Credendum (Article of Faith): II. Chorale. Lento - attacca | The Philadelphia Orchestra, Eugene Ormandy | | | 7:24 | |
Credendum (Article of Faith): III. Finale. Presto | The Philadelphia Orchestra, Eugene Ormandy | | | 7:02 | |
Czardas | The Philadelphia Orchestra & Eugene Ormandy | | | ?:?? | |
Dance for Six from William Tell | The Philadelphia Orchestra, Eugene Ormandy | | | 5:57 | |
Dance of The Blessed Spirits (from Orfeo ed Euridice) | The Philadelphia Orchestra, Eugene Ormandy | | | 3:29 | |
Dance of the Blessed Spirits from Orpheo & Euridice | Eugene Ormandy | | | 3:29 | |
Dance of the Comedians | The Philadelphia Orchestra, Eugene Ormandy | | | 4:01 | |
Dance of the Comedians from The Bartered Bride | The Philadelphia Orchestra, Eugene Ormandy | | | 5:08 | |
Dance of the Flutes | Tchaikovsky ~ Philadelphia Orchestra, Eugene Ormandy | | | ?:?? | |
Dance of the Hours | The Philadelphia Orchestra, Eugene Ormandy | | | 10:19 | |
Dance of the Hours from "La Gioconda" (Act III) | The Philadelphia Orchestra, Eugene Ormandy | | | 10:21 | |
Dance Of The Merlitons | Eugene Ormandy / The Philadelphia Orchestra | | | 2:14 | |
Dance of the Sugar-Plum Fairy | Tchaikovsky ~ Philadelphia Orchestra, Eugene Ormandy | | | ?:?? | |
Dance of the Tumblers from The Snow Maiden | The Philadelphia Orchestra, Eugene Ormandy | | | 3:24 | |
Dance of the Young Maidens from Gayane | The Philadelphia Orchestra, Eugene Ormandy | | | 2:02 | |
Dance of the Young Maidens from Gayane Ballet Suite | The Philadelphia Orchestra, Eugene Ormandy | | | 2:03 | |
Dance Song | Richard Strauss, Eugene Ormandy & The Philadelphia Orchestra | | | 8:11 | |
Dances of Galánta | The Philadelphia Orchestra, Eugene Ormandy | | | 15:23 | |
Dances of Marosszék | The Philadelphia Orchestra, Eugene Ormandy | | | 13:25 | |
Danse | The Philadelphia Orchestra, Eugene Ormandy | | | 5:25 | |
Danse (Tarantelle styrienne) | The Philadelphia Orchestra, Eugene Ormandy | | | 5:23 | |
Danse Des Petits Cygnes: Moderato (Act IV) | Pyotr Ilyich Tchaikovsky, Eugene Ormandy & The Philadelphia Orchestra | | | 5:01 | |
Danse Espagnole: Allegro Non Troppo (Act III) | Pyotr Ilyich Tchaikovsky, Eugene Ormandy & The Philadelphia Orchestra | | | 2:16 | |
Danse hongroise N° 5 | Orchestre de Philadelphie, Eugene Ormandy | | | 3:20 | |
Danse hongroise No.21 | The Philadelphia Orchestra, Eugene Ormandy | | | 1:33 | |
Danse Hongroise: Czardas (Act III) | Pyotr Ilyich Tchaikovsky, Eugene Ormandy & The Philadelphia Orchestra | | | 2:55 | |
Danse Macabre | The Philadelphia Orchestra, Eugene Ormandy | | | 7:37 | |
Danse Macabre | The Philadelphia Orchestra, Eugene Ormandy | | | 7:34 | |
Danse Macabre (extract) | Philadelphia Orchestra, Eugene Ormandy | | | 0:41 | |
Danse Macabre in G minor, op. 40 | The Philadelphia Orchestra, Eugene Ormandy | | | 7:33 | |
Danse Macabre in G Minor, Op. 40 | The Philadelphia Orchestra, Eugene Ormandy | | | 7:48 | |
Danse Macabre, Op. 40 | The Philadelphia Orchestra, Eugene Ormandy | | | 7:11 | |
Danses Symphoniques, op. 45 : I. Non allegro | Serge Rachmaninov; Philadelphia Orchestra, Eugene Ormandy | | | 11:13 | |
