| vocals |
|---|
| 1968-06 | Salome: "Ich will nicht bleiben" | mezzo-soprano vocals [Ein Sklave] | Elizabeth Bainbridge, Montserrat Caballé, Julia Hamari, Neil Howlett, David Kelly, James King, Sherrill Milnes, London Symphony Orchestra, Erich Leinsdorf | 5:34 |
| 1969-10 | Les Troyens: Act I: No. 8 Ottetto et double choeur: "Châtiment effroyable!" | mezzo-soprano vocals [Hécube] | Elizabeth Bainbridge, Chorus of the Royal Opera House, Covent Garden, Peter Glossop, Anne Howells, David Lennox, Berit Lindholm, Anthony Raffell, Pierre Thau, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:20 |
| 1971-04 | Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | mezzo-soprano vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 3:51 |
| 1971-04 | Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | mezzo-soprano vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:14 |
| 1971-04 | Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | mezzo-soprano vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:21 |
| 1971-04 | Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | mezzo-soprano vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:47 |
| 1971-04 | Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | mezzo-soprano vocals | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 5:29 |
| 1971-09-18 | Rule Britannia | mezzo-soprano vocals | Elizabeth Bainbridge, BBC Symphony Orchestra, Colin Davis | ?:?? |
| 1971-09-18 | Rule Britannia | mezzo-soprano vocals | Elizabeth Bainbridge, BBC Chorus, BBC Choral Society, BBC Symphony Orchestra, Sir Colin Davis | 4:44 |
| 1972-09-16 | A Song for the Lord Mayor’s Table: Rhyme | mezzo-soprano vocals | Elizabeth Bainbridge, BBC Symphony Orchestra, Sir Colin Davis | 2:27 |
| 1972-09-16 | A Song for the Lord Mayor’s Table: The Contrast | mezzo-soprano vocals | Elizabeth Bainbridge, BBC Symphony Orchestra, Sir Colin Davis | 2:46 |
| 1972-09-16 | A Song for the Lord Mayor’s Table: The Contrast – Rhyme | mezzo-soprano vocals | Elizabeth Bainbridge, BBC Symphony Orchestra, Colin Davis | ?:?? |
| 1972 | Norma: Atto I. Vanne, e li cela entrambi | mezzo-soprano vocals [Clotilde] | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | 4:27 |
| 1972 | Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” | mezzo-soprano vocals [Clotilde] | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | 8:54 |
| 1972 | Norma: Atto II. Ei tornera, si | mezzo-soprano vocals [Clotilde] | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | 5:25 |
| 1972 | Norma: Atto II. Ne compi il rito, o Norma? | mezzo-soprano vocals [Clotilde] | Ambrosian Opera Chorus, Elizabeth Bainbridge, Montserrat Caballé, Plácido Domingo, Ruggero Raimondi, London Philharmonic Orchestra, Carlo Felice Cillario | 3:36 |
| 1983-10-23 | Nelson, op. 41, Act I: Chorus. “A Strange Little Hero” | mezzo-soprano vocals [Mrs. Cadogan] | Brian Rayner Cook, Eiddwen Harrhy, David Johnston, Elizabeth Bainbridge, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | 2:54 |
| 1983-10-23 | Nelson, op. 41, Act I: Guests begin to arrive. Chorus. “Victory O Happy Day” | mezzo-soprano vocals [Mrs. Cadogan] | Elizabeth Bainbridge, Philip O'Reilly, David Johnston, Eiddwen Harrhy, Brian Rayner Cook, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | 5:50 |
| 1983-10-23 | Nelson, op. 41, Act I: Introduction: Mrs C. “Mario! Sebastiano! Annibale!” | mezzo-soprano vocals [Mrs. Cadogan] | Elizabeth Bainbridge, Eiddwen Harrhy, Brian Rayner Cook, BBC Symphony Orchestra, Elgar Howarth | 7:18 |
