| A Night on Bald Mountain | | | | Symphonic poem | | | |
| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| Annen‐Polka, op. 117 | | | | | | | |
| Boyarïnya Vera Sheloga | | | | Opera | | | |
| Boyarïnya Vera Sheloga: I. Overture | | | | | | | |
| Boyarïnya Vera Sheloga: II. Lullaby: Bayu, bayushki, bayu | | | | | | | |
| Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) | | | | Aria | | | |
| Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) | | - Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- John Alldis, Plácido Domingo, The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
- Luciano Pavarotti, Orchester der Wiener Volksoper & Leone Magiera
- Nicolai Gedda, Maria Callas, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- (show 125 more)
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| Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) | | - Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Andréa Guiot, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- (show 58 more)
| | Aria | | | |
| Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) | | | | Aria | | | |
| Cello Concerto in A minor, op. 129: I. Nicht zu schnell | | | | | | | |
| Cello Concerto in A minor, op. 129: II. Langsam | | | | | | | |
| Cello Concerto in A minor, op. 129: III. Sehr lebhaft | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | | | | | | | |
| Champagner Polka, op. 211 | | | | | | | |
| Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 | | | | Concerto | | | 4 |
| Concerto for Piano no. 26 in D major, K. 537 "Coronation" | | | | Concerto | | | |
| Concerto for Traverso, RV 440: I. Allegro non molto | | | | Concerto | | | |
| Concerto for Traverso, RV 440: II. Larghetto | | | | Concerto | | | |
| Concerto for Traverso, RV 440: III. Allegro | | | | Concerto | | | |
| Concerto for Two Pianos and Orchestra, op. 88a: I. Andante sostenuto | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
| | | | | |
| Concerto for Two Pianos and Orchestra, op. 88a: II. Andante con moto; Allegro molto vivace | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
| | | | | |
| Concerto for Two Pianos and Orchestra, op. 88a: III. Adagio ma non troppo | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
| | | | | |
| Concerto for Two Pianos and Orchestra, op. 88a: IV. Andante; Allegro | | - Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
| | | | | |
| Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro | | - Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra
- Ronald Brautigam, Isabelle van Keulen, Amsterdam Sinfonietta, Lev Markiz
- Hephzibah Menuhin, Yehudi Menuhin, Menuhin Festival Orchestra
- Tamsin Waley-Cohen, Huw Watkins, Orchestra of the Swan, David Curtis
- (show 16 more)
| | | | | |
| Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio | | | | | | | |
| Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto | | - Martha Argerich, Gidon Kremer, Orpheus Chamber Orchestra
- Ronald Brautigam, Isabelle van Keulen, Amsterdam Sinfonietta, Lev Markiz
- Marat Bisengaliev, Benjamin Frith, Northern Sinfonia, Andrew Penny
- Hephzibah Menuhin, Yehudi Menuhin, Menuhin Festival Orchestra
- (show 17 more)
| | | | | |
| Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) | | | | Aria | | | |
| Cuban Overture | | | | Overture | | | |
| Dardanus, RCT 35 : Acte IV, Scène 4. "Voici les tristes lieux" (Anténor) | | | | | | | |
| Die Fledermaus: Ouvertüre | | | | Overture | | | |
| Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) | | | | Aria | | | |
| Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) | | | | Aria | | | |
| Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | | | | Aria | | | |
| Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) | | | | Aria | | | |
| Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
| Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) | | | | Aria | | | |
| Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) | | | | Aria | | | |
| Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) | | | | Aria | | | |
| Eine Nacht in Venedig: Ouvertüre | | | | Overture | | | |
| Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds | | | | | | | |
| Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) | | - Chœur du Capitole de Toulouse, José van Dam, Orchestre national du Capitole de Toulouse, Michel Plasson
- Choeurs de l'Opéra Royal de la Monnaie, Boris Christoff, Chorus of the Paris Opera, Orchestre de l’Opéra national de Paris, André Cluytens
- Chœur symphonique de Paris, Henry Descartes, Günter Kleber, Paul Plantier, Anna-Marie Schmidt, Orchestre symphonique de Paris, Pierre Carbidier
- Nicolaï Ghiaurov, Bulgarian Radio Chorus, Bulgarian Radio Symphony Orchestra, Ivan Marinov
- (show 41 more)
| | Aria | | | |
| Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) | | | | Aria | | | |
| Faust : Acte III. Couplets « Faites-lui mes aveux » (Siébel) | | | | Aria | | | |
| Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) | | | | | | | |
