A Haunted Landscape | New York Philharmonic, Arthur Weisberg | | | 18:03 | |
All Set | Contemporary Chamber Ensemble, Arthur Weisberg | | | 8:04 | |
Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 1 | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:48 | |
Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 2 | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 0:45 | |
Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 3 | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:03 | |
Ancient Voices of Children: Dances of the ancient earth | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:27 | |
Ancient Voices of Children: Ghost dance | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:05 | |
Ancient Voices of Children: I. El niño busca su voz | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 4:35 | |
Ancient Voices of Children: II. Me he perdido muchas veces por el mar | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:24 | |
Ancient Voices of Children: III. ¿De dónde vienes, amor, mi niño? (Dance of the Sacred Life-Cycle) / IV. Todas las tardes en Granada, todas las tardes se muere un niño | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 6:50 | |
Ancient Voices of Children: V. Se ha llenado de luces mi corazón de seda | Michael Dash, Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 7:17 | |
Animus IV | Ensemble 21, Arthur Weisberg, Paul Sperry | | | 20:52 | |
Canticle of the Evening Bells | Ensemble 21, Arthur Weisberg, Marc Stocker | | | 18:23 | |
Concerto for Oboe, Clarinet and Strings: I. Declamando | Ensemble 21, Arthur Weisberg, Martin Schuring, Robert Spring | | | 4:43 | |
Concerto for Oboe, Clarinet and Strings: II. Larghetto | Ensemble 21, Arthur Weisberg, Martin Schuring, Robert Spring | | | 5:47 | |
Concerto for Oboe, Clarinet and Strings: III. Furioso | Ensemble 21, Arthur Weisberg, Martin Schuring, Robert Spring | | | 3:07 | |
Confinement | Contemporary Chamber Ensemble, Arthur Weisberg | | | 15:15 | |
Diaphonia Intervallum | Contemporary Chamber Ensemble, Arthur Weisberg | | | 12:03 | |
Double Concerto for Harpsichord and Piano: I. Introduction | Paul Jacobs, Gilbert Kalish, Contemporary Chamber Ensemble, Arthur Weisberg | | | 4:08 | |
Double Concerto for Harpsichord and Piano: III. Allegro scherzando | Paul Jacobs, Gilbert Kalish, Contemporary Chamber Ensemble, Arthur Weisberg | | | 4:59 | |
Double Concerto for Harpsichord and Piano: IV. Adagio | Paul Jacobs, Gilbert Kalish, Contemporary Chamber Ensemble, Arthur Weisberg | | | 5:04 | |
Double Concerto for Harpsichord and Piano: V. Presto | Paul Jacobs, Gilbert Kalish, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:11 | |
Double Concerto for Harpsichord and Piano: VII. Coda | Paul Jacobs, Gilbert Kalish, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:39 | |
Incenters | Contemporary Chamber Ensemble, Arthur Weisberg | | | 12:36 | |
Kaddish-Requiem | Contemporary Chamber Ensemble, Arthur Weisberg, Jan DeGaetani, Ramon Gilbert | | | 18:59 | |
Kleine Dreigroschenmusik: Anstatt-daß-Song | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:09 | |
Kleine Dreigroschenmusik: Ballade vom angenehmen Leben | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:50 | |
Kleine Dreigroschenmusik: Die Moritat von Mackie Messer | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:03 | |
Kleine Dreigroschenmusik: Dreigroschenfinale | Contemporary Chamber Ensemble, Arthur Weisberg | | | 4:18 | |
Kleine Dreigroschenmusik: Kanonen-Song | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:16 | |
Kleine Dreigroschenmusik: Ouvertüre | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:01 | |
Kleine Dreigroschenmusik: Pollys Lied | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:09 | |
Kleine Dreigroschenmusik: Tango-Ballade | Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:40 | |
La Création du Monde | Contemporary Chamber Ensemble, Arthur Weisberg | | | 15:11 | |
Passages: No. 1. Eyesight | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 3:17 | |
Passages: No. 2. Interlude | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 0:47 | |
Passages: No. 3. Reversal | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 3:09 | |
Passages: No. 4. Round | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 3:35 | |
