| arranged |
|---|
| Where Have All the Flowers Gone? | | | The Choir of St Bride’s Church Choir, Robert Jones, Matthew Morley | 4:23 |
| edited |
|---|
| A Ceremony of Carols: No 1: Procession, "Hodie Christus natus est" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:28 |
| A Ceremony of Carols: No. 2: Wolcum Yole! | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:26 |
| A Ceremony of Carols: No. 3: There is no rose | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 2:29 |
| A Ceremony of Carols: No. 4a: That yongë child | | | Choir of The Queen's College, Oxford, Melissa Talbot, Lucy Wakeford, Owen Rees | 1:49 |
| A Ceremony of Carols: No. 4b: Balulalow, "O my deare hert, young Jesu sweit" | | | Choir of The Queen's College, Oxford, Alexandra Moss, Lucy Wakeford, Owen Rees | 1:27 |
| A Ceremony of Carols: No. 5: As dew in Aprille, "I sing of a maiden" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:01 |
| A Ceremony of Carols: No. 6: This little babe | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:27 |
| A Ceremony of Carols: No. 7: Interlude | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 4:10 |
| A Ceremony of Carols: No. 8: In freezing winter night, "Behold, a silly tender babe" | | | Choir of The Queen's College, Oxford, Olivia Hugh-Jones, Elizabeth Nurse, Lucy Wakeford, Owen Rees | 4:06 |
| A Ceremony of Carols: No. 9: Spring Carol, "Pleasure it is" | | | Choir of The Queen's College, Oxford, Alexandra Moss, Elizabeth Nurse, Lucy Wakeford, Owen Rees | 1:05 |
| A Ceremony of Carols: No. 10: Deo gracias | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:06 |
| A Ceremony of Carols: No. 11: Recession, "Hodie Christus natus est" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:48 |
| A Child is Born in Bethlehem | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 2:53 |
| A Great and Mighty Wonder | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 3:19 |
| A Soldier’s Mother’s Lullaby | | | Pacific Lutheran University Choir of the West, Richard Nance | 6:52 |
| Adieu | | | Julian Jacobson, Brodsky Quartet | 2:40 |
| Ah! Crudel, nel pianto mio, HWV 78: I. Sonata | | | Arcangelo, Jonathan Cohen | 8:18 |
| Ah! Crudel, nel pianto mio, HWV 78: II. Aria “Ah, crudel, nel pianto mio” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 6:55 |
| Ah! Crudel, nel pianto mio, HWV 78: III. Recitativo “Non sdegnerai d’amar” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 0:50 |
| Ah! Crudel, nel pianto mio, HWV 78: IV. Aria “Di quel bel che il ciel ti diede” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 3:59 |
| Ah! Crudel, nel pianto mio, HWV 78: V. Recitativo accompagnato “Balena il cielo” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 1:58 |
| Ah! Crudel, nel pianto mio, HWV 78: VI. Aria “Per trofei di mia costanza” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 7:16 |
| Allein Gott in der Höh sei Ehr, BWV 675 | | | Jeremy Filsell | 3:03 |
| Allein Gott in der Höh sei Ehr, BWV 676 | | | Jeremy Filsell | 4:48 |
| Allein Gott in der Höh sei Ehr, BWV 677 | | | Jeremy Filsell | 1:00 |
| Amazing Grace | | | Pacific Lutheran University Choir of the West, Richard Nance | 5:22 |
| Amor hai vinto, RV 683: I. Recitativo “Amor, hai vinto” | | | Tim Mead, Arcangelo, Jonathan Cohen | 1:10 |
| Amor hai vinto, RV 683: II. Aria “Passo di pena in pena” | | | Tim Mead, Arcangelo, Jonathan Cohen | 6:32 |
| Amor hai vinto, RV 683: III. Recitativo “In che strano e confuso” | | | Tim Mead, Arcangelo, Jonathan Cohen | 1:39 |
| Amor hai vinto, RV 683: IV. Aria “Se a me rivolge il ciglio” | | | Tim Mead, Arcangelo, Jonathan Cohen | 5:11 |
| An Intimate Letter from the Judean Desert | | | Brodsky Quartet | 3:02 |
| Après un rêve, op. 7 no. 1 | | | Brodsky Quartet | 3:26 |
| Arianna a Naxos, Hob. XXVIb:2: Arianna a Naxos, Hob. XXVIb:2: I. Recitativo “Teseo moi ben, ove sei?” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 6:29 |
