| performed |
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| Der Postillon von Lonjumeau: 1. Akt Duet "Ja, ja, auch ich" (Madeleine, Chapelou) | | Adolphe Adam | 8:40 |
| Der Postillon von Lonjumeau: 1. Akt Trio and Finale "In meine Plane wirst du dich fügen" (Marquis, Chapelou, Bijou, Madeleine, Chor) | | Adolphe Adam | 12:34 |
| Der Postillon von Lonjumeau: 2. Akt 2. Bild Aria "Chapelou kommt hierher" (Frau von Latour) | | Adolphe Adam | 6:31 |
| Der Postillon von Lonjumeau: 2. Akt 2. Bild Duet "Welch ein Zufall, Sie hier zu sehen" (Saint-Phar, Frau von Latour) | | Adolphe Adam | 8:39 |
| Der Postillon von Lonjumeau: 2. Akt 2. Bild Duet and Finale "Das ist nicht wahr" (Frau von Latour, Saint-Phar, Alcindor, Bourdon, Marquis, Chor) | | Adolphe Adam | 9:51 |
| Der Postillon von Lonjumeau: 2. Akt 2. Bild Ensemble "Dazu mussen wir gratulieren" (Chor, Saint-Phar, Marquis, Frau von Latour) | | Adolphe Adam | 4:47 |
| vocals |
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1984-07 | Cavalleria Rusticana: Easter Hymn | soprano vocals | Pamela Coburn, Hallé Choir, Hallé Orchestra, Owain Arwel Hughes | 6:06 |
1984-07 | Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman) / no. 108. “Let Their Celestial Concerts All Unite” | soprano vocals | Pamela Coburn, John Dickinson, Hallé Choir, Hallé Orchestra, Owain Arwel Hughes | 8:59 |
1984-07 | Songs of the Auvergne: First Series: no. 2. Baïlèro | soprano vocals | Pamela Coburn, Hallé Orchestra, Owain Arwel Hughes | 6:52 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: II. Imple superna gratia | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 4:47 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: III. Infirma nostri corporis | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 2:11 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: V. Infirma nostri corporis | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 3:01 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VI. Accende lumen sensibus | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 6:39 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VII. Qui Paraclitus diceris | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 3:36 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VIII. Gloria Patri Domino | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 3:02 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XIV. ''Dir, der Unberührbaren'' - ''Du schwebst zu Höhen'' | solo and soprano vocals [Una Poenitentium] | Wiener Philharmoniker, Lorin Maazel | 2:56 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XIX. ''Neige, neige, du Ohnegleiche'' | solo and soprano vocals [Una Poenitentium] | Wiener Philharmoniker, Lorin Maazel | 0:57 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XXI. ''Vom edlen Geisterchor umgeben'' | solo and soprano vocals [Una Poenitentium] | Wiener Philharmoniker, Lorin Maazel | 2:20 |
1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XXIV. ''Alles Vergängliche'' | solo and soprano vocals [Soprano II] | Wiener Philharmoniker, Lorin Maazel | 5:56 |
1989-11 | Fidelio: Akt I. "Abscheulicher! Wo eilst du hin?" (Leonore) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 7:46 |
1989-11 | Fidelio: Akt I. "Der arme Jaquino dauert mich" (Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 0:19 |
1989-11 | Fidelio: Akt I. "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 6:16 |
1989-11 | Fidelio: Akt I. "Höre, Fidelio" (Rocco, Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 0:31 |
1989-11 | Fidelio: Akt I. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 1:43 |
1989-11 | Fidelio: Akt I. "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 4:46 |
1989-11 | Fidelio: Akt I. "Leb wohl, du warmes Sonnenlicht" (Marzelline, Leonore, Jaquino, Pizarro, Rocco) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 4:04 |
