An Silvia, D. 891 | | | | Song | | | |
Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | | | | Aria | | | |
Bastien und Bastienne, K.50: No. 10 Aria: "Diggi, daggi"(Colas) Dialog "Ist die Hexerei zu Endie?" (Bastien, Colas) | | | | | | | |
Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen" | | - Bryn Terfel, Miah Persson, Scottish Chamber Orchestra, Charles Mackerras
- Eva Lind, Anton Scharinger, Dresdner Philharmonie, Jörg‐Peter Weigle
- Erika Köth, Convivium musicum München, Erich Keller
- Lea Desandre, Florian Sempey, Insula Orchestra, Laurence Equilbey
| | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
Coronach | | | | | | | |
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) | | - Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
- [unknown]
- Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti
- Joanna Borowska, Peter Mikuláš, Slovak Philharmonic Chorus, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner
- (show 77 more)
| | Aria | | | |
Das Grab | | | | | | | |
Der Gondelfahrer | | | | | | | |
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | | | | | | | |
Die Entführung aus dem Serail, K. 384: Ouvertüre | | | | Overture | | | |
Die Forelle, D. 550 | | | | Song | | | |
Die junge Nonne, S. 375 no. 1 | | | | Song | | | |
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Bernard Haitink, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Lucia Popp
- Irmgard Seefried, Erich Kunz, Peter Klein, Wiener Philharmoniker, Herbert von Karajan
- Erich Kunz, Peter Klein, Wiener Philharmoniker, Herbert von Karajan
- (show 45 more)
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Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) | | - Dietrich Fischer‐Dieskau, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Peter Schreier, Staatskapelle Dresden, Sir Colin Davis
- Anton Dermota, Wiener Philharmoniker, Herbert von Karajan
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 38 more)
| | | | | |
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) | | | | Aria | | | |
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) | | | | Aria | | | |
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) | | - Erich Kunz, Emmy Loose, Wiener Philharmoniker, Herbert von Karajan
- Antonia Fahberg, Dietrich Fischer‐Dieskau, Raili Kostia, Lisa Otto, Rosl Schwaiger, Berliner Philharmoniker, Karl Böhm
- Dresdner Kreuzchor, Mikael Melbye, Maria Venuti, Staatskapelle Dresden, Sir Colin Davis
- Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
- (show 55 more)
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Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | | | | Aria | | | |
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | | | | Aria | | | |
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) | | | | Aria | | | |
Du bist die Ruh', D. 776 | | | | Song | | | |
Erlkönig, D. 328 | | | | Song | | | |
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Robert Levin
- (show 19 more)
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Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- New York Choral Artists, Emanuel Ax, New York Philharmonic, Zubin Mehta
- Carola Höhn, Katharina Kammerloher, Andrea Bönig, Endrik Wottrich, Pär Lindskog, René Pape, Chor der Deutschen Staatsoper, Ernst Stoy, Berliner Philharmoniker, Daniel Barenboim
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- (show 25 more)
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Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XV. Adagio | | | | | | | |
Ganymed | | | | | | | |
Gruppe aus dem Tartarus, D. 583 | | | | Song | | | |
Im Abendrot, D. 799 | | | | Song | | | |
La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso) | | | | | | | |
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) | | | | Aria | | | |
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) | | | | | | | |
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) | | | | | | | |
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) | | | | Aria | | | |
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina) | | | | | | | |
Le nozze di Figaro, K. 492: Overture | | | | | | | |
Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie | | - Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Kathleen Battle, Gösta Winbergh, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 40 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 45 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: III. Credo | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus | | | | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus | | - Júlia Hamari, Bavarian Radio Chorus, Dietrich Fischer‐Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Symphony Orchestra, Eugen Jochum
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 45 more)
| | Mass | | | |
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 4 | | | | | | | |
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 4 (Reprise) | | | | | | | |