| Arianna a Naxos, Hob. XXVIb:2: Arianna a Naxos, Hob. XXVIb:2: II. Aria “Dove sei, moi bel tesoro” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 4:50 |
| Arianna a Naxos, Hob. XXVIb:2: Arianna a Naxos, Hob. XXVIb:2: III. Recitativo “Ma, a chi parlo?” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 4:00 |
| Arianna a Naxos, Hob. XXVIb:2: Arianna a Naxos, Hob. XXVIb:2: IV. Aria “Ah! che morir vorrei” | | | Kate Lindsey, Arcangelo, Jonathan Cohen | 4:18 |
| Aus tiefer Not schrei ich zu dir, BWV 686 | | | Jeremy Filsell | 6:00 |
| Aus tiefer Not schrei ich zu dir, BWV 687 | | | Jeremy Filsell | 5:08 |
| Ave Maria | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 6:14 |
| Ave virgo sanctissima | | | Contrapunctus, Owen Rees | 4:05 |
| Beatus Achacius | | | The Queen’s Six | 7:31 |
| Bethlehem Down | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 5:44 |
| Bogoroditse devo | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 3:30 |
| Brockes-Passion, HWV 48: “Ich seh’ an einen Stein gebunden” | | | Arcangelo, Jonathan Cohen | 1:20 |
| Brockes-Passion, HWV 48: Accompagnato “Bei Jesus’ Tod und Leiden” | | | Arcangelo, Jonathan Cohen | 1:24 |
| Brockes-Passion, HWV 48: Accompagnato “Das ist mein Leib: Kommt, nehmet, esset” | | | Konstantin Krimmel, Arcangelo, Jonathan Cohen | 1:03 |
| Brockes-Passion, HWV 48: Accompagnato “Ist’s möglich, dass dein Zorn sich stille” | | | Konstantin Krimmel, Arcangelo, Jonathan Cohen | 2:26 |
| Brockes-Passion, HWV 48: Accompagnato “Mein Vater! Schau, wie ich mich quäle” | | | Konstantin Krimmel, Arcangelo, Jonathan Cohen | 2:22 |
| Brockes-Passion, HWV 48: Aria “Brich, brüllender Abgrund” | | | Arcangelo, Jonathan Cohen | 3:03 |
| Brockes-Passion, HWV 48: Aria “Brich, mein Herz, zerfliess In Tränen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 6:12 |
| Brockes-Passion, HWV 48: Aria “Dem Himmel gleicht sein buntgefärbter rücken” | | | Arcangelo, Jonathan Cohen | 3:04 |
| Brockes-Passion, HWV 48: Aria “Der Gott, dem alle Himmelskreise” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:00 |
| Brockes-Passion, HWV 48: Aria “Die ihr Gottes Gnad’ versäumet” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:01 |
| Brockes-Passion, HWV 48: Aria “Die Rosen krönen sonst der rauhen Dornen Spitzen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:09 |
| Brockes-Passion, HWV 48: Aria “Erwäge doch, erwäg, ergrimmte Natternbrut” | | | Arcangelo, Jonathan Cohen | 4:08 |
| Brockes-Passion, HWV 48: Aria “Es scheint, da den zerkerbten Rücken” | | | Arcangelo, Jonathan Cohen | 2:48 |
| Brockes-Passion, HWV 48: Aria “Gift und Glut, Strahl und Flut” | | | Matthew Long, Arcangelo, Jonathan Cohen | 1:38 |
| Brockes-Passion, HWV 48: Aria “Gott selbst, der Brunnquell alles Guten” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:05 |
| Brockes-Passion, HWV 48: Aria “Heil der Welt, dein schmerzlich Leiden” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 3:10 |
| Brockes-Passion, HWV 48: Aria “Heul, du schaum der Menschenkinder!” | | | Matthew Long, Arcangelo, Jonathan Cohen | 3:00 |
| Brockes-Passion, HWV 48: Aria “Hier erstarrt mein Herz und Blut” | | | Arcangelo, Jonathan Cohen | 1:07 |
| Brockes-Passion, HWV 48: Aria “Jesu, dich mit unsern Seelen zu vermählen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:00 |
| Brockes-Passion, HWV 48: Aria “Lass doch diese herbe Schmerzen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 4:08 |
| Brockes-Passion, HWV 48: Aria “Lasst diese tat nicht ungerochen” | | | Alex Potter, Arcangelo, Jonathan Cohen | 1:59 |
| Brockes-Passion, HWV 48: Aria “Meine Laster sind die Stricke” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 2:10 |
| Brockes-Passion, HWV 48: Aria “Nehmt mich mit, verzagte Scharen” | | | Matthew Long, Arcangelo, Jonathan Cohen | 5:05 |
