| Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" | | | | | | | |
| Joseph & Mary / I Wonder as I Wander | | | | | | | |
| Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" | | | | | | | |
| Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" | | | | | | | |
| Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" | | | | | | | |
| Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" | | | | | | | |
| Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" | | | | | | | |
| Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" | | | | | | | |
| Keyboard Concerto in D minor, BWV 1052: I. Allegro | | | | | | | |
| Keyboard Concerto in D minor, BWV 1052: II. Adagio | | | | | | | |
| Keyboard Concerto in D minor, BWV 1052: III. Allegro | | | | | | | |
| Ki Eshmerá Shabat | | | | | | | |
| Kuando el Rey Nimrod (Avram Avinu) | | | | | | | |
| L'Orfeo: Atto quarto. Qual onor di te fia degno (Orfeo) | | | | | | | |
| L'Orfeo: Atto secondo. Tu se' morta, mia vita (Orfeo) | | | | | | | |
| L'Orfeo: Atto secondo. Vi ricorda, o bosch'ombrosi (Orfeo) | | | | | | | |
| L’Orfeo: Atto primo. Rosa del ciel (Orfeo) | | | | | | | |
| La Folia (Madness) Concerto grosso, after Trio Sonata, op. 1 no. 12 | | | | | | | |
| La Komida la Manyana (instrumental) | | | | | | | |
| La Komida la Manyana (The Morning Meal) | | | | | | | |
| La roza enflorese | | | | | | | |
| Le nuove musiche: 3. Dolcissimo sospiro | | | | | | | |
| Lecha Dodi | | | | | | | |
| Libro quinto di arie: 1. Canta la cicaleta | | | | Madrigal | | | |
| Messiah, HWV 56: Part I, no. 1. Symphony | | | | | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- RIAS Chamber Chorus, RIAS Berlin Sinfonietta, Marcus Creed
- (show 108 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 6. Air “But who may abide” | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” | | | | | | | |
| Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) | | | | | | | |
| Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | | | | | | | |
| Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) | | | | | | | |
| Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
| Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” | | - Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 104 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) | | | | | | | |
| Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” | | | | | | | |
| Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” | | | | | | | |
| Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Amor Artis Chorale, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- (show 81 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” | | | | | | | |
| Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) | | | | | | | |
| Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” | | | | | | | |
| Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) | | | | | | | |
| Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) | | - John Tomlinson, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Justino Díaz, English Chamber Orchestra, Johannes Somary
- Donald McIntyre, London Philharmonic Orchestra, Karl Richter
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” | | - Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis
- (show 75 more)
| | | | | |
| Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | | | | Song | | | |
| Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) | | - Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
- Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” | | - Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 77 more)
| | | | | |
| Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) | | | | | | | |
| Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) | | | | | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
| Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- The English Concert Choir, The English Concert, Trevor Pinnock
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury
- (show 62 more)
| | | | | |
| Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” | | | | | | | |
| Non havea Febo ancora | | | | | | | |
| Nowell sing we [English, 15th Century] | | | | | | | |
| Old Christmas | | | | | | | |
| Piangono al pianger mio | | | | | | | |
| Secondo libro d'arie musicali: 11. T'amai gran tempo è sospirai | | | | Madrigal | | | |
| Sì dolce è'l tormento, SV 332 | | | | | | | |
| Sonata no. 1 in G minor for Violin & Continuo | | | | Sonata | | | |
| Sonate concertate in stil moderno, libro secondo: Sonata decimaquinta a quattro | | | | | | | |
