26′1.1499″ | | | | | | | |
27′10.554″ | | | | | | | |
31′57.9864″ | | | | | | | |
34′46.776″ | | | | | | | |
45′ for a Speaker | | | | | | | |
45′ für einen Sprecher | | | | | | | |
Composition No. 101 | | | | | | | |
Composition No. 107: Section A | | | | | | | |
Composition No. 107: Section B | | | | | | | |
Composition No. 107: Section C | | | | | | | |
Composition No. 107: Section D | | | | | | | |
Composition No. 107: Section E | | | | | | | |
Composition No. 139 | | | | | | | |
Concert for Piano and Orchestra | | | | | | | |
For John Cage | | | | | | | |
Intermission V | | | | | | | |
Klavierstück '87 | | | | | | | |
Klavierstück VI | | | | | | | |
Klavierstück VII | | | | | | | |
Klavierstück VIII | | | | | | | |
Monotonie I | | | | | | | |
Monotonie IV | | | | | | | |
Monotonie V | | | | | | | |
Music for ________ | | | | | | | |
Palais de Mari | | | | | | | |
Patterns in a Chromatic Field | | | | | | | |
Piano | | | | | | | |
Piano Piece to Philip Guston | | | | | | | |
Sonata no. 2: I. Con estremo impeto, agitatissimo | | | | | | | |
Sonata no. 2: II. Lento meditativo | | | | | | | |
Sonata no. 2: III. Vivace tempestoso | | | | | | | |
Sonata no. 3: I. Lento, rubato | | | | | | | |
Sonata no. 3: II. Con dolcezza | | | | | | | |
Sonata no. 3: III. | | | | | | | |
Suite no. 8 “Bot-Ba”: I. Agitato | | | | | | | |
Two | | | | | | | |
Un Adieu | | | | | | | |
Vertical Thoughts 4 | | | | | | | |