| Brockes-Passion, HWV 48: Aria “Schau, ich fall’ in strenger Busse” | | | Matthew Long, Arcangelo, Jonathan Cohen | 2:27 |
| Brockes-Passion, HWV 48: Aria “Schäumest du, du Schaum der Welt” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 1:40 |
| Brockes-Passion, HWV 48: Aria “Sind meiner Seelen tiefe Wunden” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 3:26 |
| Brockes-Passion, HWV 48: Aria “Sünder, schaut mit Furcht und Zagen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 1:21 |
| Brockes-Passion, HWV 48: Aria “Was Bärentatzen, Löwenklauen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 3:27 |
| Brockes-Passion, HWV 48: Aria “Was Wunder, dass der Sonnen Pracht” | | | Arcangelo, Jonathan Cohen | 2:29 |
| Brockes-Passion, HWV 48: Aria “Weil ich den Hirten schlagen werde” | | | Konstantin Krimmel, Arcangelo, Jonathan Cohen | 1:13 |
| Brockes-Passion, HWV 48: Aria “Wie kommt’s, dass da der Himmel weint” | | | Marcus Farnsworth, Arcangelo, Jonathan Cohen | 2:00 |
| Brockes-Passion, HWV 48: Aria “Wisch ab der Tränen scharfe Lauge” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 5:30 |
| Brockes-Passion, HWV 48: Aria and Chorus “Kommet, ihr verworfnen Sünder” | | | Arcangelo, Jonathan Cohen | 3:24 |
| Brockes-Passion, HWV 48: Aria und Chor “Eilt, ihr angefocht’nen Seelen” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 1:54 |
| Brockes-Passion, HWV 48: Arioso “Erwachet doch!” | | | David Allsopp, Konstantin Krimmel, Matthew Long, Alex Potter, Arcangelo, Jonathan Cohen | 1:47 |
| Brockes-Passion, HWV 48: Arioso “Ich will versinken und vergehn” | | | Matthew Long, Arcangelo, Jonathan Cohen | 0:42 |
| Brockes-Passion, HWV 48: Arioso “Mein Heiland, Herr und Fürst!” | | | Arcangelo, Jonathan Cohen | 1:57 |
| Brockes-Passion, HWV 48: Chorale “Ach, Gott und Herr, wie gross und schwer” | | | Arcangelo, Jonathan Cohen | 1:28 |
| Brockes-Passion, HWV 48: Chorale “Ach, wie hungert mein Gemüte” | | | Arcangelo, Jonathan Cohen | 1:45 |
| Brockes-Passion, HWV 48: Chorale “Ich bin ein Glied an deinem Leib” | | | Arcangelo, Jonathan Cohen | 1:17 |
| Brockes-Passion, HWV 48: Chorale “Mein’ Sünd’ mich werden kränken sehr” | | | Arcangelo, Jonathan Cohen | 1:10 |
| Brockes-Passion, HWV 48: Chorale “O Menschenkind, nur deine Sünd” | | | Arcangelo, Jonathan Cohen | 0:44 |
| Brockes-Passion, HWV 48: Chorus “O weh, sie binden ihn mit Strick und Ketten!” | | | Arcangelo, Jonathan Cohen | 0:44 |
| Brockes-Passion, HWV 48: Duet “Soll mein Kind, mein Leben sterben” | | | Mary Bevan, Konstantin Krimmel, Arcangelo, Jonathan Cohen | 2:23 |
| Brockes-Passion, HWV 48: Duet “Sprichst du denn auf dies Verklagen” | | | Konstantin Krimmel, Sandrine Piau, Arcangelo, Jonathan Cohen | 2:35 |
| Brockes-Passion, HWV 48: Recitative “Als Jesus nun zu Tische sass” | | | Stuart Jackson, Arcangelo, Jonathan Cohen | 0:37 |
| Brockes-Passion, HWV 48: Recitative “Als Jesus Nun, Wie Hart Man Ihn Verklagte" - Chorus "Er hat den Tod verdient!” | | | William Gaunt, Stuart Jackson, Konstantin Krimmel, Arcangelo, Jonathan Cohen | 1:29 |
| Brockes-Passion, HWV 48: Recitative “Aufs wenigste will ich” | | | Konstantin Krimmel, Matthew Long, Arcangelo, Jonathan Cohen | 1:06 |
| Brockes-Passion, HWV 48: Recitative “Besinne dich, Pilatus, schweig, halt ein!" / Arioso "Dein Bärenherz ist felsenhart” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 1:40 |
| Brockes-Passion, HWV 48: Recitative “Die Nacht war kaum vorbei” | | | Stuart Jackson, Sandrine Piau, Arcangelo, Jonathan Cohen | 1:25 |
| Brockes-Passion, HWV 48: Recitative “Die Pein vermehrte sich mit grausamem Erschüttern” | | | Stuart Jackson, Arcangelo, Jonathan Cohen | 1:34 |
| Brockes-Passion, HWV 48: Recitative “Die zarten Schläfen sind bis ans Gehirne” | | | Sandrine Piau, Arcangelo, Jonathan Cohen | 0:50 |
