A Song for the Lord Mayor’s Table: Rhyme | Elizabeth Bainbridge, BBC Symphony Orchestra, Sir Colin Davis | | | 2:27 | |
A Song for the Lord Mayor’s Table: The Contrast | Elizabeth Bainbridge, BBC Symphony Orchestra, Sir Colin Davis | | | 2:46 | |
A Song for the Lord Mayor’s Table: The Contrast – Rhyme | Elizabeth Bainbridge, BBC Symphony Orchestra, Colin Davis | | | ?:?? | |
Five Tudors Portraits: I. Ballad "The Tunning of Elinor Rumming" | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | | | 12:39 | |
Five Tudors Portraits: II. Intermezzo "My Pretty Bess" | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | | | 3:01 | |
Five Tudors Portraits: III. Burlesca "Epitaph on John Jayberd of Diss" | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | | | 3:33 | |
Five Tudors Portraits: IV. Romanza "Jane Scoop (Her Lament for Philip Sparrow)" | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | | | 21:25 | |
Five Tudors Portraits: V. Scherzo "Jolly Rutterkin" | The Bach Choir, Elizabeth Bainbridge, John Carol Case, Philharmonia Orchestra | | | 4:18 | |
Il trovatore: Atto I, scena 2 | John McCarthy, Ambrosian Singers, Elizabeth Bainbridge, Fiorenza Cossotto, Plácido Domingo, Sherrill Milnes, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | | | 18:06 | |
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) | Elizabeth Bainbridge; Leontyne Price, New Philharmonia Orchestra, Zubin Mehta | | | 2:19 | |
Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez) | Leontyne Price, Elizabeth Bainbridge, New Philharmonia Orchestra, Zubin Mehta | | | 2:41 | |
Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) | Leontyne Price, Elizabeth Bainbridge, New Philharmonia Orchestra, Zubin Mehta | | | 5:02 | |
Il trovatore: Atto I. “Che piu t'arresti?” / “Tacea la notte” / “Di tale amor” | Elizabeth Bainbridge, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | | | 9:59 | |
Il trovatore: Atto II, scena 2 | John McCarthy, Ambrosian Singers, Elizabeth Bainbridge, Fiorenza Cossotto, Ryland Davies, Plácido Domingo, Bonaldo Giaiotti, Sherrill Milnes, Leontyne Price, Philharmonia Orchestra, Zubin Mehta | | | 18:16 | |
Il trovatore: Atto II, Scena II. "E deggio e posso crederlo?" (Leonora, Count, Manrico, Inez, nuns, Ferrando, soldiers, Ruiz) | Leontyne Price, Plácido Domingo, Sherrill Milnes, Elizabeth Bainbridge, Bonaldo Giaiotti, Ryland Davies, Ambrosian Opera Chorus, New Philharmonia Orchestra, Zubin Mehta | | | 4:10 | |
Il trovatore: Atto II, Scena II. "Perché piangete" ... "O dolci amiche" (Leonora, Inez, Count, nuns) | Leontyne Price, Sherrill Milnes, Elizabeth Bainbridge, Ambrosian Opera Chorus, New Philharmonia Orchestra, Zubin Mehta | | | 2:18 | |
L'amore dei tre re: Act III. "Alzate, tutti, gli occhi in volto a lei" (Old Woman, Chor) | Elizabeth Bainbridge, Ambrosian Opera Chorus | | | 2:13 | |
L'amore dei tre re: Atto III | John Mc Carthy, The Ambrosian Singers, Elizabeth Bainbridge, Alan Byers, Plácido Domingo, Pablo Elvira, Cesare Siepi, Elaine Tomkinson, London Symphony Orchestra, Nello Santi | | | 21:53 | |
La Battaglia di Legnano: “Voi lo diceste” ... “Quante volte” ... “A frenarti, o cor” | Elizabeth Bainbridge, William Elvin, Renata Scotto, London Philharmonic Orchestra, Gianandrea Gavazzeni | | | 8:51 | |
Les Troyens: Act I: No. 8 Ottetto et double choeur: "Châtiment effroyable!" | Elizabeth Bainbridge, Chorus of the Royal Opera House, Covent Garden, Peter Glossop, Anne Howells, David Lennox, Berit Lindholm, Anthony Raffell, Pierre Thau, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | | | 6:20 | |
Madama Butterfly: Bimba, bimba, non piangere | Leontyne Price, New Philharmonia Orchestra, Edward Downes, Plácido Domingo, Elizabeth Bainbridge | | | 16:10 | |
Nelson, op. 41, Act I: Chorus. “A Strange Little Hero” | Brian Rayner Cook, Eiddwen Harrhy, David Johnston, Elizabeth Bainbridge, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | | | 2:54 | |
Nelson, op. 41, Act I: Guests begin to arrive. Chorus. “Victory O Happy Day” | Elizabeth Bainbridge, Philip O'Reilly, David Johnston, Eiddwen Harrhy, Brian Rayner Cook, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | | | 5:50 | |
Nelson, op. 41, Act I: Introduction: Mrs C. “Mario! Sebastiano! Annibale!” | Elizabeth Bainbridge, Eiddwen Harrhy, Brian Rayner Cook, BBC Symphony Orchestra, Elgar Howarth | | | 7:18 | |
Nelson, op. 41, Act I: M. Serafina. “Very Well, Very Well” | Mary Thomas, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | | | 3:26 | |
Nelson, op. 41, Act I: Mrs. C. “Mercy, Child, a Carriage and Pair” | Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | | | 2:19 | |
Nelson, op. 41, Act I: Nelson. “That Is a Man’s Music” | David Johnston, Eiddwen Harrhy, Elizabeth Bainbridge, Brian Rayner Cook, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | | | 3:40 | |
Nelson, op. 41, Act I: Sir W. “The Wine Waits” | Brian Rayner Cook, Roger Heath, Eiddwen Harrhy, David Johnston, Elizabeth Bainbridge, Mary Thomas, BBC Symphony Orchestra, Elgar Howarth | | | 5:24 | |
Nelson, op. 41, Act I: The band starts again. Sir W. “You Do Well, My Lord” | Brian Rayner Cook, Elizabeth Bainbridge, BBC Singers, BBC Symphony Orchestra, Elgar Howarth | | | 1:54 | |
Nelson, op. 41, Act II, Scene I: Mrs. C. “Lord Nelson! Emma!” | Elizabeth Bainbridge, Eiddwen Harrhy, Margaret Kingsley, David Johnston, Brian Rayner Cook, Richard Angas, BBC Symphony Orchestra, Elgar Howarth | | | 4:25 | |
Nelson, op. 41, Act II, Scene II: Mrs. C. “Lord Nelson a Messenger!” | Elizabeth Bainbridge, Eiddwen Harrhy, David Johnston, BBC Symphony Orchestra, Elgar Howarth | | | 5:09 | |
Nelson, op. 41, Act II, Scene II: Nelson. “Leave Me to Reflect” | David Johnston, Eiddwen Harrhy, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | | | 9:17 | |
Nelson, op. 41, Act III, Scene I: Emma. “Are We Safe Hidden?” | Eiddwen Harrhy, Elizabeth Bainbridge, David Johnston, Richard Angas, BBC Symphony Orchestra, Elgar Howarth | | | 5:55 | |
Nelson, op. 41, Act III, Scene I: Nelson. “Now We Pass Into the Future” | David Johnston, Eiddwen Harrhy, Richard Angas, Elizabeth Bainbridge, BBC Symphony Orchestra, Elgar Howarth | | | 1:52 | |
Norma: Atto I. Vanne, e li cela entrambi | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | | | 4:27 | |
Norma: Atto II, scena 1. Recitativo “Dormono entrambi!” | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | | | 8:54 | |
Norma: Atto II. Ei tornera, si | Elizabeth Bainbridge, Montserrat Caballé, London Philharmonic Orchestra, Carlo Felice Cillario | | | 5:25 | |
Norma: Atto II. Ne compi il rito, o Norma? | Ambrosian Opera Chorus, Elizabeth Bainbridge, Montserrat Caballé, Plácido Domingo, Ruggero Raimondi, London Philharmonic Orchestra, Carlo Felice Cillario | | | 3:36 | |
Otello: “Era più calmo?” … “Mia madre aveva (Willow Song)” … “Piangea cantando” … “Ave Maria” | Elizabeth Bainbridge, Renata Scotto, London Philharmonic Orchestra, Gianandrea Gavazzeni | | | 14:46 | |
Rule Britannia | Elizabeth Bainbridge, BBC Symphony Orchestra, Colin Davis | | | ?:?? | |
Rule Britannia | Elizabeth Bainbridge, Royal Choral Society, New Philharmonia Orchestra, Sir Arthur Bliss | | | 3:36 | |
Rule Britannia | Elizabeth Bainbridge, BBC Chorus, BBC Choral Society, BBC Symphony Orchestra, Sir Colin Davis | | | 4:44 | |
Rule, Britannia | Elizabeth Bainbridge, Royal Choral Society, New Philharmonia Orchestra, Sir Arthur Bliss | | | ?:?? | |
Rule, Britannia | Elizabeth Bainbridge, New Philharmonia Orchestra, Sir Arthur Bliss | | | 3:36 | |
Salome: "Ich will nicht bleiben" | Elizabeth Bainbridge, Montserrat Caballé, Julia Hamari, Neil Howlett, David Kelly, James King, Sherrill Milnes, London Symphony Orchestra, Erich Leinsdorf | | | 5:34 | |
The Yeomen of the Guard: Act I. Oh, Sergeant Meryll, Is It True | Geoffrey Chard, David Hillman, [first yeoman], [second yeoman], Claire Powell, Alfred Marks, Elizabeth Gale, Peter Savidge, Elizabeth Bainbridge, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:29 | |
The Yeomen of the Guard: Act I. When Our Gallant Norman Foes | Elizabeth Bainbridge, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 3:56 | |
The Yeomen of the Guard: Act II. Comes the Pretty Young Bride / Credits | Claire Powell, Elizabeth Gale, Elizabeth Bainbridge, Peter Savidge, David Hillman, Joel Grey, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 12:49 | |
Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | | | 3:51 | |
Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | | | 5:14 | |
Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | | | 4:21 | |
Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | | | 4:47 | |
Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55) | Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | | | 5:29 | |