Danses Symphoniques, op. 45 : II. Andante con motto (Tempo di valse) | Serge Rachmaninov; Philadelphia Orchestra, Eugene Ormandy | | | 9:32 | |
Danses Symphoniques, op. 45 : III. Lento assai - Allegro vivace | Serge Rachmaninov; Philadelphia Orchestra, Eugene Ormandy | | | 13:22 | |
Danza dei commedianti | Philadelphia Orchestra, Eugene Ormandy | | | 4:00 | |
Daphnis et Chloé Suite no. 2 | The Philadelphia Orchestra, Eugene Ormandy | | | 15:48 | |
Daphnis et Chloé, Suite no. 2, M 57b: I. Lever du jour. Lent | The Philadelphia Orchestra, Eugene Ormandy | | | 4:42 | |
Daphnis et Chloé, Suite no. 2, M 57b: II. Pantomime. Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80 - attacca | The Philadelphia Orchestra, Eugene Ormandy | | | 6:10 | |
Daphnis et Chloé, Suite no. 2, M 57b: III. Danse générale. Animé | The Philadelphia Orchestra, Eugene Ormandy | | | 4:19 | |
Daphnis et Chloé: Suite no. 1, M 57a. Danse guerrière (Animé très rude 𝅘𝅥 = 138) | Elaine Brown, Temple University Choir, The Philadelphia Orchestra, Eugene Ormandy | | | 3:49 | |
Daphnis et Chloé: Suite no. 1, M 57a. Interlude - (Même mouvement) | Elaine Brown, Temple University Choir, The Philadelphia Orchestra, Eugene Ormandy | | | 2:45 | |
Daphnis et Chloé: Suite no. 1, M 57a. Nocturne - (Modéré - Lent et très souple de mesure - 𝅘𝅥 = 40 - 𝅘𝅥 = 50) | Elaine Brown, Temple University Choir, The Philadelphia Orchestra, Eugene Ormandy | | | 4:24 | |
Daphnis et Chloé: Suite no. 2 | The Philadelphia Orchestra, Eugene Ormandy, Mendelssohn Club of Philadelphia, Robert Page | | | 16:14 | |
Daphnis et Chloé: Suite no. 2, M 57b. Danse générale (Animé) | The Philadelphia Orchestra, Eugene Ormandy | | | 4:14 | |
Daphnis et Chloé: Suite no. 2, M 57b. Lever du jour - (Lent) | The Philadelphia Orchestra, Eugene Ormandy | | | 6:13 | |
Daphnis et Chloé: Suite no. 2, M 57b. Pantomime - (Lent - Très lent - Vif - Très lent - 𝅘𝅥 = 80) | The Philadelphia Orchestra, Eugene Ormandy | | | 4:24 | |
Daphnis et Chloé: Suite no. 2: 1. Lever du jour | The Philadelphia Orchestra, Eugene Ormandy | | | 5:11 | |
Daphnis et Chloé: Suite no. 2: 2. Pantomime | The Philadelphia Orchestra, Eugene Ormandy | | | 6:27 | |
Daphnis et Chloé: Suite no. 2: 3. Danse générale | The Philadelphia Orchestra, Eugene Ormandy | | | 4:41 | |
Das Land des Lächelns: “Dein ist mein ganzes Herz” | Philadelphia "Pops" Orchestra, Eugene Ormandy | | | 3:34 | |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Richard Lewis, The Philadelphia Orchestra, Eugene Ormandy | | | 8:24 | |
Das Lied von der Erde: II. Der Einsame im Herbst | Lili Chookasian, The Philadelphia Orchestra, Eugene Ormandy | | | 9:08 | |
Das Lied von der Erde: III. Von der Jugend | Richard Lewis, The Philadelphia Orchestra, Eugene Ormandy | | | 3:06 | |
Das lied von der erde: IV. Von der schönheit | Lili Chookasian, Richard Lewis, The Philadelphia Orchestra, Eugene Ormandy | | | 6:36 | |
Das Lied von der Erde: IV. Von der Schönheit | Lili Chookasian, The Philadelphia Orchestra, Eugene Ormandy | | | 6:39 | |
Das Lied von der Erde: V. Der Trunkene im Frühling | Richard Lewis, The Philadelphia Orchestra, Eugene Ormandy | | | 4:20 | |