| Brockes-Passion, HWV 48: Recitative “Dies sahe Petrus an” | | | David Allsopp, Mary Bevan, Stuart Jackson, Mhairi Lawson, Matthew Long, Arcangelo, Jonathan Cohen | 1:37 |
| Brockes-Passion, HWV 48: Recitative “Dies war zur neunten Stund’” | | | Stuart Jackson, Arcangelo, Jonathan Cohen | 1:56 |
| Brockes-Passion, HWV 48: Recitative “Doch wie, will ich verzweifelnd untergehn?” | | | Matthew Long, Arcangelo, Jonathan Cohen | 0:39 |
| Brockes-Passion, HWV 48: Recitative “Drauf Beugten Sie Aus Spott Vor Ihm Die Knie" / Chorus "Ein jeder sei ihm untertänig!” | | | Stuart Jackson, Arcangelo, Jonathan Cohen | 1:08 |
| Brockes-Passion, HWV 48: Recitative “Drauf krähete der Hahn” | | | Stuart Jackson, Matthew Long, Arcangelo, Jonathan Cohen | 1:54 |
| See all 323 relationships |
| engineered |
|---|
| Balulalow | | | Voces8 | 2:54 |
| Come Wander With Me | | | Voces8 | 4:05 |
| Es ist ein Ros entsprungen | | | Voces8 | 3:47 |
| For Now I Am Winter | | | Voces8 | 4:45 |
| In the Bleak Midwinter | | | Voces8 | 5:11 |
| Nunc dimittis | | | Voces8 | 5:45 |
| Plainscapes: Plainscape I | | | Voces8 | 5:28 |
| Plainscapes: Plainscape II | | | Voces8 | 3:38 |
| Plainscapes: Plainscape III | | | Voces8 | 7:30 |
| The Darkness Is No Darkness | | | Voces8 | 4:29 |
| The Fruit of Silence | | | Voces8 | 5:33 |
| The Snow It Melts the Soonest | | | Voces8 | 3:35 |
| Vespers: Nunc dimittis | | | Voces8 | 3:26 |
| Winter | | | Voces8 | 5:03 |
| produced |
|---|
| 2016-07-14 – 2016-07-15 | Media vita: Noli claudere aures tuas | | | Adrian Peacock, Martin Baker, Westminster Cathedral Choir | 1:49 |
| 2021-02-15 – 2021-02-17 | Abendsegen (Hansel & Gretel) | | | Myron and Archie | 2:37 |
| 2021-02-15 – 2021-02-17 | Ave verum | | | Myron and Archie | 2:46 |
| 2021-02-15 – 2021-02-17 | Barcarolle (Les Contes d'Hoffmann) | | | Myron and Archie | 2:37 |
| 2021-02-15 – 2021-02-17 | Bist du bei mir | | | Myron and Archie | 2:18 |
| 2021-02-15 – 2021-02-17 | Caro amico amplesso | | | Myron and Archie | 2:03 |
| 2021-02-15 – 2021-02-17 | Domine Deus (Gloria) | | | Myron and Archie | 3:22 |
| 2021-02-15 – 2021-02-17 | Give Us the Wings of Faith | | | Myron and Archie | 2:36 |
| 2021-02-15 – 2021-02-17 | Oh Holy Night | | | Myron and Archie | 3:09 |
| 2021-02-15 – 2021-02-17 | Santa Lucia | | | Myron and Archie | 2:19 |
| 2021-02-15 – 2021-02-17 | Songs My Mother Taught Me | | | Myron and Archie | 3:17 |
| 2021-02-15 – 2021-02-17 | Veni, veni Emmanuel | | | Myron and Archie | 4:42 |
| 2021-04-01 – 2021-04-03 | Angels' Carol | | | Myron and Archie | 3:28 |
| 2021-04-01 – 2021-04-03 | Away in a Manger | | | Myron and Archie | 2:21 |
| 2021-04-01 – 2021-04-03 | Es ist ein Ros Entsprungen | | | Myron and Archie | 4:20 |
| 2021-04-01 – 2021-04-03 | In the Bleak Midwinter | | | Myron and Archie | 4:25 |
| 2021-04-01 – 2021-04-03 | L'Adieu des Bergers (from L'Enfance du Christ, Op.25) | | | Myron and Archie | 4:46 |
| 2021-04-01 – 2021-04-03 | Love Came Down at Christmas | | | Myron and Archie | 2:45 |
| 2021-04-01 – 2021-04-03 | Mariä Wiegenlied | | | Myron and Archie | 2:03 |
| 2021-04-01 – 2021-04-03 | Peace on Earth / Little Drummer Boy | | | Myron and Archie | 2:51 |
| 2021-04-01 – 2021-04-03 | Quelle est cette Odeur Agréable | | | Myron and Archie | 4:06 |
| 2021-04-01 – 2021-04-03 | The Virgin’s Cradle | | | Myron and Archie | 1:55 |
| 2021-04-01 – 2021-04-03 | Wexford Carol | | | Myron and Archie | 3:06 |
| "Ah! non turbi il mio riposo" from Telemaco, Act II Scene 3 | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 3:40 |
| "Destructive war" from Belshazzar HWV61, Act III Scene 3 | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 2:16 |
| "O Lord, whose mercies numberless" from Saul HWV53, Act I Scene 5 | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 5:28 |
| "Pensa a serbarmi, o cara" insertion aria for Guglielmi or Bertoni's Ezio | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 3:58 |
