"Ah! perfido", Op. 65 | Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 12:29 | |
All mein’ Gedanken, op. 21 no. 1 | Camilla Tilling, Paul Rivinius | | | 1:18 | |
Allerseelen, op. 10 no. 8 | Camilla Tilling, Paul Rivinius | | | 3:12 | |
Am Tage aller Seelen (Litanei), D. 343 | Camilla Tilling, Paul Rivinius | | | 4:44 | |
An Silvia, D. 891 | Camilla Tilling, Paul Rivinius | | | 2:54 | |
Armide, Wq. 45: Act II: Aria: Quel trouble me saisit?… Ah quelle cruauté… | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 4:09 | |
Armide, Wq. 45: Act II: Enfin, il est en ma puissance | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 2:53 | |
Armide, Wq. 45: Act III: Ah! Si la liberté me doit être ravie | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 3:55 | |
Befreit, op. 39 no. 4 | Camilla Tilling, Paul Rivinius | | | 5:31 | |
Bei dir allein!, D. 866/2 | Camilla Tilling, Paul Rivinius | | | 2:16 | |
Cäcilie, op. 27 no. 2 | Camilla Tilling, Paul Rivinius | | | 2:07 | |
Così fan tutte, K. 588: Act I: Aria: Come scoglio | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 4:38 | |
Così fan tutte, K. 588: Act I: Recitative: Temerari! Sortite fuori di questo loco! | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 1:16 | |
Così fan tutte, K. 588: Act II: Recitative: Ei parte… senti… ah no! | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 1:29 | |
Così fan tutte, K. 588: Act II: Rondo: Per pietà, ben mio, perdona… | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 7:43 | |
Das Rosenband, op. 36 no. 1 | Camilla Tilling, Paul Rivinius | | | 3:03 | |
Der Sänger am Felsen, D. 482 | Camilla Tilling, Paul Rivinius | | | 3:25 | |
Der Zwerg, D. 771 | Camilla Tilling, Paul Rivinius | | | 5:36 | |
Dido and Aeneas: Act the First, Scene: The Palace. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) | Simon Halsey, David Lowe, Cécile De Boever, European Voices, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 2:15 | |
Dido and Aeneas: Act the First, Scene: The Palace. “Grief increases by concealing” (Belinda, Dido) | Susan Graham, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 0:34 | |
Dido and Aeneas: Act the First, Scene: The Palace. “If not for mine, for empire’s sake” (Aeneas, Belinda) | Ian Bostridge, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 1:30 | |
Dido and Aeneas: Act the First, Scene: The Palace. “See, your royal guest appears” (Aeneas, Belinda, Dido) | Ian Bostridge, Susan Graham, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 0:48 | |
Dido and Aeneas: Act the First, Scene: The Palace. “Shake the cloud from off your brow” (Belinda) | Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 0:36 | |
Dido and Aeneas: Act the First, Scene: The Palace. “Whence could so much virtue spring?” (Belinda, Dido) | Susan Graham, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 1:41 | |
Dido and Aeneas: Act the Second, Scene 2: The Grove. “Haste, haste to town” (Belinda, Chorus) | Simon Halsey, David Lowe, European Voices, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 0:45 | |
Dido and Aeneas: Act the Second, Scene 2: The Grove. “Thanks to these lonesome vales” (Belinda, Chorus) | Simon Halsey, David Lowe, European Voices, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 3:15 | |
Dido and Aeneas: Act the Third, Scene 2. “Your counsel all is urged in vain” (Aeneas, Belinda, Dido) | Ian Bostridge, Susan Graham, Camilla Tilling, Le Concert d’Astrée, Emmanuelle Haïm | | | 3:27 | |
Die Schöpfung / The Creation, Hob. XXI: 2: Die Himmel erzählen die Ehre Gottes | Chor des Bayerischen Rundfunks, Hanno Müller‐Brachmann, Mark Padmore, Camilla Tilling, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | | | 4:13 | |
Drei Lieder der Ophelia, op. 67: No. 1. Wie erkenn ich mein Treulieb vor andern nun? | Camilla Tilling, Paul Rivinius | | | 2:59 | |
Drei Lieder der Ophelia, op. 67: No. 2. Guten Morgen, ’s ist Sankt Valentinstag | Camilla Tilling, Paul Rivinius | | | 1:15 | |
Drei Lieder der Ophelia, op. 67: No. 3. Sie trugen ihn auf der Bahre bloß | Camilla Tilling, Paul Rivinius | | | 3:53 | |
