| 4 Prayers | | | | | | | |
| 4 Prayers: First Prayer: Quarter Note = 60, Without Expression | | | | | | | |
| 4 Prayers: Last Prayer: Quarter Note = 69 | | | | | | | |
| 4 Prayers: Second Prayer: Half Note = 50 | | | | | | | |
| 4 Prayers: Third Prayer: Loud and Fast, Quarter Note = 144 (A Palindrome) | | | | | | | |
| 6 Friends | | | | | | | |
| 6 Friends: 75 Notes for Jerry | | | | | | | |
| 6 Friends: For Barbara | | | | | | | |
| 6 Friends: For Don | | | | | | | |
| 6 Friends: For Marian | | | | | | | |
| 6 Friends: For Mary | | | | | | | |
| 6 Friends: For Rosemary | | | | | | | |
| A Dream of Nightingales | | | | Song | | | |
| A journey | | | | Song | | | |
| A Quaker Reader | | | | | | | |
| A Quaker Reader: I. First - Day Thoughts | | | | | | | |
| A Quaker Reader: II. Mary Dyer Did Hang as a Flag... | | | | | | | |
| A Quaker Reader: III. Evidence of Things Not Seen | | | | | | | |
| A Quaker Reader: IV. There Is a Spirit That Delights to Do No Evil... | | | | | | | |
| A Quaker Reader: IX. One Sigh Rightly Begotten | | | | | | | |
| A Quaker Reader: V. The World of Silence | | | | | | | |
| A Quaker Reader: VI. Bewitching Attire of the Most Charming Simplicity... | | | | | | | |
| A Quaker Reader: VII. A Secret Power | | | | | | | |
| A Quaker Reader: VIII... No Darkness at All... | | | | | | | |
| A Quaker Reader: X. Return Home to Within | | | | | | | |
| A Quaker Reader: XI. Ocean of Light | | | | | | | |
| After Reading Shakespeare | | | | | | | |
| After Reading Shakespeare: I. Lear | | | | | | | |
| After Reading Shakespeare: II. Katherine | | | | | | | |
| After Reading Shakespeare: III. Titania and Oberon | | | | | | | |
| After Reading Shakespeare: IV. Caliban | | | | | | | |
| After Reading Shakespeare: IX. Iago and Othello | | | | | | | |
| After Reading Shakespeare: V. Portia | | | | | | | |
| After Reading Shakespeare: VI. Why Hearst Thou Music Sadly? | | | | | | | |
| After Reading Shakespeare: VII. Our Minutes Hasten to Their End | | | | | | | |
| After Reading Shakespeare: VIII. Remembrance of Things Past | | | | | | | |
| Air Music | | | | | | | |
| Alleluia | | | | | | | |
| An American Oratorio | | | | Oratorio | | | |
| An American Oratorio: 1. The New Colossus | | | | | | | |
| An American Oratorio: 2. To Helen | | | | | | | |
| An American Oratorio: 3. Snowflakes | | | | | | | |
| An American Oratorio: 4. Something Lost | | | | | | | |
| An American Oratorio: 5. Raven Days | | | | | | | |
| An American Oratorio: 6. Misgivings | | | | | | | |
| An American Oratorio: 7. I Saw a Man Passing | | | | | | | |
| An American Oratorio: 8. There was a Crimson Clash | | | | | | | |
| An American Oratorio: 9. War is Kind | | | | | | | |
| An American Oratorio: 10. A New York Soldier | | | | | | | |
| An American Oratorio: 11. Here the Frailest Leaves | | | | | | | |
| An American Oratorio: 12. To Ned | | | | | | | |
| Are You the New Person? | | | | Song | | | |
| As Adam Early in the Morning | | | | | | | |
| Ask Me No More | | | | Song | | | |
| Before the Morning Star Begotten | | | | Motet | | | |
| Book of Hours | | | | | | | |
| Book of Hours: I. Matins (Nocturne) | | | | | | | |
| Book of Hours: II. Lauds (Sunrise) | | | | | | | |
| Book of Hours: III. Prime (6am) | | | | | | | |
| Book of Hours: IV. Terce (Mid-morning) | | | | | | | |
| Book of Hours: V. Sext (Noon) | | | | | | | |
| Book of Hours: VI. None (Mid-afternooon) | | | | | | | |
| Book of Hours: VII. Vespers (Evensong) | | | | | | | |
| Book of Hours: VIII. Compline (Nightfall) | | | | | | | |
| Breathe On Me, Breath of God | | | | | | | |
| Bright Music | | | | | | | |
| Bright Music: I. Fandango | | | | | | | |
| Bright Music: II. Pierrot | | | | | | | |
| Bright Music: III. Dance-Song-Dance | | | | | | | |
| Bright Music: IV. Another Dream | | | | | | | |
| Bright Music: V. Chopin | | | | | | | |
| Cello Concerto | | | | Concerto | | | |
| Cello Concerto: I. Curtain Raise | | | | | | | |
| Cello Concerto: II. There and Back | | | | | | | |
| Cello Concerto: III. Three Queries, One Response | | | | | | | |
| Cello Concerto: IV. Competitive Chaos | | | | | | | |
| Cello Concerto: V. A Single Tone, A Dozen Implications | | | | | | | |
| Cello Concerto: VI. One Coin, Two Sides | | | | | | | |
| Cello Concerto: VII. Valse Rappelée | | | | | | | |
| Cello Concerto: VIII. Adrift | | | | | | | |
| Concertino da Camera | | | | Concerto | | | |
| Concertino da Camera: I. Allegro non troppo | | | | | | | |
| Concertino da Camera: II. Molto moderato | | | | | | | |
| Concertino da Camera: III. Presto | | | | | | | |
| Concerto for English Horn and Orchestra | | | | Concerto | | | |
| Concerto for English Horn and Orchestra: I. Preamble and Amble | | | | | | | |
| Concerto for English Horn and Orchestra: II. Love Letter | | | | | | | |
| Concerto for English Horn and Orchestra: III. Recurring Dream | | | | | | | |
| Concerto for English Horn and Orchestra: IV. Perpetual Motion | | | | | | | |
| Concerto for English Horn and Orchestra: V. Medley and Prayer | | | | | | | |
| Diversions | | | | | | | |
| Diversions: I. Fanfare | | | | | | | |
| Diversions: II. Scherzo for Three | | | | | | | |
| Diversions: III. Galop | | | | | | | |
| Diversions: IV. Pastorale Quartet | | | | | | | |
| Diversions: IX. Carousel for Three | | | | | | | |
| Diversions: V. Procession with Tuba | | | | | | | |
| Diversions: VI. Blue Waltz with Horn | | | | | | | |
| Diversions: VII. Duo for Trumpets | | | | | | | |
| Diversions: VIII. Polka | | | | | | | |