| "Say, lovely Dream!" from The Fairies | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 5:42 |
| "The raptur'd soul" from Theodora HWV68, Act I Scene 2 | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 8:19 |
| "Vengeance, O come inspire me!" from Alfred, Act II | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 6:52 |
| "Yet, can I hear that dulcet lay" from The Choice of Hercules, HWV69 | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 4:06 |
| 3 Geistliche Gesange, op. 69, IJR 33: No. 3, Abendlied | | | Netherlands Radio Choir, Benjamin Goodson | 3:09 |
| 3 Psalms, op. 78: no. 1, Psalm 2: 'Warum toben die Heiden', MWV B. 41 (revised version) | | | Netherlands Radio Choir, Benjamin Goodson | 5:25 |
| 3 Psalms, op. 78: no. 2, Psalm 43: 'Richte mich, Gott', MW B. 46 (revised version) | | | Netherlands Radio Choir, Benjamin Goodson | 4:00 |
| 3 Psalms, op. 78: no. 3, Psalm 22: 'Mein Gott, warum hast Du mich verlassen', MWV B. 51 | | | Netherlands Radio Choir, Benjamin Goodson | 7:35 |
| 6 Spruche, op. 79, IFM 111: no 1 Im Advent | | | Netherlands Radio Choir, Benjamin Goodson | 1:28 |
| 6 Spruche, op. 79, IFM 111: no 2 Weihnachten | | | Netherlands Radio Choir, Benjamin Goodson | 1:17 |
| 6 Spruche, op. 79, IFM 111: no 3 Am Neujahrstage | | | Netherlands Radio Choir, Benjamin Goodson | 2:28 |
| 6 Spruche, op. 79, IFM 111: no 4 In der Passionszeit | | | Netherlands Radio Choir, Benjamin Goodson | 1:46 |
| 6 Spruche, op. 79, IFM 111: no 5 Am Karfreitage | | | Netherlands Radio Choir, Benjamin Goodson | 1:38 |
| 6 Spruche, op. 79, IFM 111: no 6 Am Himmelfahrtstage | | | Netherlands Radio Choir, Benjamin Goodson | 1:28 |
| A Butterfly in New York | | | Karim Sulayman, Sean Shibe | 4:43 |
| A Ceremony of Carols | | | Choir of The Queen's College, Oxford, Owen Rees, Laurence John, Lucy Wakeford | 23:21 |
| A Ceremony of Carols, op. 28: As Dew in Aprille | | | Choir of Trinity College, Sally Pryce, Stephen Layton | 0:56 |
| A Ceremony of Carols, op. 28: Balulalow | | | Choir of Trinity College, Katherine Watson, Sally Pryce, Stephen Layton | 1:20 |
| A Ceremony of Carols, op. 28: Deo gracias | | | Choir of Trinity College, Sally Pryce, Stephen Layton | 1:04 |
| A Ceremony of Carols, op. 28: In Freezing Winter Night | | | Zoë Brown, Choir of Trinity College, Katherine Watson, Sally Pryce, Stephen Layton | 4:04 |
| A Ceremony of Carols, op. 28: Interlude | | | Sally Pryce | 4:23 |
| A Ceremony of Carols, op. 28: Procession | | | Choir of Trinity College, Stephen Layton | 1:27 |
| A Ceremony of Carols, op. 28: Recession | | | Choir of Trinity College, Stephen Layton | 2:33 |
| A Ceremony of Carols, op. 28: Spring Carol | | | Zoë Brown, Katherine Watson, Sally Pryce, Stephen Layton | 1:06 |
| A Ceremony of Carols, op. 28: That Yongë Child | | | Zoë Brown, Sally Pryce, Stephen Layton | 1:56 |
| A Ceremony of Carols, op. 28: There Is No Rose | | | Choir of Trinity College, Sally Pryce, Stephen Layton | 2:30 |
| A Ceremony of Carols, op. 28: This Little Babe | | | Choir of Trinity College, Sally Pryce, Stephen Layton | 1:25 |
| A Ceremony of Carols, op. 28: Wolcum Yole! | | | Choir of Trinity College, Sally Pryce, Stephen Layton | 1:24 |
| A Ceremony of Carols: No 1: Procession, "Hodie Christus natus est" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:28 |
| A Ceremony of Carols: No. 2: Wolcum Yole! | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:26 |
| A Ceremony of Carols: No. 3: There is no rose | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 2:29 |
| A Ceremony of Carols: No. 4a: That yongë child | | | Choir of The Queen's College, Oxford, Melissa Talbot, Lucy Wakeford, Owen Rees | 1:49 |
| A Ceremony of Carols: No. 4b: Balulalow, "O my deare hert, young Jesu sweit" | | | Choir of The Queen's College, Oxford, Alexandra Moss, Lucy Wakeford, Owen Rees | 1:27 |
