued) | Ensemble Modern, Arturo Tamayo | 24:45 |
1999-11-19 | Piano and Orchestra | Markus Hinterhäuser, RSO Frankfurt, Arturo Tamayo | 19:13 |
2002-03 – 2002-05 | Eridanos | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 11:19 |
2002-03 – 2002-05 | Horos | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 15:59 |
2002-03 – 2002-05 | Kyania | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 20:22 |
2002-03 – 2002-05 | Synaphaï | Hiroaki Ooï, Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 16:37 |
2004-06 | Akrata | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 10:30 |
2004-06 | Ata | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 14:39 |
2004-06 | Erikhthon | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo, Hiroaki Ooï | 17:21 |
2004-06 | Krinoïdi | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 10:08 |
2004-09 | Exempla: Cors (passage g) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 1:24 |
2004-09 | Exempla: Finit: appels et signaux | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:18 |
2004-09 | Exempla: Grand mixage (passage e) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:12 |
2004-09 | Exempla: Impacts (passage d) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 2:57 |
2004-09 | Exempla: Incipit: lignes et points (passage a) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:33 |
2004-09 | Exempla: Isochrones (passage j) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 1:06 |
2004-09 | Exempla: Oscillations polyphoniques | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 1:00 |
2004-09 | Exempla: Pulsations (passage b) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 2:47 |
2004-09 | Exempla: Recitativo (passage c) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:35 |
2004-09 | Exempla: Rothko (passage h) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:51 |
2004-09 | Exempla: Traits rapides avec ruptures (passage f) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 1:22 |
2004-09 | Exempla: Trilles | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 1:45 |
2004-09 | Exempla: Wagner (passage i) | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 3:45 |
2004-09 | Ottava alta | Raphaël Oleg, Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 22:43 |
2004-09 | Sonoris causa | Orchestre Philharmonique du Luxembourg, Arturo Tamayo | 15:55 |
2005-11-07 – 2005-11-10 | Composizione in tre tempi (1954): Adagio | Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 6:41 |
2005-11-07 – 2005-11-10 | Composizione in tre tempi (1954): Allegro scorrevole | Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 4:52 |
2005-11-07 – 2005-11-10 | Composizione in tre tempi (1954): Andante – Allegro – Allegro molto | Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 4:09 |
2005-11-07 – 2005-11-10 | Concerto per flauto e orchestre (1954) | Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 8:04 |
2005-11-07 – 2005-11-10 | Improvvisazione n. 1 (1952) for orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 10:37 |
2005-11-07 – 2005-11-10 | Improvvisazione n. 2 (1953) for orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 7:00 |
2006-03-27 – 2006-03-31 | Composizione n. 1 (1948–1949) for orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 20:42 |
2006-03-27 – 2006-03-31 | Composizione n. 2 (1950) for orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 14:51 |
2006-03-27 – 2006-03-31 | Studi per "Il Processo" di Franz Kafka (1950) | Claudia Barainsky, Michael Quast, hr‐Sinfonieorchester, Arturo Tamayo | 19:50 |
2006-05 | Achorripis | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 6:44 |
2006-05 | Hiketides | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 12:03 |
2006-05 | Metastaseis | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 7:40 |
2006-05 | Pithoprakta | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 10:40 |
2006-05 | ST/48 | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 10:45 |
2006-05 | Syrmos | Orchestre philharmonique du Luxembourg, Arturo Tamayo | 12:21 |
2006-12-18 – 2006-12-22 | Aria (1964) for soprano, flute and orchestra | Claudia Barainsky, Sebastian Wittiber, hr‐Sinfonieorchester, Arturo Tamayo | 14:16 |
2006-12-18 – 2006-12-22 | Dimensioni III (1962–1963) for flute and orchestra | Clara Andrada, hr‐Sinfonieorchester, Arturo Tamayo | 17:24 |
2006-12-18 – 2006-12-22 | Stele per Diotima (1966) for orchestra | Ulrich Büsing, John MacDonald, Alejandro Rutkauskas, Jochen Tschabrun, hr‐Sinfonieorchester, Arturo Tamayo | 19:47 |
2007-01-08 – 2007-01-13 | Biogramma (1972) for large orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 12:06 |
2007-01-08 – 2007-01-13 | Grande Aulodia (1970) for flute, oboe and orchestra | Michael Sieg, Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 26:40 |
2007-08-27 – 2007-08-31 | Ausstrahlung (1971) for female voice, flute, oboe, large orchestra and tape | Carole Sidney Louis, Michael Sieg, Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 33:44 |