Du meines Herzens Krönelein, op. 21 no. 2 | Camilla Tilling, Paul Rivinius | | | 2:06 | |
Einerlei, op. 69 no. 3 | Camilla Tilling, Paul Rivinius | | | 2:21 | |
Frühlingsglaube, D. 686 | Camilla Tilling, Paul Rivinius | | | 3:20 | |
Geheimes, D. 719 | Camilla Tilling, Paul Rivinius | | | 2:03 | |
Gretchen am Spinnrade, D. 118 | Camilla Tilling, Paul Rivinius | | | 3:51 | |
Grosse Messe in c, K. 427: Et incarnatus est | Camilla Tilling, Paul McCreesh, Gabrieli Consort & Players | | | 7:48 | |
Hat gesagt – bleibt’s nicht dabei, op. 36 no. 3 | Camilla Tilling, Paul Rivinius | | | 2:27 | |
Heimliches Lieben, D. 922 | Camilla Tilling, Paul Rivinius | | | 4:25 | |
Ich schwebe, op. 48 no. 2 | Camilla Tilling, Paul Rivinius | | | 2:15 | |
Idomeneo, K. 366: Act I: Padre, germani, addio! | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 3:57 | |
Idomeneo, K. 366: Act I: Quando avran fine omai l'aspre sventure mie? | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 3:52 | |
Idomeneo, K. 366: Act III: Solitudini amiche, aure amorose | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 0:59 | |
Idomeneo, K. 366: Act III: Zeffiretti lusinghieri de volate al mio tesoro | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 5:28 | |
Ihr habt nun Traurigkeit (And ye now therefore have sorrow) | Rundfunkchor Berlin, Camilla Tilling, Rundfunk‐Sinfonieorchester Berlin, Marek Janowski | | | 6:56 | |
Im Frühling, D. 882 | Camilla Tilling, Paul Rivinius | | | 4:16 | |
Iphigénie en Tauride, Act II: O malheureuse Iphigénie | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 4:47 | |
Junghexenlied, op. 39 no. 2 | Camilla Tilling, Paul Rivinius | | | 2:46 | |
Le nozze di Figaro, K. 492: Act III: Aria: Dove sono i bei momenti | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 4:37 | |
Le nozze di Figaro, K. 492: Act III: Recitative and Aria: E Susanna non vien! | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 1:31 | |
Le nozze di Figaro, K. 492: Act IV: Aria: Deh vieni non tardar | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 3:17 | |
Le nozze di Figaro, K. 492: Act IV: Recitative and Aria: Giunse al fin il momento… | Camilla Tilling, Musica Saeculorum, Philipp von Steinaecker | | | 1:13 | |
Leises Lied, op. 39 no. 1 | Camilla Tilling, Paul Rivinius | | | 3:10 | |
Lied der Delphine, D. 857/1 | Camilla Tilling, Paul Rivinius | | | 4:24 | |
Lied des Florio, D. 857/2 | Camilla Tilling, Paul Rivinius | | | 3:36 | |
Malven, AV 304 | Camilla Tilling, Paul Rivinius | | | 3:05 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" | Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 6:57 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" | Sarah Connolly, Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 2:46 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" | Sarah Connolly, Timothy Robinson, Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 3:50 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" | Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 7:48 | |
Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus | Sarah Connolly, Neal Davies, Timothy Robinson, Camilla Tilling, Gabrieli Consort & Players, Paul McCreesh | | | 5:10 | |
Matthäus-Passion, BWV 244: Erster Teil: [Nr. 8] Aria: »Blute nur, du liebes Herz« [Solo-Sopran] | Berliner Philharmoniker, Sir Simon Rattle, Camilla Tilling | | | 5:05 | |
Mein Auge, op. 37 no. 4 | Camilla Tilling, Paul Rivinius | | | 3:09 | |