Musik zu einer Pantomime, K. 446 "Pantalon et Colombine": Pantomime No. 6 | | | | | | | |
Nacht und Träume, D. 827 | | | | | | | |
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” | | | | Ballet | | | |
Overture no. 1 in E minor, op. 23 | | | | Overture | | | |
Overture no. 2 in E-flat major, op. 24 | | | | Overture | | | |
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam | | - Wilma Lipp, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Stefan Klimo, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
- Anna Tomowa‐Sintow, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- (show 68 more)
| | | | | |
Requiem in D minor, K. 626: II. Kyrie eleison | | | | | | | |
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae | | | | | | | |
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Magdaléna Hajóssyová, Jaroslava Horská, Jozef Kundlák, Peter Mikuláš, Slovak Philharmonic Orchestra, Zdeněk Košler
- (show 58 more)
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Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis | | | | | | | |
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 60 more)
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Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis | | | | | | | |
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa | | - Stefan Klimo, Jaroslava Horská, Slovak Philharmonic Chorus, Vladimír Rusó, Slovak Philharmonic Orchestra, Zdeněk Košler
- Wolfgang Amadeus Mozart
- Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Hans Haselböck, Wiener Philharmoniker, Karl Böhm
- (show 71 more)
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Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Wiener Singverein, Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan
- (show 60 more)
| | | | | |
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces | | | | | | | |
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth | | | | | | | |
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 61 more)
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Requiem in D minor, K. 626: VI. Agnus Dei | | | | | | | |
Requiem in D minor, K. 626: VII. Communio: Lux aeterna | | - Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Singverein, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Edith Mathis, Wiener Philharmoniker, Karl Böhm
- (show 61 more)
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Rosamunde, D. 797: IIIb. Romanze f-Moll „Der Vollmond Strahlt auf Bergeshöh'n“. Andante con moto | | | | | | | |
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino | | | | | | | |
Ständchen, D. 957 no. 4 | | | | | | | |
Symphony no. 1 in C minor, op. 32: I. Andante sostenuto – Allegro | | | | | | | |
Symphony no. 1 in C minor, op. 32: II. Adagio cantabile | | | | | | | |
Symphony no. 1 in C minor, op. 32: III. Minuetto. Moderato | | | | | | | |
Symphony no. 1 in C minor, op. 32: IV. Allegro assai | | | | | | | |
Symphony no. 2 in D major, op. 35: I. Andante – Allegro | | | | | | | |
Symphony no. 2 in D major, op. 35: II. Andante | | | | | | | |
Symphony no. 2 in D major, op. 35: III. Scherzo. Vivace | | | | | | | |
Symphony no. 2 in D major, op. 35: IV. Andante – Allegro | | | | | | | |
Symphony no. 3 in G minor, op. 36: I. Adagio – Allegro | | | | | | | |
Symphony no. 3 in G minor, op. 36: II. Adagio cantabile | | | | | | | |
Symphony no. 3 in G minor, op. 36: III. Scherzo. Vivace | | | | | | | |
Symphony no. 3 in G minor, op. 36: IV. Finale. Allegro | | | | | | | |
Vesperae solennes de confessore, K. 339: I. Dixit dominus | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood
- (show 26 more)
| | Mass | | | |
Vesperae solennes de confessore, K. 339: II. Confitebor | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood
- (show 25 more)
| | Mass | | | |
Vesperae solennes de confessore, K. 339: III. Beatus vir | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood
- (show 26 more)
| | Mass | | | |
Vesperae solennes de confessore, K. 339: IV. Laudate pueri | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- The English Concert Choir, The English Concert, Trevor Pinnock
- Choir Of St. John's College, The Wren Orchestra, George Guest
- Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood
- (show 26 more)
| | Mass | | | |
Vesperae solennes de confessore, K. 339: V. Laudate dominum | | - Jeunesses Musicales, Mária Zádori, Budapest Philharmonic Orchestra, Iván Fischer
- London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis
- [unknown]
- Peter Hanson, Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
- (show 104 more)
| | Mass | | | |
Vesperae solennes de confessore, K. 339: VI. Magnificat | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Barbara Bonney, Catherine Wyn‐Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock
- Emma Kirkby, Catherine Robbin, John Mark Ainsley, Michael George, Winchester College Quiristers, Choir Of Winchester Cathedral, Academy of Ancient Music, Christopher Hogwood
- (show 25 more)
| | Mass | | | |