| À Chloris | | | | Song | | | |
| A Song of the High Hills, RT ii/6 | | - The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis
- Frederick Delius
- Olivia Robinson, Christopher Bowen, Andrew Rupp, The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis
- Aarhus Symphony Orchestra, Bo Holten
- BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Gennadi Rozhdestventsky
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| Après un rêve, op. 7 no. 1 | | | | | | | |
| Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
| Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
| Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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| Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
| Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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| Cinco canciones negras, nº 2: Punto de habanera | | | | Song | | | |
| Concerto for Two Pianos and Orchestra in D minor, FP 61: I. Allegro ma non troppo | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Anne Queffélec, Jean‐Bernard Pommier, City of London Sinfonia, Richard Hickox
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- (show 32 more)
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| Concerto for Two Pianos and Orchestra in D minor, FP 61: III. Finale (Allegro molto) | | - Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit
- Jacques Février, Francis Poulenc, Orchestre de la Société des Concerts du Conservatoire, Pierre Dervaux
- Frank Braley, Éric Le Sage, Orchestre Philharmonique de Liège, Stéphane Denève
- Martha Argerich, Alexander Gurning, Orchestra della Svizzera italiana, Erasmo Capilla
- (show 25 more)
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| Concerto for Violin and Orchestra in A minor, op. 54: I. Tranquillo | | | | | | | |
| Concerto for Violin and Orchestra in A minor, op. 54: II. Vivo | | | | | | | |
| Concerto no. 1 for Violin and Orchestra in D major: I. Allegro moderato | | | | | | | |
| Concerto no. 1 for Violin and Orchestra in D major: II. Romanze (Andante con moto) | | | | | | | |
| Concerto no. 1 for Violin and Orchestra in D major: III. Intermezzo (Canzonetta) | | | | | | | |
| Concerto no. 1 for Violin and Orchestra in D major: IV. Finale (Allegro scherzando e grazioso) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | | | | Aria | | | |
| Études | | | | Ballet | | | |
| Eventyr | | | | | | | |
| Fantasia for Violin and Orchestra in F major, op. 20: Allegretto scherzando | | | | | | | |
| Fantasia for Violin and Orchestra in F major, op. 20: Finale (molto allegro con brio) | | | | | | | |
| Fantasia for Violin and Orchestra in F major, op. 20: Introduction (moderato) | | | | | | | |
| Five Songs from the Norwegian: No. 1. Slumber Song | | | | Song | | | |
| Five Songs from the Norwegian: No. 2. The Nightingale | | | | Song | | | |
| Five Songs from the Norwegian: No. 3. Summer's Eve | | | | Song | | | |
| Five Songs from the Norwegian: No. 4. Longing | | | | Song | | | |
| Five Songs from the Norwegian: No. 5. Sunset | | | | Song | | | |
| L'Heure espagnole: Scène XVII. « Oh ! la pitoyable aventure ! » | | | | | | | |
| L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto | | | | | | | |
| L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso | | | | | | | |
| L’Arlésienne Suite no. 1: III. Adagietto | | | | | | | |
| L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato | | | | | | | |
| L’Arlésienne Suite no. 2: I. Pastorale | | | | | | | |
| L’Arlésienne Suite no. 2: II. Intermezzo | | | | | | | |
| L’Arlésienne Suite no. 2: III. Menuet | | | | | | | |
| L’Arlésienne Suite no. 2: IV. Farandole | | | | | | | |
| La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) | | | | Aria | | | |
| La paloma | | | | Song | | | |
| La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) | | | | Aria | | | |
| Le gelosie villane | | | | Opera | | | |
| Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) | | | | | | | |
| Orfeo ed Euridice, Wq. 30 | | | | Opera | | | |
| Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) | | | | Aria | | | |
| Si tu le voulais | | | | Song | | | |
| Sinfonia in Memoriam, op. 65: I. Molto moderato | | | | | | | |