| A Ceremony of Carols: No. 5: As dew in Aprille, "I sing of a maiden" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:01 |
| A Ceremony of Carols: No. 6: This little babe | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:27 |
| A Ceremony of Carols: No. 7: Interlude | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 4:10 |
| A Ceremony of Carols: No. 8: In freezing winter night, "Behold, a silly tender babe" | | | Choir of The Queen's College, Oxford, Olivia Hugh-Jones, Elizabeth Nurse, Lucy Wakeford, Owen Rees | 4:06 |
| A Ceremony of Carols: No. 9: Spring Carol, "Pleasure it is" | | | Choir of The Queen's College, Oxford, Alexandra Moss, Elizabeth Nurse, Lucy Wakeford, Owen Rees | 1:05 |
| A Ceremony of Carols: No. 10: Deo gracias | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:06 |
| A Ceremony of Carols: No. 11: Recession, "Hodie Christus natus est" | | | Choir of The Queen's College, Oxford, Lucy Wakeford, Owen Rees | 1:48 |
| A Child is Born in Bethlehem | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 2:53 |
| A Child?s Prayer | | | The Elysian Singers, Sam Laughton | 4:10 |
| A Flourish for a Bidding | | | Simon Bell | 3:20 |
| A Gallery Carol | | | The Choir of St George’s Chapel, Windsor Castle, James Vivian | 1:25 |
| A Good-Night | | | The Gesualdo Six, Owain Park | 3:03 |
| A Grace for 10 Downing Street | | | Herbert Howells | 2:33 |
| A great and mighty wonder | | | The Choir of Trinity College Cambridge, Stephen Layton | 2:54 |
| A Great and Mighty Wonder | | | Wells Cathedral Choir, Jeremy Cole, Matthew Owens | 3:19 |
| A Hymn for St Cecilia | | | Choir of Trinity College, Simon Bland, Stephen Layton | 3:07 |
| A Hymn for St. Cecilia | | | Rodolfus Choir, Tom Winpenny, Ralph Allwood | 3:07 |
| A Hymn to the Virgin | | | Commotio, Matthew Berry | 4:55 |
| A Jubilant Song | | | The Choir of Royal Holloway, Rupert Gough | 3:46 |
| A Nun Takes the Veil, op. 13 no. 1 "Heaven-haven" | | | Polyphony, Stephen Layton | 2:43 |
| A Pile of Dust | | | Voces8 | 5:13 |
| A Soldier’s Mother’s Lullaby | | | Pacific Lutheran University Choir of the West, Richard Nance | 6:52 |
| A solis ortu (Part 3 of Laudate pueri) | | | Carolyn Sampson, Ex Cathedra Baroque Ensemble, Jeffrey Skidmore | 3:19 |
| A Song of Wisdom, op. 113 no. 6a | | | Choir of Westminster Abbey, Peter Holder, James OʼDonnell | 4:49 |
| A special appeal | | | Choir of Westminster Abbey, Peter Holder, James O’Donnell | 6:35 |
| A Spotless Rose | | | Alex Jones, Rodolfus Choir, Tom Winpenny, Ralph Allwood | 3:11 |
| A Tender Shoot | | | The Choir of St George’s Chapel, Windsor Castle, James Vivian | 2:07 |
| Abide With Me | | | Choir of Westminster Abbey, James O’Donnell, Robert Quinney | 4:46 |
| Above the stars my Saviour dwells | | | Choir of Trinity College, Stephen Layton | 3:48 |
| Absalon fili mi | | | The Gesualdo Six, Owain Park | 4:33 |
| Accepit Jesus panem | | | Cinquecento | 3:15 |
| Accompagnato "Ah che dissi!" from Didone abbandonata, Act I Scene 19 — | | | Iestyn Davies, Arcangelo, Jonathan Cohen | 1:26 |
| Acis and Galatea, HWV 49a: Accompagnato “I Rage, I Melt, I Burn!” – | | | Christopher Purves, Arcangelo, Jonathan Cohen | 1:21 |
| Acis and Galatea, HWV 49a: Air “O Ruddier Than the Cherry” (Polyphemus) | | | Christopher Purves, Arcangelo, Jonathan Cohen | 3:13 |
| Acis, Galatea e Polifemo, HWV 72: Aria “Fra l’ombre e gl’orrori” (Polifemo) | | | Christopher Purves, Arcangelo, Jonathan Cohen | 6:59 |
| Ad te clamamus “Salve Regina” | | | The Gesualdo Six, Owain Park | 5:22 |
| Adieu | | | Julian Jacobson, Brodsky Quartet | 2:40 |
| Adorna thalamum: Accipiens Simeon puerum in manibus suis | | | Cinquecento | 2:40 |
| Adorna thalamum: Adorna thalamum | | | Cinquecento | 2:48 |
| Adoro te devote | | | The Choir of Trinity College Cambridge, Stephen Layton | 4:13 |
| See all 2,557 relationships |