| Faust : Acte IV. No. 24 Sérénade « Vous qui faites l’endormie » (Méphistophélès) | | | | Aria | | | |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | | | | Aria | | | 5 |
| I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) | | | | Aria | | | |
| Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) | | | | Aria | | | |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) | | | | Aria | | | |
| Kaiser-Walzer, op. 437 | | | | | | | |
| L’elisir d’amore: Atto I. Cavatina “Come Paride vezzoso” (Belcore, Adina, Giannetta, Nemorino, Coro) | | - Ambrosian Opera Chorus, Maria Casula, Dominic Cossa, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Chorus of the Royal Opera House, Covent Garden, Ileana Cotrubaș, Plácido Domingo, Lillian Watson, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Kathleen Battle, Luciano Pavarotti, Leo Nucci, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine / Leo Nucci, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- (show 17 more)
| | | | | |
| La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) | | | | Aria | | | |
| La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) | | | | Aria | | | |
| La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) | | - [unknown]
- Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
- Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan
- Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Gianna D’Angelo, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
- (show 135 more)
| | Aria | | | |
| La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) | | | | Aria | | | |
| La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) | | - Gloria Banditelli, Cecilia Bartoli, Alessandro Corbelli, Coro del Teatro Comunale di Bologna, Fernanda Costa, Enzo Dara, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly
- Luigi Alva, Teresa Berganza, Renato Capecchi, Margherita Guglielmi, Paolo Montarsolo, Scottish Opera Chorus, Ugo Trama, Laura Zannini, London Symphony Orchestra, Claudio Abbado
- Rita Noël, Ljubljana Radio Symphony Orchestra, Anton Nanut
- Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno
- (show 52 more)
| | | | | |
| La Jolie Fille de Perth : Acte II. « Quand la flamme de l'amour » (Air de Ralph) | | | | Aria | | | |
| La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) | | | | Aria | | | |
| La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta) | | | | Aria | | | |
| La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) | | | | Aria | | | |
| Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) | | | | Aria | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) | | | | Aria | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) | | | | | | | |
| Macbeth: Atto II. N°8b Scena "Studia il passo, o mio figlio!..." (Banco) | | | | | | | |
| Macbeth: Atto II. N°8c Adagio "Come dal ciel precipita" (Banco) | | | | | | | |
| Madama Butterfly | | | | Opera | | - 0O6-5805-9 (JASRAC ID)
- 65 288 221 11 (SACEM ID)
- 65 288 221 15 (SACEM ID)
| 3 |
| Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) | | | | Aria | | | 5 |
| Manon : Acte I. « Je suis encore tout étourdie » (Manon) | | | | Aria | | | |
| Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) | | | | Aria | | | |
| Manon Lescaut: Atto III | | | | | | | |
| Manon Lescaut: Atto III. Intermezzo | | | | | | | |
| Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) | | | | | | | |
| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | | | | | | | |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | | | | | | | |
| Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing” | | | | Aria | | - 5027118 (ACAM ID)
- 4698520 (AGADU ID)
- (show 17 more)
- 000055 868 81 (SUISA ID)
| |
| Porgy and Bess: Act I, Scene I. “Summertime” (Clara) | | | | Aria | | | |
| Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues | | | | | | | |
| Porgy and Bess: Act I, Scene II. “My Man’s Gone Now” | | | | | | - 4534360 (AGADU ID)
- 2264476 (APDAYC ID)
- (show 13 more)
- 000248 379 73 (SUISA ID)
| |
| Porgy and Bess: Act II, Scene I | | | | | | | |
| Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene I. “Oh, I can’t sit down” | | | | | | | |
| Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene III. “I loves you, Porgy” | | | | Aria | | | |
| Porgy and Bess: Act II, Scene III. “I’m talkin’ about devil crabs” | | | | | | | |
| Porgy and Bess: Act II, Scene IV | | | | | | | |
| Porgy and Bess: Act III, Scene I. “Clara, Clara, don’t you be downhearted” – “Crown, Crown, don’t you…” | | | | | | | |
| Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” | | | | Song | | | |
| Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” | | | | Song | | - 886386830 (ASCAP ID)
- 6421BM (PRS tune code)
- 642011 (STIM ID)
| |
| Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way” | | | | | | | |
| Rhapsody in Blue | | | | | | - 5263348 (APA ID)
- 2275432 (APDAYC ID)
- (show 21 more)
- 000116 925 06 (SUISA ID)
| 4 |