1989-11 | Fidelio: Akt I. "Marzelline, ist Fidelio noch nicht zuruck?" (Rocco, Marzelline, Leonore) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 0:44 |
1989-11 | Fidelio: Akt I. "Meister, Rocco, Ihr verspracht mir so oft" (Leonore, Rocco, Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 0:38 |
1989-11 | Fidelio: Akt I. "Mir ist so wunderbar" (Rocco, Marzelline, Leonore, Jaquino) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 5:02 |
1989-11 | Fidelio: Akt I. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 8:00 |
1989-11 | Fidelio: Akt I. "O war ich schon mit dir vereint" (Marzelline) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 4:01 |
1989-11 | Fidelio: Akt II. "Heil sei dem Tag" (Fernando, Rocco, Pizarro, Leonore, Marzelline, Jaquino) | solo and soprano vocals [Marzelline] | Staatskapelle Dresden, Bernard Haitink | 14:14 |
1990-01 | L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XI. No. 5 Quartetto "S'oggi, oh dei, sperar mi fate" (Celidora, Biondello, Lavina, Calandrino) | soprano vocals [Lavina] | Edith Wiens, Peter Schreier, Pamela Coburn, Douglas Johnson, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier | 6:35 |
1990-01 | L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene XV. No. 6 Finale "Su via putti, presto, presto!" (Calandrino, Biondello, Lavina, Celidora, Auretta, Chichibio, Don Pippo, Coro) | soprano vocals [Lavina] | Douglas Johnson, Peter Schreier, Pamela Coburn, Edith Wiens, Inga Nielsen, Anton Scharinger, Dietrich Fischer‐Dieskau, Rundfunkchor Berlin, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier | 13:34 |
1991-05-28 – 1991-05-29 | Requiem B-Dur „Opus ultimum” (fragment): 1. Introitus | solo and soprano vocals | Pamela Coburn, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling | 5:07 |
1991-05-28 – 1991-05-29 | Requiem B-Dur „Opus ultimum” (fragment): 3a. Sequenz: Dies irae | solo and soprano vocals | Pamela Coburn, Ingeborg Danz, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:53 |
1996-09-07 – 1996-09-09 | Mass No in E-Minor: Credo | solo and soprano vocals | Anton Bruckner | 10:10 |
1996-09-07 – 1996-09-09 | Mass No.2 in E-Minor: Agnus Dei | solo and soprano vocals | Anton Bruckner | 6:17 |
1996-09-07 – 1996-09-09 | Mass No.2 in E-Minor: Benedictus | solo and soprano vocals | Anton Bruckner | 6:18 |
1996-09-07 – 1996-09-09 | Mass No.2 in E-Minor: Kyrie | solo and soprano vocals | Anton Bruckner | 7:19 |
1996-09-07 – 1996-09-09 | Mass No.2 in E-Minor: Sanctus | solo and soprano vocals | Anton Bruckner | 3:02 |
1996-09-07 – 1996-09-09 | Mss No.2 in E-Minor: Gloria | solo and soprano vocals | Anton Bruckner | 8:36 |
1996-09-07 – 1996-09-09 | Psalm 150 | solo and soprano vocals | Anton Bruckner | 9:49 |
1996-09-07 – 1996-09-09 | Te Deum: Aeterna fac | solo and soprano vocals | Anton Bruckner | 1:46 |
1996-09-07 – 1996-09-09 | Te Deum: In te Domine speravi | solo and soprano vocals | Anton Bruckner | 6:09 |
1996-09-07 – 1996-09-09 | Te Deum: Salvum fac populum tuum | solo and soprano vocals | Anton Bruckner | 7:32 |
1996-09-07 – 1996-09-09 | Te Deum: Te Deum laudamus | solo and soprano vocals | Anton Bruckner | 7:20 |
1996-09-07 – 1996-09-09 | Te Deum: Te ergo quaesumus | solo and soprano vocals | Anton Bruckner | 2:52 |
| 5 Lieder, op. 82: II. Liebes-Klage | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 2:19 |
| 5 Lieder, op. 82: IV. Arietta assai seriosa | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 2:12 |
| 5 Lieder, op. 82: V. Lebensgenuß (Duett) | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 2:26 |
| Ach Gott, wie weh tut Scheiden | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:37 |
| Ach könnt ich diesen Abend | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:55 |
| Ach, englische Schäferin | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:11 |