Das Lied von der Erde: VI. Der Abschied | Lili Chookasian, The Philadelphia Orchestra, Eugene Ormandy | | | 26:56 | |
Das Rheingold: Invocation of Alberic & Entrance of the Gods into Valhalla | The Philadelphia Orchestra, Eugene Ormandy | | | 10:15 | |
Das Spitzentuch der Königin: Overture | Philadelphia "Pops" Orchestra, Eugene Ormandy | | | 5:26 | |
David’s Lamentation | Mormon Tabernacle Choir, Richard P. Condie, The Philadelphia Orchestra, Eugene Ormandy, Alexander Schreiner, Frank W. Asper | | | ?:?? | |
David’s Lamentation | Mormon Tabernacle Choir, Richard P. Condie, The Philadelphia Orchestra, Eugene Ormandy, Alexander Schreiner, Frank W. Asper | | | 1:42 | |
Death and Transfiguration, op. 24 | The Philadelphia Orchestra, Eugene Ormandy | | | 24:31 | |
Deck the Hall With Boughs of Holly | The Philadelphia Orchestra, Eugene Ormandy | | | 1:48 | |
Deck the Halls | Philadelphia Orchestra & Eugene Ormandy | | | 1:45 | |
Deck the Halls With Boughs of Holly | Philadelphia Orchestra, Eugene Ormandy | | | 1:49 | |
Der Bürger als Edelmann Suite, Op. 60 | The Philadelphia Orchestra, Eugene Ormandy | | | 4:02 | |
Der Bürger als Edelmann Suite, op. 60: I. Vorspiel zum 1. Aufzug | The Philadelphia Orchestra, Eugene Ormandy | | | 4:04 | |
Der Bürger als Edelmann Suite, op. 60: II. Menuett | The Philadelphia Orchestra, Eugene Ormandy | | | 1:29 | |
Der Bürger als Edelmann Suite, op. 60: III. Der Fechtmeister | The Philadelphia Orchestra, Eugene Ormandy | | | 1:45 | |
Der Bürger als Edelmann Suite, op. 60: IV. Auftritt und Tanz der Schneider | The Philadelphia Orchestra, Eugene Ormandy | | | 5:08 | |
Der Bürger als Edelmann Suite, op. 60: IX. Das Diner | The Philadelphia Orchestra, Eugene Ormandy | | | 9:30 | |
Der Bürger als Edelmann Suite, op. 60: VI. Courante | The Philadelphia Orchestra, Eugene Ormandy | | | 2:30 | |
Der Bürger als Edelmann Suite, op. 60: VII. Auftritt des Cleonte (nach Lully) | The Philadelphia Orchestra, Eugene Ormandy | | | 4:01 | |
Der Bürger als Edelmann Suite, op. 60: VIII. Vorspiel Zum 2. Aufzug | The Philadelphia Orchestra, Eugene Ormandy | | | 3:04 | |
Der Freischütz, op. 7: Overture. Adagio - Molto vivace | The Philadelphia Orchestra, Eugene Ormandy | | | 8:46 | |
Der Rosenkavalier Suite | The Philadelphia Orchestra, Eugene Ormandy | | | 22:50 | |
Der Rosenkavalier, Concert Suite for Orchestra, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | The Philadelphia Orchestra, Eugene Ormandy | | | 21:31 | |
Der Rosenkavalier, TrV 227d: Prelude to Act I. Con moto agitato - attacca / Presentation of the Silver Rose. Allegro molto - attacca / Baron Ochs's Waltz. Tempo di valse, assai comodo da primo - attacca / Closing Duet: “Ist ein Traum”. Moderato molto sostenuto - attacca / Waltz (Reprise) | The Philadelphia Orchestra, Eugene Ormandy | | | 21:17 | |
Der Rosenkavalier: Suite | The Philadelphia Orchestra, Eugene Ormandy | | | ?:?? | |
Der Rosenkavalier: Waltzes | The Philadelphia Orchestra, Eugene Ormandy | | | 9:26 | |
Der Zigeunerbaron: Overture | Philadelphia “Pops” Orchestra, Eugene Ormandy | | | 7:43 | |
