| Entfliehet. verschwindet, entweichet, ihr Sorgen, BWV 249a: Recitative: Was hor ich da? (Bass, Tenor) | | | | | | | |
| Entfliehet. verschwindet, entweichet, ihr Sorgen, BWV 249a: Recitative: Wie aber, die schonste Schaferin (Bass) | | | | | | | |
| Entfliehet. verschwindet, entweichet, ihr Sorgen, BWV 249a: Recitative: Wohlan! Geliebte Schaferinnen (Bass) | | | | | | | |
| In terra pax: Part I: No. 1: Lorsque l'Agneau rompit le premier sceau | | | | | | | |
| In terra pax: Part I: No. 2: Mon Dieu, mon Dieu | | | | | | | |
| In terra pax: Part I: No. 3: Malheur au peuple chargé de péchés! | | | | | | | |
| In terra pax: Part I: No. 4: Éternel, Dieu de mon salut | | | | | | | |
| In terra pax: Part II: No. 5: Sentinelle, que dis-tu de la nuit? | | | | | | | |
| In terra pax: Part II: No. 6: Mais les ténèbres ne régneront pas toujours | | | | | | | |
| In terra pax: Part II: No. 7: Consolez, consolez mon peuple | | | | | | | |
| In terra pax: Part III: No. 8: Voici mon serviteur, mon élu | | | | | | | |
| In terra pax: Part III: No. 9: Heureux les affligés | | | | | | | |
| In terra pax: Part III: No. 10: Notre Père qui es aux cieux | | | | | | | |
| In terra pax: Part IV: No. 11: Puis je un nouveau ciel | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" | | | | | | | |
| Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" | | | | | | | |
| Kantate, BWV 68 "Also hat Gott die Welt geliebt": III. Recitativo (Bass) "Ich bin mit Petro nicht vermessen" | | | | | | | |
| Kantate, BWV 68 "Also hat Gott die Welt geliebt": IV. Aria (Bass) "Du bist geboren mir zugute" | | | | | | | |
| Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" | | | | | | | |
| Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": I. Coro "Du Hirte Israel, höre" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": II. Recitativo (Tenor) "Der höchste Hirte sorgt vor mich" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": III. Aria (Tenor) "Verbirgt mein Hirte sich zu lange" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": IV. Recitativo (Bass) "Ja, dieses Wort ist meiner Seelen Speise" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": V. Aria (Bass) "Beglückte Herde, Jesu Schafe" | | | | | | | |
| Kantate, BWV 104 "Du Hirte Israel, höre": VI. Choral "Der Herr ist mein getreuer Hirt" | | | | | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ | | | | Aria | | | |
| L'Orfeo: Atto quarto. O degli abitator de l'ombre eterne (Due spiriti) | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- John Eliot Gardiner, The English Baroque Soloists, Diana Montague, Willard White, Howard Milner, Nicolas Robertson
- Danielle Borst, Ensemble vocal de la Chapelle Royale, Frangiskos Voutsinos, Orchestre de l’Opéra de Lyon, Michel Corboz
- Le Concert d'Astrée, Emmanuelle Haïm
- (show 5 more)
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| Messe de Nostre Dame: I. Kyrie | | | | | | | |
| Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
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| Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
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| Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Christian Immler, Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
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| Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" | | - Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Eugénie Warnier, Ensemble Pygmalion, Raphaël Pichon
- (show 12 more)
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| Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" | | - Claudine Perret, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Terry Wey, Ensemble Pygmalion, Raphaël Pichon
- (show 11 more)
| | | | | |
| Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Christian Immler, Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
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| Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" | | - Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Eugénie Warnier, Terry Wey, Ensemble Pygmalion, Raphaël Pichon
- (show 12 more)
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| Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" | | - John Elwes, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz, Olivier Dufour
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Emiliano Gonzalez‐Toro, Ensemble Pygmalion, Raphaël Pichon
- (show 11 more)
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| Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
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| Symphoniae Sacrae I, op. 6 No. 13: Fili mi, Absolon | | | | | | | |
| Symphoniae Sacrae I, op. 6 No. 14: Attendite, popule meus | | | | | | | |