Meinem Kinde, op. 37 no. 3 | Camilla Tilling, Paul Rivinius | | | 2:41 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Christe eleison. Andante | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 4:17 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Allegro moderato | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 5:04 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - I. Kyrie - Kyrie eleison. Larghetto | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 3:07 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Cum Sancto Spiritu. Allegro | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 5:44 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gloria in excelsis Deo. Allegro | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 6:44 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Gratias agimus. Larghetto | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 4:36 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Qui tollis. Andantino largo | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 7:24 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - II. Gloria - Quoniam. Allegro moderato - Grave | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 3:32 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Amen. Allegro | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 3:07 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Credo in unum Deum. Allegro | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 3:42 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Crucifixus. Andantino | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 2:20 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et in Spiritum Sanctum. Larghetto | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 2:54 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et incarnatus est. Sostenuto assai | Michael Gläser, Atsuko Suzuki, Chor des Bayerischen Rundfunks, Sara Fulgoni, Andreas Schulist, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 3:51 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - III. Credo - Et resurrexit. Allegro spirituoso | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 1:34 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Hosanna. Allegro vivace | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 0:53 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - IV. Sanctus - Sanctus Dominus Deus. Maestoso | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 1:08 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Benedictus qui venit. Larghetto | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 6:19 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - V. Benedictus - Hosanna. Allegro vivace | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 0:55 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Agnus Dei. Andante moderato | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 5:31 | |
Missa solemnis in D minor (for Prince Esterhazy, 1811) - VI. Agnus Dei - Dona nobis pacem. Allegro | Michael Gläser, Chor des Bayerischen Rundfunks, Sara Fulgoni, Kurt Streit, Camilla Tilling, Tómas Tómasson, Symphonieorchester des Bayerischen Rundfunks, Riccardo Muti | | | 4:25 | |
Morgen!, op. 27 no. 4 | Camilla Tilling, Paul Rivinius | | | 4:32 | |
Muttertändelei, op. 43 no. 2 | Camilla Tilling, Paul Rivinius | | | 2:30 | |
Myrthen, op. 25: No. 1, Widmung | Camilla Tilling, Gerold Huber | | | 2:20 | |
Myrthen, Op. 25: No. 1, Widmung | Camilla Tilling, Gerold Huber | | | 2:19 | |
Myrthen, op. 25: No. 3, Der Nussbaum | Camilla Tilling, Gerold Huber | | | 3:13 | |
Myrthen, Op. 25: No. 3, Der Nussbaum | Camilla Tilling, Gerold Huber | | | 3:13 | |
Myrthen, op. 25: No. 4, Jemand | Camilla Tilling, Gerold Huber | | | 2:04 | |
Myrthen, Op. 25: No. 4, Jemand | Camilla Tilling, Gerold Huber | | | 2:05 | |
Myrthen, op. 25: No. 7, Die Lotosblume | Camilla Tilling, Gerold Huber | | | 1:45 | |
Myrthen, Op. 25: No. 7, Die Lotosblume | Camilla Tilling, Gerold Huber | | | 1:45 | |
Myrthen, op. 25: No. 9, Lied der Suleika | Camilla Tilling, Gerold Huber | | | 2:38 | |
Myrthen, Op. 25: No. 9, Lied der Suleika | Camilla Tilling, Gerold Huber | | | 2:38 | |
Myrthen, Op. 25: No. 10, Die Hochländer-Witwe | Camilla Tilling, Gerold Huber | | | 1:26 | |
Myrthen, op. 25: No. 10, Die Hochländer‐Witwe | Camilla Tilling, Gerold Huber | | | 1:26 | |
Myrthen, op. 25: No. 11, Lied der Braut I - Mutter, Mutter, glaube nicht | Camilla Tilling, Gerold Huber | | | 2:04 | |
Myrthen, Op. 25: No. 11, Lied der Braut I - Mutter, Mutter, glaube nicht | Camilla Tilling, Gerold Huber | | | 2:04 | |