| Sinfonia in Memoriam, op. 65: II. Allegro vivace | | | | | | | |
| Sinfonia in Memoriam, op. 65: III. Andante | | | | | | | |
| Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) | | | | Aria | | | |
| Symphonie no. 1 en ut majeur : I. Allegro vivo | | | | | | | |
| Symphonie no. 1 en ut majeur : II. Andante (Adagio) | | | | | | | |
| Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace | | | | | | | |
| Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace | | | | | | | |
| Symphony no. 1, op. 4: I. Allegro | | | | | | | |
| Symphony no. 1, op. 4: II. Andante | | | | | | | |
| Symphony no. 1, op. 4: III. Allegro energico | | | | | | | |
| Symphony no. 2, op. 15: I. Impressioni: Allegro | | | | | | | |
| Symphony no. 2, op. 15: II. Lamentazione: Adagio, molto tranquillo | | | | | | | |
| Symphony no. 2, op. 15: III. Espressione: Allegro | | | | | | | |
| Symphony no. 3, op. 25 "Sinfonia rustica": I. Brujdans: Allegro non troppo, ma con vivo | | | | | | | |
| Symphony no. 3, op. 25 "Sinfonia rustica": II. Skammelsen-Variationer: Poco maestoso - Andante cantabile - Allegretto ma tranquillo - Con moto - Allegretto - Più tranquillo - Più largamente e maestoso - Allegretto con moto - Maestoso | | | | | | | |
| Symphony no. 3, op. 25 "Sinfonia rustica": III. Bryde Kloster: Vivace | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": I. Allegro passionato | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": II. Adagio | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": III. Con fuoco | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": IV. Moderato | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": V. Gloria: Allegro non troppo | | | | | | | |
| Symphony no. 4, op. 29 "Sinfonia sacra": VI. Laudate: Con moto | | | | | | | |
| Symphony no. 5, op. 35: I. Allegro non troppo | | | | | | | |
| Symphony no. 5, op. 35: II. Andante affettuoso | | | | | | | |
| Symphony no. 5, op. 35: III. Vivace | | | | | | | |
| Symphony no. 6, op. 43: I. Adagio - Allegro - Adagio | | | | | | | |
| Symphony no. 6, op. 43: II. Allegro molto e con fuoco | | | | | | | |
| Symphony no. 7, op. 50 | | | | Symphony | | | |
| Symphony no. 8, op. 56 "Sinfonia boreale": I. Allegro molto intensivo | | | | | | | |
| Symphony no. 8, op. 56 "Sinfonia boreale": II. Tempo giusto | | | | | | | |
| Symphony no. 8, op. 56 "Sinfonia boreale": III. Andante con moto | | | | | | | |
| Symphony no. 8, op. 56 "Sinfonia boreale": IV. Allegro passionato | | | | | | | |
| Symphony no. 9, op. 95: I. Allegro fluente | | | | | | | |
| Symphony no. 9, op. 95: II. Intermezzo I: Quieto | | | | | | | |
| Symphony no. 9, op. 95: III. Allegro con fuoco | | | | | | | |
| Symphony no. 9, op. 95: IV. Intermezzo II: Quieto | | | | | | | |
| Symphony no. 9, op. 95: V. Andante austero | | | | | | | |
| Symphony no. 10, op. 105: I. Poco sostenuto - Allegro espansivo | | | | | | | |
| Symphony no. 10, op. 105: II. Andante affettuoso | | | | | | | |
| Symphony no. 10, op. 105: III. Allegro con forza | | | | | | | |
| Symphony no. 11, op. 144: I. Allegro non troppo - Più allegro - Alla breve - Pesante | | | | | | | |
| Symphony no. 11, op. 144: II. Tempo giusto - Presto - L'iestesso tempo | | | | | | | |
| Symphony no. 11, op. 144: III. Andante - Più mosso - A tempo | | | | | | | |
| Symphony no. 12, op. 175: I. Allegro con forza | | | | | | | |
| Symphony no. 12, op. 175: II. Andante sereno | | | | | | | |
| Symphony no. 12, op. 175: III. Adagio - Allegro con brio | | | | | | | |
| Symphony no. 13, op. 192: I. Allegro assai - Con moto - A tempo | | | | | | | |
| Symphony no. 13, op. 192: II. Allegro moderato - Animato - Calmo - Tempo I | | | | | | | |
| Symphony no. 13, op. 192: III. Allegro con brio - Calmo - Più mosso - Tempo I | | | | | | | |
| Three Small Tone Poems, RT vi/7: II. Winter Night (Sleigh Ride) | | | | Symphonic poem | | | |
| Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla) | | - Maria Callas
- Maria Callas, Philharmonia Orchestra, Tullio Serafin
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- Norberto Mola, Coro del Teatro alla Scala di Milano, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- (show 64 more)
| | Aria | | | |
