| 4 Refrainlieder, D. 866: Nr. 1. Die Unterscheidung | | | | Song | | | |
| 4 Refrainlieder, D. 866: Nr. 3. Die Männer sind méchant | | | | Song | | | |
| Abend- und Morgenrot, TrV 60 | | | | Song | | | |
| Ach Lieb, ich muss nun scheiden | | | | Song | | | |
| Ach, was Kummer, Qual und Schmerzen | | | | Song | | | |
| All mein’ Gedanken | | | | Song | | | |
| Allerseelen, op. 10 no. 8 | | | | Song | | | |
| Alphorn, TrV 64 | | | | | | | |
| Antigone und Oedip, D. 542 | | | | Song | | | |
| Così fan tutte: Atto I. “Dammi un bacio, o mio tesoro” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- (show 17 more)
| | | | | |
| Così fan tutte: Atto I. “Dove son! Che loco è questo!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | | - Wiener Philharmoniker, Karl Böhm
- Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- Carlos Feller, Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner
- Richard van Allan, Dame Janet Baker, Montserrat Caballé, Ileana Cotrubaş, Wladimiro Ganzarolli, Nicolai Gedda, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- (show 16 more)
| | | | | |
| Così fan tutte: Atto I. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- (show 19 more)
| | | | | |
| Così fan tutte: Atto I. “Si mora sì, si mora” … “Ah che del sole il raggio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- (show 15 more)
| | | | | |
| Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) | | - Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
- [unknown]
- Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Chamber Orchestra of Europe, Sir Georg Solti
- Joanna Borowska, Peter Mikuláš, Slovak Philharmonic Chorus, Rohangiz Yachmi, Capella Istropolitana, Johannes Wildner
- (show 77 more)
| | Aria | | | |
| Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) | | | | | | | |
| Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan
- Carlos Feller, Rodney Gilfry, Eirian James, Rosa Mannion, Amanda Roocroft, Rainer Trost, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
| | | | | |
| Così fan tutte: Atto I. Recitativo “Che vita maledetta” (Despina, Fiordiligi, Dorabella) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- Nan Merriman, Lisa Otto, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James
- (show 21 more)
| | | | | |
| Così fan tutte: Atto I. Recitativo “Oh la saria da ridere” (Don Alfonso, Despina) | | | | | | | |
| Così fan tutte: Atto II. “Miei signori, tutto è fatto” … “Bella vita militar!” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) | | - Wiener Philharmoniker, Karl Böhm
- Walter Berry, Alfredo Kraus, Christa Ludwig, Philharmonia Chorus, Elisabeth Schwarzkopf, Hanny Steffek, Giuseppe Taddei, Philharmonia Orchestra, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- (show 17 more)
| | | | | |
| Così fan tutte: Atto II. “Sani e salvi agli amplessi” … “Richiamati da regio contrordine” … “No Signor, non è un notaio” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro) | | | | Opera | | | |
| Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) | | | | Aria | | | |
| Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) | | | | | | | |
| Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | | | | | | | |
| Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) | | | | Aria | | | |
| Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) | | | | | | | |
| Così fan tutte: Atto II. Recitativo “Andate là, che siete” (Despina, Firodiligi, Dorabella) | | - Irene Eisinger, Luise Helletsgruber, Ina Souez, Orchestra of Glyndebourne Festival, Fritz Busch
- Chamber Orchestra of Europe, Sir Georg Solti
- La Petite Bande, Sigiswald Kuijken
- Nan Merriman, Lisa Otto, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- (show 22 more)
| | | | | |
| Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) | | | | | | | |
| Così fan tutte: Atto II. Recitativo “Ora vedo che siete” (Despina, Dorabella, Fiordiligi) | | - Wiener Philharmoniker, Karl Böhm
- Chamber Orchestra of Europe, Sir Georg Solti
- Rosa Mannion, Amanda Roocroft, English Baroque Soloists, Sir John Eliot Gardiner, Eirian James
- Nan Merriman, Lisa Otto, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- (show 20 more)
| | | | | |
| Das Bächlein | | | | Song | | | |
| Das Marienbild, D. 623 | | | | Song | | | |
| Der müde Wanderer | | | | Song | | | |
| Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) | | - Lynne Dawson, The English Concert Choir, Sarah Leonard, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Julianne Baird, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Henry Purcell
- Teodor Currentzis, MusicAeterna
- (show 21 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) | | - Lynne Dawson, The English Concert Choir, Sarah Leonard, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Henry Purcell
- Teodor Currentzis, MusicAeterna
- Choir of Clare College, Cambridge, Rosemary Joshua, María Cristina Kiehr, Orchestra of the Age of Enlightenment, René Jacobs
- (show 19 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 23 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) | | | | Aria | | | |
| Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle | | | | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) | | | | Aria | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle | | | | Aria | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 27 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Academy of Ancient Music Chorus, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- Henry Purcell
- (show 22 more)
| | Aria | | | |
| Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 25 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
- Taverner Choir, Andrew Parrott, Taverner Players
- Les Arts Florissants, William Christie
- (show 11 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) | | | | | | | |
| Die Drossel ("Ich will ja nicht in Garten geh'n") | | | | Song | | | |
| Die Nacht, op. 10 no. 3 | | | | Song | | | |
| Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) | | - Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- La Petite Bande, Sigiswald Kuijken
- Mahler Chamber Orchestra, Claudio Abbado
- Marie McLaughlin, Mikael Melbye, Ann Murray, Peter Schreier, Hanna Schwarz, Staatskapelle Dresden, Sir Colin Davis
- (show 12 more)
| | | | | |
| Die Zauberflöte: Akt I. Monolog „Wo bin ich?” (Tamino) | | | | | | | |
| Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Anton Dermota, Erich Kunz, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- English Baroque Soloists, Sir John Eliot Gardiner
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 43 more)
| | | | | |
| Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) | | - Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer
- Erich Kunz, Anton Dermota, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- English Baroque Soloists, Sir John Eliot Gardiner
- (show 39 more)
| | | | | |
| Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) | | - Günther Arndt, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm
- Ludwig Weber, Singverein der Gesellschaft der Musikfreunde in Wien, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 32 more)
| | | | | |
| Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm
- Peter Klein, Wilma Lipp, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch
- (show 36 more)
| | | | | |
| Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) | | - Sena Jurinac, Friedl Riegler, Else Schürhoff, Erich Kunz, Anton Dermota, Singverein der Gesellschaft der Musikfreunde in Wien, Wiener Philharmoniker, Herbert von Karajan
- Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- English Baroque Soloists, Sir John Eliot Gardiner
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 29 more)
| | | | | |
| Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) | | | | | | | |
| Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) | | | | | | | |
| Du meines Herzens Krönelein, op. 21 no. 2 | | | | Song | | | |
| Ein altschottische Ballade, D. 923 | | - Maya Boog, Wolf Matthias Friedrich, Ulrich Eisenlohr
- Marie McLaughlin, Thomas Hampson, Graham Johnson
- Hermann Prey, Marga Schiml, Leonard Hokanson
- Accentus, Isabelle Dupuy-Pardoël, Matthieu Lécroart, Édouard Garcin, Laurence Equilbey
| | Song | | | |
| Ein Röslein zog ich mir im Garten, TrV 67 | | | | Song | | | |
| Ellens Gesang I, D. 837 | | | | Song | | | |
| Ellens Gesang II, op. 52 no. 2, D. 838 | | | | Song | | | |
| Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” | | | | Song | | | |
| Eriskay Love Lilt | | | | Song | | | |
| Gefunden, op. 56 no. 1 | | | | | | | |
| Gesang der Norna, D. 831 | | | | Song | | | |
| Gretchen am Spinnrade, D. 118 | | | | Song | | | |
| Gretchens Bitte, D. 564 | | | | Song | | | |
| Hektors Abschied, D. 312 | | | | Song | | | |
| In goldener Fülle, op. 49 no. 2 | | | | Song | | | |
| Klaglied, D. 23 | | | | Song | | | |
| Lass ruhn die Toten, TrV 50 | | | | Song | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) | | | | Aria | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena I. Recitativo “Cosa stai misurando” (Susanna, Figaro) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) | | | | | | | |