| 1983-10-23 | Nelson, op. 41, Act I: M. Serafina. “Very Well, Very Well” | mezzo-soprano vocals [Mrs. Cadogan] | Mary Thomas, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | 3:26 |
| 1983-10-23 | Nelson, op. 41, Act I: Mrs. C. “Mercy, Child, a Carriage and Pair” | mezzo-soprano vocals [Mrs. Cadogan] | Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | 2:19 |
| 1983-10-23 | Nelson, op. 41, Act I: Nelson. “That Is a Man’s Music” | mezzo-soprano vocals [Mrs. Cadogan] | David Johnston, Eiddwen Harrhy, Elizabeth Bainbridge, Brian Rayner Cook, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | 3:40 |
| 1983-10-23 | Nelson, op. 41, Act I: Sir W. “The Wine Waits” | mezzo-soprano vocals [Mrs. Cadogan] | Brian Rayner Cook, Roger Heath, Eiddwen Harrhy, David Johnston, Elizabeth Bainbridge, Mary Thomas, BBC Symphony Orchestra, Elgar Howarth | 5:24 |
| 1983-10-23 | Nelson, op. 41, Act I: The band starts again. Sir W. “You Do Well, My Lord” | mezzo-soprano vocals [Mrs. Cadogan] | Brian Rayner Cook, Elizabeth Bainbridge, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | 1:54 |
| 1983-10-23 | Nelson, op. 41, Act II, Scene I: Mrs. C. “Lord Nelson! Emma!” | mezzo-soprano vocals [Mrs. Cadogan] | Elizabeth Bainbridge, Eiddwen Harrhy, Margaret Kingsley, David Johnston, Brian Rayner Cook, Richard Angas, BBC Symphony Orchestra, Elgar Howarth | 4:25 |
| 1983-10-23 | Nelson, op. 41, Act II, Scene II: Mrs. C. “Lord Nelson a Messenger!” | mezzo-soprano vocals [Mrs. Cadogan] | Elizabeth Bainbridge, Eiddwen Harrhy, David Johnston, BBC Symphony Orchestra, Elgar Howarth | 5:09 |
| 1983-10-23 | Nelson, op. 41, Act II, Scene II: Nelson. “Leave Me to Reflect” | mezzo-soprano vocals [Mrs. Cadogan] | David Johnston, Eiddwen Harrhy, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | 9:17 |
| 1983-10-23 | Nelson, op. 41, Act III, Scene I: Emma. “Are We Safe Hidden?” | mezzo-soprano vocals [Mrs. Cadogan] | Eiddwen Harrhy, Elizabeth Bainbridge, David Johnston, Richard Angas, BBC Symphony Orchestra, Elgar Howarth | 5:55 |
| 1983-10-23 | Nelson, op. 41, Act III, Scene I: Nelson. “Now We Pass Into the Future” | mezzo-soprano vocals [Mrs. Cadogan] | David Johnston, Eiddwen Harrhy, Richard Angas, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | 1:52 |
| At Christmastime | | Robert Wright & George Forrest | 2:41 |
| Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming" | contralto vocals | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | 12:39 |
| Five Tudors Portraits: II. Intermezzo "My Pretty Bess" | contralto vocals | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | 3:01 |
| Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss" | contralto vocals | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | 3:33 |
| Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)" | contralto vocals | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | 21:25 |
| Five Tudors Portraits: V. Scherzo "Jolly Rutterkin" | contralto vocals | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | 4:18 |
| Hymn of Betrohal | | Robert Wright & George Forrest | 1:38 |
| Il trovatore: Atto I, scena 2 | mezzo-soprano vocals | John McCarthy, Ambrosian Singers, Elizabeth Bainbridge, Fiorenza Cossotto, Plácido Domingo, Sherrill Milnes, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | 18:06 |
| Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) | mezzo-soprano vocals | Elizabeth Bainbridge; Leontyne Price, New Philharmonia Orchestra, Zubin Mehta | 2:19 |
| Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez) | mezzo-soprano vocals | Leontyne Price, Elizabeth Bainbridge, New Philharmonia Orchestra, Zubin Mehta | 2:38 |
| Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) | mezzo-soprano vocals | Leontyne Price, Elizabeth Bainbridge, New Philharmonia Orchestra, Zubin Mehta | 5:01 |
| Il trovatore: Atto I. “Che piu t'arresti?” / “Tacea la notte” / “Di tale amor” | mezzo-soprano vocals | Elizabeth Bainbridge, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | 9:59 |
| Il trovatore: Atto II, scena 2 | mezzo-soprano vocals | John McCarthy, Ambrosian Singers, Elizabeth Bainbridge, Fiorenza Cossotto, Ryland Davies, Plácido Domingo, Bonaldo Giaiotti, Sherrill Milnes, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | 18:16 |
| Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz) | mezzo-soprano vocals | Leontyne Price, Plácido Domingo, Sherrill Milnes, Elizabeth Bainbridge, Bonaldo Giaiotti, Ryland Davies, Ambrosian Opera Chorus, New Philharmonia Orchestra, Zubin Mehta | 4:10 |
| Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns) | mezzo-soprano vocals | Leontyne Price, Sherrill Milnes, Elizabeth Bainbridge, Ambrosian Opera Chorus, New Philharmonia Orchestra, Zubin Mehta | 2:18 |
| L'amore dei tre re: Act III. "Alzate, tutti, gli occhi in volto a lei" (Old Woman, Chor) | mezzo-soprano vocals | Elizabeth Bainbridge, Ambrosian Opera Chorus | 2:13 |
| L'amore dei tre re: Atto III | mezzo-soprano vocals | John Mc Carthy, The Ambrosian Singers, Elizabeth Bainbridge, Alan Byers, Plácido Domingo, Pablo Elvira, Cesare Siepi, Elaine Tomkinson, London Symphony Orchestra, Nello Santi | 21:53 |
| La Battaglia di Legnano: “Voi lo diceste” ... “Quante volte” ... “A frenarti, o cor” | mezzo-soprano vocals [Imelda] | Elizabeth Bainbridge, William Elvin, Renata Scotto, London Philharmonic Orchestra, Gianandrea Gavazzeni | 8:51 |
| Madama Butterfly: Bimba, bimba, non piangere | mezzo-soprano vocals | Leontyne Price, New Philharmonia Orchestra, Edward Downes, Plácido Domingo, Elizabeth Bainbridge | 16:10 |
| Otello: “Era più calmo?” … “Mia madre aveva (Willow Song)” … “Piangea cantando” … “Ave Maria” | mezzo-soprano vocals [Emilia] | Elizabeth Bainbridge, Renata Scotto, London Philharmonic Orchestra, Gianandrea Gavazzeni | 14:46 |
| Rule Britannia | mezzo-soprano vocals | Elizabeth Bainbridge, Royal Choral Society, New Philharmonia Orchestra, Sir Arthur Bliss | 3:36 |
| Rule, Britannia | mezzo-soprano vocals | Elizabeth Bainbridge, New Philharmonia Orchestra, Sir Arthur Bliss | 3:36 |
| Rule, Britannia | mezzo-soprano vocals | Elizabeth Bainbridge, Royal Choral Society, New Philharmonia Orchestra, Sir Arthur Bliss | ?:?? |
| The Yeomen of the Guard: Act I. Oh, Sergeant Meryll, Is It True | contralto vocals [Dame Carruthers] | Geoffrey Chard, David Hillman, [first yeoman], [second yeoman], Claire Powell, Alfred Marks, Elizabeth Gale, Peter Savidge, Elizabeth Bainbridge, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 17:29 |
| The Yeomen of the Guard: Act I. When Our Gallant Norman Foes | contralto vocals [Dame Carruthers] | Elizabeth Bainbridge, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 3:56 |
| The Yeomen of the Guard: Act II. Comes the Pretty Young Bride / Credits | contralto vocals [Dame Carruthers] | Claire Powell, Elizabeth Gale, Elizabeth Bainbridge, Peter Savidge, David Hillman, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 12:49 |