| 103 (Teil 1) | WDR Sinfonieorchester Köln, Arturo Tamayo | 51:01 |
| 103 (Teil 2) | WDR Sinfonieorchester Köln, Arturo Tamayo | 39:39 |
| 108 and One 8 (excerpt) | Loren Dempster, Orchestra del Teatro La Fenice, Arturo Tamayo | 14:26 |
| Aïs | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo, Σπύρος Σακκάς, Béatrice Daudin | 17:29 |
| Amanda (1966) for chamber orchestra | Alejandro Rutkauskas, hr‐Sinfonieorchester, Arturo Tamayo | 13:19 |
| Antikhthon | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 17:34 |
| Aranzazu | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo | 17:55 |
| Aura (1972) for orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 16:30 |
| Berceuse élégiaque, op. 42 | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 8:28 |
| Clarinet Concerto No. 2 in E-flat – 3rd Movement (Alla polacca) | Dieter Klöcker, Slovak Radio New Philharmonic Orchestra, Arturo Tamayo | 6:37 |
| Concierto para violoncello y orquesta | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo, Asier Polo | 22:40 |
| Concierto vasco para piano y orquesta: I. Allegro moderato | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo, Marta Zabaleta | 16:50 |
| Concierto vasco para piano y orquesta: II. Adagio cantabile | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo, Marta Zabaleta | 7:48 |
| Concierto vasco para piano y orquesta: III. Allegro giusto | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo, Marta Zabaleta | 7:39 |
| El sueño de un bailarín | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo | 12:34 |
| Empreintes | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 10:27 |
| Forte e piano | Rûta Ibelhauptas, Zbignevas Ibelhauptas, Polish Radio National Symphony Orchestra, Arturo Tamayo | 13:38 |
| Giardino religioso (1972) for small orchestra | hr‐Sinfonieorchester, Arturo Tamayo | 20:35 |
| Gruppen | Péter Eötvös, Jacques Mercier, Arturo Tamayo, WDR Sinfonieorchester Köln | 24:31 |
| Indianisches Tagebuch, op. 47 | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 6:00 |
| Joan Bautista: I. Betabara | Euskadiko Orkestra Sinfonikoa, Andra Mari Abesbatza, Arturo Tamayo, Angel Pazos | 8:47 |
| Joan Bautista: II. Bautismo de Jesús | Euskadiko Orkestra Sinfonikoa, Andra Mari Abesbatza, Arturo Tamayo, Angel Pazos | 6:50 |
| Joan Bautista: III. Salomé y el Tetrarca Herodes | Euskadiko Orkestra Sinfonikoa, Andra Mari Abesbatza, Arturo Tamayo, Angel Pazos | 5:51 |
| Joan Bautista: IV. Entierro de Juan y remordimiento del Tetrarca | Euskadiko Orkestra Sinfonikoa, Andra Mari Abesbatza, Arturo Tamayo, Angel Pazos | 9:36 |
| Jonchaies | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 15:51 |
| Lichens | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 16:15 |
| Lustspielouvertüre, op. 38 | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 7:53 |
| Metastaseis A | Orchestra Sinfonica RAI, Arturo Tamayo | 6:30 |
| Nomos Gamma | Residentie Orkest The Hague, Arturo Tamayo | 19:52 |
| Noomena | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 12:33 |
| Piece for Orchestra no. 1 | Polish Radio National Symphony Orchestra, Arturo Tamayo | 8:59 |
| Quadrivium (1969) for four percussionists and four orchestra groups | Andreas Hepp, Andreas Boettger, Burkhard Roggenbruck, Konrad Graf, hr‐Sinfonieorchester, Arturo Tamayo | 27:43 |
| Roáï | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 12:35 |
| Shaar | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 13:11 |
| Sinfonía sacra: I. Getsemaní | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo | 9:22 |
| Sinfonía sacra: II. Las negaciones de Pedro | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo | 8:32 |
| Sinfonía sacra: III. La Crucifixión | Euskadiko Orkestra Sinfonikoa, Arturo Tamayo | 10:11 |
| Stiffelio: Atto I. “Non ha per me un accento!” … “Vidi dovunque gemere... Ah! V'appare in fronte scritto” | Plácido Domingo, Veronica Villaroel, Carlos Álvarez, Orquesta sinfónica de Madrid, Arturo Tamayo | 7:36 |
| Symphonische Suite, op. 25: I. Präludium | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 10:07 |
| Symphonische Suite, op. 25: II. Gavotte | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 5:35 |
| Symphonische Suite, op. 25: III. Gigue | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 5:54 |
| Symphonische Suite, op. 25: IV. Langsames Intermezzo | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 5:47 |
| Symphonische Suite, op. 25: V. Allegro fugato | Radio‐Symphonie‐Orchester Berlin, Arturo Tamayo | 5:40 |
| Terretektorh | Residentie Orkest The Hague, Arturo Tamayo | 14:51 |
| Tracées | Lëtzebuerger philharmoneschen Orchester, Arturo Tamayo | 5:11 |
| performed |
---|
| Clamor II | Gonzalo de Olavide | 42:22 |
| Composizione in tre tempi (1954): Andante – Allegro – Allegro molto | Thaddeus Watson, hr‐Sinfonieorchester, Arturo Tamayo | 4:09 |