Passages: No. 5. Interlude | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 3:00 | |
Passages: No. 6. Consignee | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 4:09 | |
Passages: No. 7. Self-Portrait | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 2:47 | |
Passages: No. 8. Interlude | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 1:14 | |
Passages: No. 9. Way to Go | Ensemble 21, Arthur Weisberg, Anne DeVries | | | 3:15 | |
Pierrot lunaire: 1. Teil: 1. Mondestrunken | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:40 | |
Pierrot lunaire: 1. Teil: 2. Columbine | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:39 | |
Pierrot lunaire: 1. Teil: 3. Der Dandy | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:24 | |
Pierrot lunaire: 1. Teil: 4. Eine blasse Wäscherin | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:23 | |
Pierrot lunaire: 1. Teil: 5. Valse de Chopin | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:15 | |
Pierrot lunaire: 1. Teil: 6. Madonna | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:05 | |
Pierrot lunaire: 1. Teil: 7. Der kranke Mond | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:36 | |
Pierrot lunaire: 2. Teil: 1. Nacht | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:25 | |
Pierrot lunaire: 2. Teil: 2. Gebet an Pierrot | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:02 | |
Pierrot lunaire: 2. Teil: 3. Raub | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:10 | |
Pierrot lunaire: 2. Teil: 4. Rote Messe | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:51 | |
Pierrot lunaire: 2. Teil: 5. Galgenlied | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 0:18 | |
Pierrot lunaire: 2. Teil: 6. Enthauptung | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:11 | |
Pierrot lunaire: 2. Teil: 7. Die Kreuze | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:16 | |
Pierrot lunaire: 3. Teil: 1. Heimweh | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:59 | |
Pierrot lunaire: 3. Teil: 2. Gemeinheit! | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:11 | |
Pierrot lunaire: 3. Teil: 3. Parodie | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:22 | |
Pierrot lunaire: 3. Teil: 4. Der Mondfleck | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 0:58 | |
Pierrot lunaire: 3. Teil: 5. Serenade | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 2:17 | |
Pierrot lunaire: 3. Teil: 6. Heimfahrt | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:48 | |
Pierrot lunaire: 3. Teil: 7. O alter Duft | Jan DeGaetani, Contemporary Chamber Ensemble, Arthur Weisberg | | | 1:56 | |
Quartet for Trumpet, Tenor Saxophone, Percussion and Piano: I. Lento | Contemporary Chamber Ensemble, Arthur Weisberg | | | 5:43 | |
Quartet for Trumpet, Tenor Saxophone, Percussion and Piano: II. Con moto | Contemporary Chamber Ensemble, Arthur Weisberg | | | 6:56 | |
Satires of Circumstance: No. 1. Waiting Both | Contemporary Chamber Ensemble, Arthur Weisberg, Jan DeGaetani | | | 4:25 | |
Satires of Circumstance: No. 2. The Convergence of the Twain | Contemporary Chamber Ensemble, Arthur Weisberg, Jan DeGaetani | | | 7:53 | |
Satires of Circumstance: No. 3. "What's There to Tell?" | Contemporary Chamber Ensemble, Arthur Weisberg, Jan DeGaetani | | | 4:15 | |
Serenata d'estate | Contemporary Chamber Ensemble, Arthur Weisberg | | | 11:19 | |
Symphony: I. Not too slow | Orchestra of the 20th Century, Arthur Weisberg | | | 5:15 | |
Symphony: II. Charged | Orchestra of the 20th Century, Arthur Weisberg | | | 8:03 | |
Symphony: III. Alive | Orchestra of the 20th Century, Arthur Weisberg | | | 12:34 | |
The Art of the Ground Round | John Ferrante, John Nelson, Peter Schickele, Peter Rosenfeld, Arthur Weisberg | | | 11:16 | |
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl) | John Ferrante, John Nelson, Professor Schickele, Peter Rosenfeld, Arthur Weisberg | | | 1:30 | |
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh | John Ferrante, John Nelson, Professor Schickele, Arthur Weisberg | | | 1:30 | |
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl | John Ferrante, John Nelson, Professor Schickele, Peter Rosenfeld, Arthur Weisberg | | | 1:52 | |
The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir | John Ferrante, John Nelson, Arthur Weisberg | | | 1:43 | |