| recording engineer for |
|---|
| A Hymn for St Cecilia | | | Royal Holloway Choir, William Mason, Rupert Gough | 3:10 |
| A Song for St Cecilia’s Day, op. 119 | | | Royal Holloway Choir, Matthew Searles, Rupert Gough | 4:14 |
| Cecilia Virgo | | | Royal Holloway Choir, Rupert Gough | 5:38 |
| Feast Song for Saint Cecilia | | | Royal Holloway Choir, Rupert Gough | 6:09 |
| Hymn to Saint Cecilia, op. 27 | | | Royal Holloway Choir, Rupert Gough | 11:12 |
| La musique | | | Felicity Lott, Royal Holloway Choir, Rupert Gough | 12:56 |
| Live for Ever, Glorious Lord | | | Royal Holloway Choir, William Mason, Rupert Gough | 4:55 |
| Silence and Music | | | Royal Holloway Choir, Rupert Gough | 5:46 |
| Sing, mortals! | | | Royal Holloway Choir, Matthew Searles, Rupert Gough | 6:03 |
| There is sweet music, op. 53 no. 1 | | | Royal Holloway Choir, Rupert Gough | 5:22 |
| Verses on Saint Cecilia’s Day | | | Royal Holloway Choir, Rupert Gough | 4:59 |
| vocals |
|---|
| 1991 – 1992 | Agnus Dei | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 3:56 |
| 1991 – 1992 | Hymn: Aeterna Christi Munera | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:39 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Agnus Dei | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 4:44 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Benedictus | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:16 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Communio: Venite post me | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 0:57 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Credo | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 5:01 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Gloria | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:48 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Graduale: Constitues eos principes | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 5:50 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Introitus: Mihi autem | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:32 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Kyrie | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:03 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Offertorium: Mihi autem | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 1:47 |
| 1991 – 1992 | Missa Aeterna Christi Munera: Sanctus | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 1:53 |
| 1991 – 1992 | Missa L'Homme Armé: Benedictus | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 1:55 |
| 1991 – 1992 | Missa L'Homme Armé: Communio: Qui vult venire | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 0:47 |
| 1991 – 1992 | Missa L'Homme Armé: Credo | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 6:05 |
| 1991 – 1992 | Missa L'Homme Armé: Gloria | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 3:57 |
| 1991 – 1992 | Missa L'Homme Armé: Gradulae: Beatus vir | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 5:24 |
| 1991 – 1992 | Missa L'Homme Armé: Introitus: In virtue tua | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 3:17 |
| 1991 – 1992 | Missa L'Homme Armé: Kyrie | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 2:29 |
| 1991 – 1992 | Missa L'Homme Armé: Offertorium: Gloria et honore | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 1:37 |
| 1991 – 1992 | Missa L'Homme Armé: Sanctus | | bass vocals | Michael Chance, Brian Etheridge, Michael George, James Griffett, James Lewington, Ian Partridge, Adrian Peacock, Timothy Penrose, Stephen Roberts, Mark Brown, Pro Cantione Antiqua | 1:40 |
| 1993-04-21 – 1993-04-24 | St. John Passion, BWV 245: Betrachte, meine Seel' | | bass vocals | Adrian Peacock, Scholars Baroque Ensemble | 2:38 |
| 1993-04-21 – 1993-04-24 | St. John Passion, BWV 245: Eilt, ihr angefochtnen Seelen | | bass vocals | Adrian Peacock, Scholars Baroque Ensemble | 3:41 |
| 1993-04-21 – 1993-04-24 | St. John Passion, BWV 245: Mein teurer Heiland | | bass vocals | Adrian Peacock, Scholars Baroque Ensemble | 4:32 |
| 1993-07-24 – 1993-08-04 | Deborah: Act II, No. XI. Recitative "No. more, ye infidels, No. more!" (Chief Priest of the Israelites) | | bass vocals [Chief Priest of the Israelites] | Adrian Peacock, The King’s Consort, Robert King | 0:21 |
| 1995-06-12 – 1995-06-13 | Miserere mei, Deus | | bass vocals | Francis Faux, Adrian Peacock, Alexander Semprini, Westminster Cathedral Choir, Raymond Winterflood, Joseph Cullen, James OʼDonnell | 11:30 |
| 1996-07-18 – 1996-07-20 | Hark! The Herald Angels Sing | | bass vocals | Jennie Cassidy, Adrian Peacock, Claire Tomlin, Timothy Roberts | 3:34 |
| 1999-09-02 – 1999-09-04 | Horrible is the end of th' unrighteous generation | | bass vocals | Tom Cogan, Timothy Kenworthy-Brown, Patrick McCarthy, Toby Parr, Adrian Peacock, Psalmody, The Parley of Instruments, Timothy Roberts, Peter Holman | 11:51 |
| 1999-09-02 – 1999-09-04 | How oft, instinct with warmth divine | | bass vocals | Jennie Cassidy, Adrian Peacock, Claire Tomlin, Timothy Roberts, Peter Holman | 3:04 |
| 1999-09-02 – 1999-09-04 | Maker of all! be thou my guard | | bass vocals | Jennie Cassidy, Adrian Peacock, Claire Tomlin, Timothy Roberts, Peter Holman | 2:48 |
| 1999-09-02 – 1999-09-04 | Tell us, O women (Dialogue Hymn) | | bass vocals | Jennie Cassidy, Philippa Hyde, Patrick McCarthy, Adrian Peacock, Psalmody, Mark Caudle, Timothy Roberts, Peter Holman | 2:54 |
| 1999-09-02 – 1999-09-04 | What art expresses (Dr Harington's Compliment) | | bass vocals | Philippa Hyde, Patrick McCarthy, Adrian Peacock, Claire Tomlin, Timothy Roberts, Peter Holman | 4:21 |
| Ave Regina caelorum | | bass vocals | The Tallis Scholars, Peter Phillips | 5:56 |
| Infelix ego | | bass vocals | The Tallis Scholars, Peter Phillips | 12:15 |
| Now the earth, the skies, the air | | bass vocals | Libby Crabtree, Charles Daniels, Adrian Peacock, Nigel Short, Mark Caudle, Jacob Heringman, David Miller | 3:28 |
| Parce mihi, Domine | | bass vocals | The Tallis Scholars, Peter Phillips | 11:09 |
| edited |
|---|
| The Ice Mountain | | | Ronald Corp; New London Children's Choir, Members of the New London Orchestra, Ronald Corp | |
| mastering |
|---|
| Arianna | | | Kate Lindsey, Arcangelo, Jonathan Cohen | |
| Arianna | | | Kate Lindsey, Arcangelo, Jonathan Cohen | |
| BBC Music, Volume 27, Number 3: Love Came Down at Christmas: Carols from Wells Cathedral | | | Wells Cathedral Choir, Matthew Owens, Jeremy Cole | |
| Sacroprofano | | | Antonio Vivaldi; Tim Mead, Arcangelo, Jonathan Cohen | |
| produced |
|---|
| 2022 – 2022-02-04 | The Lost Birds | | choir vocals and task: Vocal producer | Christopher Tin; Royal Philharmonic Orchestra, with Voces8 | |
| A Pembroke Christmas | | | The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood & The Pembroke College Girls' Choir | |
| A Selection of Works from Noël! 2 | | | Ikon, David Hill | |
| Baltic Exchange | | | Choir of Trinity College, Cambridge, Stephen Layton | |
| Choral | | | Various Artists | |
| Fire-Water: The Spirit of Renaissance Spain | | | The King’s Singers, The Harp Consort, Andrew Lawrence‐King | |
| From Spain To Eternet The sacred polyphony of El Greco's Toledo | | | Ensemble Plus Ultra | |
| From the Heart | | | The King’s Singers | |
| Music from the reign of King James I | Recording Producer Adrian Peacock | | The Choir of Westminster Abbey, Robert Quinney, James O’Donnell | |
| The Golden Age: Siglo de Oro | | | The King’s Singers | |
| The Other Vespers | | | Claudio Monteverdi; I Fagiolini, Robert Hollingworth | |
| vocals |
|---|
| Sabbato Sancto | | bass vocals | Gesualdo; Ensemble vocal européen, Philippe Herreweghe | |
| composed |
|---|
| Veni, veni Emmanuel | | | | |
| Venite, Gaudete! | | | | |