Desolate City | The Philadelphia Orchestra, Eugene Ormandy | | | 5:56 | |
Dichter und Bauer: Overture | The Philadelphia Orchestra, Eugene Ormandy | | | 9:19 | |
Die Fledermaus: Act I. No. 1 Introduction: “Do you still belong to me” (Alfred, Adele) / No. 1a Solo and Duet: “I've a sister rarely writes me” (Rosalinda, Adele) | Lily Pons, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:18 | |
Die Fledermaus: Act I. No. 2 Trio: “Let me tell you” (Eisenstein, Rosalinda, Blind) | Paul Franke, Charles Kullman, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 3:38 | |
Die Fledermaus: Act I. No. 3 Duet: “I've a plan for a man” (Falke, Eisenstein) | John Brownlee, Charles Kullman, Metropolitan Opera Orchestra, Eugene Ormandy | | | 3:16 | |
Die Fledermaus: Act I. No. 4 Trio: “The graying sea, the leaden sky” (Rosalinda, Adele, Eisenstein) | Charles Kullman, Lily Pons, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 3:38 | |
Die Fledermaus: Act I. No. 5 Finale I: “What a lovely rendezvous” (Alfred, Rosalinda, Frank) | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Richard Tucker, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 11:08 | |
Die Fledermaus: Act II. Ballet: Roses from the South, op. 388 | Metropolitan Opera Orchestra, Eugene Ormandy | | | 7:14 | |
Die Fledermaus: Act II. No. 6 Entr'acte and Ensemble: “You will find if your mind is an ever-sharp stiletto” (chorus) | Kurt Adler, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Eugene Ormandy | | | 1:35 | |
Die Fledermaus: Act II. No. 7 Couplet: “I've many peculiarities” (Orlofsky) | Martha Lipton, Metropolitan Opera Orchestra, Eugene Ormandy | | | 2:53 | |
Die Fledermaus: Act II. No. 8 Ensemble and Couplet: “It seems we're entertaining an uninvited guest” - “Look me over once, look me over twice” (Adele's Laughing Song) (Orlofsky, Falke, ensemble, Adele, Eisenstein) | Kurt Adler, John Brownlee, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:36 | |
Die Fledermaus: Act II. No. 9 Duet: “What a beauty” (Eisenstein, Rosalinda) | Charles Kullman, Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:09 | |
Die Fledermaus: Act II. No. 10 Csárdás: “Some days you're lonely” (Rosalinda) | Ljuba Welitsch, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:11 | |
Die Fledermaus: Act II. No. 11a Finale IIa: “A Bacchanalian revel” (Orlofsky, Eisenstein, Adele, ensemble) | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 8:10 | |
Die Fledermaus: Act II. No. 11a Finale IIb: “Let's hope this never halts” (Orlofsky, ensemble, Eisenstein, Adele) | Kurt Adler, Charles Kullman, Martha Lipton, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:19 | |
Die Fledermaus: Act III. No. 12: Entr'acte | Metropolitan Opera Orchestra, Eugene Ormandy | | | 0:57 | |
Die Fledermaus: Act III. No. 13 Melodrama: “Then up with the wine and drink her down” (Frank) | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Eugene Ormandy | | | 3:39 | |
Die Fledermaus: Act III. No. 14 Couplet: “I am portraying a farm girl” (Adele, Frank) | Kurt Adler, Clifford Harvuot, Metropolitan Opera Chorus, Lily Pons, Metropolitan Opera Orchestra, Eugene Ormandy | | | 4:27 | |