| An Laura, WoO 112 | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 3:36 |
| Da unten im Tale | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:55 |
| Das Geheimnis, WoO 145 | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 1:18 |
| Das Glück der Freundschaft, op. 88 | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 2:38 |
| Der Reiter spreitet seinen Mantel aus | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:06 |
| Der Rosenkavalier: Finale "Hab' mir's gelobt, ihn lieb zu haben" | soprano vocals | Martina Borst, Pamela Coburn, Regina Klepper, Münchner Rundfunkorchester, Manfred Honeck | 11:56 |
| Die Sonne scheint nicht mehr | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:15 |
| Dort in den Weiden steht ein Haus | soprano vocals | Pamela Coburn, Geoffrey Parsons | 1:16 |
| Es ging ein Maidlein zarte | soprano vocals | Pamela Coburn, Geoffrey Parsons | 3:15 |
| Es steht ein Lind | soprano vocals | Pamela Coburn, Geoffrey Parsons | 2:42 |
| Es wohnet ein Fiedler | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:10 |
| Feinsliebchen | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:44 |
| Guten Abend, guten Abend, mein tausiger Schatz | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:57 |
| Ich stand auf hohem Berge | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:59 |
| In stiller Nacht | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 3:20 |
| Jungfräulein, soll ich euch gehn | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:38 |
| La tiranna, WoO 125 | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 2:48 |
| Let the bright seraphim from Samson | soprano vocals | Pamela Coburn | 8:57 |
| Lobkowitz Birthday Cantata for solo voice, chorus & piano, WoO 106, "Es lebe unser teurer Fürst" | soprano vocals | Pamela Coburn, Leonard Hokanson, Heinrich-Schütz-Kreis Berlin | 2:00 |
| Mignon | soprano vocals | Pamela Coburn, Leonard Hokanson | 4:18 |
| Och Moder, ich well en Ding han | soprano vocals | Pamela Coburn, Geoffrey Parsons | 1:58 |
| Plaisir d'aimer, WoO 128 | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 1:18 |
| Sagt mir, o schönste Schäf'rin mein | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:37 |
| Schönster Schatz, mein Engel | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:22 |
| Schwesterlein | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:19 |
| Sehnsucht "Nur wer die Sehnsucht kennt", song for voice & piano, WoO 134 (4 settings) | soprano vocals | Pamela Coburn, Leonard Hokanson | 1:56 |
| So wünsch ich ihr ein gute Nacht | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:07 |
| Soll sich der Mond nicht heller scheinen | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:54 |
| Song for Voice and Piano in F major, Op. 100 "Merkenstein: Wo ich wandle denk ich dein": Massig, jedoch nicht schleppend | soprano vocals | Pamela Coburn, Hermann Prey, Leonard Hokanson | 1:44 |
| Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" | soprano vocals | Pamela Coburn, Leonard Hokanson | 3:08 |
| Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" | soprano vocals | Pamela Coburn, Leonard Hokanson | 3:48 |
| Songs for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebesblick und Spiel und Sang" | soprano vocals | Pamela Coburn, Leonard Hokanson | 2:02 |
| Songs for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten süsse Ruh' und gold'ner Frieden In meiner Brust" | soprano vocals | Pamela Coburn, Leonard Hokanson | 3:15 |
| Wach auf, mein Hort | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 2:37 |
| Wie komm ich denn zur Tür herein? | soprano vocals | Pamela Coburn, Hermann Prey, Geoffrey Parsons | 1:45 |
| vocals |
---|
| Missa solemnis | solo and soprano vocals | Ludwig van Beethoven; Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart | |