| 6 Bagatelles, op. 126 | | | | | | | |
| 6 Bagatelles, op. 126: No. 1 in G major: Andante con moto cantabile e compiacevole | | | | | | | |
| 6 Bagatelles, op. 126: No. 2 in G minor: Allegro | | | | | | | |
| 6 Bagatelles, op. 126: No. 3 in E-flat major: Andante cantabile e grazioso | | | | | | | |
| 6 Bagatelles, op. 126: No. 4 in B minor: Presto | | | | | | | |
| 6 Bagatelles, op. 126: No. 5 in G major: Quasi Allegretto | | | | | | | |
| 6 Bagatelles, op. 126: No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant" | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": I. Tema | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": II. Variazione I | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": III. Variazione II | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": IV. Variazione III | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": V. Variazione IV | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": VI. Variazione V | | | | | | | |
| 6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant": VII. Variazione VI | | | | | | | |
| 12 Variations for Violin & Piano in G major, K. 374a/359 "La bergère Célimene" | | | | | | | |
| 12 Variations in G on "La Bergère Célimène": 1. Theme | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120 | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. II. Poco allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. III. L'istesso tempo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IV. Un poco più vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. IX. Allegro pesante e risoluto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. V. Allegro vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VI. Allegro ma non troppo e serioso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VII. Un poco più allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. VIII. Poco vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. X. Presto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XI. Allegretto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XII. Un poco più moto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIII. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIV. Grave e maestoso | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XIX. Presto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XV. Presto scherzando | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVI. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVII. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XVIII. Poco moderato | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XX. Andante | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXI. Allegro con brio | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXII. Allegro molto | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIII. Allegro assai | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIV. Fughetta. Andante | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXIX. Adagio ma non troppo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXV. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVI. Piacevole | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVII. Vivace | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXVIII. Allegro | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXX. Andante, sempre cantabile | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXI. Largo, molto espressivo | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | | | | | | | |
| 33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. XXXIII. Tempo di Menuetto moderato | | | | | | | |
| A remembrance of my friend Thomas Morley | | | | | | | |
| All laud and praise | | | | | | | |
| All People Clap Your Hands | | | | | | | |
| Allegro for Violin & Piano in B-flat major, K. 372: Allegro | | | | | | | |
| Alleluia, I heard a voice | | | | Motet | | | |
| Andante con variazioni in F-moll, Hob. XVII:6 "Un piccolo divertimento" | | | | | | | |
| Be thou exalted, Lord (The King Shall Rejoice) | | - James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest
- Roger Barron, John Bernays, Thomas Carey, Philip Cave, Geoffrey Cryer, Howard Ferguson, Oliver Johnston, William Missin, Theresa Caudle, Paula Chateauneuf, Gary Cooper, Tim Crawford, Sarah Cunningham, Peter Holman, William Hunt, Pauline Nobes, Edward Higginbottom
| | Song | | | |
| Consort Lessons, Book 1: Go From My Window | | | | Étude | | | |
| Coranto (or Jig) in C, MB 28/45 | | | | | | | |
| Fantasia for Piano in C minor, K. 396 (385f) | | | | | | | |
| Give Ear, O Lord | | - Choir of St John’s College, Cambridge, George Guest
- Oxford Camerata, Gary Cooper, Jeremy Summerly
- Christ Church Cathedral Choir, Oxford, Stephen Darlington
- The Chapel Choir of Sidney Sussex College, Fretwork, David Skinner
- Thomas Weelkes,Resurgam, The English Cornett & Sackbut Ensemble, Mark Duley
| | | | | |
| Give the King Thy Judgements | | | | Motet | | | |
| Gloria in excelsis deo | | | | Motet | | | |
| Hosanna to the Son of David | | | | | | | |
| How doth the city sit solitary | | - Choir of New College Oxford, Rogers Covey‐Crump, Oliver Johnston, Christopher Neale, Toby Spence, Timothy West, Gary Cooper, Edward Higginbottom
- Christ Church Cathedral Choir, Oxford, Stephen Darlington
- John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists
| | | | | |
| Komm, Jesu, komm | | | | Motet | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 38. Fugue. Organo ad libitum | | | | | | | |
| La Volta No. 2 in G minor, MB 91 | | | | | | | |
| Le Mariage forcé | | | | | | | |
| Les Fous divertissants | | | | Opera | | | |
| Lord, let me know mine end | | | | | | | |
| Lord, to Thee I make my moan | | | | | | | |
| Most Mighty And All-Knowing Lord | | - Oxford Camerata, Gary Cooper, Jeremy Summerly
- The Chapel Choir of Sidney Sussex College, Fretwork, David Skinner
- Choir of King’s College, Cambridge, Fretwork, Stephen Cleobury
- Thomas Weelkes,Resurgam, The English Cornett & Sackbut Ensemble, Mark Duley
| | | | | |
| O be joyful in the Lord, all ye lands | | | | | | | |
| O How Amiable Are Thy Dwellings | | | | Madrigal | | | |
| O Lord, Arise | | | | | | | |
| O Lord, Grant the King a Long Life | | - Oxford Camerata, Gary Cooper, Jeremy Summerly
- Choristers from Chapel Choir of Methodist College, Belfast, Choir of His Majesty’s Chapel Royal, St James’s Palace, Choir of Westminster Abbey, Octet from the Monteverdi Choir, Choristers from Truro Cathedral Choir, Andrew Nethsingha
- Christ Church Cathedral Choir, Oxford, Stephen Darlington
- The Chapel Choir of Sidney Sussex College, Fretwork, David Skinner
- (show 2 more)
| | | | | |
| O mistress mine, MB 28/83 | | | | | | | |
| Passymeasures Pavan | | | | | | | |
| Piano Sonata no. 58 in C major, Hob. XVI:48: I. Andante con espressione | | | | | | | |
| Piano Sonata no. 58 in C major, Hob. XVI:48: II. Rondo: Presto | | | | | | | |
| Piano Sonata no. 59 in E-flat major, Hob. XVI:49: I. Allegro | | | | Sonata | | | |
| Piano Sonata no. 59 in E-flat major, Hob. XVI:49: II. Adagio e cantabile | | | | Sonata | | | |
| Piano Sonata no. 59 in E-flat major, Hob. XVI:49: III. Finale: Tempo di Minuet | | | | Sonata | | | |
| Piano Sonata no. 62 in E-flat major, Hob. XVI:52: III. Finale: Presto | | | | | | | |
| Quartet in D major, TWV 43:D3: I. Prèlude. Vivement | | | | | | | |
| Quartet in D major, TWV 43:D3: II. Tendrement | | - Musica ad Rhenum, Jed Wentz
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt, Jaap Schröder
- Gary Cooper, Sarah Cunningham, Wilbert Hazelzet, Monica Huggett
- Florilegium
- Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Gustav Leonhardt
| | | | | |
| Quartet in D major, TWV 43:D3: III. Vite | | - Musica ad Rhenum, Jed Wentz
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt, Jaap Schröder
- Gary Cooper, Sarah Cunningham, Wilbert Hazelzet, Monica Huggett
- Florilegium
- Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Gustav Leonhardt
| | | | | |
| Quartet in D major, TWV 43:D3: IV. Gaiement | | | | | | | |
| Quartet in D major, TWV 43:D3: V. Modérement | | - Musica ad Rhenum, Jed Wentz
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt, Jaap Schröder
- Gary Cooper, Sarah Cunningham, Wilbert Hazelzet, Monica Huggett
- Florilegium
- Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Gustav Leonhardt
| | | | | |
| Quartet in D major, TWV 43:D3: VI. Vite | | - Musica ad Rhenum, Jed Wentz
- Florilegium
- Frans Brüggen, Anner Bylsma, Gustav Leonhardt, Jaap Schröder
- Gary Cooper, Sarah Cunningham, Wilbert Hazelzet, Monica Huggett
- Barthold Kuijken, Sigiswald Kuijken, Wieland Kuijken, Gustav Leonhardt
| | | | | |
| Sonata for Violin & Piano no. 13 in C major, K. 28: I. Allegro maestroso | | | | | | | |
| Sonata for Violin & Piano no. 13 in C major, K. 28: II. Allegro grazioso | | | | | | | |
| Sonata for Violin & Piano no. 30 in C major, K. 385c/403 (fragment): I. Allegro moderato | | | | | | | |
| Sonata for Violin & Piano no. 30 in C major, K. 385c/403 (fragment): II. Andante - allegretto | | | | | | | |
| Sonata for Violin & Piano no. 31 in C major, K. 385d/404 (fragment): I. Andante | | | | | | | |
| Sonata for Violin & Piano no. 31 in C major, K. 385d/404 (fragment): II. Allegretto | | | | | | | |
| Sonate für Viola da Gamba und Cembalo D-Dur, BWV 1028: I. Adagio | | | | | | | |
